10 facts about the violin. Interesting facts about the violin there is a legend

Of course, everyone knows the violin. The most refined and sophisticated among stringed instruments, the violin is a way of conveying the emotions of a skilled performer to the listener. Being somewhere gloomy, unrestrained and even rude, she remains tender and vulnerable, beautiful and sensual.

We have prepared for you some fascinating facts about this magical musical instrument. You will learn how the violin works, how many strings it has, and what works composers compose for the violin.

How is a violin made?

Its structure is simple: body, neck and strings. Tool accessories are very different in their purpose and degree of importance. For example, one should not lose sight of the bow, thanks to which the sound is extracted from the strings, or the chin rest and bridge, which allow the performer to arrange the instrument most comfortably on the left shoulder.

And there are also accessories like a typewriter, which allows the violinist to correct the system that has changed for any reason without losing time, in contrast to the use of string holders - tuning pegs, which are much more difficult to work with.

There are only four strings themselves, always tuned to the same notes - Mi, La, Re and Sol. violins? From different materials - they can be veined, and silk and metal.

The first string on the right is tuned to "Mi" of the second octave and is the thinnest of all the strings presented. The second string together with the third "personalize" the notes "La" and "Re", respectively. They are medium, almost the same thickness. Both notes are in the first octave. The last, thickest and bass is the fourth string, tuned to the note "Sol" of a small octave.

Each string has its own timbre - from piercing ("Mi") to thick ("Sol"). This allows the violinist to convey emotions so skillfully. Also, the sound depends on the bow - the cane itself and the hair stretched over it.

What are violins?

The answer to this question can be confusing and varied, but we will answer quite simply: there are the most familiar wooden violins for us - the so-called acoustic ones, and there are also electric violins. The latter are powered by electricity, and their sound is heard thanks to the so-called "column" with an amplifier - combo. Undoubtedly, these instruments are arranged differently, although they may look the same outwardly. The technique of playing the acoustic and electronic violin is not significantly different, but you have to get used to the analog electronic instrument in its own way.

What works are written for violin?

The works are a separate topic for reflection, because the violin perfectly manifests itself both as a soloist and in. Therefore, solo concertos, sonatas, partitas, caprices and pieces of other genres are written for the violin, as well as parts for all kinds of duets, quartets and other ensembles.

The violin can participate in almost all areas of music. Most often at the moment it is included in the classics, folklore and rock. You can hear the violin even in children's cartoons and their Japanese anime adaptations. All this only contributes to the growth of the popularity of the instrument and only confirms that the violin will never disappear.

Notable violin makers

Also, do not forget about the masters of violins. Perhaps the most famous can be called Antonio Stradivari. All his instruments are very expensive, they were valued in the past. Stradivarius violins are the most famous. During his lifetime, he made more than 1,000 violins, but at the moment, from 150 to 600 instruments have survived - the information in various sources is sometimes striking in its diversity.

Among other surnames associated with the skill of making violins, the Amati family can be mentioned. Different generations of this large Italian family improved stringed musical instruments, including improving the structure of the violin, achieving a strong and expressive sound from it.

Famous violinists: who are they?

Once upon a time, the violin was a folk instrument, but over time, the technique of playing it became complex and individual virtuoso craftsmen began to stand out from the folk environment, who delighted the public with their art. Since the time of the musical Renaissance, Italy has been famous for its violinists. It is enough to name just a few names - Vivaldi, Corelli, Tartini. Niccolò Paganini was also from Italy, whose name is shrouded in legends and mysteries.

Among the violinists, immigrants from Russia, there are such great names as J. Kheifets, D. Oistrakh, L. Kogan. The modern listener knows the names of the current stars in this area of ​​performing arts - these are, for example, V. Spivakov and Vanessa-Mae.

It is believed that in order to start learning to play this instrument, you must have at least good, strong nerves and patience that will help you overcome five to seven years of study. Of course, such a business cannot do without breakdowns and failures, however, as a rule, even they are only beneficial. The time of study will be hard, but the result is worth the pain.

