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Very realistic drawings. Learning to draw human eyes with a pencil step by step

Incredible Facts

Hyperrealism in pencil

Written by Diego Fazio

This talented 22-year-old artist never ceases to amaze and prove once again that his paintings are not photographs, and that they are all drawn in pencil.

He signs his work, which he publishes on the Internet, as DiegoKoi. Since there are still those who do not believe that he draws everything himself, he has to share the secrets of his creativity.

The artist can already boast of his own style - he starts all his work from the edge of the sheet, involuntarily imitating an inkjet printer.

His main tools are pencils and charcoal. It takes Fazio about 200 hours to paint a portrait.

Oil Paintings

Written by Eloy Morales

Incredibly realistic self-portraits are created by Spanish painter Eloy Morales.

All paintings are in oil. In them, he depicts himself stained with paints or shaving cream, thereby he tries to catch and portray the light.

The work on the paintings is very meticulous. The author works slowly, carefully choosing colors and processing all the details.

And yet, Morales denies that he puts the emphasis on details. He claims that the most important thing for him is to choose the right tone.

If you make an accurate transition between tones, then the details appear on their own.

Paintings with colored pencils

Written by Jose Vergara

Jose Vergara is a young American artist from Texas. He is the author of paintings, each of which incredibly accurately conveys the human eye.

The skill of drawing eyes and their details, Vergara mastered when he was only 12 years old.

All hyper-realistic paintings are drawn with ordinary colored pencils.

To make the paintings even more realistic, the artist adds a reflection of the objects that the eye is looking at to the irises. It could be the horizon or mountains.

oil paintings

Written by Roberto Bernardi

The works of the contemporary 40-year-old artist, who was born in the city of Toddi, Italy, amaze with their realism and detail.

It is worth noting that at an early age he began to draw, and by the age of 19 he was attracted by the movement of hyperrealism, and he still paints oil paintings in this style.

Acrylic paintings

Written by Tom Martin

This young 28 year old artist hails from Wakefield, England. He graduated summa cum laude from the University of Huddersfield in 2008 with a bachelor's degree in art and design.

What he depicts in his paintings is connected with the images that he sees every day. Tom himself leads a healthy lifestyle, and this affects his work.

In Martin's paintings, one can find a piece of steel or laid out sweets, and in all this he finds something of his own, special.

His goal is not to simply copy an image from a photograph, he paints pictures using several painting and modeling techniques that have been developed using modern technology.

Martin's goal is to make the viewer believe in the things that he sees in front of him.

oil paintings

Written by Pedro Campos

Pedro Campos is a Spanish artist based in Madrid, Spain. All of his paintings are incredibly similar to photographs, but in fact they are all painted with oil paints.

The career of a talented artist began in creative workshops, where, while still very young, he designed nightclubs and restaurants. After that, he worked in advertising agencies, but the love for hyperrealism and painting probably came when he was engaged in restoration work.

At the age of 30, he began to think seriously about the profession of an independent artist. Today he is over forty, and he is a recognized master of his craft. Campos' work can be seen at London's popular Plus One art gallery.

For his paintings, the artist chooses objects with a peculiar texture, such as shiny balls, sparkling glassware, etc. All these, at first glance, ordinary inconspicuous objects, he gives a new life.

Paintings with a ballpoint pen

Written by Samuel Silva

The most interesting thing in the works of this artist is that they are drawn exclusively with ballpoint pens - 8 colors.

Most of the paintings of the 29-year-old Silva are copied from photographs that he liked the most.

To paint one portrait, the artist needs about 30 hours of painstaking work.

It is worth noting that when drawing with ballpoint pens, the artist has no right to make a mistake, because. it will be almost impossible to fix.

Samuel does not mix ink. Instead, strokes of different colors are applied in layers, which gives the picture the effect of a rich palette of colors.

By profession, the young artist is a lawyer, and drawing is just his hobby. The first drawings were made back in school years in notebooks.

In addition to pens, Samuel tries to draw with chalk, pencil, oil paints and acrylic.

