Analysis of female images in the novel "Crime and Punishment". The tragic fate of Katerina Ivanovna Crime and punishment death of Katerina Ivanovna head

All her life, Katerina Ivanovna has been looking for how and with what to feed her children, she suffers need and deprivation. Proud, ardent, adamant, left a widow with three children, she, under the threat of hunger and poverty, was forced, "weeping and sobbing, and wringing her hands, to marry a nondescript official, a widower with a fourteen-year-old daughter Sonya, who, in turn, marries Katerina Ivanovna out of a sense of pity and compassion.
It seems to her that the environment is a real hell, and the human meanness that she encounters at every turn hurts her painfully. Katerina Ivanovna does not know how to endure and be silent, like Sonya. A strongly developed sense of justice in her encourages her to take decisive action, which leads to a misunderstanding of her behavior by others.
She is of noble origin, from a ruined noble family, so she has many times harder than her stepdaughter and husband. The point is not even in everyday difficulties, but in the fact that Katerina Ivanovna does not have an outlet in life, like Sonya and Semyon Zakharych. Sonya finds solace in prayers, in the Bible, and her father, at least for a while, is forgotten in a tavern. Katerina Ivanovna, on the other hand, is a passionate, daring, rebellious and impatient nature.
The behavior of Katerina Ivanovna on the day of Marmeladov's death shows that love for one's neighbor is deeply embedded in the human soul, that it is natural for a person, even if he does not realize it. "And thank God that he is dying! Less loss!" - Katerina Ivanovna exclaims at the bedside of her dying husband, but at the same time she fusses around the patient, gives him something to drink, straightens the pillows.
Bonds of love and compassion bind Katerina Ivanovna and Sonya. Sonya does not condemn her stepmother, who once pushed her stepdaughter onto the panel. On the contrary, the girl defends Katerina Ivanovna in front of Raskolnikov, "agitated and suffering and wringing her hands." And a little later, when Luzhin publicly accuses Sonya of stealing money, Raskolnikov sees with what bitterness Katerina Ivanovna rushes to protect Sonya.
Need, poverty crush the Marmeladov family, bring Katerina Ivanovna to consumption, but self-esteem lives in her. Dostoevsky himself says of her: "But Katerina Ivanovna was beyond that and not one of those downtrodden, she could be completely killed by circumstances, but she could not be beaten morally, that is, it was impossible to intimidate and subjugate her will." It was this desire to feel like a full-fledged person that made Katerina Ivanovna arrange a chic commemoration. Dostoevsky constantly emphasizes this desire with the words "proudly and with dignity examined her guests," "did not deign to answer," "sounded loudly across the table." Next to the feeling of self-respect in the soul of Katerina Ivanovna lives another great feeling - kindness. She tries to justify her husband, saying: "Imagine, Rodion Romanovich, I found a gingerbread cockerel in his pocket: he is dead drunk, but he remembers about the children." She, holding Sonya tightly, as if with her breast she wants to protect her from Luzhin's accusations, says: "Sonya! Sonya! I don't believe it!" In search of justice, Katerina Ivanovna runs out into the street. She understands that after the death of her husband, the children are doomed to starvation, that fate is not merciful to them. So Dostoevsky, contradicting himself, refutes the theory of consolation and humility, supposedly leading everyone to happiness and well-being, when Katerina Ivanovna rejects the consolation of the priest. The end of Katerina Ivanovna is tragic. In unconsciousness, she runs to the general to ask for help, but their excellencies are having dinner, and the doors are closed in front of her. There is no more hope for salvation, and Katerina Ivanovna decides to take the last step: she goes to beg. The scene of the death of a poor woman is very impressive. The words with which she dies ("they left the nag", "took herself") In the face of Katerina Ivanovna, a tragic image of grief is imprinted. This image embodies the tremendous power of protest. He stands in a number of eternal images of world literature.

The central place in the novel by F. M. Dostoevsky is occupied by the image of Sonya Marmeladova, a heroine whose fate arouses our sympathy and respect. The more we learn about her, the more we are convinced of her purity and nobility, the more we begin to think ...

The novel by F. M. Dostoevsky “Crime and Punishment” is a socio-psychological one. In it, the author raises important social issues that worried people of that time. The originality of this novel by Dostoevsky lies in the fact that it shows psychology ...

F. M. Dostoevsky - "the great artist of the idea" (M. M. Bakhtin). The idea determines the personality of his heroes, who "do not need millions, but need to resolve the idea." The novel "Crime and Punishment" is a debunking of the theory of Rodion Raskolnikov, a condemnation of the principle ...

Dostoevsky is rightfully considered a writer-psychologist. In the novel "Crime and Punishment", the psychological analysis of the state of the criminal before and after the commission of the murder is merged with the analysis of Raskolnikov's "idea". The novel is built in such a way that the reader constantly ...

Katerina Ivanovna - wife of an official Marmeladova mother of the main character in the novel Dostoevsky"Crime and Punishment". This woman is about thirty years old. She belongs to the category of “humiliated and insulted”, because after the death of her drunken husband she was left with three children in her arms and in poverty. She has a stepdaughter Sonya who is forced to trade her body in order to somehow help the children in the family.

