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See what "Permyak, Evgeny Andreevich" is in other dictionaries. Permyak Evgeniy

Evgeny Permyak — children's writer. Published since 1924. In the 30s. acted as a playwright (plays The Forest Noises, 1937; Roll, 1939, etc.). Author of collections of fairy tales and popular science books for children and youth - "Who to be?" (1946), "Grandfather's piggy bank" (1957), "From the fire to the boiler" (1959), "The lock without a key" (1962), "The Tale of gray wolf"(1960), "Last frosts" (1962), "Humpbacked Bear" (1965), "The Kingdom of Quiet Luton" (1970) and others. E. Permyak's books are still being published today.
E.A. died. Permyak August 17, 1982, buried in Moscow at the Vagankovsky cemetery (26th grade); grave at the beginning of Gorevskaya alley.

Who grinds flour.

The flour worm Darmoed lived in a mill chest. He ate some fresh flour, crawled out to the edge of the chest, yawned and asked:

- And who grinds flour?
- How is it - who? millstones screeched. - I!
“No, I am,” the wooden work gear creaked at that. - I twist the axis on which you, the millstone, sit. So, I grind flour.
- What's that? - argued main shaft mills. - Who are you wearing, gear? Isn't it on me? Am I grinding flour? Here the mill wings could not resist and whistled in the wind
- We, the wings, turn, twist and move you all! So we grind flour.

The wind heard this and became very angry. He tore open the door of the mill, blew out the mealworm Parasite and blew it out so that only the wings of the mill flashed.

From this, the main shaft, wooden gear and millstones started working, spinning faster. More fun went grinding flour.

- Do you understand now who grinds flour?
- Understood, father wind, understood! everyone answered.
— Oh, is it? The miller grinned. - Not everyone can understand who grinds flour, who controls all the winds, all the waters, who builds all the mills on earth.

The miller said so and turned the main wind lever. Work stopped at the mill. Everyone froze. And millstones, and a shaft, and gears. Then the miller greased the creaky places, filled in new grain, raked out the ground flour and started the mill again.
Wings worked well. Silently, the main shaft and the working gear spun.
No chatter, no empty creak.

"That's better," said the old miller.

He locked the mill, threatened the wind with his finger: “Look at me, shallow!” - and went to dinner and told this very tale to his grandchildren, so that they would know who grinds flour, who controls all the winds, all the waters, all the mills on earth.

How Fire married Water.

The red-haired robber Fire passionately fell in love with the cold beauty Water. He fell in love and decided to marry her. But how can Fire-Water marry, so as not to extinguish itself and dry it out? Began asking. And everyone has the same answer:

"What are you thinking, redhead?" What kind of a match is she for you? Why do you need cold water, childless family? The Fire yearned, burned. Through the forests, through the villages, he went on fire. So it is worn, only the red mane flutters in the wind. Fire walked, Fire grieved and met with an intelligent artisan. His name was Ivan. Fire fell at his feet. Low smoke spreads. From the last forces, blue tongues are smoldering. And plaintively, plaintively says:

“You are a craftsman, you can do anything. I want to quit robbery, I want to live in my own house. I want to marry water, but so that it does not extinguish me and I do not dry it.

Don't worry, Fire. I'm getting married. I'll marry. The craftsman said so and the tower began to build. He built a tower and ordered the guests to call. Fire relatives came from the groom's side: aunt Lightning and cousin Vulkan. From the bride's side came the elder brother Thick Fog, the middle brother Oblique Rain and younger sister Bright-eyed Rosa. They came and argued.

“You have conceived an unheard-of deed, Ivan,” says Vulkan, puffing into flames. “It has never happened before that our fiery clan chose a bride from the water rock. And the craftsman replies:

- How could it not happen! Oblique Rain with fire Lightning live in the same cloud and do not complain about each other.
“It’s all true,” said Thick Fog, “only I know from my own experience: where the Fire is, where it’s warm, there I begin to thin out.
- I, and I dry out from the heat! Rosa complained. - I'm afraid that the Fire would dry up my sister Water!