Paintings in watercolor

Written by Eric Christensen

This self-taught artist began to draw in the already distant 1992. Now Christensen is one of the most popular and fashionable artists.

Among other things, Eric is still the only hyperrealist artist in the world who paints exclusively with watercolors.

His paintings depict an idle lifestyle, motivating the viewer to relax somewhere in the villa with a glass of wine in hand.

Oil drawings

Written by Luigi Benedicenti

Originally from the city of Chieri, Benedichenti decided to connect his life with realism. He was born on April 1, 1948, that is, already in the seventies he worked in this direction.

Some of his most famous paintings were those where he depicted cakes, cakes and flowers in detail, and they looked so accurate that they wanted to eat these cakes.

Luigi graduated from art school in the city of Turin in the 70s. Many critics began to speak well of his paintings, and his fans also appeared, but the artist was in no hurry to meet the exhibition fuss.

In the early 90s, he decided to put his works on public display.

The author himself says that he wants to convey in his works the feelings and excitement of small joys that he himself experiences daily, being an exemplary family man, a good friend and a resident of a small Italian city.

Oil and watercolor paintings

Written by Gregory Thielker

The work of artist Gregory Tilker, who was born in New Jersey in 1979, is reminiscent of driving a car on a cool rainy evening.

In Tilker's work, you can see parking lots, cars, highways and streets through raindrops on the windshield.

It is worth noting that Tilker studied art history at Williams College and painting at the University of Washington.

After he moved to Boston, Gregory decided to focus on urban landscapes, which can be seen in his work.

Pencil, chalk and charcoal drawings

Written by Paul Cadden

You may be surprised, but the work of the famous Scottish artist Paul Cadden was influenced by the brilliant Soviet sculptor Vera Mukhina.

The main colors in his paintings are gray and dark gray, and the tool with which he draws is a slate pencil, with which he transfers even the smallest drops of water frozen on a person's face.

Sometimes Cadden takes chalk and charcoal in his hands to make the image even more realistic.

It is worth noting that the hero draws from photographs. The artist says that his mission is to create a lively story from an ordinary, flat photograph.

Drawings with colored pencils

Written by Marcello Barenghi

The main theme of the hyperrealist artist Marcello Berengi is the objects around us.

The pictures he painted are so real that it seems you can pick up a painted bag of chips, or solve a painted Rubik's cube.

To create one painting, Marcello spends up to 6 hours of painstaking work.

Another interesting fact is that the artist himself films the entire process of creating a drawing and then uploads a 3-minute video to the network.

Italian artist Marcello Barenghi paints 50 euros

Knowing how to draw objects and people so that they look realistic is a sure way to impress others. In addition, the basics of such drawing are quite easy to comprehend, and with practice you may well become a master. Read on - you will find a useful instruction that will teach you how to draw realistic pictures.

Steps

Part 1

Learn Specific Skills

Learn to draw the human figure. If you want to learn how to draw people, you need to learn how to draw their bodies realistically. Cartoons give a rather distorted idea of what the human body should look like, but with experience you will learn how to do it right! Search wikiHow for articles on this.

Learn to draw face details. Human faces are one of the most difficult elements in drawing. How wide do you set your eyes? How to make them realistic so they don't look like a cartoon? By studying the human face in real life, and applying the techniques shown in the wikiHow articles on the subject, you will learn how to draw human faces in a really realistic way.

Learn to draw landscapes. Are you going on a trip and want to capture the wonderful views of your trip in a drawing? Or do you just want to draw the place you live in? Whatever the reason, you can easily master landscape painting with a few simple tricks. This - as well as all the elements listed here - you can also learn from the wikiHow articles.

Learn to draw animals. Perhaps you are more interested in drawing animals. This activity will bring you a lot of fun, besides, drawing animals is not as difficult as it seems! Practice and some useful tips - now you can draw animals too.

Learn to draw cars. You can also draw cars and other mechanisms. It's fun and quite popular! Try to draw the car of your dreams today!

Learn to draw shadow and light. Shadows and highlights are what give your drawings depth and realism. Learn to add shadows and highlights in the right places in the picture, so the image will look voluminous and even tangible.

