Fruits with watercolor pencils. Watercolor-vegetable mix for the kitchen

You can draw with gouache on paper or cardboard. For a still life, a regular landscape sheet is suitable. As for watercolor paper, it is in this case big win does not give - gouache applied in a dense layer will still hide the texture. But if you are going to tint the sheet with watercolors, and objects, watercolor paper or paper wallpaper will be just right. You will also need brushes different kind and different thicknesses, among them there should be both soft and hard. If this is your first time drawing a still life, you will also need a solid, simple pencil. Gouache must be diluted to the state of liquid sour cream. Remember that a lighter tone can be obtained by adding white, and not by blurring, as with watercolor painting. Prepare also a few small jars to mix paints. Of course, before the composition of different objects, you need to try to depict each of them separately.

sketch

Learning to draw is best from nature. But you can also depict an imaginary still life. The main thing is that the composition should be harmonious. Objects should not hang in the air, so draw a plane on which they will lie - a table corner, a shelf, etc. You can also add drapery. If you are going to draw a bouquet or a composition of fruits, an application made of colored paper can help. Cut out the items that you would like to combine in your work. Lay them out on a sheet. Try different variants. When it seems to you that the objects are arranged nicely, mark the place of each element. Whether or not to do a pencil sketch is up to you. In fact, when working with gouache or watercolor, it is better to do without it. But a beginner does not always succeed, so carefully draw the contours of each object with a thin pencil.

Gouache technique

The basis is color spots. Fill the contours of each object with the desired paint. It should be light enough to apply shadows later. In general, when painting with gouache, it is convenient to follow the principle “from light to dark”. For example, apples can be yellow, red, or green. For the first layer, choose solid colors. After filling one contour, wait until the drawing dries, and only then move on to the next subject. This is especially important if the objects are located close to each other. Gouache dries very quickly, so the wait will be short. draw more small parts. These can be, for example, red stripes on a yellow apple, veins on a leaf, etc. Apply shadows. To do this, take the paint of the main color, but without white. You can even add a little black or brown to it. The shadow, of course, is superimposed on the side of the object that is worse lit. There should not be a sharp transition to the light part, it is better to blur the border or mark it with a curved line. Outlining the contours with dark paint is not worth it. If the edges are uneven and you don't like it, smooth them out with the same paint you used to paint over the item.

Drawing watercolor attractive for both children and adults - this paint gives the picture lightness and transparency. Unsuccessful strokes can be washed off with a wet brush, dry the paper and paint again. Work with watercolor requires only high-quality paper, but otherwise there is nothing complicated and costly!

You will need

• - watercolor paints,
• - paper (whatman or special paper for watercolor),
• - brushes,
• - water,
• - pencil,
• - plastic palette.

Instruction

Keep track of the organization of your workspace - keep all the tools at hand, direct the light from left to right so as not to block the picture with your hand. Place the composition of objects at eye level. With a pencil, outline the contours of all objects in the future picture. Apply the pattern easily so as not to damage the paper. Do not use an eraser often - this also violates the structure and texture of the paper. Draw without shadows and immediately determine the places that will remain white.

Use squirrel and kolinsky brushes - they are better suited for watercolor. For filling, take a large flat brush, and for details - a smaller brush. Draw objects that are similar in color, choose the tone and color based on the background color so as not to lose the overall color of the picture. Where the shadow lies, apply color.

Then proceed to the plot of the picture, which is drawn by everyone the right paints. Apply paint without shadows, do not forget to leave white places. Set the color for the fruit and the pitcher with the shot glass. Blur the contrast of color and white spots slightly to soften transitions and edges. When painting watercolor

One of the most popular technique among contemporary artists. Lightness and smoothness of color spots, attention to detail are the main rules in working with watercolor. Still lifes in watercolor - difficult, but interesting job, which can be a wonderful decoration for your home.

What is still life?

A still life is an image of a group of objects painted with paints. You can draw a still life from any nature. It can be a wide variety of items: food, parts of clothing, interior, dishes or plants. As a genre, still life appeared in the fourteenth century and remains popular among painters to this day. The most famous painters who knew how to realistically depict still lifes were the Dutch, Italians and French. From their paintings, one can study the play of light and shadow on objects, the variety of their shades and effects from the environment.

The process of painting with watercolors is very responsible and painstaking. Each stroke creates a new detail, and it is almost impossible to cover it due to the translucency of the paint. That is why watercolor still lifes must be done carefully, avoiding the smallest mistakes.

If you remember all the rules of working with watercolor, you can achieve unexpected and amazing results.

How to start a watercolor still life?

Drawing any still life begins with staging. Usually, when staging a still life, draperies (fabrics) are used as a colored or plain background for objects.