Katerina Ivanovna has been in need almost all her life because of her husband and is tormented by the question of how to feed her children. Although she once studied at a noble institute, which she graduated with honors. This slender woman was the daughter of a court adviser, but having fallen in love with an infantryman, she fled from home with him. Now she is ill with consumption and has difficulty making ends meet. After the death of her husband, somehow arranges his wake.

Marmeladov drank a lot during his lifetime and was fond of gambling, for which he was put on trial and soon died. She actually forced her stepdaughter to engage in an indecent craft, and she herself with the children, being on the street, begged for alms. Due to consumption and endless deprivation, a woman loses her mind and dies. Being a proud and rebellious woman, she did not tolerate disrespect in her address, often clashed with the landlady and

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Katerina Ivanovna Marmeladova is one of the brightest minor heroines of the novel Crime and Punishment.

The image and characteristics of Katerina Ivanovna in the novel "Crime and Punishment": description of appearance and character in quotations.

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The image and characteristics of Katerina Ivanovna in the novel "Crime and Punishment": description of appearance and character in quotes

Katerina Ivanovna Marmeladova is the wife of the official Marmeladov.

The age of Katerina Ivanovna is about 30 years old:
“To Raskolnikov she seemed about thirty years old, and really was not a couple for Marmeladov ...” Katerina Ivanovna is an unfortunate, sick woman:
"Beela! Yes, what are you! Lord, beat! And even if she beat, so what! Well, so what? You know nothing, nothing. She is so unfortunate, oh, so unfortunate! And sick. " Katerina Ivanovna is an educated, educated woman from a good family. The heroine's father was a court adviser (a rather high rank according to the "Table of Ranks"):
". she is the daughter of a court adviser and a gentleman, and therefore, in fact, almost a colonel's daughter. ". Papa was a state colonel and already almost a governor; he only had one step left, so that everyone went to him and said: “We really consider you, Ivan Mikhailych, to be our governor.” ". Katerina Ivanovna, my wife, is a highly educated and born staff officer's daughter. " ". she is educated and well-bred and has a well-known surname. " Katerina Ivanovna was born and raised in the city of T. somewhere in the outback of Russia:
". will certainly start a boarding house in his hometown T. "

Unfortunately, Katerina Ivanovna did not find happiness in her marriage to Marmeladov. Apparently, a more or less stable life lasted about a year. Then Marmeladov took to drink and the family fell into poverty:

It was a quotation image and characterization of Katerina Ivanovna in Dostoevsky's novel Crime and Punishment: a description of appearance and character in quotations.

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Crime and punishment (part 5, chapter 5)

Lebeziatnikov looked alarmed.

- I'm here for you, Sofya Semyonovna. Sorry. I thought that I would catch you,” he suddenly turned to Raskolnikov, “that is, I didn’t think anything. in this kind. but that's what I thought. Our Katerina Ivanovna has gone mad there,” he suddenly snapped at Sonya, abandoning Raskolnikov.

“That is, at least it seems so. However. We don't know what to do there, that's what! She came back - it seems that she was kicked out from somewhere, maybe they beat her up. at least it seems so. She ran to the head of Semyon Zakharych, did not find him at home; he dined with some general, too. Imagine, she waved to where they dined. to this other general, and, imagine, she insisted, called the chief Semyon Zakharych, yes, it seems, even from the table. You can imagine what happened there. She was expelled, of course; and she says that she herself scolded him and let something into him. It can even be assumed. I don't understand how they didn't take her! Now she tells everyone, and Amalia Ivanovna, but it's hard to understand, she screams and beats. Oh, yes: she says and shouts that since everyone has abandoned her now, she will take the children and go out into the street, carry a hurdy-gurdy, and the children will sing and dance, and she too, and collect money, and every day under the window to the general walk. “Let him, he says, see how the noble children of an official father walk the streets as beggars!” He beats all the children, they cry. He teaches Lenya to sing "Khutorok", the boy to dance, Polina Mikhailovna too, tears all the dresses; makes them some kind of hats, like actors; she wants to carry a basin to beat, instead of music. Doesn't listen to anything. Imagine how it is? It's just not possible!

Lebeziatnikov would have gone on and on, but Sonya, who was listening to him with barely a breath, suddenly grabbed her mantle and hat and ran out of the room, dressing on the run. Raskolnikov went out after her, Lebeziatnikov behind him.

- Definitely messed up! - he said to Raskolnikov, going out with him into the street, - I just didn’t want to frighten Sofya Semyonovna and said: “it seems”, but there is no doubt. These, they say, are such tubercles, in consumption, they jump up on the brain; I'm sorry I don't know medicine. However, I tried to convince her, but she does not listen to anything.

- Did you tell her about the tubercles?

- That is, not quite about the tubercles. Besides, she wouldn't understand a thing. But I'm talking about this: if you convince a person logically that, in essence, he has nothing to cry about, then he will stop crying. It is clear. And your belief that it will not stop?

“It would be too easy to live then,” Raskolnikov replied.