- I built such a tower that they will live in it and rejoice. That's why I'm a craftsman. Believed. The wedding began to play. Let's go dance Lightning with Oblique Rain.

The Volcano lit up, flashed with a bright flame, in the clear eyes of Dew, it began to play with fiery highlights. Dense Fog plundered, crawled away to rest in a ravine. The guests at the wedding took a walk and went home. And the artisan man brought the bride and groom into the tower. He showed everyone his mansions, congratulated the young people and wished them an endless life and a heroic son. How much, how little time has passed, only the mother Water gave birth from the father of Fire to the heroic son. good son grew up rich. Hot as dear Father Fire. And the appearance of uncles is thick and whitish, like fog. Important and moist, like dear mother Water. Strong as Volcano, as Auntie Lightning. All relatives recognize blood in him. Even Rain and Dew see themselves in it, when it, cooling down, settles in droplets on the ground. Good name gave the hero: Par. The Par-bogatyr will sit on the cart - the cart will roll by itself, and even a hundred others will be lucky. Steam the miracle worker will step on the ship - remove the sails. Without wind, the ship rolls, cuts through the wave, gives a steamy voice, warms the sailors with steam heat. He will come to the factory - he will turn the wheels. It grinds flour, threshes bread, weaves chintz, and people. carries luggage - helps people, mother-father pleases. And to this day, Fire and Water live in the same iron cauldron-tower. Neither she extinguishes it, nor he can dry it. They live happily. Endlessly. Wide. Year by year, the strength of their son-bogatyr is growing, and the glory of the Russian craftsman does not fade. The whole world now knows that he cold water he forced me to marry for the hot Fire, and put their son-hero to us, grandchildren-great-grandchildren, into the service.

About the nose and tongue

Katya had two eyes, two ears, two arms, two legs, and one tongue and one nose too.
“Tell me, grandmother,” Katya asks, “why do I only have two, but one tongue and one nose?”
“Therefore, dear granddaughter,” answers the grandmother, “so that you see more, hear more, do more, walk more and talk less, and don’t stick your snub-nosed nose where it’s not necessary.
That, it turns out, is why there is only one tongue and nose.
Clear?

// October 21, 2009 // Hits: 27,036

And a playwright. Evgeny Andreevich turned in his work both to serious literature, reflecting social reality and the relationship of people, and to children's literature. And it was the latter that brought him the greatest fame.

Evgeny Permyak: biography

Permyak - pseudonym of the author, real name his was Wissow. Evgeny Andreevich Vissov was born in 1902, on October 31, in the city of Perm. However, in the very first year of his life he was sent with his mother to Votkinsk. In childhood, the future author returned to hometown, visited relatives, but the visits were short and rare. For most of childhood and early years little Zhenya spent in Votkinsk.

Even before Zhenya went to school, he had to visit the Votkinsk plant more than once, where his aunt worked. The writer himself said that he had previously looked into the primer, and made friends with the tools even before he got acquainted with the multiplication table.

Job

In Votkinsk, Evgeny Permyak graduated from high school, and then joined the Kupinsky meat station as a clerk. Then he managed to work at the Perm candy factory "Record". At the same time, he tried to get a job as a proofreader in the newspapers Krasnoye Prikamye and Zvezda. He published articles and poems, signing as "Master Nepryakhin". He was appointed to the director's place in the drama club at the workers' club. Tomsky.

Soon in Votkinsk, Eugene also received a correspondent ticket (1923), which was issued in the name of Vissov-Nepryakhin.

Higher education

In 1924, Evgeny Permyak (then still Wissov) entered the Perm University at the socio-economic department of the pedagogical faculty. Your desire to receive higher education he explained that he wanted to work in public education. Entering the university, Eugene plunged into social activities. He was engaged in various club work, took part in the organization of the circle of the so-called Living Theatrical Newspaper (ZHTG), which was very popular in those years.

Already later, in 1973, Evgeny Permyak will fondly remember the years spent at the university. He will devote a special place to memories of ZhTG, will tell that the students called it "Forge". The name is due to the fact that it was the only one in the Urals. And it was he who became the place where chemists, doctors, teachers, etc. were "forged".

