Composition based on the painting by Aivazovsky “Moonlight Night. Bath in Feodosia

The great artist Ivan Konstantinovich Aivazovsky painted several thousand amazing paintings, many of which gained worldwide fame and won the hearts of art connoisseurs. Ivan Konstantinovich devoted most of his masterpieces to the sea and the natural elements. His paintings mainly depict a stormy sea, which is subject to the negative effects of natural phenomena and elements. But there are also images of a calm sea atmosphere.

Aivazovsky conveyed the incredible beauty of night landscapes in his masterpieces. The moonlit night has a bewitching look in his performance. He manages to show all the charms of the sea at night, to convey every small detail in the reflection of the water. Delving into the work of the artist, you can immediately understand that Aivazovsky loves the sea very much. The moonlit night also impresses and inspires him. It is in the combination of the sea and the moon that many of his greatest paintings are created. Reviewing all the pictures, you can see that Aivazovsky preferred the moonlit nights. The description of such paintings only confirms this.

The artist’s love for the sea appeared for a reason, because Ivan Konstantinovich comes from the Crimea, where there are a huge number of beautiful and picturesque places. It was on the Black Sea coast that the artist was inspired to create many of his paintings. Aivazovsky wrote many of his masterpieces about Crimea.

Hometown for Aivazovsky Feodosiya. Here he spent his childhood, and already at that time gradually fell in love with the sea. From childhood, the young artist showed his talents by painting the walls of houses. Then, already as an adult, and after graduating from the art academy, Ivan Konstantinovich painted many paintings depicting the best sea views of the city.

Theodosius. Moonlight night. 1880

One of these paintings by Aivazovsky "". It depicts a pronounced lunar path in a calm sea, one of the author's favorite views. Two ships and mountain slopes are visible in the distance. Also in the foreground you can see two people having a conversation. The picture is very harmonious, you can look at it for a long time and constantly notice new details. "Feodosia. Moonlight night". Ivan Konstantinovich Aivazovsky painted this picture in 1850. After that, he painted two more paintings from the same angle. All of them depict night, sea and moonlight, other details change. Looking at these three paintings, comes great admiration for the work of Aivazovsky. How clearly he conveyed every detail of the night view of this Black Sea coast. Probably, this place was to the liking of the artist, since he often visited here in his childhood. This bath is not far from his house.

For Aivazovsky, the moonlit night in the Crimea was a special source of inspiration. The beauty of this peninsula was dedicated to many paintings. He traveled to many coastal cities of the Crimea and left on his canvas the best sea views.

View of Odessa on a moonlit night. 1855

Ivan Konstantinovich also visited Odessa and captured the Black Sea from other shores. Also, Aivazovsky could not ignore the view of Odessa on a moonlit night. That is how he called his painting, created in this Black Sea city "". It depicts the sea, a seaport and several ships. Also a small boat with fishermen going for a night catch. Clouds are visible, the weather is not entirely clear, but this does not prevent the moon from displaying its crown path in the waters of the Black Sea.

Galata tower on a moonlit night. 1845

Aivazovsky often visited Turkey. The artist was attracted by the extraordinary landscapes of the eastern country. He maintained good relations with the Turkish sultans. Often he painted pictures with impressive views or portraits of sultans as a gift, and also performed commissioned works. Most of the paintings created in Turkey were painted in Constantinople. This is not surprising, because there is inspiration for the marine painter here. One of the popular paintings dedicated to traveling to Turkey "". Aivazovsky depicted a bewitching view of the tower - one of the main symbols of the city. The Turkish people are well depicted, leading a measured nightlife. Also, the calm sea, reflecting the bright moon, did not go unnoticed. The weather is good, which can be seen from the clear sky, the bright moon and the calm sea. Mosques can be seen in the distance, which gives the picture an oriental flavor. In a calm sea, many fishing boats went out to hunt.

The sea, the moonlit night of Aivazovsky, the description of these natural beauties is most attractive in the creation of his masterpieces. He excels like no other. This is given only with great talent and sincere love for the sea.

