The fears and fetish of genius are the symbolism of Dali. Painting by Salvador Dali "Elephants" - an image that arose from Dali's dream of elephants on long legs meaning

"Elephants" - a painting by Salvador Dali, creating a minimalistic and almost monochromatic surreal story. The absence of many elements and the blue sky makes it unlike other canvases, but the simplicity of the picture enhances the attention that the viewer pays to Bernini's elephants, a recurring element in Dali's work.

The man who conquered reality

Dali is one of those artists who rarely leave indifferent even among people who are alien to art. It is not surprising that he is the most popular artist of modern times. The paintings of the surrealist are written as if reality, such as he sees it the world, for Dali did not exist.

Many experts tend to think that the fruits of the artist’s imagination, poured onto the canvas in the form of unrealistic plots, are the fruit of a sick mind eaten by psychosis, paranoia and megalomania (an opinion that the masses often agree with, thereby trying to explain what is impossible to understand) . Salvador Dali lived as he wrote, thought as he wrote, therefore his paintings, like the canvases of other artists, are a reflection of the reality that the surrealist saw around him.

Video: Elephants - Salvador Dali, review of the painting

In his autobiographies and letters, through a dense veil of arrogance and narcissism, a rational attitude to life and his actions, regret and recognition of his own weakness, which drew strength from unshakable confidence in his own genius, peep through. Having severed ties with the artistic community of his native Spain, Dali declared that surrealism was him, and he was not mistaken. Today, the first thing that comes to mind when meeting with the word "surrealism" is the name of the artist.

Repeating characters

Dali often used recurring symbols in his paintings, such as clocks, eggs, or slingshots. Critics and art historians are unable to explain the meaning of all these elements and their purpose in paintings. It is possible that objects and objects reappearing again and again connect the paintings to each other, but there is a theory that Dali used them for a commercial purpose in order to increase attention and interest in his paintings.

Whatever the motives for using the same symbols in different pictures, the artist for some reason chose them, which means they possessed secret meaning if not the target. One of these elements, passing from canvas to canvas, are the "long-legged" elephants with an obelisk on their backs.

For the first time, such an elephant appeared in the painting “Dream caused by the flight of a bee around a pomegranate, a second before awakening.” Subsequently, Salvador Dali's painting "Elephants" was painted, in which he depicted two such animals. The artist himself called them "Bernini's Elephants", since the image was created under the influence of a dream in which Bernini's sculpture was walking in the funeral procession of the Pope.

Salvador Dali, "Elephants": description of the painting

In the picture, two elephants on incredibly long and thin legs walk across the desert plain towards each other against the background of a red-yellow sunset sky. In the upper part of the picture, stars are already shining in the sky, and the horizon is still illuminated by bright sunlight. Both elephants bear the attributes of the Pope and are covered with the same carpets, matching the elephants themselves. One of the elephants lowered his trunk and head and is heading from west to east, the other goes towards him, raising his trunk.

Video: Paintings by Salvador Dali

Salvador Dali's painting "Elephants" makes everything except the animals themselves sink and dissolve in the bright light of the sunset. At the feet of the elephants are the outlines of human figures walking towards them - their shadows are elongated almost as grotesquely as the legs of the elephants. One of the figures resembles the silhouette of a man, the other - of a woman or an angel. Between the figures of people, in the background, there is a translucent house, illuminated by the rays of the setting sun.

Symbolism of Salvador Dali

Salvador Dali's painting "Elephants" seems simpler than many others, because it does not abound with many elements and is made in a narrow and rather dark color palette.

The symbols, in addition to the elephants themselves, are:

• bloody sunset;
• a translucent house, more like a monument;
• desert landscape;
• running figures;
• "mood" of elephants.

In many cultures, elephants are symbols of power and influence, perhaps this is what attracted the great egoist Dali. Some associate the choice of Bernini's elephants with a symbol of religion, however, most likely, the special attraction of the sculpture for the surrealist Dali is that Bernini created it without seeing a real elephant even once in his life. The long, slender legs of the elephants in the painting are contrasted with their mass and strength, creating a distorted, dual symbol of the strength and power that rests on a rickety structure.

Salvador Dali was an artist with an inhuman flight of fancy and a unique imagination. Not everyone understands his paintings, and very few can give them a concrete, factual explanation, but everyone agrees that every painting by the Spanish surrealist is in one way or another a reflection of the reality that the artist perceived it.

Salvador Dali's painting "Elephants" is a great example of a surreal story. It creates a reality that resembles an alien planet or a strange dream.

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"Elephants" - a painting by Salvador Dali, creating a minimalistic and almost monochromatic surreal story. The absence of many elements and the blue sky makes it unlike other canvases, but the simplicity of the picture enhances the attention that the viewer pays to Bernini's elephants, a recurring element in Dali's work.

The man who conquered reality

Dali is one of those artists who rarely leave indifferent even among people who are alien to art. It is not surprising that he is the most popular artist of modern times. The paintings of the surrealist are painted as if reality, as the outside world sees it, did not exist for Dali.

Many experts tend to think that the fruits of the artist’s imagination, poured onto the canvas in the form of unrealistic plots, are the fruit of a sick mind eaten by psychosis, paranoia and megalomania (an opinion that the masses often agree with, thereby trying to explain what is impossible to understand) . Salvador Dali lived as he wrote, thought as he wrote, therefore his paintings, like the canvases of other artists, are a reflection of the reality that the surrealist saw around him.

In his autobiographies and letters, through a dense veil of arrogance and narcissism, a rational attitude to life and his actions, regret and recognition of his own weakness, which drew strength from unshakable confidence in his own genius, peep through. Having severed ties with the artistic community of his native Spain, Dali declared that surrealism was him, and he was not mistaken. Today, the first thing that comes to mind when meeting the word "surrealism" is the name of the artist.