The right composition is the key to a memorable and impressive picture. It is enough to choose several items of different sizes. If the objects are the same - you need to place each of them closer or further. This is how the "planning" of the picture is created.

The background for a still life is better to choose a contrasting one, for example, if you need to draw green apples, red or blue drapery is suitable.

The best option for beginners is a still life with fruit. Watercolors easily convey the shape and color of objects - due to light and shadow.

Usually still lifes are done with gouache, watercolor, acrylic or oil. Still life watercolor - one of the most complex and beautiful technician. When drawing with this material, it is important to preserve the color of the paper, applying only the most important lines and colors of objects.

How to make a painting in color?

Light, almost airy strokes of paint mixed with water create a beautiful watercolor painting. Still life must be done on thick, well-absorbing paper with a rough surface. Brushes should also be special: squirrels and columns are best suited for watercolor. A few brushes of medium and small sizes are enough. Also in drawing, be sure to use water and a palette to mix a variety of shades.

It is necessary to start any still life with a sketch of objects and their construction. It is important to correctly "arrange" the objects on the sheet, then the whole composition will look attractive in color.

Performing still lifes in watercolor, paint should be applied in layers. It is recommended to start from the background: with a medium-sized brush, gently apply different shades to the upper and lower halves of the leaf, without overlapping the fruit. Do not take too much paint on the brush: watercolor painting is a technique for maximum mixing with water.

The next step is the image of colors and shades on the plane of the fruits themselves.

How to finish a still life?

When all the fruits and their surroundings are drawn, determine the light source, highlight the illuminated and shadow areas on the objects. The white color of the paper can be used as light.

Before the painting is completed, it is necessary to check all the shadows from objects and on objects (if any). If the composition seems to be lacking in contrast, add darker shades from the shadow part of each subject. A good effect is created by darkening the corners of the picture with smooth spots of paint.

Fruit details are drawn at the end with a thin brush. Use less water to keep details from blurring.

If you want to achieve maximum clarity - in some places of the picture you can use a pen, making a contour according to the shape of the object or its details.

Drawing can be turned into an exciting activity that will help you better convey the colors and shapes of the world around you. Watercolor still lifes are a subtle and complex art, which, nevertheless, is accessible to everyone.

The technique of watercolor is quite diverse, but at the same time complex. Paints need to be diluted with water, due to this they become more mobile. In turn, this allows you to use various techniques: work out fine details, perform wide fills, pour one stroke into another.

When learning to draw, it is useful to do sketches in watercolor. It is very important to see the work as a whole and feel the picturesque environment.

1. Don't be afraid to draw. Everyone can depict vegetables, fruits or landscapes, the main thing is to believe in yourself and find inspiration in yourself.
2. Quality plays an important role, the final result depends on it. It is necessary to try out all the varieties of sheets encountered in order to choose the ideal paper for yourself. It is necessary to make notes on the sheets (the weight of the paper, its grade and what the result is).
3. When visiting a park or other picturesque place, you need to take a camera with you. After all, photos in the future will be able to inspire the creation of new works. Starting to create new sketches in watercolor, it is the pictures that will remind you how they should look.
4. To remove excess moisture from the brushes, you will need napkins or paper towels.

Sketches in watercolor: fruits and vegetables

Education watercolor painting carried out in stages. They start with simpler tasks and only then move on to more complex ones. For starters, any fruit or vegetable can be used as nature. The main task in this case is the transmission of tones and the drawing of the volume of objects using the background and falling shadows.

At the first stage, you need to draw the outlines with a simple pencil. It is better not to use an eraser, but simply to draw a thin, slightly noticeable refinement line. In order not to forget about the shadows, you can slightly shade the necessary areas.

Further, leaving highlights in the right places, the entire surface of the picture is filled with the lightest shade. When the raw substrate is ready, start writing the selected vegetable or fruit. The first should be a semitone, then, starting from it, shadows and light are written. In conclusion, it remains to clarify the tonal solutions.

Having mastered the sketches of vegetables, watercolor will no longer be a problem, and then you can move on to depicting several vegetables or fruits, then a jug and a still life.

How to paint a landscape in watercolor

The atmosphere of watercolor sketches is just one moment, a fleeting state of nature, which the watercolor artist managed to capture.

Starting to draw sketches, first of all, you need to imagine in your head. The artist must determine how much space on the sheet will be occupied by the sky, and how much - by the earth. Often the horizon line is lowered a little below the middle, and this is compositionally correct. watercolor sketch they begin to depict from the sky, especially if the artist has chosen a wet technique.

At the second stage, landscape planes are drawn. Enhances dark areas. At this stage, it is necessary to concentrate not only on the planes, but also on individual details. The final stage is the work with thin brushes, they draw small details and make the picture complete.

