Life and work of Kuprin: a brief description. Alexander Kuprin: short biography of the writer Alexander Ivanovich Kuprin

Kuprin Alexander Ivanovich (1870 - 1938) - Russian writer. Social criticism marked the story "Moloch" (1896), in which industrialization appears in the form of a monster plant that enslaves a person morally and physically, the story "Duel" (1905) - about the death of a mentally pure hero in the deadly atmosphere of army life and the story "The Pit" (1909 - 15) - about prostitution. The variety of finely defined types, lyrical situations in the novels and stories "Olesya" (1898), "Gambrinus" (1907), "Garnet Bracelet" (1911). Cycles of essays ("Listrigons", 1907 - 11). In 1919 - 37 in exile, in 1937 he returned to his homeland. Autobiographical novel "Junker" (1928 - 32).

Big encyclopedic dictionary, M.-SPb., 1998

Biography

Kuprin Alexander Ivanovich (1870), prose writer.

Born on August 26 (September 7, NS) in the city of Narovchat, Penza province, in the family of a petty official who died a year after the birth of his son. Mother (from the ancient family of the Tatar princes Kulanchakov) after the death of her husband moved to Moscow, where the future writer spent his childhood and youth. At the age of six, the boy was sent to the Moscow Razumovsky boarding school (orphan), from where he left in 1880. In the same year he entered the Moscow Military Academy, transformed into the Cadet Corps.

After the end of the exercise, he continued his military education at the Alexander Cadet School (1888 - 90). Subsequently, he will describe his "military youth" in the stories "At the Turning Point (Cadets)" and in the novel "Junkers". Even then, he dreamed of becoming a "poet or novelist."

Kuprin's first literary experience was poetry, which remained unpublished. The first work that saw the light was the story "The Last Debut" (1889).

In 1890, after graduating from a military school, Kuprin, with the rank of second lieutenant, was enrolled in an infantry regiment stationed in the Podolsk province. The life of an officer, which he led for four years, provided rich material for his future works. In 1893 - 1894 in the St. Petersburg magazine "Russian wealth" his story "In the Dark" and the stories "Moonlight Night" and "Inquiry" were published. A series of stories is dedicated to the life of the Russian army: "Overnight" (1897), "Night Shift" (1899), "Campaign". In 1894 Kuprin retired and moved to Kyiv, having no civilian profession and little life experience. In the following years, he traveled a lot around Russia, having tried many professions, eagerly absorbing life experiences that became the basis of his future works. In the 1890s he published the essay "Yuzovsky Plant" and the story "Moloch", the stories "Forest Wilderness", "The Werewolf", the stories "Olesya" and "Kat" ("Army Ensign"). During these years, Kuprin met Bunin, Chekhov and Gorky. In 1901 he moved to St. Petersburg, began working on the Journal for Everyone, married M. Davydova, and had a daughter, Lydia. Kuprin's stories appeared in St. Petersburg magazines: "Swamp" (1902); Horse Thieves (1903); "White Poodle" (1904). In 1905, his most significant work, the story "The Duel", was published, which was a great success. The writer's speeches with the reading of individual chapters of the "Duel" became an event in the cultural life of the capital. His works of this time were very well-behaved: the essay "Events in Sevastopol" (1905), the stories "Staff Captain Rybnikov" (1906), "The River of Life", "Gambrinus" (1907). In 1907 he married a second marriage to sister of mercy E. Heinrich, daughter Ksenia was born. Kuprin's work in the years between the two revolutions resisted the decadent moods of those years: the cycle of essays "Listrigons" (1907 - 11), stories about animals, the stories "Shulamith", "Garnet Bracelet" (1911). His prose became a prominent phenomenon in Russian literature at the beginning of the century. After the October Revolution, the writer did not accept the policy of war communism, the "Red Terror", he experienced fear for the fate of Russian culture. In 1918 he came to Lenin with a proposal to publish a newspaper for the village - "Earth". At one time he worked in the publishing house "World Literature", founded by Gorky. In the autumn of 1919, while in Gatchina, cut off from Petrograd by Yudenich's troops, he emigrated abroad. The seventeen years that the writer spent in Paris were an unproductive period. Constant material need, homesickness led him to the decision to return to Russia. In the spring of 1937, the seriously ill Kuprin returned to his homeland, warmly welcomed by his admirers. Published an essay "Moscow dear". However, new creative plans were not destined to come true. In August 1938 Kuprin died in Leningrad from cancer.