The material devoted to the violin cannot be left without music. Listen to the famous music of Saint-Saens. You've probably heard it before, but do you know what it is?

C. Saint-Saens Introduction and Rondo Capriccioso

Fedor Glaznitsyn The violin is an instrument that has had a tremendous impact on music. It was widely used in classical pieces, where its flowing gentle sound came in very handy. Folk art also noticed this beautiful instrument, although it appeared not so long ago, but managed to take its place in ethnic music. The violin has been compared to the human voice, as its sound is fluid and varied. Its shape resembles a female silhouette, which makes this instrument alive and animated. Today, not everyone has a good idea of ​​what a violin is. Let's fix this annoying situation. The history of the appearance of the violin The violin owes its appearance to many ethnic instruments, each of which had its own influence on it. Among them are British crotta, Armenian bambir and Arabic rebab. The design of the violin is by no means new; many Eastern peoples have been using such instruments for centuries, playing folk music on them to this day. The viola acquired its current form in the 16th century, when its production was put on stream, great masters began to appear, creating unique instruments. There were especially many such craftsmen in Italy, where the traditions of creating violins are still alive. Since the 17th century, violin playing began to take on a modern form. It was then that compositions appeared, which are considered to be the first works written specifically for this delicate instrument. This is Romanesca per violino solo e basso by Biagio Marini and Capriccio stravagante by Carlo Farina. In subsequent years, violin masters began to appear like mushrooms after rain. Especially in this regard, Italy excelled, which gave birth to the largest number of great violinists. How the violin works The violin received its soft and deep sound thanks to a unique design. It can be divided into 3 main parts - this is the head, neck and body. The combination of these details allows the instrument to produce those bewitching sounds that brought him worldwide fame. The largest part of the violin is the body, on which all other parts are attached. It consists of two decks connected by shells. Decks are made from different types of wood in order to achieve the purest and most beautiful sound. The upper part is most often made of spruce, and for the lower part they use maple, sycamore or poplar.
As you play the violin, the top soundboard resonates with the rest of the instrument, creating the sound. In order for it to be lively and resonant, it is made as thin as possible. On expensive artisan violins, the top can be only a couple of millimeters thick. The bottom soundboard is usually thicker and stronger than the top, and the wood from which it is made is selected to fit the sides that connect both soundboards together. Shells and darling The shells are the sides of the violin, located between the upper and lower decks. They are made from the same material as the bottom deck. Moreover, wood from the same tree is often used for these parts, carefully selected according to texture and pattern. This design is held not only on glue, but also on small pads that increase its strength. They are called klots and are located inside the case. Also inside is a bass beam, which transmits vibrations to the body and gives additional rigidity to the top deck. On the body of the violin there are two cutouts in the form of the Latin letter f, which are called efs. Not far from the right cutout is one of the most important parts of the instrument - the darling. This is a small wooden beam that serves as a spacer between the upper and lower decks and transmits vibration. The darling got its name from the word "soul", which hints at the importance of this small detail. Craftsmen have noticed that the position, size and material of the homie have a significant effect on the sound of the instrument. Therefore, only an experienced violin maker can correctly position this small but important part of the body. tailpiece
The story about the violin and its design would be incomplete without mentioning such an important element as the string holder, or sub-neck. Previously, it was carved from wood, but today plastic is increasingly used for this purpose. It is the tailpiece that secures the strings at the correct height. Also, sometimes machines are located on it, which make setting up the instrument much easier. Before their appearance, the violin was tuned exclusively with tuning pegs, with which it is very difficult to make fine tuning. The sub-neck is held on a button inserted into the hole on the body from the side opposite the neck. This design is constantly under severe stress, so the hole must fit perfectly to the button. Otherwise, the shell may crack, turning the violin into a useless piece of wood. Vulture On the front of the case, the neck of the violin is glued, under which the musician's hand is located during the game. A fingerboard is attached to the neck - a rounded surface made of hard wood or plastic, to which the strings are pressed. Its shape is thought out so that the strings do not interfere with each other when played. In this case, he is helped by a stand that lifts the strings above the fingerboard. The stand has cutouts for the strings, which you can make yourself to your taste, as new stands are sold without cutouts.
