Danilo Mordovets (d. l
writer, historian
Daniil Lukich Mordovtsev(December 7, the Danilovka settlement of the Ust-Medveditsky district of the Rostov province - June 10 (23), Kislovodsk, buried in Rostov-on-Don) - the author of historical novels popular at the time on topics from Russian and Ukrainian history of the XVII-XVIII centuries.
Biography
Born into a family of Little Russian origin, his father was the manager of the Danilovka settlement, where the future writer was born, a confidant of the landowners Efremovs. Mother was the daughter of the Danilov priest Dionisiyev. Daniel was the youngest child in the family. He had three brothers and a sister. His father died early, when Daniel was less than a year old.
The first teacher of the five-year-old Daniel was the suburban deacon Fedor Listov. He taught the child according to Old Slavonic books, which were found in abundance in the Mordovtsevs' house. According to the memoirs of the old-timers, the writer's father "was a crest of the old school, a dogmatist, a lover of ancient writing and the owner of an extensive old library."
Teaching was easy for Daniel, at the age of seven he composed his first verses. A book accidentally found, Milton's Paradise Lost, which Daniel memorized almost completely, made a strong impression on the future writer. At the age of nine, Mordovtsev was sent to the village of Ust-Medvedtskaya, to the local district school, which he graduated at the age of 14 with a certificate of merit.
In August 1844 he entered the second grade of the Saratov gymnasium. Here he met Alexander Nikolaevich Pypin, and through him with Pypin's cousin N. G. Chernyshevsky. Mordovtsev graduated from the gymnasium in 1850.
After graduating from the gymnasium, he entered the Kazan University at the Faculty of Physics and Mathematics. But the teachers, amazed by Mordovtsev's knowledge in the humanities, advise him to enter the historical and philological. Daniil Lukich follows this advice. He studies under the guidance of Professor Viktor Ivanovich Grigorovich, a well-known Slavist at that time. Pypin persuades his friend to transfer to St. Petersburg University. Mordovtsev translates the Kraledvor Manuscript into Ukrainian and sends the translation to a professor at St. Petersburg University Izmail Ivanovich Sreznevsky, who liked the translation and held the request for translation. In 1851, Mordovtsev was transferred to the second year of St. Petersburg University, which he graduated in 1854 with a candidate's degree and left for Saratov.
In the same year, Mordovtsev married Anna Nikanorovna Paskhalova. She was seven years older than the writer and she already had two children. In Saratov, Daniil Lukich became close friends with N. Kostomarov, who was exiled there. On August 16, 1856, Mordovtsev was appointed to the post of head of the provincial table with the duties of a translator, and also became the editor of the unofficial part of the Provincial Gazette. Taking advantage of the opportunities given to him by the new position, Mordovtsev collects rich material on the history of the Saratov Territory, which he publishes in the Gubernskiye Vedomosti. In 1859, together with Kostomarov, he published the Little Russian Literary Collection, which includes his works in Ukrainian. In the same year, his first historical story "Medveditsky barge hauler" was published. Mordovtsev declares himself as a historical writer. In 1864, Mordovtsev left Saratov due to friction with the new governor, Prince V. A. Shcherbatsky, and left Petersburg, where he held the position of junior clerk in the economic department of the Ministry of Internal Affairs. But three years later he returned to Saratov and served as the manager of affairs in the People's Food Commission, the secretary of the Committee for Prisons, and junior assistant to the governor of the provincial office. In 1869, Mordovtsev was appointed governor of the provincial office and secretary of the statistical committee. Publishes accusatory essays in the magazine Delo under the heading "On the Eve of Freedom" about the life of peasants and landowners, which causes displeasure of the authorities. In the spring of 1872, Governor M.N. Galkin-Vraskoy dismissed Mordovtsev.
In 1872 the writer moved to Petersburg. Here in 1893 he got a job in the Ministry of Railways.
In 1885, the adopted son of the writer Viktor Nikandrovich Paskhalov commits suicide, Mordovtsev's wife soon dies. Mordovtsev leaves the service and moves to Rostov-on-Don. He makes a number of journeys to Egypt, Palestine, France, Italy and Spain.
