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Are there any results of the arts relay competition. III All-Russian festival of choreographic art "Dance relay race

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1 I APPROVE Director of the GMC DO Moscow M. V. Lebedeva 2016 REGULATIONS on the City Festival of Children's and Youth Creativity "Relay of Arts 2017" 1. General Provisions 1.1. The festival of children's and youth creativity "Relay Race of Arts" of students of educational institutions of the Department of Education of the city of Moscow in the academic year is held under the motto "Earth is the planet of children" and is dedicated to the 870th anniversary of the city of Moscow. Arts Relay Race 2017” for students of educational institutions of the city of Moscow in the academic year The Festival of Children and Youth Creativity “Arts Relay Race 2017” (hereinafter referred to as the Festival) is a form of artistic and aesthetic development of students, which is a necessary component of the formation of a basic personality culture, as well as identifying gifted children and the best of creative children's groups of educational organizations of the city of Moscow The festival is held in order to implement the State "Concept of a nationwide system for identifying and developing young talents" (from the city, Order 827), the provisions of the "Strategy of the state cultural policy for until 2030" (Decree of the Government of the Russian Federation of 326-r), "Strategies for the development of education in the Russian Federation for the period until 2025" (Decree of the Government of the Russian Federation of May 29, 2015 996-r), Decree of the President of the Russian Federation of 761 "On the national strategy of action in the interests of children for years", the State program of the city of Moscow for the medium term (gg.) "Development of education in the city of Moscow (capital education)" The organizer of the Festival is the City Methodological Center of the Department of Education of the city of Moscow For the preparation and holding of the Festival an organizing committee is formed. 2. Goals and objectives of the Festival 2.1. The purpose of the Festival: to promote the formation of the spiritual culture of the personality of the student through the development and performance of the best examples of classical and contemporary art, the identification and support of gifted children. The objectives of the Festival: the development of creative potential, figurative and associative thinking of students; civic-patriotic education of children;

2 fostering an emotional and value attitude towards their peers, their city and country; the creation of an aesthetically organized leisure activity for adolescents; attracting as many children as possible to artistic creativity. 3. Participants of the Festival 3.1. All participants of the Festival are divided into two leagues: League 1 participants of preschool departments of general educational organizations and pupils of kindergartens (age: from 5 to 7 years) according to a separate Regulation; League 2 members of creative teams of educational organizations, institutions of additional education and institutions of vocational education of the Department of Education of the city of Moscow (age: from 7 to 18 years old inclusive) Age categories of participants: junior group (students of 1-4 grades); middle group (students of 5-8 grades); senior group (students of 9th 11th grades); mixed group (students from different age groups). 4. Organizing Committee of the Festival 4.1. For the organization and holding of the Festival, the City Organizing Committee of the Festival (hereinafter referred to as the Organizing Committee) is created. The Organizing Committee of the Festival consists of methodologists from the City Methodological Center (Appendix 1) and performs the following functions: determines the schedule and venue of the qualifying rounds; forms the composition of the Jury; advises teachers on preparation for participation in the Festival; organizes and conducts the II stage of the Festival; determines the system of encouragement, rewarding participants; sums up the results of the Festival The work of the Organizing Committee is built on the basis of these Regulations and corresponds to the timing of the Festival. The Organizing Committee reserves the right to change the timing of the festival stages of the competition. 5. Stages and terms of the Festival 5.1. The Festival is held from September 2016 to April 2017: Stage I: September-October 2016 Stage II: November 2016 January 2017 Stage III: February-April 2017 6. The order of the Festival 6.1. Stage I of the Festival provides for a review of concert performances of various genres in educational institutions, institutions of additional education for children (UDO) and vocational education institutions subordinate to the Department of Education of the City of Moscow (intra-institutional stage).

3 The jury of educational organizations selects and submits the best concert performances to the second stage. To participate in the II stage of the Festival-competition, educational organizations need to register * an application in electronic form from October 01 to October 31, 2016 using the link indicated on the website of the City Methodological Center: mosmetod.ru methodical space "Educational work" "Festivals, competitions". *Registration is carried out by the teacher and is responsible for filling out the application (in case of an error made by the responsible teacher when filling out the personal data of the participants, the information in the award documents will not be corrected, claims against the organizers will not be accepted). Applications are accepted only for concert numbers that were not presented at festivals of previous years. Registration of an application for participation in the Festival is a confirmation of the full and unconditional acceptance of these Regulations. By participating in the Festival, teachers agree to the processing of personal data II stage of the Festival. Stage II of the Festival is held in the form of qualifying rounds by genre in accordance with the schedule publicly. To participate in the II stage of the Festival, the creative team presents 1 (one) concert number, in one genre and in one age group. All phonograms must be provided to sound engineers 2 3 days before the performance; phonograms are not accepted on the day of the performance. When performing a work in a foreign language, the participants submit to the Jury a translation of the text printed on A4 paper, size 14. In the vocal genre, the participants of the younger group perform works of the children's repertoire only in Russian. In the genre of "Fiction reading" from each structural unit of the educational complex, no more than 3 numbers can be submitted for the qualifying round. Participants read works in Russian individually without musical and video accompaniment. The groups participating in the vocal-instrumental genre, at the II stage, send a link to the video recording of the performance to the methodologist in charge of the district by December 15, 2016. Participants who have passed to the III stage of the festival will be invited in the III decade of January 2017 to the face-to-face viewing of the III stage of the Festival. The City Jury reviews the district concert programs in accordance with the schedule in February-March 2017 (a concert lasting no more than 1.5 hours in one section). The final gala concert of the winners of the City Festival will take place in April 2017.