Learn to use perspective. Perspective (how the size of an object changes as it moves away from us) is another element of a drawing that makes it realistic. This may seem overly complicated, but it's actually very simple. Just give it a try by checking out the related articles on wikiHow!

Part 2

Draw from life

Draw from models. The easiest way to draw from life is to use a model. Draw what is directly in front of you. It can be a person, an object or a landscape. By drawing what you see, you will be able to greatly improve your skills.
- Try to work as quickly as possible. This will train your brain to mark and absorb the most important information quickly and efficiently. Before moving on to the details, consider the basic shapes and proportions. This will save you trouble (you won't have to re-adjust) if the model changes position.
Draw from a photo. If drawing from the model is not possible for some reason, or you are worried that the model will move a lot, or you are simply not ready to devote time to drawing from the model, you can draw from a photo instead. This can hardly be attributed to an effective teaching technique, but the result (final drawing) will be similar.
- If you want to draw something photorealistic but lack the skill, drawing from a photo is an easy way to get the hang of it, as it gives you the opportunity to see the captured moment at your own pace.
Draw from imagination. While this method won't teach you much, you can try creating realistic images from your imagination. To be truly realistic, you need a perfect understanding of light and shadow, proportion, form, and the physics of movement.

Part 3

Sketching

Sketch before you start drawing. Before you start drawing directly, create a few sketches of what you want to end up with. This will make your final drawings look better as you can explore the composition and details (and it's a good "test run" as well).

Draw a thumbnail sketch. You can start with a thumbnail sketch (or just a small image) whose purpose is only to convey the basic shapes of the drawing. This is a great way to establish the general outline of a drawing (commonly referred to as "composition" in the fine arts).

Draw a detailed sketch. When you have decided on the composition, you can move on to a more detailed sketch. This will also help you get used to creating the correct shapes for your objects, and will also be another practical test of the intended design. If you are having a lot of difficulty at this stage, this will be a clear sign that you should choose a simpler pose or figure.

Find simple shapes. When sketching, try to see the simple shapes that make up the object you are drawing. Everything that exists in the world consists of one or more forms. The nose, for example, is a complex pyramid, while the trees are a series of cones and circles. Finding simple shapes will help give dimension to your drawing, and help you draw it correctly.

Repeat drawing. Make a copy by drawing it over the sketch. A wise trick is to draw the final drawing on top of the sketch, keeping it simple, or making it detailed (depending on how you like it). This will give you the opportunity to adjust the shapes and contours, and will serve as a guide in the process of drawing the final drawing.

Part 4

Make your drawing more complex

First, draw the entire silhouette (contour) of the object. Do it right, and it will immediately become easier for you to figure out what should be where. It is often much easier to draw negative space around an object than it is to draw the boundaries of the object itself.

