Why can't Prince Andrey forgive Natasha. "Strange Love" by Natasha and Andrey Does Natasha love Andrey

Natasha became for the writer the embodiment of high human qualities: true love and spiritual beauty. Fate brought Andrey and Natasha together, they fell in love, but their relationship was not simple.

Natasha has always attracted even unfamiliar people who met by the will of fate. The author draws attention many times to the fact that her beauty was more internal than external. Many episodes of the novel tell how Natasha inspires people, makes them better, kinder, returns their love of life to them.

For the first time Tolstoy introduces us to Andrei Bolkonsky in the salon of Anna Pavlovna Sherer and describes his appearance. The writer pays much attention to the expression of boredom and discontent on the face of the prince. Andrei Bolkonsky received a good education and manners. The 10th father is an associate of Suvorov, a symbol of the era of the 18th century.

It was his father who taught Prince Bolkonsky to value in people such human virtues as fidelity to honor and duty. Prince Andrei is a richly gifted person. He lives in the era of the French Revolution and the Patriotic War of 1812.

In such an environment, Prince Andrei is looking for the meaning of life. First, these are dreams of “their own Toulon”, dreams of glory. But the wound on the field of Austerlitz leads the hero to disappointment. In general, the history of his life is a chain of disappointments: first in fame, then in social and political activities, and, finally, in love.

The love of Natasha Rostova and Andrei Bolkonsky is the most beautiful feeling in the novel. It was subjected to many trials of life, but withstood, withstood, retained its depth and tenderness. Let's remember the meeting between Natasha and Andrey at the ball. They understood each other suddenly, from half a glance, they felt something that united them both, their souls united. Prince Andrei grew younger next to Natasha. He became at ease and natural next to her. Why does Natasha, deeply loving Andrei, suddenly fall in love with Anatole? In my opinion, the heroine does not deserve strict condemnation. She has a changeable personality.

She is a real person who is not alien to everything worldly. Her heart is characterized by simplicity, openness, amorousness, gullibility. In addition, she was endowed by nature with a rare need to get carried away very much, she constantly needed to spend inexhaustible spiritual energy on something. Separation from Andrei became too difficult a test for a young girl.

Natasha often became a mystery to herself. She sometimes did not think what she was doing, but opened herself to feelings, opening up her naked soul.

But true love still won, woke up in Natasha's soul a little later. She realized that the one whom she idolized, whom she admired, who was dear to her, lived in her heart all this time. It was a joyful and new feeling that swallowed Natasha whole, brought her back to life. It seems to me that Pierre played a significant role in this return. Natasha understood and realized her guilt before Andrei, and therefore, in the last days of his life, she took care of him so tenderly and reverently.
Prince Andrei died, but Natasha remained to live, and, in my opinion, her later life was wonderful. And what about the fact that the old fire went out in it? She gave it to her loved ones, giving others the opportunity to warm themselves by this fire.

In the epic novel "War and Peace" by L. N. Tolstoy, drawing pictures of the life of Russia at the beginning of the 19th century, shows the true beauty of his beloved heroes, reveals the purity of their moral feelings, spiritual clarity and simplicity, love relationships, grave doubts and rebirth to life through merging with other people.

The spiritual recovery of Prince Andrei Bolkonsky, who was disappointed in his idol Napoleon, in glory and heroism, who survived the death of his wife and repentance, is helped by an accidental meeting with Natasha Rostova, who, laughing merrily, fled in a crowd of friends when Prince Andrei travels to Otradnoye on guardianship to old count.

The carefree joy of an unfamiliar girl hurts the gloomy and sad traveler painfully. "And why is she happy?" Prince Andrei involuntarily asked himself with curiosity.

Natasha's cheerfulness, naturalness and sincere love for life, her admiration for a wonderfully fabulous night raise an unexpected confusion of young thoughts in Bolkonsky's soul, a desire not just to vegetate in the village, but to be useful to Russia and the people. It is the meeting with Natasha that makes him say that "life is not over at thirty-one" and go to St. Petersburg to work in the Speransky commission.

The second meeting between Prince Andrei and Natasha takes place at a ball, when, at the request of Pierre, he invites the young countess to a waltz. Her childish surprise, despair that no one invites to dance, the “fading face” conquer Bolkonsky, “the wine of her charms hit him in the head: he felt revived and rejuvenated.” Reasonable and practical, Prince Andrei suddenly unexpectedly thinks to himself: “If she comes first to her cousin, and then to another lady, then she will be my wife.”