Newspaper release

Each release of a new issue of the Forge became a real sensation for the university. First, because the newspaper has always been topical. Secondly, criticism in it has always been bold and very merciless. And thirdly, it was always very spectacular. The fact is that ZhTG was a newspaper that was presented only on stage. Therefore, the audience could also enjoy music, songs, dances and recitatives. A large university hall gathered for each graduation, and there were no empty seats. In addition, the newspaper often went out with issues. The Live Newspaper was very popular.

Permyak, and he himself as a writer, were then unknown. But his social activity did not go unnoticed. Often the student was sent to the All-Union Congress of Club Workers, held in Moscow, where he represented his PSU.

However, despite all this, student life itself was not easy. Despite the scholarship and small fees for articles in newspapers, there was still very little money. Therefore, Wissow moonlighted. Only one place of his work during this period is known for certain - a water utility, where he served as a water supply controller throughout the summer of 1925.

Capital

After graduating from the university, Evgeny Andreevich went to the capital, where he began his career as a playwright. Very soon he gained recognition thanks to the plays “Roll”, “The Forest is Noisy”. They were staged and went on almost all stages of the country.

During the Great Patriotic War, the writer was evacuated to Sverdlovsk. He spent all the war years in this city. In those years, many others were also evacuated there. famous writers: Agniya Barto, Lev Kassil, Fedor Gladkov, Olga Forsh, Ilya Sadofiev and others. Permyak was familiar with many of them.

In those years, the stories of Yevgeny Permyak also became known. Therefore, it is not surprising that P.P. Bazhov, who headed the Sverdlovsk organization of writers, often invited Yevgeny Andreevich to visit him. Soon their conversations about the craft of writing grew into friendships.

Evgeny Permyak: stories for children and other works

The years lived in Votkinsk, Perm and Sverdlovsk were reflected in such works of the writer as:

"High steps";
"The ABC of our life";
"Childhood of Mauritius";
"Grandfather's piggy bank";
"Solvinskie memorii";
"Memorial knots".

Permyak paid much attention to the theme of labor, it manifested itself especially sharply in the novels:

"Last frost";
"The Tale of the Gray Wolf";
"The Kingdom of Quiet Luton", etc.

In addition, Permyak wrote a number of books for children and young men:

"Grandfather's piggy bank";
"Who to be?";
"Lock without a key";
"From the fire to the boiler", etc.

But the writer's tales are the most popular. The most famous of them:

"Magic colors";
"Someone else's gate";
"Birch Grove";
"Cunning rug";
"Lost Threads";
"About the hurried marten and the patient tit";
"Candle";
"Deuce";
"Who grinds flour?";
"Dissatisfied man";
"Small galoshes";
"Golden Nail";
"For all the colors of the rainbow";
"Kite".

Features of creativity

Evgeny Permyak paid the main attention to the pressing problems of society. The writer's books have always reflected the problems of his contemporary time. Even his fairy tales were close to reality and full of political overtones.

In ideological and artistic terms, the novels were based on a clash of events and characters that reflect the spirit of the times. For Permyak, modernity was not a background, but the main content that determined the conflicts of the narrative and formed a whole system. The author combined in his work topicality, lyricism and at the same time satire. For this, he was often reproached for his publicism and excessive sharpness of characters and situations. However, Permyak himself considered this a merit of his works.

Evgeny Andreevich Permyak

Permyak Evgeny Andreevich (10/18/1902 - 1982), writer. He spent his childhood and youth in the Urals and in the Kulunda steppes. Graduated from the Pedagogical Faculty of Perm University (1930). In n. 30s acted as a playwright. Of the plays by Permyak, the most famous are The Forest Noises (1937), The Roll (1939), The Ermakov Swans (1942, based on the tale by P. Bazhov), Ivan da Marya (1942), The Golden Magpie (1960 ) and others. Author of popular science books for children: "Who to be?" (1946), "From the Fire to the Boiler" (1959), "The Tale of the Country of Terra Ferro" (1959), "The Tale of Gas" (1960); collections of fairy tales: "Lucky Nail" (1956), "Grandfather's piggy bank" (1957), "Lock without a key" (1962), etc. In children's literature, Permyak asserts the great importance of labor, the "mystery of the price" of a person. Permyak is one of the founders modern fairy tale in which a bold folk fantasy, an unrealizable dream in the past, becomes a reality. Perm wrote novels: The Tale of the Gray Wolf (1960), The Old Witch (1961), The Last Frost (1962), The Humpbacked Bear (1965).