Draw what you see, not what you think what you see. One of the main components of realistic drawing is the certainty of the fact that you are drawing exactly what you see, and not what you think you see. Our brain tends to generalize, and by recreating what it tried to miss and paying attention to it, you will not only learn how to draw more realistic drawings, but also learn a lot in the process.
- There's a tricky way to prevent drawing what your brain has in mind: take a picture from a magazine, turn it upside down, and draw it. This technique will trick your brain into thinking it's seeing something new and not something it's been familiar with for a long time. In this way, you will draw exactly what you really see, and not those general shapes that you are used to seeing behind real objects.
- Pay attention to specific details such as ears, noses, tree leaves, and shirt collars. These are precisely the things that we tend to generalize in our perception and ignore their details. If you want realistic drawings, you must not forget to draw the details that make them unique. Parts of the face, such as the ears, differ greatly from one person to another.
Use perspective. Perspective, or how objects change their size in proportion to their distance from you, is very important if you want to draw things realistically. When creating a realistic landscape drawing, for example, you need to draw more distant trees at a smaller size and in less detail, even if they are actually taller than trees closer to you. In this way, you will repeat the way our eyes perceive objects, making the drawing more realistic.
- The image of the perspective begins with the search for the horizon line. Whatever you look at in real life, you will see a place where the physical earth visually meets the sky. This is the horizon line. You need to figure out where this place will be in your drawing, and lightly mark it with a ruler.
- Draw a vanishing point. You may see one, two or three vanishing points. One dot is easiest to draw, two dots are more common. Three dots are hard to draw, so wait until you get comfortable with the perspective. The method for constructing perspective with two vanishing points is described below.
- Draw this one or two dots somewhere on the horizon line. This will be the direction (or directions) in which the objects will shrink and disappear. These dots may be on the paper, or they may go far beyond its limits and be marked somewhere on the surface of the table on which you draw. In the case of two perspective points, you need to place one point on either side of the object you are trying to depict.
- Draw the center line of the object, and then use the ruler to draw lines from the bottom and top points of the object towards the vanishing point (perspective point).
- Determine how far the object goes, and then draw some vertical lines between the angled vanishing lines, starting to create the cube that your object is in.
- Close the cube by drawing a line from the back line on one side to the perspective point on the opposite side. Thanks to this, you will be able to understand which parts of your object should be visible, and from what angle.
Pay attention to proportions. Proportion is the ratio of the sizes of different objects to each other. Proportion is especially important when drawing people; without it, your drawings will not look realistic. Most human faces, for example, can be described by mathematical formulas, according to which facial and body features are built. If you make a mistake in proportions when creating a drawing, the image will resemble a cartoon or come out strange.
- For example, a person's height is 5-7 times the height of his head. The distance between the eyes is equal to the length of one eye. The lip line usually points to the corner of the jaw. There is approximately 30 cm between the elbow and the wrist. Many similar measurements and ratios are known. It may take some time to get used to them, but it is an interesting and worthwhile process.

Part 5

Master the image of highlights and shadows

Decide on a light source. Shadows and highlights are what will make your drawings so realistic that they look like photographs. The more detailed and accurate you depict light and shadow, the more realistic your drawing will be. However, before placing the highlight and shadow on the drawing, you need to decide on the position of the light source in your drawing.
- The light source can be, for example, a lamp or a window. In the case of a street pattern, it might just be the sun. The beam of light will travel in a straight line from this source and collide with the objects you draw.
Place a shadow. Places hidden from the line of light will be in shadow. The farther the object is from the source of the set, the darker and thicker its shadow will be. Having decided on the location of the light source, you need to decide where the darkest shadow will be, and darken this place, thus starting to introduce shadows into the drawing. The shadow gives the drawing depth and shape.
- The next step is to apply penumbra. These are places that are only partially in shadow, and not as dark as the deepest shadow of your drawing. Continue to complicate your drawing in this way until three to six levels of shadow and penumbra appear on it.
- When, in general, all the shadows are applied, make them more uniform (blend) by rubbing them with your finger or shading (special art tool). So your shadow will be smooth, with a smooth transition. Leave hard shadows (if there are any in your drawing) from objects such as a table and other solid objects.
- Hatching (retouching) and various line options. If you're working with ink and don't want to use gradient shadows, you can add depth and shape with neat lines and textures. Therefore, the place where the shadow should be, you circle with a thicker outline (for example, the recess on the apple from above, or the place below the back of the head where the ear connects to the neck). Use lines to outline the shape of the object; use lines overlapping each other in different directions to give the appearance of a shadow.
- For visual examples, you can turn to etchings and engravings (or just look for examples of retouching) and get acquainted with the best works of art in this direction. This technique in painting is very difficult and requires practice. And at the same time, it is universal.
Place highlights on the drawing. After you have placed all the shadows, add highlights to the drawing in places where the light beam directly hits the objects. This can be done with an eraser, white chalk, or similar material.
- For example, if the face is illuminated from the front, the highlight will be above the eyebrows, along the line of the nose, on the bulges of the cheeks and on the chin, since these are the parts of the face that protrude the most.