Aivazovsky traveled a lot in different countries. He was very attracted to sea voyages, after which he received the greatest inspiration. Some of his masterpieces he produced in swimming. He was most attracted to travel to seaside cities. Aivazovsky also visited galleries and museums, got acquainted with the work of foreign artists. In addition to creating his own paintings, he copied the paintings of other creators.

The artist was attracted by Italy. Many great paintings have been created here. He traveled to many Italian cities and captured the brightest places on his canvas. Of course, Aivazovsky could not disregard the moonlit night of Naples. Night landscapes with lunar views were the artist's favorite to depict on canvas. In each country, he conveyed all the details in a special way, trying to convey the color of this country and the accompanying atmosphere.

Moonlit night in Capri. 1841.

If we continue to describe Ivan Aivazovsky's moonlit nights, reproduced on canvas, then it is worth mentioning a few more paintings. Aivazovsky's painting of a moonlit night created in 1841 was called "". It differs from the above pictures. The seashore is depicted, small waves. You can see the bow of a wooden boat, from which two teenagers admire the seascape. The painting does not contain many objects for study, but it is worth noting how the artist depicts small details. Each wave, how it changes with the direction of the wind - all this the artist skillfully conveys in his paintings. For such reverent work, you need to truly feel every detail, and only a person in love with the sea can do this.

Moonlight night. 1849

Also, you can see that the paintings are made in the same color scheme and a separate object does not have a color that stands out from the total mass. Everything is subject to the reflections of natural shades and lighting.

The distinctness of the form of the objects of the picture, the small number of colors used, the attention to every smallest detail - all these are the main highlights of the artist. He also skillfully played with colors, even when using a meager range of colors, due to the opposition of colors, he could achieve the brightness and clarity of the resulting image.

Despite the fact that Aivazovsky is considered a marine painter, portraits, landscapes of mountains, nature and other types of art came out perfectly in his performance. Nevertheless, Ivan Konstantinovich liked the seas and everything connected with them.

Aivazovsky Ivan Konstantinovich moonlit nights combined with sea water brought the greatest inspiration. This can also be seen by looking at his famous masterpieces painted from the sea. Despite the fact that the paintings depict the night, everything is clearly visible due to the illumination of the moon. Her light in the paintings reflects every object and detail that look harmonious in the moonlight.

In his paintings where the sea is depicted, the artist paid the greatest attention to the water element. He applied all other objects from the first time, but for the image of sea water, the marine painter applied extraordinary creative abilities. He tried to express every wave, every crest, as well as a realistic depiction of the sky in the water. This took a huge amount of time and effort, because it was necessary to apply several layers, apply glazing methods in order to achieve the desired combination of colors, the effect of water transparency and other distinctive qualities inherent only in Aivazovsky's work.

Aivazovsky Ivan Konstantinovich, one of the few marine painters, managed to convey the bewitching sea nature on his canvas so masterfully. You can look at his paintings for a long time and enjoy the landscapes. Very realistically, he managed to reproduce the natural elements and the sea. The artist's paintings are ingenious, like those depicting day and night. Looking at any of them, you are convinced of the extraordinary talent of the great marine painter Aivazovsky.

Description of the painting by Aivazovsky “Moonlit night. Bath in Feodosia»

The great Russian painter Ivan Konstantinovich Aivazovsky painted the painting “Moonlight Night.
Bath in Feodosiya" in the middle of the 18th century.
In the picture, I see a calm night sea, consecrated by the bright, but at the same time diffused light of the full moon, breaking through a light haze of clouds.
The boundless quiet expanse of the sea, combined with the black night sky, which occupies more than half of the canvas, creates a feeling of mystery and tranquility.

In the foreground, on the quay, stands a tiny house with an open door through which a subdued light escapes.
This appears to be a bath.
Through the open door I see a woman's silhouette.
Apparently, this is a young bather who is attracted by the night sea.
She is sitting on a chair in a long light dress.
She has dark hair and her hands are folded in her lap.
Her hair is pulled back into a neat bun.
The lunar path seems to illuminate the sailboats with lowered sails and the embankment, on which a vague silhouette is visible.
Most likely, this is a young fisherman in love with the sea.
In the distance, on the hillside, you can see cozy little houses.
Their windows are dark, their inhabitants have long since gone to bed.
The hills themselves are densely covered with trees, and the sight of them gives a feeling of fabulous charm. A woman swims along the night sea, like a sea mermaid, leaving ripples behind her.
According to the fashion of that time, she bathes in a long white shirt.
Apparently, it was she who took advantage of the house and then rushed into her nightly swim.
And, apparently, it is the girl sitting in the bathhouse waiting for her.
The sky, the higher it looks, the darker and more impenetrable it is.