On April 24, 1905, the fiftieth anniversary of the writer's literary work was widely celebrated in St. Petersburg. But the St. Petersburg climate had a bad effect on the writer's health. In May, Mordovtsev's old illness, pneumonia, worsened. He returns to Rostov, and from there to his brother's dacha in Kislovodsk. Mordovtsev believed that the climate of Kislovodsk would strengthen his health. But the climate did not help the writer remained bedridden. On July 10, Daniil Lukich Mordovtsev died.
He was buried in Rostov-on-Don, in the family vault of the Mordovtsevs, at the Navoselovsky cemetery.
Historical views
D. L. Mordovtsev
In his historical works, Mordovtsev was primarily interested in the common people. He believed that the ideal of history consists in "a detailed, impartially and cleverly artistically drawn picture of how he plowed the land, paid taxes, served recruitment, prospered and suffered the Russian people, how he stagnated or developed, how sometimes he rebelled and robbed the whole masses , stole and also ran in masses, at a time when generals, commanders and legislators worked for his happiness.
He saw at the heart of any system two opposing forces - centrifugal and centripetal. Mordovtsev was a supporter of centripetal forces, he dedicated his historical works to them. For underestimating the role of centripetal forces in the historical process, he was subjected to numerous criticism.
Literary creativity
He began his literary activity with Little Russian poems in the Little Russian Literary Collection published by him (Saratov,) and a number of historical monographs in the Russian Word, Russian Bulletin, Vestnik Evropy, World Labor, devoted mainly to impostors and robbery. His historical works, published separately, "Gaidamachina" (St. Petersburg, and), "Imposters and freemen" (St. Petersburg, and), "Political movements of the Russian people" (St. Petersburg,). In the early 1870s, Mordovtsev also enjoyed great popularity as the author of a novel from the life of the progressive intelligentsia "Signs of the Times" and a number of journalistic articles in "Notes of the Fatherland", written in a semi-humorous form on behalf of Mr. Plumpuding and signed by D. S ... o- M ... ts. In Otechestvennye Zapiski, he also published a number of reviews that compiled the book The Decade of the Russian Zemstvo (St. Petersburg, 1877). In addition, M. wrote a lot in Golos, Delo, Vsemirn. labor”, “Week”, etc.
Novels
From the end of the 1870s he devoted himself almost exclusively to the historical novel and showed extraordinary prolificacy in this field. More famous are The Great Schism, Idealists and Realists, Tsar and Hetman, Alluvial Trouble, False Dmitry, and Funeral, Solovetsky Sitting, Twelfth Year, Immured Queen, For whose sins”, “Moscow does not believe in tears”.
Description of travels and cultural and historical essays
Descriptions of his travels belong to Mordovtsev’s Peru: “Journey to Jerusalem”, “Journey to the Pyramids”, “Through Italy”, “Through Spain”, “To Ararat”, “Visiting Tamerlane”, etc. He also wrote many popular cultural historical essays in semi-fictional form - "Vanka Cain", "Russian historical women", "Russian women of modern times", "History of the Propylaea" and others. The Little Russian works of Mordovtsev are collected in the book "Opovidannya" (St. Petersburg,). He also owns a Little Russian polemical pamphlet against Panteleimon Kulish "For Ekrashanka Pysanka".
Compositions
- Sobr. soch., vol. 1-50, St. Petersburg, 1901-02;
- Signs of the times. Foreword G. Arzhanoy, M., 1957;
- Create, vol. 1-2. Lit.-critical. drawn by V. G. Belyaev, K., 1958.
- Russian women of the New Age. Biographical sketches from Russian history. Women of the first half of the 18th century on the Runivers website
- Russian women of the New Age. Biographical sketches from Russian history. Nineteenth century women on the Runivers website
- Chukhloma Zemstvo (From the book: D. L. Mordovtsev. Decade of the Russian Zemstvo, 1864-1875. St. Petersburg, 1877.)
Journal publications
- Veche bell // Historical Bulletin, 1886. - T. 23. - No. 1. - P. 7-14.
- “Caught by God and the great sovereign!…” Historical fresco. 1509-1510 // Historical Bulletin, 1888. - T. 31. - No. 1. - P. 113-146.
Bibliography
- Saltykov-Shchedrin M.E., New Russian people, Poln. coll. soch., vol. 8, M., 1937.
Sources
- // Encyclopedic Dictionary of Brockhaus and Efron: In 86 volumes (82 volumes and 4 additional). - St. Petersburg. , 1890-1907.