Sketches of flowers in watercolor

When an aspiring artist begins to draw a bouquet of flowers, the first thing he sees is a lot of small twigs and flowers. However, do not be confused. Getting to work, the first thing you need to harmoniously arrange the flowers in the right order. The background is created by small flowers, they are depicted further and they should be smaller.

You need to retreat 3-4 cm from the edges of the sheet - this will be a frame that you cannot step beyond. The preliminary picture must be sketched with a pencil, while you should not put pressure on it so as not to deform the paper. The composition should be like geometric figure(triangle or oval).

Working with paints, on the palette it is necessary to prepare a selection of the desired cold and warm shades that will be present in the picture. They start working from the background, initially working with light colors, and then darkening the areas with a shadow.

Then they move on to drawing flowers. Initially, light shades are outlined, and after that shadows are added to the petals with a glazing thin layer. You need to pay attention to the fact that many small details do not appear in the background.

Sketches in watercolor must be written in a generalized way, it is better to do it “raw”, so that one color smoothly passes into another. This is how unique shades are created, and the drawing turns out to be alive. You just need to finish the small petals and stems with a thin brush.

Watercolor is very similar to gouache, so they can be used together. The difference between these colors is transparency. Watercolor is more transparent than gouache. It is this property that determines the final result. However, these two techniques are based on similar techniques.

When creating sketches with watercolors, it is necessary to control the amount of water in which the paint needs to be diluted. The liquid not only dissolves the paint and makes it more transparent, but also determines the degree of clarity of the future drawing. Therefore, it is best to learn watercolor technique by determining the required amount of water.

How to draw fruits in watercolor.

We continue watercolor lessons. By studying our free lessons, you will be able to draw watercolor paintings, and then put them up for sale in .

In this lesson we will draw fruits hanging on a branch. Look carefully at the photo.

See what unusual colors the photographer managed to catch: blue skies and bright fruits. How can such beauty be depicted with watercolors?

Today we will practice applying paints, sequentially applying them to the drawing, using only two brushes: one thin and the second a little thicker.

draw with a simple pencil sketch, try to convey correct form fruits. Otherwise, it will be very difficult to fix it later, because we paint with watercolors, not oils or acrylics.

The rounded shape of our fruits and a slightly clumsy tree trunk will help us depict a small piece of the garden, flooded with sun. We begin to paint the sky.

Let's take a blue tint for this, dilute the paint not very much with water and draw lines along the trunk, leaves and fruits with a thick brush. Take your time, here you have to work very carefully, trying not to go beyond the lines drawn in pencil.

You should not draw too much water on the brush, it can get on the area that we will paint with a different color, and only ruin our drawing. It's not scary if the background is uneven in color, because we will then apply another layer of paint. It should turn out something like this.

We begin to draw branches and a tree trunk. We take a thin brush, and put a thick one aside for now, do not forget to just rinse it with water.

If you look at the photo, you will see that part of the trunk is in the shade, and part is lit by the sun. That's why we need different shades brown paint. Bright places are painted with gray paint with the addition of yellow and brown. Where the shadow falls - dark brown and add a little more black. Separate areas can be painted over with a rich brown tint.

We continue to work on the tree trunk. We need a red tint, mix red and brown paint for this and paint over certain places. You can make small vertical strokes with a thin brush to convey the pattern of the bark.

Let's add brown paint to this mixture and draw lines at the bottom of the branches. Let's put spots on the trunk with the same color, and then add black paint and draw the trunk, which is in the shadow.

Work while the paint is still wet, then all the color transitions will blend, which is what we need. The bark of the tree is uneven, so you paint with a brush in such a way that uneven strokes are obtained.

When our drawing is ready, the tree will become just like a real one. If you are in doubt about which direction to draw the lines, move away from the drawing a little or step aside for a few minutes.

We begin to draw the fruits themselves, which hang on a branch. Our background is already dry, so the colors won't bleed or mix with each other.

We draw spots with light yellow paint, make the shade more saturated and add it near the first layer. A little orange paint, and the outlines of ripe fruits have already appeared in our drawing.

Carefully draw thin branches. Add a red tint and saturated Orange color. We do all this almost immediately, just at this stage we need the fluidity of watercolors.

We draw dark places where there will be spots on the fruit.

Pay attention to the leaves, they are well lit by the sun, so in some places we draw with a brush, on which we pick up yellow paint. In some places we draw veins. in green paint the leaves, for darker leaves we pick up a different shade of paint.

Now we need to draw bumps on the trunk and kidneys. To do this, mix brown and red paints and randomly draw small spots on the branches, trying to convey the slightly pointed shape of the fruit buds.