In general, the whole picture is written in such a way that the closer to the center, the more clearly the details are spelled out, the brighter and lighter the colors.
This painting is undoubtedly considered one of the outstanding works of the artist Aivazovsky.

Composition based on the painting by I. K. Aivazovsky “Moonlight Night. Bath in Feodosia»

Ivan (Ovanes) Konstantinovich Aivazovsky was born in Feodosia on July 17 (30), 1817. The boy began to be interested in art early, he was especially interested in music and drawing. In 1833, Aivazovsky was enrolled in the Academy of Arts in St. Petersburg.

Ivan Konstantinovich Aivazovsky is rightfully considered an outstanding Russian painter. All the works of this great artist are known all over the world.

Many paintings by Ivan Konstantinovich Aivazovsky are dedicated to the sea. The artist emphasizes the nature of the sea element, so accurately and realistically conveys everything connected with the sea. One of the most famous paintings is “Moonlight Night. Bath in Feodosia. This work was created in 1853. The picture was painted in oil on canvas.

We see the night sea on this canvas. Sky, clouds, ship. The light of the full moon illuminates the surroundings. And everything seems somewhat unreal, ephemeral, even mystical. At the same time, we can distinguish the smallest details, so the reality of everything that is shown in the picture is undeniable.

In the foreground of the picture we see a quiet calm sea. The bright lunar path seems so mysterious and attractive. The endless sea goes beyond the horizon. On the right side of the lunar path, a girl swims. How afraid she is here alone ... After all, the sea only looks so calm and serene. But in fact, the insidiousness of the sea element is known to everyone. However, maybe it's a mermaid? And the sea element is her home. The legends about these amazingly beautiful inhabitants of the sea immediately come to mind. Maybe they really exist. And the picture shows one of them? But then it becomes clear that these are just dreams.

There is a bathing house on the shore. Here the door is open, it is light inside. We see a girl. She must be waiting for her friend who is swimming in the sea. If you look closely, you can see the embankment on the right side of the picture. She is illuminated by bright moonlight. A little further are the houses. They are hidden in the darkness, not a light is visible in the windows.

In the center of the picture we see sailboats. One of them is brightly lit by moonlight. Ships are at the pier. But they are not so easy to see, they are hidden by the darkness of the night.

The sky seems special, it is brightly illuminated by moonlight. The clouds are so clearly visible.

They seem so tangible, as if they can be touched by hand.

The beauty of the night sea and sky is amazing. I want to look at this picture again and again. And every time it is possible to see something completely new in it.

There is something unusual, mystical in the picture. Here, on the one hand, there is a rare calmness and harmony. But on the other hand, one feels the formidable power of the sea, which at any moment can turn from calm and serene into formidable and dangerous. And then the rampant elements will make you forget about everything. After all, a person is defenseless against the power of the sea element. But now I don't want to think about it. The sea is so gentle and calm. It seems that amazing sea freshness reaches us.

This picture is included in the Crimean cycle, created by the artist. Currently, the work is in the Taganrog Art Museum.

Ivan Konstantinovich Aivazovsky is known throughout the world as a marine painter, the sea was his muse and love, the artist could paint it endlessly. And indeed, no one portrayed the expanses of the sea better than Aivazovsky. The artist managed to achieve such a reality of landscapes, thanks to skillful color reproduction, that admiring his next canvas, you involuntarily feel like a participant in the picture.