Part 6

Pick the Right Tools

Use pencils. The most common tool for painting in this style is a pencil. Pencils make it easy to apply shadows and leave a blank sheet (or clean it with an eraser) for highlights. It's very easy to create multiple layers with pencils, which gives you a lot of control over the drawing you create. In addition, they mix relatively well with each other.
- Pencils come in different hardness (this is due to the greater or lesser content of graphite). The harder the pencil, the lighter it draws. Use different pencils depending on how light or dark your line is. Hard pencils are marked "H", soft - "B". The higher the number next to the letter, the stronger the degree of hardness or softness. For example, a standard pencil has an average "HB".
- Art charcoal is sold in various shapes and sizes. Willow and vine charcoal is great for creating medium-sized pieces, while charcoal pencil is great for fine details.
Use the correct paper. Depending on what you will be painting with, you will need the appropriate type of paper. Charcoal in particular requires paper designed specifically for charcoal drawing (this is a heavy embossed paper that gives the charcoal a surface to grip onto). It is better to work with a pencil on smooth rag paper, since it will be easier for you to shade the drawing on it.
- Whenever possible, purchase archival acid-free paper. This will save your work from yellowing and other unpleasant effects of time.

Realistic representation of hair and skin is one of the most difficult skills to master. When drawing hair, depict it in the form of strands, because that's how they grow. Each curl should have a shadow and highlights. So you can draw hair really realistically. Do not forget to pay attention to skin imperfections. Freckles, blemishes, scars, and wrinkles are what make painted skin look real, not plastic.
Draw as often as possible. Keep a sketch pad with you and draw whenever you can. Draw people around while traveling by bus or train. You can draw things around you while you are having dinner or watching TV. Practice will speed up your skill growth.
When depicting fine details such as eyelashes or wrinkles, use a mechanical pencil with a fine tip. So it will be easier for you to portray them more realistically. The correct thickness of such a rod should be no more than 0.5 mm, or even less.
Periodically turn over a piece of paper with a picture or look at it in the mirror. This will allow you to see the irregularities in the image. A common mistake is to draw one eye higher or larger than the other. The cheekbone lines are also often different. Flipping a drawing is a useful way to eliminate such problems, and is most effective at the sketching stage.
Have fun with the drawing process!
Mechanical pencils are a beautiful tool, they are thin enough and they are comfortable to draw on.
Remember to ask the person you are drawing from not to move.
When sketching, do not apply pressure on the tool.

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We really hope that our lessons will help you in drawing human eyes with a pencil step by step. Experiment and develop your own painting method, find the best ways to achieve a specific texture or effect.

How to draw a realistic eye with a pencil step by step

Step 1
1. Draw a line drawing with a hard pencil:
2. See where the darkest areas should be (and darken them):
Step 2
3. Look again where the darkest parts of the iris should be:
4. Carefully examine the eye and begin to work out the shape with shadows, trying to create depth:
Step 3
5. Blend the iris:
6. Repeat shading several times:
Step 4
7. With a nag (fashioning a sharp tip), try to wipe a few bright lines so that the iris does not look "empty":
8. Work a little more with the nag until the result satisfies you:
Step 5
9. The white of the eye is not so white, try sketching light and shadow, highlighting the shape:
10. Blend Using Tortillon:
Step 6
11. Since the last step looks too dark, use a nag to highlight:
12. Let's start with the upper eyelid, drawing the darkest area:
Step 7
13. Basically, drawing an eye is a matter of realistic light and shadow:
14. Use a paper towel to blend your eyelids. It still looks a little flat, but we'll draw the eyelashes before we add highlights to the eyelids:
Step 8
15. Before drawing eyelashes, decide where they grow from:
16. Try to draw the upper eyelashes curved like bows. And remember - they are of different lengths:
Step 9
17. Start working on the bottom lashes. While they may not be too realistic:
18. With light strokes, we begin to work on the area between the eye and the eyebrow:
Step 10
19. Use paper towel to blend:
20. Repeat the blending process a few times and don't be afraid to shade:
Step 11
21. Starting to work on the eyebrow, mark the most noticeable lines:
22. Darken the areas that you see fit and lightly blend. When shading, try different tools and choose the one that suits you best:
Step 12
23. At this point, I'm starting to darken (and shade) everything that seems "flat" and "empty":
24. Starting to work with the lower eyelid:
Step 13
25. Work out and blend the most visible lines and areas:
26. You can add some "realism" by drawing some wrinkles with pencil lines over the feathering:
Step 14
27. Repeat the last step several times. I also added shadows where the nose is supposed to be:
28. We continue to work:
Step 15
29. Blend using a paper towel:
30. Work is over!