There are also grooves for the strings on the nut. It is located at the very end of the neck and separates the strings from each other before they enter the peg box. It contains the tuning pegs, which serve as the main tool for tuning the violin. They are simply inserted into wooden holes and are not fixed with anything. Thanks to this, the musician can adjust the course of the tuning pegs to suit his needs. You can make them tight and unyielding by applying light pressure during tuning. Or vice versa, take out the pegs so that they move easier, but keep the system worse. strings What is a violin without strings? A beautiful but useless piece of wood, good only for hammering nails into it. Strings are a very important part of the instrument, as its sound largely depends on them. Particularly important is the role of the material from which this small but significant part of the violin is made. Like everything in our world, strings develop and absorb the best gifts of the technogenic era. However, their original material can hardly be called high-tech.
Oddly enough, but sheep's intestines are what the ancient musical violin owes its gentle sound to. They were dried, processed and tightly twisted to subsequently receive a string. Craftsmen managed to keep the material used in the production of strings secret for a long time. Products made from sheep intestines gave a very soft sound, but wore out quickly and required frequent tuning. Today you can also find similar strings, but modern materials are much more popular. Modern strings Today, sheep intestines are at the complete disposal of their owners, since gut strings are rarely used. They were replaced by high-tech metal and synthetic products. Synthetic strings sound close to their gut predecessors. They also have a rather soft and warm sound, but lack the shortcomings that their natural "colleagues" have. Another type of strings is steel, which are made from various non-ferrous and precious metals, but most often from their alloys. They sound bright and loud, but lose in softness and depth. These strings are suitable for many classical pieces that require clarity and brilliance. They also hold the system for a long time and are quite durable. Violin. Long haul Over the long years of its existence, the violin has become popular all over the planet. Classical music especially glorified this wonderful instrument. The violin can brighten up any work, many composers gave it a leading role in their masterpieces. Everyone is familiar with the immortal works of Mozart or Vivaldi, in which much attention was paid to this chic instrument. But over time, the violin has become a relic of the past, the lot of a narrow circle of connoisseurs or musicians. The electronic sound displaced this instrument from popular music. Smooth flowing sounds are gone, giving way to a vigorous and primitive beat.
Fresh notes for the violin were usually written only to accompany films, new songs for this instrument appeared only with folklore performers, but their sound was rather monotonous. Fortunately, in recent years, many groups have appeared that perform modern music with the participation of the violin. The audience is tired of the monotonous love howls of another pop star, opening their hearts to deep instrumental music. fox violin A funny story put the violin in the song of the famous musician - Igor Sarukhanov. Once he wrote a composition that he planned to call "The creak of the wheel." However, the work turned out to be very figurative and vague. Therefore, the author decided to call it consonant words, which should have emphasized the atmosphere of the song. Until now, fierce battles are being fought on the Internet over the name of this composition. But what does the author of the song, Igor Sarukhanov, say about this? Violin-fox is the real name of the song, according to the musician. Whether this is irony or an interesting idea built on a play on words, only the resourceful performer himself knows. Is it worth learning to play the violin? I am sure that many people want to master this wonderful tool, but they abandon this idea without starting to put it into practice. For some reason, it is believed that learning to play the violin is a very difficult process. After all, there are no frets on it, and even this bow, which should become an extension of the hand. Of course, it is easier to start learning music with a guitar or piano, but mastering the art of playing the violin is only more difficult at first. But then, when the basic skills are firmly mastered, the learning process becomes about the same as on any other instrument. The violin develops the ear well, as it has no frets. This will be a good help in further music lessons.
If you already know what a violin is and have firmly decided to master this instrument, then it is important to know that they come in different sizes. For children, small models are selected - 3/4 or 2/4. For an adult, a standard violin is needed - 4/4. Naturally, you need to start classes under the supervision of an experienced mentor, since it is very difficult to learn on your own. For those who wish to try their luck in mastering this instrument on their own, a lot of textbooks have been created for every taste. Unique musical instrument Today you learned what a violin is. It turns out that it is not an archaic relic of the past, on which only the classics can be performed. There are more and more violinists, many groups have begun to use this instrument in their work. The violin is found in many literary works, especially for children. For example, Fenina's Violin by Kuznetsov, beloved by many children and even their parents. A good violinist can play any genre of music, from heavy metal to pop. We can safely say that the violin will exist as long as there is music.