Site materials used Big Encyclopedia Russian people - http://www.rusinst.ru

Permyak Evgeny (real name Evgeny Andreevich Vissov) is a prose writer.

Born in Perm, but in the very first days after birth, he was brought to Votkinsk with his mother. Most of his childhood and youth (more than 15 years) was spent in Votkinsk, where he studied at the parochial school, progymnasium and gymnasium. In the early 1920s, Permyak ended up in the Kulunda steppes (Siberia), where he worked on the food front. Later, his impressions of Siberia would form the basis of the book "Thin String", a cycle of "Kulunda" stories and short stories: "Daughter of the Moon", "Salamat", "Shosha the Woolbeater", "Page of Youth", "Happy Crash".

He changed many occupations: he was a clerk, a purveyor, an instructor in cultural and educational work, a journalist, and the head of an agitation team. Published since 1924. Published in the Sarapul newspaper "Krasnoye Prikamye" rabselkor's correspondence, wrote poetry under the pseudonym "Master Nepryakhin".

In 1930 he graduated from the Pedagogical Faculty of Perm University. In his student years, he became the organizer of the Living Theatrical Newspaper magazine, created on the model of the Blue Blouse known in those years. In 1929, his pamphlet The History of a Living Theatrical Newspaper was published in Perm.

In the early 1930s, Permyak moved to Moscow and took up professional literary activity. Collaborates in the magazines "Village Theater", "Club Scene". He declares himself as a playwright. Of the plays of the early 1930s, the most famous are The Forest Noises (1937) and Rolls (1939).

During the Great Patriotic War, Permyak was in Sverdlovsk with a group of Moscow writers. He actively cooperates with the Soviet Information Bureau, responds to current events with journalism in the newspapers of Sverdlovsk, Nizhny Tagil, Chelyabinsk, and speaks at factories. At this time, he became close to P. Bazhov, helped him lead the local writers' organization. This relationship developed into a lasting friendship. Subsequently, Permyak dedicated the book "Long-lived Master" to Bazhov.

In 1942, the book “Ermakov's Swans. Heroic performance in 4 acts by Evgeny Permyak based on the tale of the same name P.Bazhova about Ermak Timofeevich, his brave captains, faithful bride Alyonushka and about the great sovereign Ivan Vasilyevich". Later, Permyak wrote another play based on Bazhov's tale - " silver hoof"(published in Moscow in 1956). He himself wrote down and processed legends about Mount Grace. In the joint trips of Bazhov and Permyak across the Urals, books of essays "Ural Notes", "Builders" were born.

At the same time, the idea of the book “Whom to be” appeared. The book consists of 12 plot-completed chapters (notebooks), united by a common authorial task: to reveal the poetry of labor and acquaint the young reader with a huge number of professions existing on earth. Talking about the exciting journey of their young heroes in the vast "realm of labor", the author leads them to the famous storyteller, his story about the famous craftsman-coal burner Timokh, convinced that "there is life in every business: it runs ahead of mastery and pulls a person along with it." The idea that in every business you need to “find a living thing” goes through the entire journey into the world of professions. In any business, you can become a happy, famous person. The book, which appeared in 1946, opened a new significant stage in Permyak's work - his arrival in children's literature. The book enjoyed great success, was translated into many languages of the peoples of the USSR, incl. and in Komi-Permyak.

Permyak is the author of popular science books for children "From the Fire to the Boiler" (1959), "The Tale of the Country of Terra Ferro" (1959), "The Tale of Gas" (1957), the collection of fairy tales "Grandfather's piggy bank" (1957), "Lock without a key" (1962) and others; nonfiction books on economic and political topics: "About the seven heroes" (1960), "The ABC of our life" (1963). United by the idea of the importance of labor, they show the “mystery of the price” of human labor, the need to join labor from childhood, because hardworking little Soviet citizens will grow up good people, masters of their country and destiny.