Repeating characters

Dali often used recurring symbols in his paintings, such as clocks, eggs, or slingshots. Critics and art historians are unable to explain the meaning of all these elements and their purpose in paintings. It is possible that objects and objects reappearing again and again connect the paintings to each other, but there is a theory that Dali used them for a commercial purpose in order to increase attention and interest in his paintings.

Whatever the motives for using the same symbols in different ones, for some reason I chose them, which means that they had a secret meaning, if not a purpose. One of these elements, passing from canvas to canvas, are the "long-legged" elephants with an obelisk on their backs.

For the first time, such an elephant appeared in the painting “Dream caused by the flight of a bee around a pomegranate, a second before awakening.” Subsequently, Salvador Dali's painting "Elephants" was painted, in which he depicted two such animals. The artist himself called them "Bernini's Elephants", since the image was created under the influence of a dream in which Bernini's sculpture was walking in the funeral procession of the Pope.

Salvador Dali, "Elephants": description of the painting

In the picture, two elephants on incredibly long and thin legs walk across the desert plain towards each other against the background of a red-yellow sunset sky. In the upper part of the picture, stars are already shining in the sky, and the horizon is still illuminated by bright sunlight. Both elephants bear the attributes of the Pope and are covered with the same carpets, matching the elephants themselves. One of the elephants lowered his trunk and head and is heading from west to east, the other goes towards him, raising his trunk.

Salvador Dali's painting "Elephants" makes everything except the animals themselves sink and dissolve in the bright light of the sunset. At the feet of the elephants are the outlines of human figures walking towards them; their shadows are elongated almost as grotesquely as the legs of elephants. One of the figures resembles the silhouette of a man, the other - of a woman or an angel. Between the figures of people, in the background, there is a translucent house, illuminated by the rays of the setting sun.

Symbolism of Salvador Dali

Salvador Dali's painting "Elephants" seems simpler than many others, because it does not abound with many elements and is made in a narrow and rather dark color palette.

The symbols, in addition to the elephants themselves, are:

• bloody sunset;
• a translucent house, more like a monument;
• desert landscape;
• running figures;
• "mood" of elephants.

In many cultures, elephants are symbols of power and influence, perhaps this is what attracted the great egoist Dali. Some associate the choice of Bernini's elephants with a symbol of religion, however, most likely, the special attraction of the sculpture for the surrealist Dali is that Bernini created it without seeing a real elephant even once in his life. The long, slender legs of the elephants in the painting are contrasted with their mass and strength, creating a distorted, dual symbol of the strength and power that rests on a rickety structure.

Salvador Dali was an artist with an inhuman flight of fancy and a unique imagination. Not everyone understands his paintings, and very few can give them a concrete, factual explanation, but everyone agrees that every painting by the Spanish surrealist is in one way or another a reflection of the reality that the artist perceived it.

Salvador Dali's painting "Elephants" is a great example of a surreal story. It creates a reality that resembles an alien planet or a strange dream.

It is probably one of the most famous images, created by Dali - an elephant on long multi-jointed spider legs, which is repeated from picture to picture. For example:

I think I have established the origin of this elephant. We are talking about the popular legend of medieval bestiaries, according to which the elephant has no joints in its legs, so it sleeps leaning against a tree, and if it falls, it can no longer rise itself ().

The peculiarity of the elephant is this: when he falls, he cannot get up, because he has no joints in his knees. How does he fall? When he wants to sleep, he leans against a tree and sleeps. Indians (option in the lists: hunters). knowing about this property of an elephant, they go and cut the tree a little. The elephant comes. to lean against, and as soon as he approaches the tree, the tree falls with him. Having fallen, he cannot get up. And he starts crying and screaming. And another elephant hears, and comes to help him, but cannot lift the fallen one. Then both shout, and the other twelve come, but they also cannot lift the fallen one. Then they all scream together. After all, a small elephant comes, puts his trunk under the elephant and picks him up.
The property of a small elephant is this: if you set fire to its hair or bones in some place, then neither the demon nor the snake will enter there and no other evil will happen there.
Interpretation.
How the image of Adam and Eve is interpreted: while Adam and his wife were in heavenly bliss before sinning, they did not yet know intercourse and had no thought of union. But when the woman ate from the tree, that is, mental mandrakes, and gave it to her husband, then Adam knew his wife and gave birth to Cain in bad waters. As David said, "Save me, O God, for the waters of my soul have come to pass."
And the great elephant that came, that is, the Law, could not lift the fallen one. Then 12 elephants came, that is, the face of the prophets, and they could not lift it. After all came the mental elephant, or Christ God, and lifted the one who had fallen from the earth. The first of all became the least of all, “He humbled Himself, taking on the form of a slave”, in order to save everyone

Since Dali describes his method as "paranoid-critical", it makes perfect sense that he draws a LOT of joints on the elephant's legs ("but I don't believe your bestiary and his theology!"). And it is completely understandable why Antony is attacked not so much by naked women (as in the original tradition), but by elephants on multi-jointed legs: it is not momentary bodily desire that is tempted, but the very foundations of faith. Which is actually both scarier and funnier. The "mental elephant" for the 20th century already sounds quite funny in itself, but also scary (cf. "Heffalump" - another mental elephant that tempts Winnie the Pooh and Piglet).
Dali, in general, seems to have liked to mock the scholastic tradition, since his "Great Masturbator" is none other than the Aristotelian mind-prime mover, which thinks itself.
PS: mind you, the anatomy of the horse's legs is normal, they are simply elongated disproportionately.