Brief biography of A.I. Kuprin - option 2

Alexander Ivanovich Kuprin (1870-1938) is a famous Russian writer. His father, a small official, died a year after the birth of his son. Mother, originally from the Tatar princes Kulanchakov, after the death of her husband moved to the capital of Russia, where Kuprin spent his childhood and youth. At the age of 6, Alexander was sent to an orphanage, where he stayed until 1880. And immediately after leaving, he entered the Moscow Military Academy.

After - he studied at the Alexander School (1888-90). In 1889, his first work, The Last Debut, saw the light of day. In 1890, Kuprin was assigned to an infantry regiment in the Podolsk province, where life became the basis of his many works.

In 1894 the writer retired and moved to Kyiv. The following years were devoted to the wanderings of Russia.

In 1890, he presented readers with many publications - Moloch, Yuzovsky Plant, Werewolf, Olesya, Kat.

In 1901, Kuprin moved to St. Petersburg and worked as the secretary of the Journal for All. In the same year, he marries Davydova M. and life gives him a daughter.

Two years later, Kuprin marries a second time. His chosen one is sister of mercy E. Heinrich, who gave birth to the writer's daughter.

In 1918, Kuprin comes to Lenin and offers to publish a newspaper for villagers - "Earth". In 1919 the author emigrated abroad. But the period when he stayed in Paris - 17 years - was unproductive. The reason for this is the material side, longing for the homeland. And as a result - the decision to return to Russia.

Already in 1937, Kuprin returned to Russia, published the essay "Moscow dear". Death from cancer overtakes the author in 1938.

Biography of A.I. Kuprin |

Life and work of A. I. Kuprin.

The future pen master was born into a noble family on 09/07/1870, in the Penza province, Narovchat. His parents were nobles.
At the age of six, Sasha was assigned to the Moscow Razumov School. The next stage of his education was a military gymnasium, after which, becoming a cadet, he was trained at the Alexander Military School until 1890 G.
At the school, the future master of the word wrote his first youthful poems, some of them have survived to this day. The first publication appeared in 1889 year in a magazine called "Russian satirical sheet" and was called "The Last Debut".
Being in the rank of second lieutenant of an infantry regiment, Kuprin continued to try his pen. His works: “In the Dark”, “Inquiry”, “Moonlight Night” were published in St. Petersburg by the magazine “Russian Wealth”.
Army brutal morals, hopeless boredom and endless drill, averted the military from continuing to serve. Leaving in 1894 year in retirement, he settled in Kiev. After moving to this city, books were published: a book of stories "Miniatures" and a collection of essays "Kyiv types".
For about seven years, Alexander Ivanovich traveled around the expanses of his homeland and mastered various crafts, worked as a land surveyor, fisherman, teacher, actor, and even worked in a circus. The accumulated impressions are reflected in his books. For example, in the story "Moloch" the hopeless exhausting work of factory workers is described. And in 1898 year were created "Polesye stories" and the story "Olesya".
The wanderings ended in 1901 year and the young writer, on the advice of I. Bunin, settled in St. Petersburg and married M. K. Davydova. He was hired by the Magazine for All.
The flowering of the author's talent came in the years between the two revolutions. IN 1905 year saw the light of the story "Duel". She brought Kuprin universal fame. Publications followed one after another, with 1904 by 1917 The following stories were published: "Garnet Bracelet", "Gambrinus", "Emerald", "Shulamith", the story "Pit", as well as the first collected works.
Friendship with M. Gorky and A. Chekhov contributed a lot to the formation of the writer and his participation in society. Alexander Ivanovich helped the rebel sailors from the cruiser Ochakov hide from the police. When the First World War began, Alexander voluntarily joined the army, but was soon demobilized. Upon his return, he placed wounded soldiers in his house in Gatchina.
Changes also affected family life. Divorced from his first wife, he married E. M. Heinrikh. IN 1909 year, the work of the prose writer was awarded the "Pushkin Prize". And in 1915 The complete works of Alexander Ivanovich Kuprin were published.
February Revolution 1917 years brought the prose writer closer to the Social Revolutionaries. He accepted it with enthusiasm, but the new government brought dictatorship and civil war to the country. Disappointed, Kuprin joined Yudenich's army, and in 1920 immigrated with his wife and daughter to France.
Alexander Ivanovich continued to work in immigration. There was created a novel-autobiography "Junker", the books "New stories and stories", "Elan", "Wheel of time". But life abroad turned out to be filled with poverty and nostalgia for their native land. His return to Russia 1937 supported by I. V. Stalin.
At home, the Kuprin family was given a warm welcome, housing and medical services were provided. The writer by that time suffered from cancer of the esophagus. His last essay "Moscow dear" became the final point in the author's work.
Kuprin A.I. died on August 25, 1938 in Leningrad, at the age 67 years. He rests at the Volkovsky cemetery. His wife survived him for a short time, unable to withstand the hunger during the Leningrad blockade, she committed suicide.
Alexander Ivanovich Kuprin is an outstanding Russian realist writer, his works describe events in which he was a participant or an eyewitness. And vividly draw the life and way of life of his contemporaries. With his work, he managed to make a significant contribution to Russian literature.