Permyak is considered one of the creators of the modern fairy tale. Based on fairy-tale traditions, using fairy-tale, fairy-tale forms, he puts a new, modern content into the traditional genre. Fiction, bold fantasy in the fairy tales of Permyak is real, practically justified, as close to life as possible. The heroes of the fairy tales of Permyak do not seek help from magical powers. Inquisitive knowledge wins, labor is an ever-new "magic force" that always remains modern. Happiness is obtained only by labor, only in labor is the power of man, the source of his life.

“... Somewhere in the fifty-third year of my life, I crossed some threshold, beyond which the steps of the stairs began,” Permyak noted. The novels The Tale of the Gray Wolf (1960), The Old Witch (1961), The Humpbacked Bear (1965), The Last Frosts (1962), The Kingdom of Silent Luton (1970) and others became the steps of the creative path. Live problems today here they are sometimes invested in frames that are conditional in their forms. The fairy tale becomes a reality, saturated with political content. The ideological and artistic basis of Permyak's novels is the clash of characters and events that express the spirit of the times. Modernity in Permyak's novels is not a background, but the main content that determines the conflicts of the narrative, figurative system, the entire structure. The journalistic intensity of the letter, the satirical coloring and the lyrical penetration of the author's characteristics are the essential features of Permyak's novels. Criticism reproached Permyak for excessive publicity, naked acuteness of situations and characters, but Permyak himself deliberately weaves it into the narrative, and in his speeches on literary topics he insisted that the so-called. journalistic threads have a long history in Russian literature and are an active civil position of the author-narrator.

In novels, Permyak is looking for fresh narrative forms, uses the forms of fairy tales allegorical, fairy-tale symbolism, fairy-tale motifs, realized in the linguistic richness of the author's descriptions, the wise cunning of an experienced storyteller. Along with this, Permyak's novels are characterized by the rapidity of the development of the action, the unexpected plot twists, and the brevity of the author's characteristics.

The novel "The Tale of the Gray Wolf" is connected with the life of the workers of the Urals. Permyak draws his contemporaries from the Ural village of Bakhrushi. Pyotr Bakhrushin, an energetic and knowledgeable collective farm chairman, lives here. It suddenly turns out that he, who was considered dead back in the years civil war brother Trofim, alive, became a farmer in America, comes to visit his native village. The farmer-tourist is accompanied by American journalist John Tayner, who wanted to be a witness to "a somewhat unusual meeting of two brothers from different worlds and write a book about the life of the Russian village. Fate American farmer, the history of his arrival as a foreign tourist in his native village, meetings with Soviet people and form the basis of the story. The clash of two brothers, although it is the plot core of the novel, its main conflict, is only an eventual expression of large social clashes. Enter the duel different people, face social systems, worldviews, different views of the world.

Permyak is known as the creator of original, sharply modern, publicistically active "little novels" ("Happy wreck", "Grandma's lace", "Solva memoria"). They consist of novelistically brief, often narratively integral chapters. This form makes it possible to widely cover a large material of life, to make excursions into the distant past, to trace the destinies of people connected with it, to quickly change the scene, to develop the narrative in a dynamically intense and exciting way. Almost all of Permyak's little novels are written in a fairy tale manner. None of them can do without an inserted fairy tale, firmly connected with the narrative and clarifying a lot in ideological concept the whole work. The fairy tale "About the Regretful Truth", organically included in the plot fabric of the "Solva Memories", fairy-tale images and characteristics determine genre originality of the best small novels by Evgeny Permyak - "The Kingdom of Quiet Luton", "Charm of the Dark".

A Permian has always considered himself a Permian by origin, a Uralian. Many of his novels are written on the Ural material. Permyak's historical-revolutionary novel "The Hunchbacked Bear" was written on the Ural material, revealing the complex life contradictions on the eve of October. The ideological basis of the novel is the problem of personality formation. Permian deploys a gallery of living human images and characters, some of which contribute to crystallization in the soul of the protagonist good feelings others, on the contrary, severely injure with injustice and evil. Soon, on its basis, the story "Childhood of Mauritius" arose. This is a story about the life of a boy in a factory village near the Urals before the revolution. Mavrik eagerly absorbs the impressions of the surrounding world, helps the children of workers, fights for justice. When the revolution comes, he, already a young man, accepts it without hesitation and gladly participates in the construction of a new life.