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Violin

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    Where did the violin come from

    It is impossible to establish exactly who invented the violin, but it is known for certain that the best specimens of this amazingly beautiful sounding instrument were made in the 17th and 18th centuries. In Italy, there were entire famous families of violin makers. The secrets of making violins were carefully guarded and passed down from generation to generation.

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    Violin makers

    The most famous family of masters - the creators of the violin was the Amati family from the Italian city of Cremona. For a long time it was believed that no one else could create violins with such amazing and rare melody and tenderness.

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    Antonio Stradivari

    But Nicolo Amati had a talented student of Antonio Stradivari, who was called the master of masters without exaggeration. He created a violin somewhat larger and flatter than those that existed before him. But the most important thing is that he managed to bring the sound of the instrument closer to the timbre of the human voice.

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    It is known that Stradivari created over 1000 instruments. Many of them were named after the musicians who played them. Only 540 Stradivarius violins have survived to this day, each of which is highly valued and considered an outstanding work of art.

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    Violin by Antonio Stradivari

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    Nicolo Paganini

    The history of music knows many famous violinists. The unsurpassed violinist of all time was Nicolo Paganini, who lived in the first half of the 19th century.

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    Violin in a symphony orchestra

    In a symphony orchestra, more than a third of the musicians are violinists. This is explained by the fact that the violin occupies a leading place in the orchestra due to the beauty and expressiveness of sound.

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    There is a legend that Leonardo da Vinci ordered that all the time while Gioconda was posing in his studio, there was music performed by strings. Her smile was a reflection of the music playing.

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    Norwegian hardingfele fiddle

    In many countries, the clergy took up arms against good violinists - even in quiet Norway they were considered accomplices of dark forces, Norwegian folk violins were burned like witches.

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    most expensive violin

    The violin, made by famous Italian luthier Giuseppe Guarneri, was sold in July 2010 at an auction in Chicago for $18 million and is the most expensive musical instrument in the world. The violin was made in 1741 in the 19th century and belonged to the famous violinist Henri Vietan.

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    The smallest violins

    In 1973, Eric Meissner made a violin only 4.1 cm high. Despite its small size, the violin produces pleasant sounds.

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    Violin 1.5 cm high

    David Edwards, who once played violin in the Scottish National Orchestra, made a violin 1.5 centimeters high, the smallest in the world.

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    violin-canvas

    Violins sometimes serve as a kind of canvas for artists. Julia Borden has been painting violins and cellos for several years.

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    Before painting the violin, the artist needs to remove the strings and prepare the surface for drawing. Amazing, whimsical, bright creations by Julia Borden are unique and attract the eyes of the audience.

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    Violin as a sculpture

    Swedish sculptor Lars Wiedenfalk designed the Blackbird violin from stone. It is made according to the drawings of Stradivarius, and black diabase served as the material. The violin sounds no worse than many wooden ones and weighs only 2 kg, since the thickness of the stone walls of the resonator box is no more than 2.5 mm. It is worth noting that the "Blackbird" is not the only such instrument in the world - the marble violins are made by the Czech Jan Roerich.

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    Among the works of Mozart there is an unusual duet for two violins. The musicians should stand facing each other and put the page with the notes between them. Each violin plays a different part, but both parts are recorded on the same page. The violinists begin to read notes from different ends of the sheet, then meet in the middle and again move away from each other, and in general a beautiful melody is obtained.

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    Einstein loved to play the violin and once took part in a charity concert in Germany. Admired by his playing, a local journalist recognized the name of the "artist" and the next day published an article in the newspaper about the performance of the great musician, the incomparable virtuoso violinist, Albert Einstein. He kept this note for himself and proudly showed it to his friends, saying that he was in fact a famous violinist, and not a scientist.