We do the same on a thick trunk a few strokes. Let's lighten the shade a little and add paint to a thin branch behind the fruits, on which the sun falls.

Let's work on the fruit now. The first coat of paint is already dry, let's apply a few more shades, changing the tones from yellow to red, and vice versa. We work on a wet basis to achieve a mixture of colors. See how our fruits turn into ripe fruits?

Let's take a break so that the paint has time to dry, and then we'll work on the background again. To do this, take the same color with which we recently painted the sky, and apply another layer.

What is missing in our fruits? Near the ponytails we put spots in red or brown, let the shades mix, because that's exactly what we need.

When the paint is dry, take a thin brush and draw tiny leaves sticking out at the bottom of the fruit. Add some green tint to the tree trunk. Where the shadow falls And on the leaves we apply another layer of paint to make them more juicy. We just have the green color mixed with the yellow that we applied earlier. And it turns out that the sun illuminates the leaves, making them transparent.

I have prepared three simple still life, selecting objects so that they complement each other in color and shape.

My goal is to show the taste of these fruits and vegetables. I often remember the words of my high school art teacher: “You will know that you have succeeded in drawing food when you want to eat what is depicted in your picture.”

I believe that a fast and expressive technique of painting with bright colors is the ideal way to achieve this goal and to convey the freshness and juiciness of the product.

Let's start learning how to draw fruits and vegetables so that they want to eat!

Here are some things to keep in mind during the process:

• It should be fast and fun;
• The brush should be dipped in a solution of paint and water, but not too watery;
• Let the colors flow, blend with each other. Do not correct these priceless accidents.
• Each new paint must be applied after the previous one has dried. This is where the hair dryer comes in handy - but be careful not to blow off the paint drops!
• Layers must be transparent so that the picture remains light;
• The thinner the layers, the fresher the picture looks;
• Don't try too hard, brush strokes should be simple and casual;
• To make a stroke, rest the brush completely against the paper, this is better than using only the tip.

Materials:

• Two soft round brushes, one slightly larger and one slightly smaller.

Colors:

• Red cadmium (Cadmium red)
• Orange cadmium (Cadmium orange)
• Cadmium yellow
• Yellow Ocher (Yellow ochre)
• Cobalt blue
• Ultramarine (Ultramarine)
• Carmine Permanent (Permanent Carmine)
• Herbal Green (Sap Green)
• Viridian (Viridian green)

Broccoli and tomato

Step 1

I started painting the broccoli with a light shade of Sap Green and a touch of Cadmium yellow. For the tomato, I decided to use a concentrated solution of the same color. I apply Cadmium red on top, leaving dry areas for highlights. When I finished drawing the tomato, I added some Cadmium orange.

Notice how the bottom of the tomato is slightly lighter than the center because it reflects the white surface.

While the broccoli and tomato were still wet, I painted the cast shadow with Cobalt blue. A little bit of the paint from the vegetables has fallen into the shadow, adding the color reflected in it.

Step 2

When the first coat of paint was completely dry, I marked the broccoli florets with a mixture of grass green (Sap Green) and blue cobalt (Cobalt blue).

Step 3

I added a little more detail and shadow to the broccoli and added splashes of green paint to give it a fresh and unique look. This is very easy to do by shaking the brush vigorously over the surface of the painting.

Grapes and pear

Step 1

I started painting the pear in the light area, using a very light Cadmium yellow solution, avoiding highlights. I then updated the brush and completed the fruit by adding Yellow ochre and a dash of Cadmium red to represent its ripeness. In this step, I also applied the first coat of cobalt blue (Cobalt blue) and carmine (Permanent Carmine) designating the grapes as one. I painted the cast shadows right after that. Some yellow paint got into the shade and berries, just like I wanted.

Step 2

I lightly add vibrant colors to the pear and grapes, using a mix of Cadmium yellow and Yellow ochre for the pear, and Permanent Carmine and Ultramarine for the grapes.

Step 3

I painted the stems with a mixture of grass green (Sap Green) and red cadmium (Cadmium red) using a thin brush. A little more detail and shadows are added to the grapes and pear.

Radish

The method of working on radish differs little from that described above. I started with a light mix of Sap Green, Permanent Carmine, and Cobalt blue, then I added a couple of color accents using Permanent Carmine, Viridian green, Grass Green ( Sap Green), Cobalt blue and Ultramarine. A few splashes of Carmine (Permanent Carmine) nicely complete the composition.

Step 1

Step 2

Step 3

By the end of the work, I really wanted something green and juicy. These pictures will not only be a wonderful decoration of the kitchen, but will also contribute to a healthy diet!

What are your favorite fruits and vegetables you would like to draw?