In 1970, Permyak's book "My Land" was published in Moscow, completely dedicated to the Urals - "a land of wonders and countless treasures." One of the chapters of the book tells about the Perm region.

Permyak is rightfully considered one of the creators of the modern literary fairy tale. Permyak's books about professions and original fairy tales for children, of course, entered the golden fund of literature.

M.A. Efremova

Used materials of the book: Russian literature of the XX century. Prose writers, poets, playwrights. Biobibliographic dictionary. Volume 3. P - Ya. 46-48.

Chronos Notes

Back in 1992, the Votkinsk local historian Z.A. Vladimirova, according to the documents of the Central State Archive of the Udmurt Republic (TsGA UR), it was established that the birthplace of E.A. Permyak is - Votkinsk. The statement that the place of his birth is Perm should be considered erroneous. ( The text of the note was prepared by Tatyana Sannikova).

Read further:

Russian writers and poets(biographical guide).

Photo album(photos from different years).

Compositions:

SS: in 4 volumes. Sverdlovsk, 1977;

Selected works: in 2 volumes / entry. article by V. Poltoratsky. M., 1973;

Favorites: Novels, stories, tales and fairy tales. M., 1981;

Make noise, military banners!: A great heroic performance from ancient times, about the brave squads of the north, about Prince Igor, his faithful wife and associates, about the khan's daughter and about many others. M.; L., 1941;

Ural notes. Sverdlovsk, 1943;

What to be: Journeys through professions. M., 1956;

Today and yesterday. Favorites. M., 1962;

Humpback bear. Book. 1-2. M., 1965-67;

Memorable knots: fairy tales. M., 1967;

Grandma's lace. Novosibirsk, 1967;

My land: Stories, essays, stories, were and weren't about a country of wonders and countless treasures. M., 1970;

Ural novels. Sverdlovsk, 1971;

Yargorod. M., 1973;

Grandpa's piggy bank. Perm, 1977;

Long-lived master: On the life and work of Pavel Bazhov. To the 100th anniversary of the birth. M., 1978;

Charm of the Dark: Novels. M., 1980;

Soviet state. M., 1981;

Stories and fairy tales. M., 1982;

Humpback Bear: A Novel. Perm, 1982;

ABC of our life. Perm, 1984.

Literature:

Karasev Yu. About the sense of proportion [about the book: Evgeny Permyak. Precious Inheritance: A Novel] // New world. 1952. №9;

Kasimovsky E. Don't you believe? Check [about the book: Evgeny Permyak. High steps] // New world. 1959. No. 2;

Gura V. Evgeny Permyak. Critical biographical essay. M., 1962;

Ryurikov Yu. Pernicious snares [about the book: Evgeny Permyak. Happy crash. Little novel] // New world. 1965. No. 8;

Gura V. Journey into Mastery. Essay on the work of Evgeny Permyak. M., 1972.

Evgeny Permyak is the pseudonym of Evgeny Andreevich Vissov. He was born on October 31, 1902 in Perm, but in the very first days after birth, he was brought to Votkinsk with his mother. IN different years Zhenya Wissov lived for a short time in Perm with relatives, but most of his childhood and youth were spent in Votkinsk.

“The years spent with my aunt at the Votkinsk plant,” the writer recalled, “can be called the primary source of my childhood and adolescence ... I looked into the open-hearth furnace earlier than into the primer. I generally made friends with an ax, hammer, chisel, and tools before meeting multiplication table.

In Votkinsk, E. Vissov graduated from a secondary school, then served as a clerk at the Kupinsky meat station, worked at the Record candy factory in Perm. At the same time, he tried as a public correspondent in the newspapers "Zvezda", "Krasnoe Prikamye" (Votkinsk), signed his rabselkor correspondence and poems with the pseudonym "Master Nepryakhin"; was the director of the drama circle in the working club named after Tomsky.