4 Laureates of the II stage of the Festival in different genres, who scored the most points, take part in the regional gala concert. Laureates of the Festival in the genres: "Vocal", "Choral" and "Art Reading" have the opportunity to take part in city Competitions for schoolchildren held in higher educational institutions of the city of Moscow Responsibility for the life and health of the Festival participants throughout all qualifying rounds and concert events carried by accompanying teachers, team leaders, parents (guardians) During the final concerts and the final gala concert of the winners of the city Festival, video and photography are allowed. These materials can be used in the media and on the global Internet. Mention of the source (City Festival of Children's and Youth Creativity "Relay of Arts-2017") is mandatory. 7. Genres of the Festival 7.1. For participants of the 2nd League of the Festival the following genre directions are offered: Vocal genre (academic vocal, pop vocal, author's song). The duration of the speech is up to 5 minutes; Choral genre (choirs, vocal and choral ensembles live sound, without microphones). No more than 2 diverse works, the duration of the performance is up to 6 minutes; Folklore genre (folk singing, folklore ensembles, live sound, without microphones). The duration of the speech is up to 5 minutes; Instrumental genre (orchestras, ensembles and instrumental soloists, with the exception of pianists and synthesizer keyboard players). The duration of the speech is up to 3 minutes; Dance genre (classical and modern choreography, folk and pop dance, ballroom and sports dance). The duration of the speech is up to 4 minutes; Art in sports rhythmic gymnastics, cheerleading (cheerleading), pop dance, aerobics, acrobatics. The duration of the speech is up to 4 minutes; Original genre (circus art: magic tricks, pantomime, clowning, tightrope walking, eccentricity, circus training). The duration of the speech is up to 4 minutes; Artistic reading. The duration of the speech is up to 3 minutes; Various areas of modern youth culture (hip-hop, rap, soul, r&b, beat-boxing, break-dance, etc.). The duration of the speech is up to 4 minutes; Concert performances of ethnic culture in national costumes (vocal and dance art). The duration of the speech is up to 4 minutes; Vocal and instrumental ensemble (songs written by professional composers and poets, as well as songs written by members of the group; folk and folk songs; disco, rock music and its directions, synth-pop, big beat and pop music, cover versions of Western songs groups (with texts in Russian). No more than two works with a total duration of up to 8 minutes;

5 Show group (The concert number of the show group is a bright colorful performance on various topics: folklore of different peoples, classical, pop, folk works, scenes from the musical. The main thing in the creative activity of the show group is the synthesis of vocal and choreographic genres. The concert number involves the relationship of vocals, plasticity, gesture, stage movement (scenography), theatricalization of miniatures in combination with bright stage costumes). The duration of the speech is up to 6 minutes. The main characteristics and requirements for genre areas are attached (Appendix 2). 8. Evaluation criteria 8.1. The Jury of the Festival evaluates: artistic significance, aesthetic value; compliance of the repertoire with the age of the performers; culture of performing arts, expressiveness, artistry; complexity and quality. 9. Work of the Festival Jury 9.1. An independent professional Jury of the II stage of the festival reviews the concert performances by genre in accordance with the schedule. The decision of the Jury is taken collectively, by a majority of votes, and cannot be challenged. The Jury has the right to refuse to comment on its decision without explaining the reasons. If the time limit established by the Regulations of paragraph 7 of the "Genres of the Festival" is exceeded, the Jury has the right to stop the performance. Participants exceeding the performance limit at Stage II are not allowed to participate in Stage III of the Festival. The Festival Jury has the right to deduct points from the final assessment of participants: for using works with profanity; for aggressive behavior towards the Jury and other participants; for using indecent gestures and shouts during the dance; for using the theme of a concert number that affects political or religious views. In case of a serious violation, the Jury may disqualify creative teams or soloists of the Festival. 10. Summing up and awarding The Jury sums up the results in genre areas, taking into account the evaluation criteria specified in clause 8 of these Regulations. Determination of laureates and diploma winners of the Festival is carried out on the basis of the scores in each genre, in each age group based on the results of the work of the Jury Based on the results of the qualifying rounds The Jury determines the best concert performances for participation in the III stage of the Festival. According to the results of the work of the Jury of the II stage, laureates and diploma winners are awarded with diplomas of the II stage of the Festival, and participants with diplomas.