- Allow, allow; of course, it is rather difficult for Katerina Ivanovna to understand; but do you know that serious experiments were already taking place in Paris with regard to the possibility of curing lunatics, acting solely on logical conviction? One professor there, recently deceased, a serious scientist, imagined that it was possible to treat in this way. His main idea is that there is no particular disorder in the body of madmen, but that madness is, so to speak, a logical error, an error in judgment, an incorrect view of things. He gradually refuted the patient and, imagine, he achieved, they say, results! But since at the same time he also used souls, the results of this treatment are, of course, subject to doubt. At least it seems so.

Raskolnikov had not heard from him for a long time. Coming up with his house, he nodded his head to Lebezyatnikov and turned into the gateway. Lebezyatnikov woke up, looked around and ran on.

Raskolnikov went into his closet and stood in the middle of it. "Why did he come back here?" He looked around at that yellowish, shabby wallpaper, at that dust, at his couch. A sharp, incessant knocking came from the yard; something somewhere seemed to be driven in, some kind of nail. He went to the window, stood on tiptoe and for a long time, with an air of extreme attention, looked out in the yard. But the yard was empty, and there were no knockers to be seen. To the left, in the wing, one could see here and there open windows; on the windowsills were pots of runny geraniums. Laundry was hung outside the windows. He knew all this by heart. He turned away and sat down on the sofa.

Never, never had he felt so terribly alone!

Yes, he felt once again that he might really hate Sonya, and just now, when he made her more unhappy. “Why did he go to her to ask for her tears? Why does he need to eat up her life so much? Oh, meanness!

- I'll be alone! he suddenly said resolutely, "and she won't go to jail!"

After about five minutes he raised his head and smiled strangely. It was a strange thought: "Perhaps it is really better in penal servitude," he suddenly thought.

He did not remember how long he sat in his room, with vague thoughts crowding in his head. Suddenly the door opened and Avdotya Romanovna entered. She first stopped and looked at him from the threshold, just as he had looked at Sonya; then she already went and sat down opposite him on a chair, in her place yesterday. He silently and somehow without thought looked at her.

“Don’t be angry, brother, I’m only for one minute,” Dunya said. Her expression was thoughtful, but not stern. The look was clear and quiet. He saw that this one came to him with love.

“Brother, I now know everything, everything. Dmitri Prokofich explained and told me everything. You are persecuted and tormented by stupid and vile suspicion. Dmitri Prokofich told me that there was no danger, and that you should not take it with such horror. I don’t think so, and I fully understand how indignant everything is in you and that this indignation can leave traces forever. This is what I'm afraid of. Because you left us, I do not judge you and do not dare to judge, and forgive me that I reproached you before. I myself feel that if I had such a great grief, I would also leave everyone. I won't tell my mother about this, but I will talk about you incessantly and I will say on your behalf that you will come very soon. Don't worry about her; I will calm her down; but don’t torment her either, come at least once; remember that she is a mother! And now I just came to say (Dunya began to get up from her seat) that if, in case, you need me in anything or you need it. my whole life, or what. then call me, I'll come. Goodbye!

She turned abruptly and walked towards the door.

- Dunya! - Raskolnikov stopped her, got up and went up to her, - this Razumikhin, Dmitry Prokofich, is a very good person.

Dunya blushed a little.

"Well," she asked, after waiting a minute.

“He is a man of business, hardworking, honest and capable of much love. Farewell, Dunya.

Dunya flushed all over, then suddenly became alarmed:

- What is it, brother, are we really parting forever, what are you telling me. Do you make such wills?

- Doesn't matter. Goodbye.

He turned away and walked away from her to the window. She stood looking at him uneasily and went out in alarm.

No, he was not cold towards her. There was one moment (the very last) when he had a terrible desire to hug her tightly and say goodbye to her, and even say, but he did not even dare to shake hands with her:

“Then, perhaps, she will shudder when she remembers that I now hugged her, she will say that I stole her kiss!”

“Will this one survive or not? he added after a few minutes to himself. - No, it will not stand; can't stand it like that! These never last. "

And he thought of Sonya.

There was a breath of freshness from the window. Outside, the light was no longer so bright. He suddenly took his cap and went out.

He, of course, could not, and did not want to take care of his morbid condition. But all this incessant anxiety and all this spiritual horror could not pass without consequences. And if he was not yet lying in a real fever, then perhaps precisely because this inner, uninterrupted anxiety still kept him on his feet and conscious, but somehow artificially, for the time being.

He wandered aimlessly. The sun was setting. Some special melancholy began to affect him lately. There was nothing especially caustic, burning in it; but something constant, eternal emanated from her, the hopeless years of this cold, deadening melancholy were foreseen, some kind of eternity was foreseen in the "yard of space." In the evening, this feeling usually began to torment him even more strongly.

- Here with some sort of stupid, purely physical infirmities, depending on some kind of sunset, and refrain from doing stupid things! Not only to Sonya, but to Dunya you will go! he muttered hatefully.

They called him. He looked back; Lebeziatnikov rushed to him.

- Imagine, I was with you, looking for you. Imagine, she fulfilled her intention and took the children away! Sofya Semyonovna and I found them with difficulty. She beats the frying pan herself, makes the children sing and dance. The children are crying. They stop at crossroads and at shops. Stupid people run after them. Let's go.