- Lebedev Yu.V. Daniil Lukich Mordovtsev // D. L. Mordovtsev. Works in two volumes. - M .: Fiction, 1991. - T. 1. - S. 5-41. - 510 s. - ISBN 5-280-01539-3
Notes
Links
Categories:
- Personalities in alphabetical order
- Writers alphabetically
- December 19
- Born in 1830
- Born in the Volgograd region
- Deceased June 23
- Deceased in 1905
- The dead in Kislovodsk
- Graduates of Kazan University
- Writers of Russia alphabetically
- Born in the Don Army Region
- Ukrainophilism
- Writers in Ukrainian
- Buried in Rostov-on-Don
- Authors of historical novels
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See what "Mordovtsev, Daniil Lukich" is in other dictionaries:
Mordovtsev, Daniil Lukich portrait by B. Kustodiev Date of birth: December 7 (19), 1830 Place of birth: Obl. Don troops Date of death: June 10 (23), 1905 Place of death: Kislovodsk Citizenship ... Wikipedia
- (1830 1905) Russian and Ukrainian writer, historian. In 1850 70s. contributed to the democratic press. Novels (The Great Schism, Solovetsky seat, both 1880; For whose sins?, 1890), stories from the history of Russia in the 17th and 19th centuries, descriptions of travels. ... ... Big Encyclopedic Dictionary
Mordovtsev, Daniil Lukich famous writer (1830 1905). He graduated from the course at St. Petersburg University, Faculty of History and Philology. Having settled in Saratov, he became close friends with Kostomarov, who was exiled there, and was his assistant, as ... ... Biographical Dictionary
Russian and Ukrainian writer, historian. His father was a Zaporozhye Cossack, then a manager of estates. M. ... ... Great Soviet Encyclopedia
Biography of the life of Mordovtsev Daniil Lukich.
Mordovtsev D.L. was born in 1830. He was a unique historian as well as a publicist. In his youth, for a long time he was in the service of the Ministry of the Interior, in a provincial town of St. Petersburg. Thanks to his service, he had a unique opportunity to get acquainted with many official documents, which he used to write articles in the radical and liberal press. But all this could not remain without a trace, and soon he began to have many "service troubles." Despite the fact that Mordovtsev practically received the title of State Councilor, the troubles greatly affected his later life.
The biography of Mordovtsev is full of many events. His literary activity began with a short poem, which was written in Ukrainian. Soon he began to collaborate with many well-known magazines, such as Otechestvennye Zapiski, Delo, Russky Vestnik, and many other equally famous editorial offices.
If you plunge into the worldview of Mordovtsev, you can see very intricate moments of populism. In many works of the writer, the idealization of the Russian past is especially noticeable. Daniila Lukich, first of all, tried to express all the subtleties of the life of the masses, protests, so that the unrest of the people was visible in his historical work.
Many official stories about the official "exploits" and "undertakings" of well-known tsars forced Mordovtsev to more subtly delve into their lives and embody all his thoughts for an audience of a wide reader. All this work gave the historian a colossal success among the people. One of the most widely read works of the writer is the novel "The Signs of the Times", which was written in 1869. In the 1970s and 1980s, his writings were deemed politically "dangerous" by the government, and all his works were removed from the central libraries.
His works were criticized in different ways, for example, A. Bogdanovich believed that the novel describes the real life of the entire people in the 70s, but A. Martynov, on the contrary, was inclined to call for an apolitical system. There was another opinion that in the novel "the youth" of that time was "humiliated". Indeed, the latter opinion is closest to the truth of the written work. All characters in the novel try to show their renunciation of Chernyshevsky's "one-sided" ideals. They seem to say that "all this is outdated." One of his characters stated that “we keep pace with the times. We do not want to start a rebellion, as our predecessors did in the 60s, our goal is to learn patience from the people. We no longer have faith in the beneficence of the Spanish and French revolutions. Our life history has taught us not to believe any of this anymore. We strive to merge with the people and become one.” In all this there is not a single resemblance to revolutionary populism.
It is difficult to find an idealization of the community in The Signs of the Times. Mordovtsev shows the irritation of his heroes, which is directly related to communism and Fourierism. Only a sharp denial of Mordovtsev allows you to rely on culture. The writer moves away from many predecessors of the 60s, who present the life of the petty bourgeoisie of that time, gradually moves away from the revolutionary-democratic intelligentsia, to which he himself once belonged. And yet in the novel there is a lot of so-called "plot looseness", the plausibility of that time is too pronounced.