6 Based on the results of the work of the Jury of the III stage, laureates and diplomats are awarded with diplomas of the city Festival. By decision of the Jury, participants whose concert performances do not meet the evaluation criteria and the conditions of this Regulation will not be awarded certificates. Appendix 1. Composition of the Organizing Committee of the City Festival "Relay of Arts 2017" 1. Lebedeva Marianna Vladimirovna Chairman of the Organizing Committee, Director of the City Methodological Center of the Department of Education of Moscow; 2. Zernov Dmitry Igorevich Deputy Director of the City Methodological Center of the Department of Education of Moscow; 3. Liliya Gennadievna Komissarova, senior methodologist of the City Methodological Center of the Department of Education of Moscow; p/p Full name methodologist Mezhdistrict Contact telephone councils 1. Krol Viktor VAO 8 (499) , Viktorovich dob Churaev Vladimir ZAO 8 (499) , Ivanovich dob Vasilyeva Olga ZelAO, ext. Anatolyevna Kruzhkova Tatyana SAO 8 (499) , Anatolyevna dob Burbelyuk Svetlana SVAO 8 (499) , Ivanovna dob Aralina Natalya SZAO 8 (499) , Anatolyevna dob Vorobyeva Irina TiNAO, dob. Vladislavovna Silina Marina CAO 8 (499) , Germanovna dob Bernikova Lyudmila YuAO 8 (499) , Vasilievna dob Golm Yuliya YuVAO 8 (499) , Sergeevna dob Golovinova Galina Nikolaevna YuZAO 8 (499) , dob City Organizing Committee of the Festival is located at the address: Moscow, Tovarishchesky pereulok, 22, office 41, 46, 50, 52.

7 Appendix 2 The main characteristics and requirements for the genre areas of the Festival "Relay of Arts" Guidelines for the City Festival of Children's and Youth Creativity "Relay of Arts 2017" VOCAL GENRE (academic vocals, pop vocals, jazz, songs with folk tunes in modern processing, rock -works, author's song) Academic vocals (or classical vocals) differ markedly from jazz or pop performance techniques. Today, classical vocals are performed in the genre of chamber vocal music, in opera, chapel, academic choir, with a symphony orchestra. However, some pop singers also work in an academic manner. Academic singing is such a manner of performance, which assumes that the singer has a large number of different skills, such as: correct breathing, correct sound extraction (singing on a support, use of resonators, singing dome, etc.), clear diction and articulation, correct intonation and the ability to switch between registers; artistry, emotionality and expressiveness of performance are also necessary. Distinctive features of academic vocals Academic vocals do not involve the use of a microphone or other amplifying equipment. The vocalist, thanks to complete control over his voice, is able to sound the hall without merging and without entering into confrontation with the orchestra. A competent academic vocalist is distinguished by the ability to sing in a wide vocal range and the ability to qualitatively reproduce the most complex material in the musical technical sense. At the same time, the slightest superfluous overtones are not allowed: tremolations, sips, wheezing and other sound defects. Academic vocal striving for an ideal singing style: the singer achieves a voluminous clear sound of the voice. A musician working in classical technique masters the widest palette of means of musical, vocal, artistic expression. The singer is able to reproduce both the most subtle and transparent tones, and produce extremely bright expressive compositions. At the same time, regardless of the range of feelings invested in the song, it turns out to be harmonious, beautiful and aesthetically perfect. Pop vocal is a special kind of modern vocal art, which combines many styles and directions, creates a rich palette of images. Pop singing is such a manner of performance, which involves, first of all, the singer's communication with the audience through the created song image, not only through the melody and text, but also through expressive movement, vivid emotionality, artistry. Pop vocals differ from academic vocals in a more open and more natural sound. However, singing skills, correct position and sound support are just as necessary in pop vocals as in academic ones. Jazz vocals, first of all, imply an ideal sense of rhythm and harmony, as well as the mobility of the voice and the ability to improvise. In jazz singing, it is necessary to feel the form of the work, to be able to present your understanding of the melodic theme,