Alexander Ivanovich Kuprin- Russian writer of the early 20th century, who left a noticeable mark in literature. Throughout his life, he combined literary work with military service and travel, was an excellent observer of human nature and left behind stories, novels and essays made in the genre of realism.

Early stages of life

Alexander Ivanovich was born in 1870 to a noble family, but his father died very early, and therefore the boy's growing up was difficult. Together with his mother, the boy moved from the Penza region to Moscow, where he was sent to a military gymnasium. This determined his life - the following years he was somehow connected with military service.

In 1887, he went to study as an officer, three years later he completed his studies and went to an infantry regiment stationed in the Podolsk province as a second lieutenant. A year before, the first story of the novice writer, "The Last Debut", was published in the press. And for four years of service, Alexander Ivanovich sent several more works to print - “In the Dark”, “Inquiry”, “Moonlight Night”.

The most fruitful period and recent years

After retiring, the writer moved to live in Kyiv, and then traveled around Russia for a long time, continuing to collect experience for the following works and periodically publishing stories and novels in literary magazines. In the early 1900s, he became closely acquainted with Chekhov and Bunin and moved to the northern capital. The most famous works of the writer - "Garnet Bracelet", "Pit", "Duel" and others - were published between 1900 and 1915.

At the beginning of the First World War, Kuprin was again called up for service and sent to the northern border, but he was quickly demobilized due to poor health. Alexander Ivanovich took the 1917 revolution ambiguously - he reacted positively to the abdication of the tsar, but was against the Bolshevik government and leaned more towards the ideology of the Socialist-Revolutionaries. Therefore, in 1918, like many others, he went into French emigration - but still returned to his homeland a year later to help the strengthened White Guard movement. When the counter-revolution suffered a final defeat, Alexander Ivanovich returned to Paris, where he lived quietly for many years and published new works.

In 1937 he returned to the Union at the invitation of the government, because he was very homesick for his abandoned homeland. However, a year later he died of incurable cancer of the esophagus and was buried in St. Petersburg.

The work of Alexander Ivanovich Kuprin was formed during the years of the revolutionary upsurge. All his life he was close to the theme of the insight of a simple Russian man who eagerly sought the truth of life. Kuprin devoted all his work to the development of this complex psychological topic. His art, according to contemporaries, was characterized by a special vigilance in seeing the world, concreteness, and a constant desire for knowledge. The cognitive pathos of Kuprin's creativity was combined with a passionate personal interest in the victory of good over all evil. Therefore, most of his works are characterized by dynamics, drama, excitement.

Kuprin's biography is similar to an adventure novel. In terms of the abundance of meetings with people and life observations, it was reminiscent of Gorky's biography. Kuprin traveled a lot, did various jobs: he served in a factory, worked as a loader, played on stage, sang in a church choir.

At an early stage of his work, Kuprin was strongly influenced by Dostoevsky. It manifested itself in the stories "In the Dark", "Moonlight Night", "Madness". He writes about fatal moments, the role of chance in a person's life, analyzes the psychology of human passions. Some stories of that period say that the human will is helpless in the face of elemental chance, that the mind cannot know the mysterious laws that govern a person. A decisive role in overcoming the literary cliches coming from Dostoevsky was played by direct acquaintance with the life of people, with real Russian reality.

He starts writing essays. Their peculiarity is that the writer usually had a leisurely conversation with the reader. They clearly showed clear storylines, a simple and detailed depiction of reality. G. Uspensky had the greatest influence on Kuprin the essayist.