Video: how to draw a human eye with a pencil

How to draw a girl's eye with a pencil

How to draw a realistic girl's eye

Step 1
Outline.
Step 2
Take a soft brush and dip it in graphite powder (you can get it by sharpening a 5H pencil). Then we will cover our sketch with two or three layers of tone. The brush should gently shade, smooth the image. Try to avoid getting tone in the highlights on the iris. If graphite still gets on the highlight, clean this area with an eraser (nag).
Step 3
Repeat the previous step using a smaller brush. Start shaping the outline of the eye by shading the areas that should be darker.
Step 4
With a nag, clean the places that should be light.
Step 5
Use the 2B pencil to mark the darkest areas, like the pupil, to darken the top of the iris and the crease of the upper eyelid.
Step 6
Use light pressure to draw the iris around the pupil (5H pencil).
Step 7
Darken the iris with a 2B pencil.
Step 8
Use a nag to work on the iris to soften the contrast. Add graphite as needed to create the desired tone. Let's move on to the white of the eye (pencil 2B). We draw eye shadow on the squirrel.
Step 9
Now we start working on the skin. We use an HB pencil. Add tones in the upper eyelid and in the area under the eyebrow with light circular motions. Start with areas that should be darker (in this case, the skin near the crease of the upper eyelid) and work your way up to lighter areas. Use a paper napkin and a brush to smooth out roughness, specks.
Step 10
Add skin tones in the lower eyelid area.
Step 11
While we continue to work with a HB pencil. Add shadows on the skin. Use the 5H and 2B pencils to show the thickness of the lower eyelid and darken it.
Step 12
Use an HB pencil. To show wrinkles, draw thin lines on the skin, and then use a nag to create light lines next to the dark ones. Blend the paper using the brush to soften the lines. We use the same method on the highlight in the corner of the eye (Third eyelid). We draw an eyebrow. When drawing an eyebrow, it is necessary that the pencil is sharply sharpened.
Step 13
Draw eyelashes (pencil 2B). First, let's show the eyelashes on the outer edge of the upper eyelid. Start drawing from the root of each hair. Follow the direction of the hair growth and reduce the pressure on the pencil so that each hair is thicker at the root, and seems to be pointed towards the end. Show the reflection of the eyelashes on the highlight of the iris.
Step 14
Now let's show the eyelashes on the outer edge of the lower eyelid. Note that the eyebrow and eyelashes located on the outer edge of the lower eyelid should be lighter than the eyelashes on the upper eyelid.
Step 15
The work is ready.

Video: how to draw a realistic girl's eye

How to draw female eyes step by step

Step 1
First, outline the boundaries of the future drawing. This will greatly facilitate the further drawing process.
Step 2
Mark the position of the eyes with two ovals.
Step 3
How to draw eyes depends on your personal preference. Therefore, with light lines, outline the cut that you like.
Step 4
Now on to the rest of the details. Mark the contours of the bridge of the nose.
Step 5
An important role in how to draw eyes is played by the image of the direction of the gaze. Therefore, designate the irises so that the expression of the eyes is meaningful.
Step 6
Then draw the pupils. Their size depends on the lighting: the brighter the light, the more they narrow.
Step 7
The eyeball has a rounded shape, which is why it is visible above the cut of the eyes.
Step 8
Also, the role of eyebrows should not be underestimated. Draw them and give the look expressiveness / audacity / joy or more.
Step 9
Correct the resulting irregularities with a softer pencil, paint over the pupils.
Step 10
Draw beautiful, thick eyelashes if the eyes belong to a woman. If you are drawing male eyes, you can skip this step.
Step 11
Now draw the bottom lashes.
Step 12
Draw more specific eyebrows, specify the shape of the irises.
Step 13
With a hard-soft pencil, you can shade the area of \u200b\u200bthe upper eyelid.
Step 14
Hatching around the eyelashes will give a special appeal to the look. Use the same hard-soft pencil.