8 modifying it, but without leaving the desired harmony. What is important is the sensitive partnership of musicians, the ability to improvise on the go. Author's song (bardic music) is a song genre, the distinctive features of which are the combination of the author of music, text and performer in one person, guitar accompaniment, the priority of the significance of the text over music. CHORAL GENRE (choirs and vocal-choir ensembles) A choir (choral group) is a singing group or musical ensemble consisting of singers. Types of choirs: vocal-choir ensemble from 12 to 20 participants; chamber choirs from 20 to participants; medium choirs from 40 to participants; large choirs from 70 to 120 participants; consolidated choirs up to 1000 participants gather for a while from different groups. Such compositions have the status of "happing performance" and do not belong to the performing arts proper, as they are more of a propaganda and educational trend. The choir differs from the vocal ensemble (vocal duet, trio, quartet, quintet, etc.) by the presence of at least two (according to P. G. Chesnokov, three) or more people performing the same part, i.e. 12 people . The choir is led by a conductor or choirmaster. The leader of the church choir is called the choir director. Types of choir groups Under the name type of choir is understood the characteristics of the performing group according to the constituent groups of singing voices. It is known that singing voices are divided into three groups - women's, men's and children's. Thus, a choir that unites the voices of one group is called homogeneous, and a choir that has combinations of female (or children's) and male voices or singing voices of all groups is called mixed. In performing practice, four types of choirs are common: women's, men's, children's, mixed. The minimum number of singers in one choral part is 3 people. From the point of view of the manner of singing, they distinguish: academic choirs singing in an academic manner. The academic style of singing is based on the principles and criteria of musical creativity and performance, developed by professional musical culture and the traditions of the centuries-old experience of opera and chamber genres; folk choirs singing in a folk manner. The genre features of Russian folk choirs are: reliance on the local or regional tradition of everyday folk singing; use of natural register sounding of voices; subvocal-polyphonic chant of the song as the basis of choral polyphony.

9 Choirs may have different status, such as professional, amateur (amateur), church and educational. Explanations for participants of the competitive audition: 1. Academic choirs (live sound, without microphones): it is not allowed to use phonograms as musical accompaniment. A choir can be considered a group with at least 20 members performing on stage. 2. Vocal and choral ensembles of the academic direction (live sound, without microphones): the use of phonograms as musical accompaniment is not allowed. The number of participants is from 12 to 19 inclusive. The performance of a choir or vocal-choir ensemble at competitive auditions can take place both with a conductor and without him (at the request of the head of the group). Vocal and choral groups perform up to 2 diverse works with musical accompaniment or a cappella (a work of sacred music, an arrangement of a folk song, a work of Russian or foreign classics, a work of Soviet, Russian or modern foreign composers). The uniform style of the costumes of the team is taken into account. 3. Vocal ensembles of the academic direction (live sound, without microphones). The number of participants is from 2 to 11 inclusive. The ensemble performs without a conductor. 4. Solo singing of the academic direction and small vocal forms (duets, trios, quartets): a minus phonogram is allowed as musical accompaniment and a microphone. The microphone is not used for piano voice or other acoustic instrument accompaniment. Soundtracks "karaoke" are not allowed. It is desirable to include in the performance program of choirs, vocal and choral ensembles, vocal ensembles and soloists a work of patriotic themes: about the Motherland, about Russia, about Moscow, about the native land, etc. Note: The appearance of the contestants must be neat and tidy. The presence of changeable shoes is obligatory for everyone (participants, accompanying persons, team leaders). Students in sportswear and shoes, in work and home clothes, in jeans are not allowed to the competitive audition. For the performance, the participants of the festival need to think over the stage costume in accordance with the artistic image of the concert number. Scene culture is a must! The jury has the right to stop listening to the competitive program of a participant who has violated the competitive requirements. The presence of a teacher responsible for participation in the festival from an educational organization at the qualifying round is mandatory!

10 FOLKLORE GENRE (folk singing, folklore ensembles) Folk art is usually called folklore. This is music, poetry, theater, dance, which were created by the people and are closely connected with traditions, religious beliefs, rituals, customs and history. Musical folklore is the creativity of the people, which is expressed in vocal, instrumental or vocal-instrumental form. According to the content, musical folklore is divided into epic, lyrics and drama. The main types of musical folklore are song, song improvisation, song without words, epic legend, epic, dance melodies, dance choruses, instrumental pieces and tunes. The most common type of vocal folk music is a folk song, a musical and poetic work, one of the oldest forms of musical and verbal creativity. In some ancient and partly modern types of folk music, it exists in unity with dance, playing, instrumental music, verbal and visual folklore. An essential feature of the folk song is a direct connection with everyday life and labor activity (labor songs accompanying various types of labor, burlak, mowing, weeding, reaping, threshing, etc.; ritual songs accompanying agricultural and family rituals and festivities, carols, carnivals, Kupala, wedding, funeral, game calendar, etc.). Dance folk songs are inseparable from various folk dances. Folk song is distinguished by a wealth of genres, different in origin, character and function in folk life. Conventionally, the following thematic groups can be distinguished: 1. Songs related to the calendar, calendar holidays and rituals (calling and meeting spring, "larks", early spring and summer Trinity round dances, songs of harvesting and haymaking, congratulations on the new year, carols and fortune-telling songs, carnival songs); 2. Songs related to various events in the personal and family life of people (for the birth of a child, baptismal, lullabies, children's game round dances, laudatory, wedding and recruiting, funeral lamentations and lamentations, memorial, spiritual poems); 3. Epic song genres (epics, tales, buffoons and fables, some spiritual poems, ballads, historical songs); 4. Lyrical songs (songs about happy and unrequited love, tragic; drawling songs, "suffering", urban songs and cants); 5. Songs of everyday life and holidays (soldiers' and student's, nautical and navigational; labor burlatsky, artel, peasant; festive viva, farcical, comic songs and ditties). Lyrical songs have received the greatest musical development in the folklore of all peoples, their diversity is due to the diversity of social groups that create and perform them (farmers, artisans, workers, students, etc.). Each social group of society has its own song lyrics.