Despite his literary activity, Mordovtsev was known to many as a historical fiction writer. At one time, he wrote many unique novels related to the ancient history of Ukraine and Russia. In his works, there is a discussion about the past life of that time, the writer tries to convey to the reader all the subtleties of reality.
All of Mordovtsev's novels are based on love relationships, which makes his work seem like a template. Throughout his literary career, ideology changes repeatedly. In the novel "Idealists and Realists" the writer's sympathy for the fighters against Peter's policy is noticeably expressed. All the cruelty that ruins and offends the people in the broadest sense of the word has been conveyed to the reader.
But the novel "The Sovereign Carpenter", which was written in 1889, on the contrary, idealizes Peter. In the very first works of the writer, the sympathy of the people for the democratic struggle against Russian feudalism and the bourgeoisie, which was directly related to the tsarist monopolies, the largest landholdings, which relied on the nobility, is noticeably displayed. The novel "For Whose Sins", as well as "The Great Schism" - reflect in detail all the days experienced by the people. Closer to old age, the writer offered the reader more mediocre novels, which were most often found in the Historical Bulletin, as well as in many dubious publications, such as the Vedomosti of the St. Petersburg City Administration. Despite this, he Mordovtsev continued to be especially popular among readers.
Please note that the biography of Daniil Lukich Mordovtsev presents the most basic moments from life. Some minor life events may be omitted from this biography.
Mordovtsev Daniil Lukich - famous writer. Born in the Region Don troops, in a family of Ukrainian origin. He studied at the Saratov gymnasium and Kazan and St. Petersburg. univ., where in 1854 he completed a course in historical and philological. faculty. Having settled in Saratov, he became close friends with Kostomarov, who was exiled there, and was his assistant, as secretary of the statistical committee. For some time he was the editor of the Saratov Gubernia Vedomosti, later he was the ruler of the office of Sarat. governor, served for a long time in the Ministry of Railways. He began his literary activity with Little Russian poems in the Little Russian Literary Collection published by him (Saratov, 1859) and a number of historical monographs in the Russian Word, Russian Bulletin, Vestn. Evropy, All. Labor, dedicated to preference for impostors and robbery. His historical works, published separately, "Gaydamachina" (St. Petersburg, 1870 and 1884), "Imposters and Freemen" (St. Petersburg, 1867 and 1884), "Political Movements of the Russian People" (St. Petersburg, 1871). Written very vividly and interestingly, although too sweepingly and insufficiently critical, the monographs of M. drew attention to themselves; at one time there was even talk of replacing him in St. Petersburg. univ. departments of Russian history. In the early 70s. M. also enjoyed great popularity as the author of a novel from the life of the progressive intelligentsia "Signs of the Times" and a number of journalistic articles in "Notes of the Fatherland", written in a semi-humorous form on behalf of Mr. Plumpuding and signed by D.S ... o-M .. .ts. In Otechestvennye Zapiski, he also published a number of reviews that compiled the book Decade of the Russian Zemstvo (St. Petersburg, 1877). In addition, M. wrote a lot in the "Voice", "Deed", "Worldwide Labor", "Week", etc. From the end of the 1870s. he devoted himself almost exclusively to the historical novel, and showed extraordinary prolificacy in this field. More famous are The Great Schism, Idealists and Realists, Tsar and Hetman, Alluvial Trouble, False Dmitry, and Funeral, Solovetsky Sitting, Twelfth Year, Immured Queen, For whose sins." The artistic merits of M.'s novels are not great, but the average public likes them; many withstood 2 editions. The best works of M. include descriptions of his travels: "Journey to Jerusalem", "Journey to the Pyramids", "Through Italy", "Through Spain", "To Ararat", "Visiting Tamerlane", etc. The usual lyricism of the author is here more appropriate and gives the descriptions a sincere character. M. also wrote many popular cultural and historical. essays in semi-fictional form - "Vanka Cain", "Russian Historical. women", "Russian women of the new time", "Histor. Propylaea" and others. Little Russian works of M. are collected in the book "Opovidannya" (St. Petersburg, 188 5). He also owns a Little Russian polemical pamphlet against Kulish "For Easter egg".
Big Encyclopedic Dictionary of Brockhaus and Efron.