- A Sonya. Raskolnikov asked anxiously, hurrying after Lebeziatnikov.

- Just in a frenzy. That is, not Sofya Semyonovna in a frenzy, but Katerina Ivanovna; and by the way, Sofya Semyonovna is in a frenzy. And Katerina Ivanovna is completely in a frenzy. I'm telling you, I'm totally crazy. They will be taken to the police. You can imagine how that would work. They are now in the ditch by the bridge, very close to Sofya Semyonovna. Close.

On the ditch, not very far from the bridge and not reaching two houses from the house where Sonya lived, a crowd of people crowded. Boys and girls especially came running. The hoarse, strained voice of Katerina Ivanovna could still be heard from the bridge. And indeed, it was a strange spectacle that could interest the street audience. Katerina Ivanovna, in her old dress, in her dreadlock's shawl, and in her broken straw hat, which had strayed to one side in an ugly ball, was really in a real frenzy. She was tired and out of breath. Her exhausted, consumptive face looked more miserable than ever (besides, on the street, in the sun, a consumptive always seems more sick and disfigured than at home); but her excited state did not cease, and every minute she became more irritated. She rushed to the children, shouted at them, persuaded, taught them right there in front of the people how to dance and sing, began to explain to them what it was for, fell into despair from their dullness, beat them. Then, without finishing, she rushed to the public; if she noticed a slightly well-dressed person who stopped to look, she immediately set off to explain to him that, they say, this is what children “from a noble, one might even say, aristocratic house” have been reduced to. If she heard laughter in the crowd or some kind of bullying word, she immediately pounced on the impudent ones and began to scold them. Some actually laughed, others shook their heads; in general, everyone was curious to look at the crazy woman with frightened children. The frying pan that Lebeziatnikov was talking about was not there; at least Raskolnikov did not see; but instead of knocking on the frying pan, Katerina Ivanovna began to clap her dry palms to the beat when she made Polechka sing and Lenya and Kolya dance; moreover, she even began to sing along herself, but each time she broke off on the second note from an excruciating cough, which made her despair again, cursed her cough and even cried. Most of all, Kolya and Leni's crying and fear drove her crazy. Indeed, there was an attempt to dress up children in a costume, as street singers and singers dress up. The boy was wearing a turban made of something red and white, so that he portrayed himself as a Turk. There were not enough suits for Lenya; only a red hat (or, better, a cap) knitted from a garus was put on the head of the late Semyon Zakharych, and a piece of a white ostrich feather, which belonged to Katerina Ivanovna's grandmother and has been preserved until now in a chest, in the form of a family rarity, was stuck in the hat. Polechka was in her usual dress. She looked at her mother timidly and lost, did not leave her side, concealed her tears, guessed at her mother's insanity, and looked around uneasily. The street and the crowd frightened her terribly. Sonya followed Katerina Ivanovna relentlessly, weeping and begging her to return home every minute. But Katerina Ivanovna was inexorable.

"Stop it, Sonya, stop it!" she shouted quickly, hurriedly, panting and coughing. "You don't know what you're asking for, like a child!" I already told you I'm not going back to that drunk German woman. Let everyone, all of Petersburg, see how the children of a noble father beg for alms, who served faithfully and truthfully all his life and, one might say, died in the service. (Katerina Ivanovna has already managed to create this fantasy for herself and believe it blindly.) Let this worthless general see. Yes, and you are stupid, Sonya: what is there now, tell me? We've tortured you enough, I don't want more! Oh, Rodion Romanych, it's you! she cried, seeing Raskolnikov and rushing towards him, “please explain to this fool that nothing can be done smarter!” Even organ-grinders get their money, and everyone will immediately distinguish us, they will find out that we are a poor noble family of orphans, reduced to poverty, and this general will lose his place, you will see! Every day we will walk under the windows to him, and the sovereign will pass by, I will kneel, I will put all of them forward and show them: “Protect, father!” He is the father of all orphans, he is merciful, he will protect, you will see, but this general. Lenya! tenez vous droite! You, Kolya, will now dance again. What are you whining about? Whimpers again! Well, what are you afraid of, fool! God! what am I to do with him, Rodion Romanovitch! If only you knew how stupid they are! Well, what do you do with these.

And she herself, almost crying (which did not interfere with her incessant and incessant patter), pointed to the whimpering children. Raskolnikov tried to persuade her to come back and even said, thinking to affect her pride, that it was indecent for her to walk the streets like organ-grinders walk, because she was preparing herself to be the headmistress of a noble boarding school for girls.