11 INSTRUMENTAL GENRE (orchestras, ensembles, instrumental soloists, except for pianists) Types of orchestras: symphonic, wind, string, folk instruments, pop, jazz. Requirements for the composition of orchestras participating in competitive auditions: the number of illustrators in school orchestras should not exceed 20% of the number of members of the team; only one microphone per soloist is allowed; the use of a synthesizer or piano in the orchestra is permissible only as a missing orchestral voice. ETHNOCULTURE CONCERT NUMBERS (vocal and dance art in national costumes) Soloists, ensembles and groups of vocal, choral and dance genres performing in the ethno direction are invited to participate. The contestants perform a song or a national dance of any genre in the national language. Concert numbers are presented in national costumes (ethnographic costumes or stylized costumes, made by contemporaries in compliance with all traditional features and corresponding to the repertoire being performed). In the performance of the competitive material, it is desirable that the sound and dialect be close to the manner of singing and the dialect of the region whose songs are performed; in the dance numbers, the observance of the style features of the folk choreography of the region. ORIGINAL GENRE (circus art: magic tricks, pantomime, clowning, tightrope walking, eccentricity, acrobatics) The original genre is unlike any classical one in content. It contains numbers that demonstrate the capabilities of the human body. Most often, artists of the original genre perform in the circus or specialized shows. These are acrobats, magicians, clowns, jugglers, parodists, aerialists, animal trainers. They are able to cause joy, pleasure, admiration in people. The basis of circus art is considered to be a demonstration of the unusual (eccentric) and funny. DANCE GENRE (classical and modern choreography, folk and pop dance, ballroom and sports dance, art in sports, rhythmic gymnastics, cheerleading) Dance is one of the most beautiful art forms, in which the emotional and figurative content of music is embodied in the movement of the human body. This is the art of movement, the main characteristics of which are: rhythm (fast or slow repetition and variation of movements); drawing (a combination of movements in a composition); dynamics (range of movements); technique (degree of possession of the body and mastery of execution).

12 Types of dance Classical choreography (ballet) is a type of performing art. The main types of dance in ballet are classical and characteristic dance. Classical dance is the main expressive means of ballet, the hallmarks of which are the characteristic positions of the legs, arms, body and head, the exact adherence to the principles of eversion of the legs, the verticality of the body and the isolation of its various parts. Classical dance movements strive for geometric clarity. A characteristic dance is a kind of stage dance based on a folk dance (or everyday dance), which has been processed by a choreographer for a ballet performance. Modern choreography is a direction in dance that includes various dance styles and techniques of the 20th and 21st centuries. This is a synthesis of classical dance, elements of gymnastics, acrobatics, pantomime. Modern choreography is the author's choreography, in which there are no canonical mandatory movements and poses. Folk dance is the most common type of folk dance art, created by an ethnic group, conveying its national culture and temperament. Folk dance reflects ethnic features, choreographic language and plastic expressiveness of an ethnos or ethnic group, which are manifested in the character, coordination of movements, in the musical-rhythmic and metrical structure of the dance, the manner of its performance. Variety dance is a choreographic work intended for concert performance on the stage. Variety dance is characterized by external expressiveness and showiness, entertaining character, virtuosity. In form, pop dance is a dance miniature with a small number of performers. Ballroom dance is a kind of pair dance that has folk origins. They were performed at balls, which were held in rooms covered with parquet. Of the huge variety of both elite (historical and everyday) and folk dances, only pair dances fell into the ballroom group. Sports ballroom dance is a dance sport that combines two styles of sports dances: International Standard (European): slow waltz, tango, Viennese waltz, slow foxtrot, quickstep (fast foxtrot); International Latin American (Latino): samba, cha-cha-cha, rumba, paso doble, jive. VOCAL-INSTRUMENTAL ENSEMBLE (VIA) A vocal-instrumental ensemble consists of 3 or more people, including several vocalists and multi-instrumentalists. VIA use the usual set of instruments for pop and rock bands: electric guitars, a drum set, various types of electronic keyboards, such as electric organs and synthesizers, sound reinforcement equipment. VIA's repertoire mainly consists of songs written by professional composers and poets, as well as songs written by members of the group; folk and folk