In addition to the artist's most famous canvas, The Ninth Wave, his other works with seascapes are also famous. So the picture “Moonlit night. Bath in Feodosiya” is completely opposite in character to “The Ninth Wave”, every stroke, every stroke is imbued with calmness, love and tenderness. And not in vain, because it is the Crimean town of Feodosia that is the small homeland of the artist, he was born here and lived periodically, therefore, in this picture, Ivan Konstantinovich combined his love and affection for the sea with childhood feelings for his native places.

The center of the plot of the picture is the sea on a moonlit night, only here it is not at all raging and rebellious, but calm and comfortable. A lunar path runs almost in the center of the canvas, dividing the canvas into two halves, capturing the eye from the very first seconds. It is she who illuminates the rest of the details of the picture for us: ships moored not far from the coast, a small bridge with a bath, and two characters - girls. One of them swims to the bath, most likely in a minute she will come ashore and present her naked beautiful wet body to the moon's gaze. The other girl, completely dressed, sits inside the gazebo, judging by her posture, it seems that she has been waiting for her friend, sister or mistress for quite a long time. Considering that the picture was painted in 1853, then the variant with the maid and her mistress is more like reality.

After a careful examination of the bath, illuminated from the inside by a bright lantern, and two mysterious girls, the gaze again involuntarily turns to the sea and the moonlit path running along it. And it is not surprising, because it is the real main character of Aivazovsky everywhere. Each stroke of the water surface is written with such reality, with such clarity that it seems as if the sound of a light breeze is heard and the salty taste of sea air is felt.
The iridescent glare of the moon on the sea surface, like a lamp, illuminates the beauty of the surrounding landscapes. What is the sky alone worth: out of the darkness and haze, moonlight pulls out heavy torn clouds, as if hanging right over the expanses of water. The sea itself, thanks to the same light, acquired a greenish mysterious hue, merging on the horizon with apparent ephemeral clouds. Thanks to this, the landscape seems mysterious, unreal and a little magical. The combination of such a gloomy and heavy sky with a quiet and cozy sea is not accidental, the artist wanted to show that the calmness of the water surface is deceptive and ghostly, the elements can disperse in a matter of minutes and show their real raging character.

On the right side of the picture, the embankment of the city and residential buildings peep a little out of the darkness, no lompads are burning in any of the windows, most likely it’s three o’clock in the morning, all the inhabitants are sleeping peacefully, but soon the city will begin to wake up, and the serene sea will wake up behind it. With the help of oil paints on canvas, the artist was able to convey this short moment of serenity and tranquility of the sea element, when everything around seemed to freeze in anticipation of something important. Morning will come soon and the haze of mystery will disappear, a new day will come, but this will be a completely different story ...

Today, Aivazovsky's painting “Moonlight Night. Bath in Feodosia "is located in Taganrog in the city art gallery, its size is 94 by 143 cm.

With the name of Ivan Konstantinovich Aivazovsky, everyone will immediately remember one of the most famous works of the artist - the painting "The Ninth Wave". A master of battle scenes, "the painter of the Main Naval Staff", Aivazovsky is considered the best in creating a stormy sea, a raging element.

But he also has other canvases, from which emanates peace and tranquility, where there is no violence of the elements, but there is the breadth and beauty of native expanses, even if these are expanses of the sea. These canvases include a picture of I.K. Aivazovsky Moonlight Night. Bathhouse in Feodosia”, written in 1853. The first thing the viewer pays attention to is the moonlight, which pushes the darkness apart. The blackness of the night fades to the edges of the picture, which makes it seem like something very bright, because the full moon is shining in the sky. It was she who flooded everything around with a yellowish light, and the water seems green in places.

The moon path divided the dark water in half. And the water sparkles and sparkles, set off by the black abyss around. In the moonlight, the silhouettes of the ships standing at the pier are clearly visible. A sailing ship is seen in the distance. It is more like a shadow, as if the ghostly Flying Dutchman suddenly appeared on the horizon. There are houses on the distant shore, the railings on the fence of the embankment are clearly visible. Not a single light shines in the windows of sleeping houses. Night covered everything around with its mysterious cover. Clouds are moving smoothly in the sky. But they don't cover the moon. And she reigns in heaven, and on earth, and on water.