IN State Archive The Perm region keeps the first correspondent ticket of Evgeny Andreevich, which states that "the ticket was issued to Comrade Evgeny Andreevich Vissov-Nepryakhin, that he was entrusted with the editorial work of a correspondent for the city of Votkinsk. All responsible, professional, party and Soviet workers are invited to provide comrade Vissov-Nepryakhin with Full assistance to Nepryakhin Comrade Vissov-Nepryakhin, as representative local press, has the right to be at all open meetings, institutions and meetings. In the interests of the cause, all institutions and organizations favor comrade. Wissov-Nepryakhin full assistance. September 15, 1923. Official paper, but what a style!

In 1924, Evgeny Vissov entered the Perm University, the Faculty of Education, the socio-economic department. In the application form for admission to the question "What determines the decision to enter PSU?" he wrote: "I have a desire to work in the field of public education in the sector of the economy." At the university, he plunged headlong into social work: he was engaged in club work, actively participated in the organization of the Living Theatrical Newspaper (ZhTG) circle, which was popular at that time.

Here is what Evgeny Andreevich wrote, addressing Perm students on the occasion of the 50th anniversary of the Komsomol organization of PSU in 1973: "In the Komsomol work of Perm University in the late twenties significant place occupied ZhTG (Live Theatrical Newspaper), which we called, although not very loudly, but definitely: "Forge". Perm University in those years in the Urals was almost the only university educational institution. And, without exaggeration, it was a forge of teachers, doctors, agronomists, chemists and pharmacists. ZhTG "Kuznitsa" was created shortly after the first working newspaper in Perm "Rupor" in the club of communal workers. The Forge... was the best newspaper in town. And this is understandable. There were great opportunities for the selection of those wishing to work in ZhTG. For those who are not entirely clear what ZhTG was, I will say in a nutshell: The Living Theatrical Newspaper differed from the printed and wall newspapers mainly by means of "reproducing" newspaper material. And the main tool was theatrical. The ZhTG material from the front line to the chronicle, from the feuilleton to the announcements, was "played out" in faces, "theatricalized." Sometimes there was oral reading, which we now see on the television screen, and sometimes (and most often) it was performed in the form of skits, couplets, ditties with dancing, etc. (well, why not a modern KVN! Author's note).

The release of the issue of "Forge" at the university was a small sensation. Firstly, this is the most "topical malice" of the day. Secondly, the courage, and sometimes the ruthlessness of criticism. And finally, the spectacle! Recitative. Singing. Dancing and ... even in some way "acrobatics" and, of course, music. Sometimes even a small orchestra. And if at the university at the ZHTG graduation it was more crowded in the hall, then one can imagine what was done at the exit ZHTG graduations. She was pursued. They demanded almost through the district committee... The living newspaper, like any other world, belongs to the category of undying phenomena. And a newspaper as a newspaper, as a public agitator, propagandist and organizer, is an absolutely unshakable phenomenon.

As a delegate from PSU, Evgeny Vissov traveled to Moscow to the All-Union Congress of Club Workers in 1925, to the All-Union Conference of Living Newspapers in 1926.

Student life was not easy, and although E. Wissov received a scholarship and small royalties from newspapers, there was not enough money. I had to work hard. And here in personal file student Vissov-Nepryakhin, we come across a document stating that he was "dismissed from service at the Vodokanal Administration on October 1, 1925, where he received a salary of 31 rubles per month ..." Unfortunately, the documents on his admission and work in the Perm Vodokanal are not found. The only thing that became known: Evgeny Andreevich was a water supply inspector, earning a living during summer holidays in 1925 The ways of the Lord are inscrutable! Perhaps his experience as a water utility was to some extent reflected in the writer's work?