13 songs; disco, rock music and its directions, synth-pop, big beat and pop music, cover versions of songs of western bands (with lyrics in Russian). The appearance of VIA artists is typical concert clothing. Any pronounced fatal attributes, such as unusual hairstyles, tattoos, studded leather clothing, metal accessories, and so on, are definitely excluded. VARIOUS DIRECTIONS OF MODERN YOUTH CULTURE (hip-hop, rap, soul, R&B, beatbox, break dance, etc.) Hip-hop (English Hip-hop) is a musical genre. The term "hip-hop" is defined as a combination of two words hip (cheers) and hop (jump). Hip-hop has a large number of directions: from fairly “light” genres, such as pop rap, to aggressive hardcore rap, horrorcore. The content of the songs ranges from light and casual, reminiscent of the "good old days", to raising social issues. The origins of hip-hop lie in funk, which is the main "progenitor" of this trend. However, the development of hip-hop was also influenced by other genres of rhythm and blues, soul, jazz, and reggae. Very often the terms "hip-hop" and "rap" are used interchangeably, which is not correct. Rap is one of the main elements of hip-hop music style. Rap is a recitative performance of poems to rhythmic music, which can be used not only by hip-hop performers, but also by representatives of other genres of modern rhythm and blues, pop music, rapcore, nu metal, raggamuffin; at the same time, there are alternative hip-hop artists who do not use vocals in their recordings. Originating as a variation of the spoken word style, rap has become a real art with many facets. Modern rhythm and blues, or modern R&B R&B (eng. R "n" B) is a musical style, the origins of which come from the rhythm and blues of the 1940s, especially popular in the USA and Canada. Although the acronym R&B is associated with rhythm and blues music, the acronym is used to refer to a newer style of African American music that emerged after disco in the 1980s. Modern Arand-B combines elements of soul, funk, new jack swing, hip-hop and dance music. Some sources define the style of R&B as contemporary urban music. Soul (from the English Soul "soul") is a genre of popular music of African American origin that arose in the southern states of the United States in the 1950s on the basis of rhythm and blues. The characteristic emotionally-felt, ecstatic, sometimes exalted, "soulful" vocal style soul music took from the tradition of spiritual gospel and spiritual chants, as well as jazz vocal improvisation. In the 1960s, soul became the most popular form of Negro music. By this time, blues and rhythm and blues, having been largely borrowed and adapted by white rock and roll and blues rock artists, were already perceived as interracial genres, and African Americans began to identify themselves through soul music. Beatboxing or beatboxing is the art of creating melodies using the vocal apparatus and articulations with the organs of the mouth. At the same time, modern beatboxing technique

14 also includes many other areas. Most often, beatboxing is used as an accompaniment in hip-hop compositions. Beatboxing is considered the fifth element of hip-hop culture. Breakdance (Break-dance or b-boying) street dance, one of the currents of hip-hop culture and inside it is called “breaking” (breaking, English breaking) originated in the late 1960s (Africa, Bambaataa). Today, there are two main types of this dance: the lower extreme dancer performs mainly acrobatic and power tricks on the floor; upper breakdance is based on the plasticity of the body: these are fantastic movements of the body in space and fixes, which at first glance contradict all the laws of physics and gravity. The whole break dance came from New York from the south Bronx. The term "breakdancing" (Breakdancing) was created by music journalists for the convenience of perception by ordinary people, since in English the word breaking means different concepts and is related to different cultures. For the same reason (for clarity of identification) in the hip-hop environment itself, the term “B-boying” began to be used, which comes from the word B. Boy (break-boy). It is generally accepted that it was formed as a separate dance by 1973. ARTISTIC READING (or expressive reading) Artistic reading (or expressive reading) is a kind of art, the essence of which lies in the creative embodiment of a literary work in an effective sounding word. To embody a work in a word means to evoke in the imagination of the audience the life depicted by the author in all its fullness and diversity, to reveal the attitude of the artist to the depicted, to convey the features of the artistic form and style of the author. The ultimate goal of the reader, in accordance with his interpretation, is to reveal to the listeners the ideological and artistic essence of the work, expressively convey to the listener the content of the work, help them see, feel and evaluate the phenomena depicted in it as he sees, experiences and evaluates them he performer. Expressive reading has two sides: penetration into the meaning of the performed work, the transfer of performing penetration to the listeners. K.S. Stanislavsky taught: “Take a book, a pencil more often and mark what you read according to speech measures. Fill your ear, eye and hand with this. The marking of speech measures and reading on them are necessary because they make you analyze and delve into their essence. Without delving into it, you will not say the right phrase. The habit of speaking in beats will make your speech not only harmonious in form, understandable in transmission, but also deep in content, as it will make you constantly think about what you are saying, ”and also“ You cannot order a feeling, but you need to achieve it in other ways A psychological situation must appear that makes it possible for a person to have an emotional attitude to a certain range of phenomena, and this emerging emotional attitude will be experienced by him. Principles of working on the text (according to Stanislavsky): study of the text, maximum getting used to its ideological and artistic content; public orientation, the effectiveness of expressive reading; a good understanding of the "tasks" that should be put in front of the listener when reading the text.

15 Reading aloud is addressed to the listeners. For the perception of reading, it is necessary that the listeners understand what is being read to them. Understanding is due to the presence of certain knowledge, certain experience. The teacher must take into account the age and development of his students. To prepare for the competition of readers on the website of the GMC (the methodological recommendations “Expressive reading of a literary text. Speech technique” are posted by the authors: V. I. Annushkin and A. G. Zhukova, and video lectures “Language speech word” by V. I. Annushkin.