Biography
MORDOVTSEV Daniil Lukich
Novelist, publicist, historian. For a long time he served in the provinces and St. Petersburg in the ministries of internal affairs and communications. He repeatedly used his familiarity with official documents for articles in the liberal and radical press; this caused a number of "official troubles" for Mordovtsev, who, however, rose to the rank of a real state adviser. He began his literary activity with a poem in Ukrainian. Collaborated in the journal. “Russian Word”, “Domestic Notes”, “Delo”, “Russian Messenger”, etc.
M.'s worldview at the time of his heyday as a historian and publicist is a very confused mixture of moderate populism, "Slavic" sympathies and Ukrainian nationalism, the idealization of the Russian past in his "folk" work ("Kaliki passers-by", "Ponizovaya freemen", Russian and especially Ukrainian folklore).
First of all, M. is characterized by the themes of his historical works, a description of the life of the masses, their unrest and protests. Against the background of traditional for official historians descriptions of "exploits" and "wise" undertakings of kings, nobles and commanders, M.'s research was certainly a progressive fact; M.'s semi-fictional style, which is similar to Kostomarov's, ensured his success with a wide readership. The main work of M. - the novel "Signs of the Times" - was extremely famous. Censorship in the 70s and 80s classified it as a politically "dangerous" book and withdrew it from libraries. The social meaning of the novel, its class tendencies were interpreted by critics in diametrically opposite directions: some (for example, A. Bogdanovich) considered it a real reflection of the populist moods of the 70s, others (for example, A. Martynov) associated the direction of the novel with the ideas of only the most the apolitical part of populism, namely with the Chaikovites, finally, still others completely denied any connection of M. with populism, arguing that the novel vulgarized the youth of this “heroic time”. The latter opinion seems to us closest to the truth. Heroes M. renounce the "one-sided" ideals of Chernyshevsky, they argue that the "Rakhmetovs are outdated." “We,” says one of the characters in the novel, “are not going to the people with proclamations, as our young and inexperienced predecessors did in the 60s, we are not going to start riots, not to excite the people and not to teach, but to learn patience from them , threshing and mowing ... we are no longer children: we do not believe either in the beneficence of the French and Spanish revolutions, or in the beneficence of fertilizing the earth with human blood. History has taught us not to believe these trifles... We are just going to merge with the people: we throw ourselves into the ground, as they throw grain, so that the grain sprouts and disfigures from five to one hundred.” The conspicuous apoliticalism of this characterization has nothing in common with revolutionary populism. We will not find in the "Signs of the Times" and the idealization of the community typical of the latter. The heroes of M. are full of irritation against communism and Fourierism - "old vulgar words", against "women's, childish utopias." The stake on culture, associated with M.'s sharp denial of the revolution as "blood", sharply separates M. from the enlighteners of the 60s, showing him as a representative of that part of the urban petty bourgeoisie of the 70s, which was moving away from the revolutionary democratic intelligentsia, she used to be a temporary companion to-roy. This point of view is carried out in the Signs of the Times with insufficient relief; the novel is characterized by plot looseness, low credibility of characters, etc. P.
An unusually prolific writer, M. was extremely popular as a historical fiction writer. He wrote dozens of novels from Russian, Ukrainian and ancient history. The depiction of reality gives way here to long and tedious discussions about it. The intrigue of Mordovtsev's novels is most often stereotyped, built on the development of love relationships. The ideology of these works changes over the course of the author's long literary activity. In "Idealists and Realists" Mordovtsev clearly sympathizes with the fighters against the Petrine policy, which is cruel, ruining and insulting the people. In the novel The Sovereign Carpenter, M. clearly idealizes Peter. In the best and earlier historical novels of M. populist sympathies were reflected in the democratic struggle of the masses against Russian feudalism and the bourgeoisie, associated with tsarist monopolies, large land ownership and relying on the nobility. In this aspect, M. portrayed razinism in the novel “For Whose Sins” and a split in “The Great Schism”.
Towards the end of his life, M. wrote completely mediocre novels, publishing them in the Suvorin Historical Bulletin and in even more dubious press organs, up to and including the Gazette of the St. Petersburg City Administration. All this did not prevent M. from being popular with the mass reader of that time and publishing more than once collected works, however, far from complete.
Mordovtsev Daniil Lukich (1830-1905) was born in the family of the manager of the Danilovka settlement. Daniel had a sister and three brothers, he is the youngest child in the family. The father died when the boy was not even a year old. Five-year-old Daniil's mentor was a local sexton, who taught the boy Old Slavonic books, which were in abundance.