After graduating from the university, Evgeny Andreevich left for the capital, starting writing career as a playwright. His plays "The Forest Noises" and "The Roll" were shown in almost all theaters of the country, but the Urals did not forget. When did the Great Patriotic War, he was evacuated to the city of Sverdlovsk, where he lived all the war years. Fyodor Gladkov, Lev Kassil, Agniya Barto, Anna Karavaeva, Marietta Shaginyan, Evgeny Permyak, Ilya Sadofiev, Olga Forsh, Yuri Verkhovsky, Elena Blaginina, Oksana Ivanenko, Olga Vysotskaya and many others arrived in Sverdlovsk at that time. A large family of writers gathered.

At that time, the Sverdlovsk Writers' Organization was headed by P.P. Bazhov. E.A. Permyak often visited Pavel Petrovich and not only for writing, but also just for friendly gatherings. Here is what P.P. Bazhov’s grandson Vladimir Bazhov writes, recalling those times: “Visiting grandfather on New Year the writer Yevgeny Permyak came with his wife and daughter Oksana. Evgeny Andreevich liked to surprise with something unusual. That evening he brought a pack of pictures drawn by his daughter under his direction. In each drawing, someone from the family of P. P. Bazhov or E. A. Permyak was drawn with colored pencils. The tree was very cheerful and unforgettable. Oksana and I recited poems and danced to the friendly laughter of adults. In general, Evgeny Permyak was reputed to be cheerful and cheerful person. Of all the people who were at that time in my grandfather's house, I remember him the most."

Life in Perm, Votkinsk, Sverdlovsk was reflected in the writer's books: "The ABC of our life", "High steps", "Grandfather's piggy bank", "Childhood of Mavrik", "My land", "Memorial knots", "Solva memoria". He is the author of collections of fairy tales and popular science books for children and youth "Whom to be?" (1946), "Grandfather's piggy bank" (1957), "From the fire to the boiler" (1959), "The lock without a key" (1962) and others, which affirm the great importance of labor. The writer is faithful to this theme in his novels: "The Tale of the Gray Wolf" (1960), "The Last Frost" (1962), "The Humpbacked Bear" (1965), "The Kingdom of Quiet Luton" (1970) and others.

“I am books. Let them know and judge me by them. And cards, pictures, articles are all wind-breeze, moreover, changeable. Books and only books determine the writer’s place in the writer’s system. And there is no power in a positive and negative sense , except for books that could glorify the writer or cross out, "- these are the lines from the letter of the writer N.P. Suntsova, head of the city children's library No. 1 in Votkinsk. Almost all of the writer's works are about working people, masters of their craft, about their talent, creative search, and spiritual wealth.

Evgeny Permyak's books have been translated into many languages and published in many countries. He was awarded 2 orders and medals.

Info: Styazhkova L. Oct. 2005

Evgeny Andreevich Permyak(10/18/1902 - 08/17/1982) - writer.

Baby and youth Evgenia passed in Votkinsk (Perm Region), in the company of her grandmother, grandfather and aunt, mother's sister, who surrounded the boy with care, warmth and attention.

Permyak mastered five crafts: carpentry, metalwork, shoemaking, blacksmithing and turning. It is quite possible that at that time the young man did not at all think that he would have to master another very important craft - writing. In Votkinsk, Eugene took up the pen. His first works- notes and poems, were signed with the pseudonym "Master Nepryakhin".

In his student years, he became the organizer of the Living Theatrical Newspaper magazine and wrote the brochure The History of the Living Theatrical Newspaper.

After graduating from the faculty of the Perm University, Permyak moved to Moscow and took up professional literary activity. Collaborates in the magazines "Village Theater", "Club Scene". He writes the plays "The Forest Noises", "Roll".

Evgeny Andreevich is considered one of the creators of the modern fairy tale. The heroes of the author's fairy tales do not seek help from magical powers. Happiness is obtained only by labor, only in labor is the power of man, the source of his life.

In 1970, Evgeny Andreevich's book "My Land" was published in Moscow, completely dedicated to the Urals - "a country of wonders and countless treasures."

Books:

1. "Who to be?"

2. "Heroes of the days to come"

3. "From the fire to the boiler"

4. "For all the colors of the rainbow"

5. "The Tale of the Gray Wolf"

6. "Old Witch"

7. "The ABC of our life"

8. Humpback Bear

9. "Grandma's lace"

10. "My land"

11. "Last frost"