— Pension, ha-ha-ha! Glorious tambourines beyond the mountains! cried Katerina Ivanovna, coughing up immediately after laughing. “No, Rodion Romanovitch, the dream is gone!” We have all been abandoned. And this general. You know, Rodion Romanych, I put an inkwell at him - here, in the footman's room, by the way, she stood on the table, near the sheet on which they signed, and I signed, let it go, and ran away. Oh, vile, vile. Don't care; now I will feed these myself, I will not bow to anyone! We've tortured her enough! (She pointed to Sonya.) Polechka, how much did you collect, show me? How? Just two pennies? Oh vile! They don't give us anything, they just run after us with their tongues out! Why is this idiot laughing? (she pointed to one of the crowd). This is all because this Kolya is so slow-witted, fuss with him! What do you want, Polechka? Speak to me in French, parlez-moi francais. After all, I taught you, because you know a few phrases. Otherwise, how can you distinguish that you are of a noble family, well-bred children, and not at all like all organ grinders; not "Petrushka" we represent some on the streets, but we will sing a noble romance. Oh yes! what are we to sing? You all interrupt me, and we. You see, we stopped here, Rodion Romanych, to choose what to sing, so that even Kolya could dance. because we have all this, you can imagine, without preparation; we need to come to an agreement so that everything is completely rehearsed, and then we will go to Nevsky, where there are many more people of high society and we will be immediately noticed: Lenya knows "Khutorok". Only everything is “Khutorok” and “Khutorok”, and everyone sings it! We should sing something much nobler. Well, what did you come up with, Fields, if only you could help your mother! I have no memory, I would remember! Do not sing "Hussar leaning on a saber," in fact! Ah, let's sing in French "Cinq sous!" I taught you, I taught you. And most importantly, since it is in French, they will immediately see that you are children of the nobility, and this will be much more touching. You could even say: "Malborough s'en va-t-en guerre", since this is a completely children's song and is used in all aristocratic houses when children are lulled to sleep.

Malborough s'en va-t-en guerre,

Ne sait quand revendra. she began to sing. — But no, Cinq sauce is better! Well, Kolya, hands to your hips, hurry up, and you, Lenya, also turn in the opposite direction, and Polechka and I will sing along and clap!

Cinq sauce, cinq sauce

Pour monter notre menage. Hee-hee-hee! (And she rolled over from coughing.) Straighten her dress, Polechka, the coat hangers are down, she noticed through a cough, resting. - Now you especially need to behave decently and on a thin leg, so that everyone can see that you are noble children. I said then that the bra should be cut longer and, moreover, in two panels. It was you then, Sonya, with your advice: “In short, in short,” so it turned out that the child was completely disfigured. Well, you're all crying again! Why are you stupid! Well, Kolya, start quickly, quickly, quickly - oh, what an intolerable child he is.

Cinq sous, cinq sous. Soldier again! Well, what do you need?

Indeed, a policeman will make his way through the crowd. But at the same time one gentleman in a uniform and overcoat, a respectable official of about fifty, with an order around his neck (the latter was very pleasant to Katerina Ivanovna and influenced the policeman), approached and silently handed Katerina Ivanovna a three-ruble green credit card. His face expressed sincere compassion. Katerina Ivanovna received him and bowed politely, even ceremoniously.

“I thank you, sir,” she began haughtily, “the reasons that prompted us. take the money, Polechka. You see, there are noble and generous people who are immediately ready to help a poor noblewoman in misfortune. You see, sir, noble orphans, one might even say, with the most aristocratic connections. And this general was sitting and eating hazel grouse. stamped his feet that I disturbed him. “Your Excellency, I say, protect the orphans, knowing very well, I say, the late Semyon Zakharych, and since his own daughter was slandered by the meanest of the scoundrels on the day of his death. » That soldier again! Protect! she shouted to the official, “why is this soldier climbing up to me? We have already run away from one here from Meshchanskaya. Well, what do you care, fool!

“That’s why it’s forbidden on the streets, sir. Don't be rude.

- You yourself are a bastard! I still go with a hurdy-gurdy, what do you care?

“As for the hurdy-gurdy, you need to have permission, and you yourself, sir, and in such a manner, bring down the people. Where would you like to lodge?

- As permission! yelled Katerina Ivanovna. - I buried my husband today, what permission is there!

“Madame, madam, calm down,” the official began, “let’s go, I’ll bring you up.” Here in the crowd is indecent. you are unwell.

“Dear sir, dignified sir, you don’t know anything! shouted Katerina Ivanovna, "we'll go to the Nevsky," Sonya, Sonya! Where is she? Also crying! What about all of you. Kolya, Lenya, where are you going? she suddenly cried out in fright, “oh foolish children! Kolya, Lenya, where are they?

It so happened that Kolya and Lenya, frightened to the last degree by the street crowd and the antics of a crazy mother, finally seeing a soldier who wanted to take them and lead them somewhere, suddenly, as if by agreement, grabbed each other by the arms and rushed to run. With a cry and a cry, poor Katerina Ivanovna rushed to catch up with them. It was ugly and pitiful to look at her, running, crying, suffocating. Sonya and Polechka rushed after her.

- Gate, gate them, Sonya! O foolish, ungrateful children. Fields! catch them. For you I am.

She stumbled as she ran and fell.

— Broken into blood! Oh my God! cried Sonya, leaning over her.

Everyone ran, everyone crowded around. Raskolnikov and Lebeziatnikov ran up from the first; The official also hurried, followed by the policeman, grumbling: "Eh-ma!" and waving his hand, foreseeing that things would turn out troublesome.

— Went! go! - he dispersed the people crowding around.