Daniel wrote his first poems at the age of seven. The author's reference book was Milton's Paradise Lost, which he accidentally discovered and loved so much that he learned almost everything by heart. In 1844 he graduated from the Ust-Medvetsk district school with honors. Then he entered the Saratov gymnasium.
Six years later, he entered the Faculty of Physics and Mathematics, but experienced teachers saw him as a humanist early on, and advised him to go to the historical and philological. Mordovtsev followed the advice.
In 1851, he decides to transfer to St. Petersburg University, after three years he receives a candidate's degree, and returns to Saratov. Marries Paskhalova Anna Nikanorovna, this was her second marriage. At this time, he was friends with Nikolai Kostomarov, who was exiled to Saratov. Working as the head of the provincial table, he collects information on the history of the Saratov region. Later, in 1859, together with Kostomarov, he wrote the Little Russian Literary Collection, which included works written in Ukrainian. In 1864 he moved to St. Petersburg, and after a while he returned to Saratov.
In the 70s, Daniil Lukich established himself as a historical writer. In 1872, he again moved to St. Petersburg, due to a conflict with the governor Shcherbatsky, but after three years he would come back. In 1885, his adopted son committed suicide, shortly after him, Mordovtsev's wife died. He, leaving the service, goes to Rostov-on-Don. He travels a lot to European countries, as well as to Palestine, Egypt.
On April 24, 1905, the fiftieth anniversary of creativity was celebrated, but the climate of St. Petersburg exacerbated the old disease. Hoping that climate change will help, he goes to Kislovodsk. An attempt to improve his health with his brother in Kislovodsk failed. Bedridden, Mordovtsev died on 10 July. He was buried in the family crypt of the family, in Rostov-on-Don.
Daniel Mordovtsev
Daniil Lukich Mordovtsev(, Sloboda Danilovka, Ust-Medveditsky district, Rostov province -, buried in Rostov-on-Don) - Russian and Ukrainian writer, historian.
Biography
Born into a family of Ukrainian origin, his father was from the Zaporizhzhya Cossacks, later managing the estate. He studied at the Saratov gymnasium and Kazan and St. Petersburg. univ., where in 1854 he completed a course in historical and philological. faculty. Having settled in Saratov, he became close friends with Kostomarov, who was exiled there, and was his assistant, as secretary of the statistical committee. For some time he was the editor of the Saratov Gubernia Vedomosti, later he was the ruler of the office of Sarat. governor, served for a long time in the Ministry of Railways.
Creation
He began his literary activity with Little Russian poems in the Little Russian Literary Collection published by him (Saratov, 1859) and a number of historical monographs in the Russian Word, Russian Bulletin, Vestn. Evropy, All. Labor, dedicated to preference for impostors and robbery. His historical works, published separately, "Gaydamachina" (St. Petersburg, 1870 and 1884), "Imposters and Freemen" (St. Petersburg, 1867 and 1884), "Political Movements of the Russian People" (St. Petersburg, 1871). In the early 70s. M. also enjoyed great popularity as the author of a novel from the life of the progressive intelligentsia "Signs of the Times" and a number of journalistic articles in "Notes of the Fatherland", written in a semi-humorous form on behalf of Mr. Plumpuding and signed by D.S ... o-M .. .ts. In Otechestvennye Zapiski, he also published a number of reviews that compiled the book Decade of the Russian Zemstvo (St. Petersburg, 1877). In addition, M. wrote a lot in Golos, Delo, World Labor, Week, and others.
Novels
From the end of the 1870s. he devoted himself almost exclusively to the historical novel, and showed extraordinary prolificacy in this field. More famous are The Great Schism, Idealists and Realists, Tsar and Hetman, Alluvial Trouble, False Dmitry, and Funeral, Solovetsky Sitting, Twelfth Year, Immured Queen, For whose sins."
Description of travels and cultural and historical essays
Descriptions of his travels belong to M. Peru: "Journey to Jerusalem", "Journey to the Pyramids", "Through Italy", "Through Spain", "To Ararat", "Visiting Tamerlane" and others. M. also wrote many popular cultural and historical. essays in semi-fictional form - "Vanka Cain", "Russian historical women", "Russian women of modern times", "Histor. Propylaea" and others. Little Russian works of M. are collected in the book "Opovidannya" (St.