Arriving on a visit to the Rostovs, he is amazed at the simplicity and cordiality that reigned in their family, admires Natasha and finds in this "a new pleasure for himself." Listening to her singing, he feels that "something new and happy has happened in his soul." Natasha managed to awaken in the soul of Prince Andrei what he deeply hid from himself and others - the love of life: "... for the first time after a long time he began to make happy plans for the future."

The simplicity of Natasha, who conquered Bolkonsky, is visible in everything. At the evening at the Bergs, her face was indifferent and ugly, but as soon as Prince Andrei spoke to her, “she was completely transformed. From bad, she again became the same as she was at the ball, ”blushed and,“ trying to hold back her impetuous breath, looked at him.

Natasha, devoid of affectation, coquetry, secular brilliance, is characterized by openness, sincerity, great spiritual generosity and sensitivity. Frightened and agitated, after meeting with Bolkonsky, she confesses to her mother what is happening to her: “So this is real, right? .. Mother, mother, this has never happened to me! .. And could we think! ..”

Happy and enthusiastic, Natasha anticipates fear of something important that was about to happen (she is waiting for Prince Andrei's explanation), experiences the absence of Bolkonsky, who decided to marry her and went to his father with this news.

First love is always not only joyful, but also painful: Natasha, not seeing Prince Andrei for three weeks, cries, withdraws into herself, gets annoyed over trifles. “It seemed to her that everyone knew about her disappointment, laughed and regretted her.” Deathly pallor covers her face when she hears the voice of Bolkonsky who has arrived. Frightened, she runs to her mother, asking for protection: “Mom, this is terrible, this is unbearable! I don't want to... suffer! What should I do?.."

Not accustomed to lies and deceit, she understands the state of Prince Andrei, who came to ask for her hand in marriage: “Now? This minute!.. No, it can't be! she thinks.

Possessing a great gift of love, Natasha is endowed with “the ability to feel shades of intonations, looks and facial expressions”, therefore “she looks impolitely, directly, with open eyes at Prince Andrei”, making sure that she was not mistaken in her assumption.

The scene of the love explanation of Andrei Bolkonsky and Natasha is full of poetry, the inner trembling of a young girl who dreamed of happiness.

With excitement and even fear, she enters the living room, looks at Prince Andrei and asks herself: “Is this stranger really become everything for me now?” For Natasha, a closed, dry, proud and cold prince is a “stranger” with everyone, she has not yet absorbed him into her heart, full of love and adoration of life. Therefore, he convinces himself: “Yes, everything: he alone is now dearer to me than everything in the world.

On the face of Bolkonsky, who is not used to openly showing his feelings, there is only impassive resignation to his fate. “I fell in love with you from the moment I saw you. Can I hope? - he says to Natasha and is amazed at her sincerity.

There is no feigned embarrassment, no secular pretense, no unnatural modesty in the heroine of Leo Tolstoy, and on her face the confused Prince Andrei sees gullibility, happiness, “passion”: “Her face said:“ Why ask? Why doubt that which is impossible not to know? Why talk when you can’t express what you feel in words. From an excess of happiness, unexpressed feelings, Natasha sobbed, "smiled through her tears ... and kissed him."

It is at this moment that Prince Andrei realizes that the life of this girl-child is in his hands: “... there was no former poetic and mysterious charm of desire, but there was pity for her feminine and childish weakness, there was fear of her devotion and gullibility, heavy and at the same time a joyful consciousness of the duty that forever connected him with her. He, a mature man who has known love and its betrayal, life's hardships, the ups and downs of hopes, must inform the bride that the wedding is postponed for a year. He gives the young and inexperienced Natasha the opportunity to test her feelings and gives her complete freedom of choice: “If she feels in six months that she does not love him, she will be in her right if she refuses him.”

Blinded by the joy of love, by the realization that she is now a “big”, “wife equal to this strange, sweet, intelligent person,” Natasha does not want to come to terms with the upcoming separation. Right now she needs his attention, admiration, affection and devotion: “It's terrible! No, it's terrible, terrible! Natasha suddenly spoke up and sobbed again. “I’ll die waiting for a year: it’s impossible, it’s terrible.”