- Dying! someone shouted.

- Lost her mind! another said.

- Lord, save! one woman said, crossing herself. - Were the girl and the boy angry? Won-ka, lead, the eldest intercepted. Vish, sbalmoshnye!

But when they took a good look at Katerina Ivanovna, they saw that she had not at all been smashed against a stone, as Sonya thought, but that blood, staining the pavement, gushed from her chest in her throat.

“I know that, I saw it,” the official muttered to Raskolnikov and Lebezyatnikov, “it’s consumption, sir; blood will gush out and crush. With one of my relatives, until recently I was a witness, and that way a glass and a half. suddenly sir. What, however, to do, now he will die?

- Here, here, to me! Sonya pleaded, “this is where I live. This house is the second one from here. To me, quickly, quickly. she rushed to everyone. - Send for the doctor. Oh my God!

Through the efforts of the official, this matter was settled, even the policeman helped transfer Katerina Ivanovna. They brought her to Sonya almost dead and laid her on the bed. The bleeding was still going on, but she seemed to be starting to come to her senses. In addition to Sonya, Raskolnikov and Lebeziatnikov, an official and a policeman entered the room at once, having previously dispersed the crowd, some of which were escorted to the very door. Polechka brought Kolya and Lenya in, holding hands, trembling and crying. They also agreed from the Kapernaumovs: he himself, lame and crooked, a strange-looking man with bristly, upright hair and sideburns; his wife, who had some kind of frightened look once and for all, and several of their children, with faces stiff from constant surprise and with open mouths. Among all this public, Svidrigailov suddenly appeared. Raskolnikov looked at him in surprise, not understanding where he came from, and not remembering him in the crowd.

They talked about the doctor and the priest. Although the official whispered to Raskolnikov that, it seems, the doctor was now superfluous, he ordered to send it. Kapernaumov himself ran.

Meanwhile, Katerina Ivanovna caught her breath, and for a while the blood drained. She looked with a painful, but intent and penetrating gaze at the pale and trembling Sonya, who was wiping drops of sweat from her forehead with a handkerchief; Finally, she asked to be lifted up. They put her on the bed, holding her on both sides.

Blood still covered her parched lips. She rolled her eyes, looking around.

"So that's how you live, Sonya!" I have never been with you. led.

She looked at her with anguish.

“We sucked you out, Sonya. Fields, Lenya, Kolya, come here. Well, here they are, Sonia, that's all, take them. from hand to hand. and that's enough for me. Ball is over! G'a. Put me down, let me die in peace.

They lowered her back onto the pillow.

- What? Priest. No need. Where do you have an extra ruble. I have no sins. God has to forgive anyway. He knows how I suffered. If you don't forgive, you don't have to.

The restless delirium seized her more and more. Sometimes she shuddered, looked around, recognized everyone for a minute; but immediately consciousness again gave way to delirium. She was breathing hoarsely and with difficulty, something seemed to be bubbling in her throat.

“I tell him: “Your Excellency. ' she shouted, resting after each word, 'that Amalia Ludwigovna. Oh! Lenya, Kolya! handles to the sides, hurry, hurry, glisse-glisse, pas de basque! Kick your feet. Be a graceful child.

Du hast die schonsten Augen,

Madchen, was willst du mehr? Well, yes, how not! was willst du mehr, - he will invent it, fool. Oh yes, here's more:

In the midday heat, in the valley of Dagestan. Ah, how I loved. I loved this romance to adoration, Polechka. you know, your father. still sang as a groom. Oh days. If only we could sing! Well, how, how. Here is what I forgot. Remind me, how? She was in extreme agitation and struggled to get up. Finally, in a terrible, hoarse, tearing voice, she began, crying out and gasping at every word, with an air of some growing fright:

In the midday heat. in the valley. Dagestan.

With lead in my chest. Your Excellency! she suddenly yelled with a rending cry and burst into tears, “protect the orphans!” Knowing the bread and salt of the late Semyon Zakharych. One might even say aristocratic. G'a! she suddenly shuddered, coming to her senses and examining everyone with a kind of horror, but she recognized Sonya at once. Sonya, Sonya! she said meekly and affectionately, as if surprised that she saw her before her, "Sonya, dear, are you here too?"

She was lifted up again.

- Enough. It's time. Farewell, wretch. We left the nag. Broke-a-ah! she shouted desperately and hatefully, and hit her head on the pillow.

She forgot herself again, but this last oblivion did not last long. Her pale yellow, withered face threw back, her mouth opened, her legs stretched convulsively. She took a deep, deep breath and died.

Sonya fell on her corpse, wrapped her arms around her and froze, leaning her head against the withered chest of the deceased. Polechka fell at her mother's feet and kissed them, weeping bitterly. Kolya and Lenya, still not understanding what had happened, but anticipating something very terrible, grabbed each other by the shoulders with both hands and, staring at one another with their eyes, suddenly, together, at once, opened their mouths and began to scream. Both were still in costume: one in a turban, the other in a yarmulke with an ostrich feather.

And how did this “commendation sheet” suddenly find itself on the bed, next to Katerina Ivanovna? He lay right there, by the pillow; Raskolnikov saw him.