The first creative searches of Kuprin ended with the largest thing that reflected reality. It was the story "Moloch". In it, the writer shows the contradictions between capital and human forced labor. He was able to capture the social characteristics of the latest forms of capitalist production. An angry protest against the monstrous violence against man, on which the industrial flourishing in the world of “Moloch” is based, a satirical demonstration of the new masters of life, the exposure of the shameless predation in the country of foreign capital - all this cast doubt on the theory of bourgeois progress. After essays and stories, the story was an important stage in the writer's work.

In search of moral and spiritual ideals of life, which the writer opposed to the ugliness of modern human relations, Kuprin turns to the life of vagabonds, beggars, drunken artists, starving unrecognized artists, children of the poor urban population. It is a world of nameless people who form the mass of society. Among them, Kuprin tried to find his positive heroes. He writes the stories “Lidochka”, “Lokon”, “Kindergarten”, “In the Circus” - in these works the heroes of Kuprin are free from the influence of bourgeois civilization.

In 1898 Kuprin wrote the story "Olesya". The scheme of the story is traditional: an intellectual, an ordinary and urban person, in a remote corner of Polissya meets a girl who grew up outside of society and civilization. Olesya is distinguished by spontaneity, integrity of nature, spiritual wealth. Poetizing life, unlimited by modern social cultural framework. Kuprin sought to show the clear advantages of the “natural man”, in whom he saw the spiritual qualities lost in a civilized society.

In 1901, Kuprin came to St. Petersburg, where he became close to many writers. During this period, his story “The Night Shift” appears, where the main character is a simple soldier. The hero is not a detached person, not a forest Olesya, but a very real person. Threads stretch from the image of this soldier to other heroes. It was at this time that a new genre appeared in his work: the short story.

In 1902, Kuprin conceived the story "Duel". In this work, he shattered one of the main foundations of autocracy - the military caste, in the lines of decay and moral decline of which he showed signs of the decomposition of the entire social system. The story reflects the progressive aspects of Kuprin's work. The basis of the plot is the fate of an honest Russian officer, whom the conditions of army barracks life made him feel the illegality of people's social relations. Again, Kuprin is not talking about an outstanding personality, but about a simple Russian officer Romashov. The regimental atmosphere torments him, he does not want to be in the army garrison. He became disillusioned with the army. He begins to fight for himself and his love. And the death of Romashov is a protest against the social and moral inhumanity of the environment.

With the onset of reaction and the aggravation of public life in society, Kuprin's creative concepts also change. During these years, his interest in the world of ancient legends, history, and antiquity intensified. In creativity, an interesting fusion of poetry and prose, the real and the legendary, the real and the romance of feelings, arises. Kuprin gravitates toward the exotic, developing fantastic plots. He returns to the themes of his early novel. The motives of the inevitability of chance in the fate of a person sound again.

In 1909, the story "The Pit" was published from the pen of Kuprin. Here Kuprin pays tribute to naturalism. He shows the inhabitants of the brothel. The whole story consists of scenes, portraits and clearly breaks up into separate details of everyday life.

However, in a number of stories written in the same years, Kuprin tried to point out the real signs of high spiritual and moral values ​​in reality itself. “Garnet Bracelet” is a story about love. This is how Paustovsky spoke about him: this is one of the most “fragrant” stories about love.

In 1919 Kuprin emigrated. In exile, he writes the novel "Janet". This is a work about the tragic loneliness of a man who lost his homeland. This is a story about the touching attachment of an old professor, who ended up in exile, to a little Parisian girl - the daughter of a street newspaper woman.

The emigrant period of Kuprin is characterized by withdrawal into himself. A major autobiographical work of that period is the novel "Junker".

In exile, the writer Kuprin did not lose faith in the future of his homeland. At the end of his life, he still returns to Russia. And his work rightfully belongs to Russian art, the Russian people.

Military career

Born in the family of a petty official who died when his son was in his second year. A mother from a Tatar princely family, after the death of her husband, was in poverty and was forced to send her son to an orphanage for minors (1876), then a military gymnasium, later transformed into a cadet corps, from which he graduated in 1888. In 1890 he graduated from the Alexander Military School. Then he served in the 46th Dnieper Infantry Regiment, preparing for a military career. Not enrolling in the Academy of the General Staff (this was prevented by a scandal associated with the violent, especially drunk, disposition of the cadet who threw a policeman into the water), Lieutenant Kuprin resigned in 1894.

Life style

The figure of Kuprin was extremely colorful. Greedy for impressions, he led a wandering life, trying different professions - from a loader to a dentist. Autobiographical life material formed the basis of many of his works.