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    On January 12, 2007, one of the best violinists, American Joshua Bell, agreed to take part in the experiment - in the morning for 45 minutes he played in the lobby of a subway station under the guise of an ordinary street musician. Out of a thousand people who passed by, only seven became interested in music.

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    Can a stone violin sound beautiful?

    Swedish sculptor Lars Wiedenfalk designed the Blackbird violin from stone. It is made according to the drawings of Stradivarius, and black diabase served as the material. The idea of ​​such a violin came from Wiedenfalk, when he decorated one of the buildings with large diabase blocks, and the stone worked with a hammer and chisel beautifully “sang”. The violin sounds no worse than many wooden ones and weighs only 2 kg, since the thickness of the stone walls of the resonator box is no more than 2.5 mm. It is worth noting that the "Blackbird" is not the only such instrument in the world - the marble violins are made by the Czech Jan Roerich.

    Among the works of Mozart there is an unusual duet for two violins. The musicians should stand facing each other and put the page with the notes between them. Each violin plays a different part, but both parts are recorded on the same page. The violinists begin to read notes from different ends of the sheet, then meet in the middle and again move away from each other, and in general a beautiful melody is obtained.

    Is the price of Stradivarius violins proportional to the quality of their sound compared to modern instruments?

    The most expensive violins in the world are Stradivari instruments of the late 17th and early 18th centuries, supposedly sounding better than all other violins thanks to the master's secret that has not yet been unraveled. However, in 2010 this prejudice was disproved during an experiment in which 21 professional violinists double-blindly examined 3 modern violins and 3 old instruments - 2 by Stradivari and another by Guarneri. Most of the musicians participating in the experiment were unable to tell the difference between the old violins and the new ones. Moreover, as a result of testing, instruments of living masters have the best sound quality, while more than a hundred times more expensive Stradivari violins took the last two places.

    Who and when called Einstein a great violinist?

    Einstein loved to play the violin and once took part in a charity concert in Germany. Admired by his playing, a local journalist recognized the name of the “artist” and the next day published an article in the newspaper about the performance of the great musician, the incomparable virtuoso violinist Albert Einstein. He kept this note and proudly showed it to his friends, saying that he was in fact a famous violinist, and not a scientist.

    What happened to the inventor of roller skates at their first demonstration?

    The Belgian Jean-Joseph Merlin is considered to be the inventor of roller skates. He demonstrated them at a London masquerade ball in 1760, riding among the audience in expensive shoes with small metal wheels and playing the violin. However, these videos were still so imperfect that Merlin could not stop in time and crashed into the wall, breaking a very expensive mirror.

    Perhaps nowhere is the loss of time more evident than in the upbringing of a child. An adult lounging on the couch with an empty book might make up time by staying up late. A child left out of education - labor, mental, physical or musical - loses some precious personality traits that are difficult to return. Difficult, but possible. Therefore, we will not overdramatize the situation. If you did not take the first steps in musical education in your earliest childhood, then start it today, when your child is 4 or 5 years old.

    listening to music

    With proper musical development, children at this age, before listening to music, make themselves comfortable, fall silent. They recognize familiar music, joyfully inform adults about it. They can express their impression about the music: “Good song”, “There is a bird singing”, “I hear the wind blowing”, etc. Some may pick up the melody they hear on a children's musical instrument or on a real piano.

    Children are different. Some are sociable, they like to do everything together, they ask if something is not clear; others are looking for the answer to their question on their own. The first majority. Here is a sort of ball of energy running around the apartment, and nothing seems to be able to stop his attention for a long time. But then he sees that you are sitting still and listening to music. Sociable children will not stand it and will definitely ask:

    - What are you doing?
    - I listen to music.
    - What music?
    - It's a symphony.
    What other symphony?
    - A symphony is when many instruments play together, talking about something important.
    — Is it interesting?
    - Very.

    It is possible that the child will ask:

    - May I listen?
    - You can, just don't mess around. Do not speak. And if you get bored, leave.