He went to the window. Lebeziatnikov jumped up to him.

- Died! Lebezyatnikov said.

“Rodion Romanovich, I have two necessary words to convey to you,” Svidrigailov approached. Lebeziatnikov immediately gave way and delicately shied away. Svidrigailov led the astonished Raskolnikov further into the corner.

- All this fuss, that is, funerals and so on, I take on myself. You know, if I had money, I told you that I have extra money. I will place these two chicks and this Polechka in some better orphanage establishments and put on each, until adulthood, one thousand five hundred rubles in capital, so that Sofya Semyonovna will be completely at peace. Yes, and I’ll pull her out of the pool, because she’s a good girl, isn’t she? Well, so you tell Avdotya Romanovna that I used her ten thousand like that.

- With what goals did you become so blissful? Raskolnikov asked.

- Eh! The man is incredulous! Svidrigailov laughed. - After all, I said that I have extra money. Well, but simply, according to humanity, you don’t allow it, or what? After all, she was not a “louse” (he pointed his finger at the corner where the deceased was), like some old pawnbroker. Well, you will agree, well, “Does Luzhin really live and do abominations, or should she die?” And don’t help me, because “Polenka, for example, will go there, along the same road. "

He said this in an air of some kind of winking, merry cheating, without taking his eyes off Raskolnikov. Raskolnikov turned pale and cold as he heard his own expressions spoken to Sonya. He quickly recoiled and looked wildly at Svidrigailov.

Why. You know? he whispered, barely catching his breath.

“Why, I’m standing here, through the wall, at Madame Resslich’s. Here is Kapernaumov, and there is Madame Resslich, an old and most devoted friend. Neighbor-s.

“I,” continued Svidrigailov, swaying with laughter, “and I can assure you with honor, my dear Rodion Romanovich, that you have surprisingly interested me. After all, I said that we would get together, I predicted this for you, - well, we agreed. And you will see what a foldable person I am. See that you can still live with me.

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Katerina Ivanovna Marmeladova is one of the most striking and touching images created by Dostoevsky in the novel Crime and Punishment.

This article presents the fate of Katerina Ivanovna in the novel "Crime and Punishment": the life story, biography of the heroine.

The fate of Katerina Ivanovna in the novel "Crime and Punishment": a life story, a biography of the heroine

Katerina Ivanovna Marmeladova is an educated, intelligent woman from a respectable family. Katerina Ivanovna's father was a state colonel. Apparently, by origin, the heroine is a noblewoman. At the time of the narration in the novel, Katerina Ivanovna is about 30 years old.

In her youth, Katerina Ivanovna graduated from an institute for girls somewhere in the provinces. According to her, she had worthy fans. But young Katerina Ivanovna fell in love with an infantry officer named Mikhail. The father did not approve of this marriage (probably, the groom really was not worthy of his daughter). As a result, the girl ran away from home and got married without the consent of her parents.

Unfortunately, Katerina Ivanovna's beloved husband turned out to be an unreliable person. He loved to play cards and eventually ended up on trial and died. As a result, at the age of about 26, Katerina Ivanovna was left a widow with three children. She fell into poverty. Relatives turned away from her.

At this time, Katerina Ivanovna met the official Marmeladov. He took pity on the unfortunate widow and offered her his hand and heart. This union took place not out of great love, but out of pity. Katerina Ivanovna married Marmeladov only because she had nowhere to go. In fact, the young and educated Katerina Ivanovna was not a couple for Marmeladov.

Marriage with Marmeladov did not bring happiness to Katerina Ivanovna and did not save her from poverty. After a year of marriage, Marmeladov lost his job and started drinking. The family fell into poverty. Despite all the efforts of his wife, Marmeladov never managed to stop drinking and build a career.

At the time of the events described in the novel, Katerina Ivanovna and her husband Marmeladov have been married for 4 years. The Marmeladovs have been living in St. Petersburg for 1.5 years. By this time, Katerina Ivanovna had fallen ill with consumption. She did not have any dresses left, and her husband Marmeladov even drank away her stockings and scarf.

Seeing the desperate situation of the family, Katerina Ivanovna's stepdaughter, Sonya Marmeladova, began to engage in "obscene" work. Thanks to this, the Marmeladovs received a livelihood. Katerina Ivanovna was sincerely grateful to Sonya for this sacrifice.

Soon a tragedy happened in the Marmeladov family: a drunken Marmeladov fell under a horse on the street and died the same day. Katerina Ivanovna fell into despair, since she did not even have money for her husband's funeral. Raskolnikov helped the unfortunate widow by giving his last money.

On the day of her husband's commemoration, Katerina Ivanovna behaved strangely, showing signs of insanity: together with the children, she staged a performance on the street. Here she accidentally fell, she began to bleed. On the same day the woman died.

After the death of Katerina Ivanovna, her three children were left orphans. Mr. Svidrigailov helped arrange the future of the poor orphans: he assigned all three to one orphanage (which was not always done), and also deposited some capital into their account.

Such is the fate of Katerina Ivanovna Marmeladova in the novel "Crime and Punishment" by Dostoevsky: a life story, a biography of the heroine.