Legends circulated about his turbulent life. Possessing remarkable physical strength and explosive temperament, Kuprin greedily rushed towards any new life experience: he went down under water in a diving suit, flew an airplane (this flight ended in a disaster that almost cost Kuprin his life), organized an athletic society ... During the First World war in his Gatchina house was arranged by him and his wife a private infirmary.

The writer was interested in people of various professions: engineers, organ grinders, fishermen, card sharpers, beggars, monks, merchants, spies ... In order to more reliably know the person who interested him, to feel the air that he breathes, he was ready, not sparing himself, the wildest adventure. According to his contemporaries, he approached life like a true researcher, seeking the fullest and most detailed knowledge possible.

Kuprin was willingly engaged in journalism, publishing articles and reports in various newspapers, traveled a lot, living either in Moscow, or near Ryazan, or in Balaklava, or in Gatchina.

Writer and revolution

Dissatisfaction with the existing social order attracted the writer to revolution, so Kuprin, like many other writers of his contemporaries, paid tribute to revolutionary sentiments. However, he reacted sharply negatively to the Bolshevik coup and to the power of the Bolsheviks. At first, he nevertheless tried to cooperate with the Bolshevik authorities and even planned to publish the peasant newspaper Zemlya, for which he met with Lenin.

But soon he unexpectedly went over to the side of the White movement, and after its defeat, he left first for Finland, and then for France, where he settled in Paris (until 1937). There he actively participated in the anti-Bolshevik press, continued his literary activity (the novels The Wheel of Time, 1929; Junkers, 1928-32; Janet, 1932-33; articles and stories). But living in exile, the writer was terribly poor, suffering both from lack of demand and isolation from his native soil, and shortly before his death, believing in Soviet propaganda, in May 1937 he returned with his wife to Russia. By this time he was already seriously ill.

Sympathy for the common man

Almost all of Kuprin's work is imbued with the pathos of sympathy, traditional for Russian literature, for the "little" person, doomed to drag out a miserable lot in a stagnant, miserable environment. In Kuprin, this sympathy was expressed not only in the depiction of the "bottom" of society (the novel about the life of prostitutes "The Pit", 1909-15, etc.), but also in the images of his intelligent, suffering heroes. Kuprin was inclined precisely to such reflective, nervous to the point of hysteria, characters not devoid of sentimentality. Engineer Bobrov (the story "Moloch", 1896), endowed with a quivering soul responsive to someone else's pain, worries about the workers who waste their lives in overworking factory labor, while the rich live on ill-gotten money. Even characters from the military environment like Romashov or Nazansky (the story "Duel", 1905) have a very high pain threshold and a small margin of mental strength to withstand the vulgarity and cynicism of their environment. Romashov is tormented by the stupidity of military service, the debauchery of the officers, the downtroddenness of the soldiers. Perhaps none of the writers threw such a passionate accusation against the army environment as Kuprin. True, in the depiction of ordinary people, Kuprin differed from the populist writers prone to popular worship (although he received the approval of the venerable populist critic N. Mikhailovsky). His democratism was not limited to a tearful demonstration of their "humiliation and insult." A simple man in Kuprin turned out to be not only weak, but also able to stand up for himself, possessing an enviable inner strength. Folk life appeared in his works in its free, spontaneous, natural course, with its own circle of ordinary concerns - not only sorrows, but also joys and consolations (Listrigons, 1908-11).

At the same time, the writer saw not only its bright sides and healthy beginnings, but also outbursts of aggressiveness and cruelty, easily directed by dark instincts (the famous description of the Jewish pogrom in the story Gambrinus, 1907).

The Joy of Being In many of Kuprin's works, the presence of an ideal, romantic beginning is clearly felt: it is both in his craving for heroic plots and in his desire to see the highest manifestations of the human spirit - in love, creativity, kindness ... It is no coincidence that he often chose heroes that fell out, breaking out of the habitual rut of life, seeking the truth and seeking some other, more complete and living being, freedom, beauty, grace ... but who in the literature of that time, so poetically, like Kuprin, wrote about love, tried to restore her humanity and romance. "Garnet Bracelet" (1911) has become for many readers just such a work, where pure, disinterested, ideal feeling is sung.

A brilliant depicter of the mores of the most diverse strata of society, Kuprin described the environment, life in relief, with special intentness (for which he got criticized more than once). There was also a naturalistic tendency in his work.