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The government of Moscow

Department of Education of the City of Moscow

Organising Committee

Moscow city complex target

Youth education program "Children of Moscow sing"

GBOU DO "Center for Creative Development

and musical and aesthetic education

children and youth "Joy"

XVIMoscow International

children's and youth music festival

MOSCOW SOUNDS

Within the framework of the State Program

"Decade of Childhood"

Report by students of the School of Journalism "FLASH.KA" of the Center "Joy" about the XVI Moscow International Children and Youth Music Festival "MOSCOW SOUNDS"

Dear participants!

Diplomas will be sent to the participants of the correspondence round by mail.

MOSCOW SOUNDS
Nomination " Academic solo singing»

Results of competitive auditions
XVI Moscow International
children's and youth music festival
MOSCOW SOUNDS
Nomination " Academic choral singing»

Results of competitive auditions
XVI Moscow International
children's and youth music festival
MOSCOW SOUNDS
Nominations "Class-choir", "School choir"

Results of competitive auditions
XVI Moscow International
children's and youth music festival
MOSCOW SOUNDS
International competition for the best performance
works of Orthodox and Western European sacred music

Results of competitive auditions
XVI Moscow International
children's and youth music festival
MOSCOW SOUNDS
Nomination "People's solo singing»

Results of competitive auditions
XVI Moscow International
children's and youth music festival
MOSCOW SOUNDS
Nomination " Folk choral singing»

2. “Children of the whole earth are friends” music by D. Lvov-Kompaneyts, words by V. Viktorov

3. “Glory! Music by M. Glinka, lyrics by S. Gorodetsky

4. "Friendship" L. Beethoven (ATTENTION! The work is performed by the Consolidated Choir only in Russian twice.)

clavier choir part

5. "My Moscow" music by I. Dunaevsky, lyrics by M. Lisyansky

1. "Music" Music by A. Kalnynsh. Words by V. Purvs, Russian text by O. Ulitina

Correspondence festival (for participants who are not able to come)

The results will be announced at the final awards ceremony and published on the website of the Children of Moscow Sing program (website) May 2, 2018

The teams participating in the festival in absentia will receive the final documents by mail.

Participation in the festival and its competitions is free.

7. Procedure and terms for submission of documents

To participate in the festival, you must not later than March 19, 2018:

Dear leaders!

The acceptance of applications for participation in the festival is over!

1. Fill out online application on the website of the program "Children of Moscow sing".

2. Send to the contest email address ():

creative characteristics of the team;
creative characteristics of the leader;
a list of team members with an indication of age;
color photograph of the team;
color photograph of the leader.

Attention!The performances of participants who have not sent a complete package of documents will not be evaluated.

Competitive video is provided! ONLY! participants of the Correspondence Festival. The video must meet the following requirements:

the head (or one of the team members) before the performance of the competition program must announce the category and name of the team;
the members of the band and the conductor must be visible on the video recording;
the competition program must be performed in the format of a concert performance, without stops (microphones are allowed);
video filming should be carried out without turning off and stopping the video camera - from the beginning to the end of the performance of the competitive program (subsequent editing is not allowed);
Registration must be completed no earlier than 2017.

The video recording of the competitive performance must be posted on the YouTube video service (youtube.com). Video recordings posted on other Internet services or sent by e-mail are not accepted for participation in the festival.

Attention! When uploading videos to YouTube, you must specify:

In the Video Title field:

country;

City;

Team name.

In the Description field:

Name of the competition: “Moscow Sounds - 2018”;

nomination;

executable program;

Surname, name, patronymic of the head of the team.

Videos that do not meet these requirements will not be evaluated. The participant will be asked to submit a new video that meets the conditions of the competition.

8. Jury

The jury of the competition is formed from among specialists in the field of culture and art of Russia and foreign countries, who have outstanding achievements in the field of musical performance and pedagogy, as well as famous composers and conductors, representatives of the world musical community.

9. Evaluation of competitive performances

Competitive performances of teams are evaluated on a 10-point scale:

10 points - Grand Prix;
9-9.9 points - laureate of the 1st degree;
8-8.9 points - laureate of II degree;
7-7.9 points - laureate of III degree;
6-6.9 points - student.

Position

III All-Russian Festival of Choreographic Art "Dance Relay Race".

Moscow, Russia

Venue: Moscow. Academy of watercolors and fine arts of Sergey Andriyaka.

Vargi Street, 15. Stage 12 by 6 meters. Hall 380 seats.

Participation form full-time

Choreography

Festival Benefits

We do not have a multi-genre, but a festival of choreographic art, which means that the contestants are evaluated only by those jury members who are professionals in this field.
We present cups not only to Laureates, but also to Diploma winners.
There is a system of discounts for paying org. contribution.
It is possible to receive as a gift a certificate for free participation in our festivals, which are also held in Moscow.
The contestant receives the Title for each declared number, regardless of whether they are in a different nomination or in the same one.