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Death of Katerina Ivanovna

Katerina Ivanovna has gone mad. She ran to the former boss of the deceased to ask for protection, but she was expelled from there, and now the mad woman is going to go begging for alms on the street, forcing the children to sing and dance.

Sonya grabbed her mantilla and hat and ran out of the room, dressing on the run. The men followed her. Lebezyatnikov talked about the reasons for Katerina Ivanovna's madness, but Raskolnikov did not listen, but, coming abreast of his house, nodded his head to his companion and turned into the gateway.

Lebezyatnikov and Sonya found Katerina Ivanovna by force - not far from here, on the canal. The widow has completely lost her mind: she beats the frying pan, makes the children dance, they cry; they are about to be taken to the police.

They hurried to the canal, where a crowd had already gathered. The hoarse voice of Katerina Ivanovna could still be heard from the bridge. She, tired and out of breath, either screamed at the crying children, whom she dressed up in some old clothes, trying to give them the appearance of street performers, then rushed to the people and talked about her unfortunate fate.

She made Polechka sing and the younger ones dance. Sonya followed her stepmother and, sobbing, begged her to return home, but she was inexorable. Seeing Raskolnikov, Katerina Ivanovna told everyone that this was her benefactor.

Meanwhile, the main ugly scene was yet to come: a policeman was squeezing through the crowd. At the same time, some respectable gentleman silently handed Katerina Ivanovna a three-ruble note, and the distraught woman began to ask
him to protect them from the policeman.

The younger children, frightened by the police, grabbed each other by the arms and rushed to run.

Katerina Ivanovna was about to rush after them, but she stumbled and fell. Polechka brought the fugitives, the widow was raised. It turned out she was bleeding from the blow.

Through the efforts of a respectable official, everything was settled. Katerina Ivanovna was transferred to Sonya and laid on the bed.

The bleeding was still going on, but she was beginning to recover. Sonya, Raskolnikov, Lebezyatnikov, an official with a policeman, Polechka, holding the hands of the younger children, the Kapernaumov family, gathered in the room, and among all this audience Svidrigailov suddenly appeared.

They sent for a doctor and a priest. Katerina Ivanovna looked with a painful look at Sonya, who was wiping drops of sweat from her forehead, then asked to lift herself up and, seeing the children, calmed down.

She began to delirious again, then she forgot herself for a while, and then her withered face threw back, her mouth opened, her legs stretched convulsively, she took a deep breath and died. Sonya and the children were crying.

Raskolnikov went to the window, Svidrigailov approached him and said that he would take care of all the funerals, put the children in the best orphanage, put one thousand five hundred rubles for each until adulthood, and pull Sofya Semyonovna out of this whirlpool.

Katerina Ivanovna is a rebel who passionately intervenes in an unfair and hostile environment. She is immensely proud, in a fit of offended feeling goes against common sense, puts on the altar of passion not only her own life, but, even worse, the well-being of her children.

The fact that Marmeladov's wife Katerina Ivanovna married him with three children, we learn from Marmeladov's conversation with Raskolnikov.

“I have an animal image, and Katerina Ivanovna, my wife, is a specially educated and born staff officer’s daughter .... she is both a high heart and filled with feelings ennobled by upbringing .... Katerina Ivanovna is a lady, although generous, but unfair .... . she pulls my whirlwinds ... Know that my wife was brought up in a noble provincial noble institute and danced with a shawl with the governor and with other persons when she graduated, for which she received a gold medal and a certificate of merit ... yes, a lady is hot, proud and adamant. Paul she washes herself and sits on black bread, but she will not allow herself to be disrespected .... The widow has already taken her, with three children, small and small less. She married her first husband, an infantry officer, for love, and with him ran away from her parents "She loved her husband excessively, but she started playing cards, got on trial, and with that she died. He beat her in the end; but she, although she did not let him down ... And after him she was left with three young children in a distant and brutal county ... Relatives all refused. yes, she was too proud ... You can judge because to what extent her misfortunes reached the fact that she, educated and brought up and with a famous name, agreed to marry me! But go! Crying and sobbing and wringing your hands - let's go! For there was nowhere to go…" Dostoevsky, ibid., p.42-43.

Marmeladov gives his wife an exact description: "... For although Katerina Ivanovna is full of generous feelings, the lady is hot and irritated, and will break off ..." Dostoevsky, ibid., p. 43 .. But her human pride, like Marmeladova, is trampled at every step, they make her forget about dignity and pride. It is pointless to seek help and sympathy from others, Katerina Ivanovna "has nowhere to go."

This woman shows physical and spiritual degradation. She is incapable of either serious rebellion or humility. Her pride is so exorbitant that humility is simply impossible for her. Katerina Ivanovna "rebels", but her "rebellion" turns into hysterics. This is a tragedy that turns into a rude action. She attacks others for no reason, she herself runs into trouble and humiliation (every time she insults the landlady, goes to the general "to seek justice", from where she is also expelled in disgrace).

Katerina Ivanovna not only blames the people around her for her suffering, but also God. “There are no sins on me! God must forgive even without that… He knows how I suffered!