At the same time, the writer, like no one else, knew how to feel the course of natural, natural life from the inside - his stories "Barbos and Zhulka" (1897), "Emerald" (1907) were included in the golden fund of works about animals. The ideal of natural life (the story "Olesya", 1898) is very important for Kuprin as a kind of desired norm, he often highlights modern life with it, finding sad deviations from this ideal in it.

For many critics, it was precisely this natural, organic perception of Kuprin's life, the healthy joy of being, that was the main distinguishing quality of his prose with its harmonious fusion of lyrics and romance, plot-compositional proportionality, dramatic action and accuracy in descriptions.

Literary skill Kuprin is an excellent master not only of the literary landscape and everything connected with the external, visual and olfactory perception of life (Bunin and Kuprin competed who would more accurately determine the smell of a particular phenomenon), but also of a literary nature: portrait, psychology, speech - everything is worked out to the smallest nuances. Even the animals that Kuprin liked to write about reveal complexity and depth in him.

The narration in Kuprin's works, as a rule, is very spectacular and is often turned - unobtrusively and without false speculation - precisely to existential problems. He reflects on love, hatred, the will to live, despair, the strength and weakness of man, recreates the complex spiritual world of man at the turn of epochs.

Alexander Kuprin is a great Russian writer who left a rich legacy of works to mankind. Observant, subtle and sensitive by nature, Alexander Ivanovich reflected in his works the life and morality of that time.

He was born on August 26 (September 7), 1870 in the family of a petty official in the small town of Narovchat, which is located in the Penza province. His father died a year after Alexander's birth. Three children remained in the arms of mother Lyubov Alekseevna - older sisters and Sasha himself. The girls are assigned to a boarding school, and Lyubov Alekseevna leaves for Moscow with her son.

It is worth noting that the writer's mother is a native of the ancient family of the Tatar princes Kulanchakovs. She has a strong character, stubborn, she loves her children very much. Life in Moscow was hard, beggarly, and the mother enrolled her six-year-old son in the Moscow Razumovsky boarding school (1876). It was not easy for Alexander, the boy was sad and homesick, he even thought about escaping. He read a lot, knew how to invent stories, and was popular for this. Alexander composed his first creation, a poem, at the age of seven.

Gradually, life got better, and Kuprin decided to become a military man. At the end of the boarding school in 1880, he immediately entered the Second Moscow Military Academy. Eight years later, he studies at the Moscow Alexander Military School. Years of training were not in vain for Alexander Ivanovich, later he would write and denounce the Russian army in his works. There will be many thoughts about honor, uniform, courage, about the characters of the heroes, as well as about corruption.

He continues to read and study literature, in 1889 his first story "First Debut" is published. In 1890, after completing his studies, Kuprin joined an infantry regiment as a second lieutenant. Its new location is the Podolsk province. Four years later, Alexander Ivanovich retired. Having no specialty, Kuprin tries himself in various fields of activity.

This person, greedy for impressions, takes on any job, he is not afraid of anything, he is interested in everything. His character is explosive, but he is ready for an adventure. It was important for him to communicate with people, to get used to their atmosphere of life, to capture the feelings, temper and subtleties of each personality. Then Kuprin will skillfully reflect his observations in his works.

Soon he met A.P. Chekhov, M. Gorky and I. Bunin. Publications in Moscow and St. Petersburg begin to print his works, notes, essays. In 1901, Alexander Kuprin marries Maria Davydova, and a year later their daughter Lida is born. In 1905, the story "Duel" was published. In addition to the army impressions set forth in his works, Kuprin writes about love, about animals (“White Poodle” 1902), becomes popular, and is published a lot. In 1907, after a divorce from his first wife, Alexander Kuprin remarries Elizaveta Heinrich. Daughter Xenia is born.

Alexander Ivanovich served in Finland in 1914, but was discharged for health reasons. The First World War (1914-1918) began, then he and his wife Elizabeth and daughter Xenia set up an infirmary at home. They helped the wounded soldiers. Kuprin took the revolution negatively. He was on the side of the white movement, although at first he tried to cooperate with the Bolsheviks. Like many other creative personalities, Kuprin and his family leave Russia, they go to France. Alexander Ivanovich continues to create, but not as productively, he misses his homeland. Actively involved in the anti-Bolshevik press.

In the spring of 1937, the writer and his family returned to their homeland. We met him warmly and cordially. Unfortunately, the writer was seriously ill, a year later he died. He died on August 25, 1938 in the city of Leningrad. The most popular works of Alexander Ivanovich Kuprin:

"Duel", "Pomegranate Bracelet", "Olesya", "Pit".