    Although this method of introducing preschoolers to listening to music does not always work, it is worth trying to act in this direction. The child learns by the example of adults that music is listened to attentively. At the same time, they do not talk, do not interfere with others. Of considerable importance is the fact that children see how an adult who is always so busy, takes his time, listens to music with concentration, and is not distracted. A personal example is more effective than the most eloquent words.

    How to talk about music

    Many people think that it is not at all necessary to explain to a child what a symphony or a sonata is. Anyway, they don't understand. He will not understand, of course, what is the essence of the symphony. It's right. But he learns that such a form exists, and that music has different forms. The assimilation of knowledge about music, musical instruments, composers and musicians (of course, if all this is said in a language accessible to kids) helps the musical development of the child. It is best to talk about musical instruments in a form that is closest to a small person. In the form of a fairy tale.

    Tale of the violin

    Listen to the piece where the violin sounds. Yes, and the tale itself can be told against the backdrop of quiet violin music.

    Show the child the picture of the violin. Or draw yourself. Even better, if you have a toy violin at home. Very well, if there is a real one. Now tell us a fairy tale about the violin. We are sure that many parents who have more imagination than we can come up with a better fairy tale. It is good if we manage to introduce game elements into the listening of the fairy tale.

    Attention game. You write in advance the answers to the fairy tales and questions given here and others that you have invented on the topic and lay out the sheets on the table under the corresponding numbers. Before you start telling a fairy tale, explain to the child the conditions of the game. For example, like this:

    - Now I will tell you a fairy tale about an instrument that is called the queen of music - a violin. Then I'll ask questions. Listen carefully. You get a point for every correct answer. For wrong - me. Whoever gets the most points wins.

    We are sure that after such an introduction, the child will listen to the tale carefully and with great interest.

    In one kingdom, in one state, a girl lived. Her parents loved music. Therefore, they named the girl Violin and taught her to play the violin. The girl grew up and became a musician. She traveled around towns and villages, played the violin and brought joy to people.

    An evil man lived in this kingdom. He did not like music, and he did not like that people rejoice when they hear the sounds of the violin. Once, before a concert, he sneaked into the room where the violin lay and cut three strings. And I didn’t have time to cut the last fourth one. However, the girl managed to play very well on one string.

    Then, at another concert, the evil man again made his way into the room where the violin lay, and pulled out all the hair from the bow with which the violin made sound. This time, the villain managed to disrupt the concert, because the girl had no other bow. And most importantly - in this kingdom there was no horse, from the tail of which one could take hair for a bow.

    The violin could not play without a bow. The girl sat on the road and cried. At this time, a prince from a neighboring kingdom rode by on a white horse.

    - Why are you crying? the prince asked.
    "I don't have horsehair for a bow, and I can't play the violin," said Violin.
    - Do not Cry. I will give you a hair from the tail of my horse,” said the prince.

    He inserted the hair from his horse's tail into the bow, and the Violin began to play. The prince liked the violin playing and the violin itself so much that he invited the girl to go with him to his kingdom and become his wife.

    So Violin became the queen, and her violin became the queen of music.

    Questions for the fairy tale

    What was the name of the girl and the instrument she played?
    How many strings does a violin have?
    - What is the name of what they lead along the strings and extract the sound?
    What is the hair on the bow made of?
    - Why did the evil man cut the strings on the violin and pulled out the hair of the bow?

    Of course, other questions are also possible, as well as another development of the fairy tale plot. Write the answers clearly, in block letters, on the other side of the piece of paper so that children who can read can read them for themselves.

    Talking about music in a way that would be interesting to a child is not easy. It has been noticed that most of all the little listener is interested in the childhood years of a musician or composer. Or stories with children as heroes.

    The story about the "March of Wooden Soldiers" by P. Tchaikovsky

    Pyotr Ilyich Tchaikovsky had an 8-year-old nephew Volodya Davydov. He loved to play with soldiers, and the composer dedicated this march to him. Volodya took out the soldiers from the box. If you want, and you get your soldiers and put them in a row. You see, they are standing straight and waiting for the command. The order was given, the music sounded, and they went. Listen, and you will hear how cheerfully and clearly they go: “One-two! One-two!” The soldiers pass by Volodya, who is taking the parade.