How to draw a female eye with colored pencils

Video: how to draw a live eye

How to draw an eye with a simple pencil

In this tutorial I will show you how to draw a realistic eye with a simple pencil step by step.
Tools: pencil 3B, 5B, nag. The lesson consists of 7 steps.

No, don't think these are photographs. These are shocking realistic pencil drawings. True true!

If you think that all the pictures in this article are photographs, then we forgive you and assure you that this is not so. Each of them is an amazing combination of black and white, their halftones, made with an ordinary pencil.

Here are some extraordinary works of the most skilled craftsmen. Let's enjoy together these works, each of which, be it a portrait of a celebrity, an animal, a scene of nature, an ordinary object or a landmark, shows the beauty of our world.

This breathtaking portrait of Hollywood actress Anne Hathaway is the work of Franco Clun, an Italian self-taught artist who learned the art of drawing from various textbooks and his own experience.

When we first look at the work of the Scottish artist Paul Cadden, it is very hard to believe that this is really a pencil drawing - the hyperrealist artist used only pencil and chalk to create his stunning works.

"Although my drawings are based on a series of photographs and videos, I use a more sophisticated technique to make my work look 'alive'," explains the master.

The scenes in my drawings are so meticulously detailed that they display what cannot be seen in the original photograph.

Kat Riley's pencil drawings are amazing, but she herself believes that her work is only an intermediate stage in an ongoing process of research and development.

Now she is moving on to more daring projects, including large-scale ones based on the image of the human body.

Her stunning work is featured in numerous collections around the world and has worked with clients such as Nike, GQ, M&C Saatchi, The Economist and The New York Times.

German artist Armin Mersmann is the man who created this cold forest scene. Although the master also works with oil paints, he is better known for his naturalistic pencil drawings. His work has been featured in over 150 exhibitions and has won over 30 different awards.

“The very act of painting every branch, lighting, shadow, winter scenery and untouched new snow makes working on a scene an unforgettable journey. It is very different from being a photographer,” he explains on his website.

The process of drawing immersed me for hundreds of hours in the state that I felt when sorting through photographs of the winter forest, collecting tree branches and being on a large number of thematic sites.

Entitled "Feeling", this incredible drawing was made by the artist Diego Fazio. For about 200 hours, he worked on the complex elements of this painting, admiring which it is impossible to believe that this work was done in pencil. Just awesome!

“From the age of five, I began to draw, and over time I gained experience in such areas as drawing, painting, sculpture, all kinds of graphic design, caricature and digital photography,” said Stefan Markou, author of the amazingly “living” portrait of a gorilla.

My focus is on the study of art and the improvement of my skills in this direction, I like to bring all my work to the ideal.

Marku created this drawing as an entry into the UK National Open Art Competition. “I am pleased that this work demonstrates the increase in my skill,” says the artist, “This painting turned out to be twice the size of my previous images, and I learned a lot while working on it.”

“Hyperrealism in my work perfectly reflects the beauty of imperfection, focusing on those moments that are very little paid attention to in ordinary life,” says Italian artist Giacomo Burattini, who painted a rather peculiar portrait.

“I believe that reality is beautiful in itself, and I do not need to look for ways to hide the imperfection of human nature, so my work reflects the “perfection of imperfection” of life.”

Burattini posted his work on the Internet on Tumblr, Facebook and Instagram, where he found the first fans of his work.

This realistic cat image was created by custom artist Paul Lung. His portfolio on the Deviant Art online gallery is striking in its realism in the depiction of people and animals.

The time spent on the work depends on the complexity and size of the drawing, the author spent about 60 hours writing the cat.