Natasha's whole life consists in true and devoted love, merging with a loved one who has become close and dear to her. She tries to understand the thoughts and feelings of Prince Andrei, listens attentively to his stories, laughs, tries to prove to her family that “he only seems so special, and that he is the same as everyone else, and that she is not afraid of him, and that no one should be afraid of him."

Bolkonsky sees in the young Countess Rostova not an earthly woman, but his long-endured and hard-won ideal, so he is ashamed to talk with Natasha about the future life, father, son, and his upbringing. Prince Andrei involuntarily, attentively and searchingly observes Natasha's behavior, her conversation, fearing to make a mistake in his choice. “She asked herself in bewilderment: “What is he looking for in me? Is he getting something with his eyes? What, if not in me what he is looking for with this look?

Andrei Bolkonsky and Natasha Rostova are not destined to be together: they are too different in nature (not for nothing is Natasha afraid of the prince). From an imperfect, imperfect, contradictory life, Prince Andrei demands ideality and consistency, the coincidence of form and content, earthly and heavenly. He is guided by a code of honor, and not by feelings, he does not know how to be condescending, merciful to human weaknesses, and therefore does not forgive Natasha, having learned about her connection with Anatol Kuragin: “I remember ... I said that a fallen woman must be forgiven, but I don’t said that I can forgive. I can't..."

Prince Andrei considers himself an exceptional person, it is difficult to imagine him as the father of a family surrounded by children. And Natasha absorbs the poetry and prose of life, knows how to find and appreciate the beautiful in the ordinary, the great in the simple, the spiritual in the earthly. “The essence of her life is love,” the writer says about his beloved heroine.

L. N. Tolstoy, the artist, conveys Natasha's inner mood through a portrait, especially noting the expression of her eyes. At the ball, she has a "fading expression on her face ... ready for despair and delight." despite thin shoulders, underdeveloped breasts, thin and ugly hands, she attracts the attention of guests with grace, grace: “Her legs in ballroom satin shoes quickly, easily and independently did their job ...” Prince Andrei admires “the joyful gleam of her eyes ". “Straight, with open eyes,” Natasha looks at Bolkonsky, who has come to the Rostovs to ask for her hand. The writer's epithets are also unexpected, revealing the special shades of a charming girl's smile. A “childish”, “beaming” smile illuminates her face when Bolkonsky invites the young countess to dance, “smiled through her tears”, kissing Prince Andrei. Natasha's inner mood also corresponds to her speech, emotional, intonationally rich, often supplemented by facial expressions and gestures. Natasha talks to her mother in a broken voice about Bolkonsky. Confused, she asks the prince a question, having learned that the wedding has been postponed for a year: “Is it impossible otherwise?” Conveying the joy or grief of a countess who cannot explain her condition in words, the author of War and Peace often uses the verb "to cry". Natasha cries both from happiness and from grief, but her eyes remain dry when parting with her fiancé: “She did not cry at the moment when he, saying goodbye, kissed her hand for the last time.” “When he left, she didn’t cry either; but for several days she sat in her room without crying.

What attracts you to Andrei Bolkonsky?

(He is smart, understands life, understands politics. And most importantly, he is not a careerist, not a coward, not looking for a “cozy place”)

Let's go back to the beginning of the novel. Prince Andrei appears in the salon of A.P. Sherer, and without knowing him, we can already say something important about him. What exactly?

(He is uncomfortable in secular society.)

And with what details does Tolstoy emphasize this?

(Prince Andrei has a bored look. He looks at everyone with narrowed eyes. His handsome face spoils the grimace. When Pierre touches him from behind, Prince Andrei frowns in annoyance, because he does not know that it is Pierre.)

We learn that Prince Andrei can be completely different from those he loves ... When Pierre asked him why he was going to a war that cannot be called fair ... What does Prince Andrei answer him?

(The excerpt is read out “For what? I don’t know. It’s necessary ... - I’m going because this life that I lead here is not for me.”)

What conclusion can we draw?

(Prince Andrei is not satisfied with an empty secular life, he wants something more, he dreams of glory (read an excerpt from vol. I, part III, ch. 12 “The night was foggy”).

And what do you think, glory is the most important thing that a person needs?

(Probably not. After all, glory is only for oneself. Prince Andrei wants to earn glory by a feat, a real deed. Such determination can fill a lifetime. Suvorov said: “That soldier who does not dream of being a general is bad.”)

But you can want to be a general in different ways. One is promoted through his strengths and abilities, and sees the ultimate goal in the fullest realization of himself. Well, if you delve deeper into Suvorov's statement, then it should be understood as follows: everyone should strive to achieve perfection in their work.