    After such a story, children understand that music is capable of expressing something quite definite. They develop an interest in understanding what exactly the music expresses, and, consequently, a desire to listen to music arises.

    About children's mood

    A few words about the children's mood separately. Today's, momentary mood plays a significant role for a child (to a much greater extent than for an adult), both when listening to music and when practicing a musical instrument. Yesterday, on a sunny sunny day, everything was a joy to him. And today something is not going well, and the music only annoys him. Well! In relation to children, especially small ones, an exact schedule and strict discipline are far from always appropriate. On the contrary, here, in our opinion, flexibility and the ability to compromise are needed.

    We know a family in which for five children the daily routine was planned to the smallest detail. And the parents set themselves the task of strictly adhering to the drawn up schedule. Any deviations from it were strictly cut down. The result was disastrous. As soon as the children grew up and got out of the control of their parents, they, as they say, "indulged in all serious things": they left the family, entered into sexual relations early, even took drugs. The desire to break out from under the system of suppression of children's desires, which do not always coincide with the desires of adults, won. This is what happens when water, long held back by a dam, breaks free, flooding everything around.

    Do not force children to do what they do not have a heart for today.

    The musical taste of children, as a rule, depends on the taste of parents.

    What kind of music to listen to at preschool age? It is important to answer this question correctly, since the musical taste of kids is just being formed and they are not able to distinguish good music from bad, uninteresting. We believe that the taste of children should be brought up on the classics, accustomed to good music.

    The definition given by S. Marshak for children's literature is quite suitable for music for children: "It should be written as for adults, only much better." Both in classical music and in “easy” (the division is rather arbitrary), children have their own preferences. We do not undertake to explain why, but it is noticeable that, for example, little ones listen to Mozart especially willingly. Who knows why? It is possible that the composer, who in childhood had the glory of a child prodigy, retained in his music that bright, childish, partially forgotten by us, adults, perception of the world. And therefore it is especially clear to small listeners ...

    We know a family in which the girl listened to Chopin's music with pleasure. In another family, dad was fond of modern music, and Hindemith was his six-year-old daughter's favorite composer. The son of one of the authors at the age of four liked to listen to Beethoven's Moonlight Sonata. “Children,” wrote I. P. Pavlov, “subtly adopt not only the habits and manners of adults, but also their emotions.”

    Composing music

    It also happens like this: after listening to music combined with a story, the kids themselves try to compose music. This happens especially often after they learn that some composers and musicians composed music in childhood. If the house has a piano or children's musical instruments, the baby sits for a long time, pressing the keys and listening to the sounds. No need to stop it, even if the sounds seem meaningless to you. Against. Such attempts should be encouraged in every possible way: “Oh, well done! Come on, do it again! How great you did! As if a bear had passed... As if a squirrel had run...” Etc.

    Here are some tips

    • Record the tune on a tape recorder. Then listen with your child.
    • Try to express in words what the music written by the baby looks like, what mood it expresses.
    • Together with the young composer, come up with the name of the melody.
    • If you can, write down the children's composition in sheet music.
    • Let the children who are learning to play some kind of musical instrument have their own works included in the repertoire.
    • Your assignments can be a good incentive to compose music. Come up with a sad tune. Or cheerful. Or a lullaby melody for a doll. Compose a melody for a poem. In our opinion, it is good to use children's poems by A. Barto, S. Marshak, K. Chukovsky and other popular authors for these purposes. Good nursery rhymes go well with music.

    Music and drawing

    Children think in pictures. Therefore, they are happy to draw what they hear. This is especially true for the musical works of the pictorial character. Where the image embedded in the music is expressed clearly and distinctly. Sometimes even in the title of a play, as, for example, in the "Children's Album" by P. Tchaikovsky, R. Schumann, or, say, in plays for children by S. Maykapar, A. Grechaninov and other composers.

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