Give self-taught artist Jay Varma a set of crayons and a piece of paper and you'll soon have a masterpiece just like the one you see in the picture above.

Mastery was inherited by Jay Varma from his grandfather Raja Rami Varma, one of the most prominent artists in India.

Jay Varma's talent has been recognized by many and his work has been featured in various publications. In her drawings, Varma pays special attention to mood and lighting.

Randy Owen creates incredibly realistic pencil drawings in his spare time, like this portrait of Samuel L. Jackson done with black Mars Lumograph pencils.

In his portfolio on the Divian Art online gallery, he explains that his goal is to depict a person in a traditional manner, without paying attention to modern trends.

Linda Haber practiced the art of pencil drawing for several decades, she took on work of any complexity: from drawing inanimate objects to portraits. For each drawing, she spent from 20 to 80 hours.

Linda noted on her website: "Drawing in a realistic style is what I love to do, showing life as it really is and creating with just a simple pencil is very interesting to say the least."

British artist Ken Lee is the creator of this wonderful pencil drawing inspired by the blockbuster The Hunger Games. This drawing is a kind of continuation of the Spider-Man 3 drawing, which brought the artist recognition and a lot of fans.

The level of detail in the drawing is amazing: from the mockingjay bird to the flames. "I have to say that I had my doubts about this," he said on the DeviantArt page.

"I've come a long way from starting work to finishing it, and now I need a good rest."

Artist Mark Stewart drew this stunning portrait of Peter Capaldi as Doctor Who in pencil.

Mark Stewart's career as an artist began when, after completing art and design courses in London, he began working as a wildlife illustrator. After a few years, it became clear that Mark was improving his skills and making detailed illustrations not only in watercolor, but also in gouache. Now he does his work exclusively in pencil, creating very detailed drawings, mostly portraits.

“My goal is to create inherently realistic yet stylized drawings,” he explains. “I also want them not to be confused with photographs.”

Martin Verstig is a Dutch artist who seems to have some sort of obsession with Audrey Hepburn, judging by the number of portraits he has painted of her.

But more importantly, he has a tremendous talent for the art of pencil drawing. During the last few years he has also experimented with oil painting.

If you still have doubts that this is a pencil drawing, you can compare it with the video image with a time exposure, which is presented above.

“I like to draw small hyper-realistic details with a regular pencil,” says Keith Moore.

As he perfected his skills in the art of pencil drawing, he created his work based on high-resolution digital photographs. We think that he completely succeeded!

Incredibly, Dimples is part of a pre-university coursework created by British artist Andy Buck as a teenager.

His online portfolio includes a huge selection of realistic pencil drawings, some of which Andy worked on for 100 hours.

Buck says on his website, “When I start painting, my goal is always to achieve photorealism, the pursuit of perfection is the reason why I continue to do what I love.”

American artist Justin Meyers specializes mainly in pencil and charcoal drawings on paper. Look at one of the examples - this is his drawing of an old doorway.

Speaking about this work on his website, Meyers notes that he uses simple material in his drawings to depict simple things.

German artist Dirk Dzymirski paints charming portraits. A master of his craft, he perfectly portrays every detail down to the smallest detail: from the moisture in the eyes to the finest hair lines.

Although, like most artists working in this genre, Dirk works primarily with photographs, he claims that this is only an intermediate stage in his career.

“Before I get photos of the next project, I already have an idea of what it will look like at the final stage of work,” he explains.

David Kao drew his first car at the age of three. But only at the age of 19 began to take talent seriously after visiting his father's garage.

The artist now has a set of stunning ultra-realistic car drawings to his credit. Among them is this magnificent Audi R8, made with a pencil, an eraser and a brush in about 10 hours.

This amazing illustration was created by Brazilian artist Joshi Fabry, who draws inspiration from her favorite musicians and films, including the Lord of the Rings trilogy.

“For many, The Lord of the Rings is a story full of fantasy characters about honor, ambition, sacrifice, power, great deeds of great people,” says Fabry.

But there is something else important that has nothing to do with fantasy or magic. This is friendship, and I displayed it in this picture.

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