And why does Prince Andrei want to advance in life?

(To show his strength, and he also thinks about honors. The vanity inherent in secular society also offends him. Despite the fact that Prince Andrei thinks about fame, we like him, because he wants to achieve fame honestly. In dreams of glory shows his disgust for a meaningless and meaningless life.He is looking for the meaning of life.)

He is very young. Dreaminess is characteristic of the young. There is nothing wrong with this. When a person matures, finds his recognition, all vain recedes.

The wiser a person, the less vanity in his dream. When did Prince Andrei understand this?

(After the battle of Austerlitz. His dreams of glory seemed to him insignificant, and Napoleon - petty, although he once dreamed of "his Toulon".)

Bolkonsky after the war of 1805-1807. returns home, lives in his estate. His state of mind is grave.

Dreams of glory no longer occupy: what to strive for? Tell me, can Boris Drubetskoy or Berg suffer because they have no goals in life?

(Of course not. They are small people, and Prince Andrei is a deep person. He suffers from a lack of meaning in life. He decides to engage in public affairs, participates in the work of the commission to draw up new laws, but then he realizes that they are out of touch with life. He goes to war. Before the battle of Borodino, his feelings are overwhelmed, because he is participating in a common patriotic cause. But even here he is disappointed.)

What conclusions does Prince Andrei come to about life?

(He understands that you need to live for good. Being kind in general, understanding and loving people is good, however, such a person needs an active expression of this love.)

Death interrupts Prince Andrei's quest. But if he had not died and his search continued, where would they have led Bolkonsky?

(Pierre expresses the idea that if Prince Andrei were alive, he would be with the Decembrists.)

Why didn't Prince Andrei forgive Natasha?

(He is a tough person by nature, constant in his principles. He could not accept Natasha as weak, confused, mistaken, tossing about.)

Why did Pierre forgive Natasha?

(He is kinder. Perhaps he took pity on her.)

When did Prince Andrei forgive Natasha?

(Already wounded, lying in the hut, he realized how cruel he was. Bolkonsky rethinks his life. For the first time he thinks not about himself, but about her pain and suffering. He had to endure a lot, he becomes softer, kinder, wiser.)

What brings Prince Andrei and Pierre closer, despite the difference in their characters?

(There are many things that bring them together. They are advanced people of their time. They do not live an empty secular life. They have a goal, moreover, a big goal. They want to be useful in their activities.)

II. Demonstration of a fragment of the video film "War and Peace".

Episodes "Battle of Austerlitz", "Battle of Borodino", "Wounding of Prince Andrei".

III Recording of the OSK "Andrey Bolkonsky"

Lessons 56-57 (124-125). Family in the novel "War and Peace"

Target: to show that Tolstoy's ideal is a patriarchal family with its holy care of the elders for the younger and the younger for the elders, with the ability of everyone in the family to give more than to take; with relationships built on "good and truth".

June 12 2011

Natasha Rostova and Andrey Bolkonsky are one of the main characters of Leo Tolstoy's epic novel "And the World". It is on the life quests of Andrei Bolkonsky, as well as Pierre Bezukhov, that the storyline of this work is built. Natasha, for the writer, became the embodiment of true human qualities: true love and spiritual beauty. Fate brought Andrey and Natasha together, they fell in love, but their relationship was not simple. And I want to write my essay about these two heroes. First, I would like to talk about each of these characters separately, and then give an analysis of the history of their relationship.

Natasha was the most beloved heroine of Leo Tolstoy. He embodied the best features in this girl. Tolstoy, apparently, did not consider his heroine prudent, adapted to life. But her simplicity, spirituality of the heart won over the absence of a deep sharp mind and the observance of good manners.