To the right of the lunar path there are bridges with a bath, which is brightly lit. But not by moonlight, but by a lamp. This lighting seems to repeat the night luminary: in the center of the canopy, the same yellow circle glows as in the sky. It floods the small space under the bath with light. And there is a woman floating there. It seems that she is floating in the moonlight herself like the moon. And only in the house a reddish light burns. There is a girl sitting there. She seems to be waiting for her mistress. Or is it a friend of a bathing woman. She did not dare to enter the water and remained in the house while the second girl was bathing.

Aivazovsky's painting “Moonlight Night. Bath in Feodosia. It is simply impossible to look away from her. In my opinion, no one has yet been able to convey the moonlight so accurately when the full moon is shining in the sky, and everything around is illuminated by some kind of extraordinary light. The woman in the water resembles a mermaid from children's fairy tales. If not for the light in the bath and not for the second woman, then the resemblance to a fairy-tale creature would be complete. Great painting by a great artist!

The great Russian painter Ivan Konstantinovich Aivazovsky painted the painting “Moonlight Night. Bath in Feodosiya" in the middle of the 18th century. In the picture, I see a calm night sea, consecrated by the bright, but at the same time diffused light of the full moon, breaking through a light haze of clouds. The boundless quiet expanse of the sea, combined with the black night sky, which occupies more than half of the canvas, creates a feeling of mystery and tranquility.

In the foreground, on the quay, stands a tiny house with an open door through which a subdued light escapes. This appears to be a bath. Through the open door I see a woman's silhouette. Apparently, this is a young bather who is attracted by the night sea. She is sitting on a chair in a long light dress. She has dark hair and her hands are folded in her lap. Her hair is pulled back into a neat bun. The lunar path seems to illuminate the sailboats with lowered sails and the embankment, on which a vague silhouette is visible. Most likely, this is a young fisherman in love with the sea. In the distance, on the hillside, you can see cozy little houses. Their windows are dark, their inhabitants have long since gone to bed. The hills themselves are densely covered with trees, and the sight of them gives a feeling of fabulous charm. A woman swims along the night sea, like a sea mermaid, leaving ripples behind her. According to the fashion of that time, she bathes in a long white shirt. Apparently, it was she who took advantage of the house and then rushed into her nightly swim. And, apparently, it is the girl sitting in the bathhouse waiting for her. The sky, the higher it looks, the darker and more impenetrable it is.

In general, the whole picture is written in such a way that the closer to the center, the more clearly the details are spelled out, the brighter and lighter the colors. This painting is undoubtedly considered one of the outstanding works of the artist I.K. Aivazovsky.

Composition based on the painting “Moonlit night. Bath in Feodosia»

Dark night. Midnight. The night sea, shimmering under the glare of the moon, it seems boundless and bottomless, the sea goes somewhere far into the distance. If you look at the picture well, then in the black sea you can see a girl, she resembles an enchanted mermaid who swam out to admire the beauty of the moon and nature. The moon this night is full and clear, it attracts the eye of the viewer, the moon, like a magic ball, shines among the black haze, it is she who well illuminates everything that is under it. On the shore there is a small house with an open door, a light is on in it and another girl is sitting, who is waiting for the one that swims in the sea. It can be assumed that this night is very warm and one of the girls decided to plunge into the cool water, which is pierced by fabulous light, to cool down.

Under the moon itself there are ships on which white sails develop from a light breeze, they are opposed to the blackness of the sea. There is a feeling that these ships stick their masts right into the sky. Under the bright sun of the moon, you can see the clouds, they are light, airy, which means that the next day will be warm and clear. That part of the sky that is not illuminated by the moon seems mysterious and terrible, the sky here is black-black, it is impossible to see anything in it. When writing a picture, the artist uses more dark tones to accurately convey the atmosphere of the night. Dark shades give the picture mystery and mystery. When you look at the picture, you want to carefully examine all the details, the Artist arranged all the objects in such an interesting way that you simply cannot leave a single detail unconsidered. The picture is interesting. Each image captured in the picture is original and individual.

The picture evokes conflicting emotions, on the one hand you admire the beauty of the moon and its light, on the other hand, the darkness and mystery of the picture are alarming.