Despite her appearance, ugliness in childhood and adolescence (many times Tolstoy mercilessly emphasizes that Natasha is far from being as beautiful as, for example, Helen), she nevertheless attracted many people precisely with her extraordinary spiritual qualities. Many episodes of the novel tell how Natasha inspires people, makes them better, kinder, returns their love of life to them. For example, when Nikolai Rostov loses cards to Dolokhov and returns home irritated, not feeling the joy of life, he hears Natasha's singing and, enjoying the soothing sound of this wonderful voice, forgets all his sorrows and anxieties. Nikolai feels that she herself is beautiful, that everything else is trifles not worthy of attention, and most importantly, that “... suddenly the whole world concentrated for him in anticipation of the next note, the next phrase ...” Nikolai thinks: “All this: both misfortune and money, and Dolokhov, and anger, and honor - all nonsense, but here she is - the real ... "

Natasha, of course, helped people not only in difficult situations. She simply, by her very existence, brought joy to the people around her. I remember in connection with this incendiary Russian dance in Otradnoye. Or another episode. Again Delightful. Night. Natasha, whose soul is full of bright poetic feelings, asks Sonya to go to the window, peer into the extraordinary beauty of the starry sky, breathe in the smells. She exclaims: "After all, such a lovely night has never happened!" But Sonya does not understand Natasha's lively, enthusiastic excitement. It does not have such a divine spark that Tolstoy sang in his beloved heroine. Such a girl is not interesting to either the reader or the author. “Empty flower,” Natasha will say about her, and this will be the cruelest truth about Sonya.

It is not surprising that many men were in love with Natasha, including Prince Andrei Bolkonsky. For the first time Tolstoy introduces us to Prince Andrei in the salon of Anna Pavlovna Sherer and describes his appearance. pays much attention to the expression of boredom and discontent on the face of the prince: he had a "tired boring look", often "a grimace spoils his handsome face." Andrei Bolkonsky received a good education and upbringing. His father is an associate of Suvorov, a symbol of the epoch of the 18th century. It was his father who taught Prince Bolkonsky to value in people such human virtues as fidelity to honor and duty. Andrei Bolkonsky treats secular society with contempt, because he sees and understands all the emptiness of the representatives of the “light”. He calls the people who gather in the salon of A. P. Scherer "stupid society", since this idle, empty, worthless life does not satisfy him. No wonder he says to Pierre Bezukhov: "The life that I lead here, this life is not for me." And again: "Living rooms, balls, gossip, vanity, insignificance - this is a vicious circle from which I cannot get out."

Prince Andrei is a richly gifted person. He lives in the era of the French Revolution and the Patriotic War of 1812. In such an environment, Prince Andrei is looking for the meaning of life. First, these are dreams of “their own Toulon”, dreams of glory. But the wound on the field of Austerlitz leads to disappointment. In general, his life is a chain of disappointments of the hero: first in fame, then in social and political activities, and, finally, in love.

The relationship between Natasha and Andrey, I think, is one of the most touching pages of the novel. The love of Rostova and Bolkonsky is a feeling that was subjected to many life tests, but withstood, withstood, retained depth and tenderness. Let's remember the meeting between Natasha and Andrey at the ball. It seems to be love at first sight. It would be more accurate to call it some kind of sudden unity of feelings and thoughts of two unfamiliar people. They understood each other suddenly, from half a glance, they felt something that united them both, a kind of unity of souls. Prince Andrei seemed to rejuvenate next to Natasha. He became at ease and natural next to her. But from many episodes of the novel it is clear that Bolkonsky could remain himself only with very few people. Now I want to ask myself a question. Why does Natasha, deeply loving Andrey, suddenly get carried away by Anatole Kuragin? Didn't she have enough spiritual foresight, sensitivity to understand all the meanness of this person?

In my opinion, this is a rather simple question, and Natasha should not be judged strictly. She has a changeable personality. Tolstoy does not try to idealize his beloved heroine: Natasha is quite earthly, to whom everything worldly is not alien. Her heart is characterized by simplicity, openness, spontaneity, amorousness, gullibility.

Natasha was a mystery to herself. Sometimes she didn’t think what she was doing, but opened up to feelings, opening up her naked soul. But true love still won, woke up in Natasha's soul a little later. She realized that the one whom she idolized, whom she admired, who was dear to her, lived in her heart all this time. It was a joyful and new feeling that swallowed Natasha whole, brought her back to life. It seems to me that Pierre played a significant role in this "return". She understood and realized her guilt before Andrei, and therefore, in the last days of his life, she took care of him so tenderly and reverently. Prince Andrei died, but Natasha remained to live, and in my opinion, her later life was wonderful. She was able to experience great love, create a magnificent family, finding peace of mind in her.

Natasha Rostova loved her family hearth and children very much. And what about the fact that the old fire went out in it? She gave it to her loved ones, giving others the opportunity to warm themselves by this fire.

Such is the story of these two heroes, whom we learned about from the pages of Leo Tolstoy's great novel War and Peace.