Cost of participation:

Solo performer - 2000 (two thousand) rubles. For one room (including registration of the application 300 rubles per person).
Duet - 1500 (one thousand five hundred) rubles from each participant for one number. (including registration of the application 300 rubles per person).
Small form (from 3 to 5 participants) - 1000 (One thousand) rubles from each participant for one number (including registration of the application 200 rubles per person).
Ensemble (from 6 to 10 participants) - 800 (eight hundred) rubles from each participant for one number. (including registration of the application 200 rubles per person).
Ensemble (from 11 to 19 participants) - 600 (six hundred) rubles per participant for one performance. (including registration of the application 100 rubles per person).
Ensemble (from 20 or more participants) - 400 (four hundred) rubles per person for one number. (including registration of the application 10% of all the numbers declared by the participants per person).

Solo performer - 3000 (three thousand) rubles. For one room (2400 rubles / person for those who have a certificate for a 20% discount), including registration of an application 500 rubles. people
Duet - 2000 (two thousand) rubles from each participant for one number (1600 rubles / person for those who have a certificate for a 20% discount), including registration of an application 300 rubles. people
Small form (from 3 to 5 participants) - 1200 (One thousand two hundred) rubles from each participant for one number. (960 rubles per person for those who have a certificate for a 20% discount), including registration of an application 300 rubles. people
Ensemble (from 6 to 10 participants) - 1000 (one thousand) rubles from each participant for one number. (800 rubles/person for those who have a certificate for a 20% discount), including registration of an application 200 rubles. people
Ensemble (from 11 to 19 participants) - 800 (eight hundred) rubles from each participant for one number. (640 rubles / person for those who have a certificate for a 20% discount), including registration of an application 150 rubles. people
Ensemble (from 20 or more participants) - 600 (six hundred) rubles per person for one number. (480 rubles per person for those who have a certificate for a 20% discount), including registration of an application 100 rubles. people

Every Second issue, second nomination - 50% discount from the cost of the main nomination, including application registration

Discount for the second, fourth, sixth, eighth, tenth number, etc. 50 %including application registration 50% of the reg application of the main nomination

Solo performer - 4000 (four thousand) rubles per performance. (3200 rubles / person for those who have a certificate for a 20% discount)

Duet - 2500 (two thousand five hundred) rubles from each participant for one number. (2000 rubles/person for those who have a 20% discount certificate) , including application registration 500 rub. people

Small form (from 3 to 5 participants) - 1500 (One thousand five hundred) rubles from each participant for one number. (1200 rubles / person for those who have a certificate for a 20% discount) , including application registration 300 rub. people

Ensemble (from 6 to 10 participants) - 1200 (one thousand two hundred) rubles from each participant for one number. (960 rubles / person for those who have a certificate for a 20% discount) , including application registration 30000 rub. people

Ensemble (from 11 to 19 participants) - 1000 (one thousand) rubles from each participant for one number. (800 rubles/person for those who have a 20% discount certificate) , including application registration 200 rub. people

Ensemble (from 20 or more participants) - 800 (eight hundred) rubles per person for one number. (640 rubles / person for those who have a certificate for a 20% discount) , including application registration 150 rub. people

Every second issue, second nomination - 50% discount from the cost of the main nomination , including registration of the application 50% of the reg application of the main nomination. Festival "Dance Relay Race" accepts payment with a discount for every second number only if paid before November 6th.

The discount applies to both solo participants and groups as a whole.

The contestant can submit no more than 10 numbers and take part in several nominations.

Discount for the second, fourth, sixth, eighth, tenth number, etc. 50 %including application registration 50% of the reg application of the main nomination

For the first, third, fifth, seventh, ninth numbers, etc. payment is made without discounts.

The festival provides Photo and Video shooting. The service can be used by everyone.

Specify the cost with the manager.

Regulations of the III All-Russian festival of choreographic art "Dance relay race"

Location: Moscow city. Academy of watercolors and fine arts of Sergey Andriyaka.

Vargi Street, 15. Stage 12 by 6 meters. Hall 380 seats.

The deadline for the competition program is determined within the framework of November 25-26, 2017 (Saturday-Sunday). The exact date of participation for a specific group of participants in a specific category will be announced 1-2 weeks before the start of the festival. Please note that the organizers have the right to refuse one of the competition days and hold the event in one day.

How to fill out an application.

When filling out the application, you must fill in all the information in detail.

If the contestant is not a collective, but a soloist, then in this case in the field "Name of the collective" we first write the name and surname of the soloist and then in the same line the name of the collective (if any).

If you declare a duet, then be sure to write the name and surname of each participant.

Be sure to indicate the patronymic of the teacher and dance director. All this information will be included in the Diploma. Therefore, if you write the name of the group or the surname with a small letter, then in this form it will be transferred to the Diploma.

The name of the room, also write with a capital letter and put in quotation marks.

If it is important for you that the institution is indicated in the Diploma, then fill in this field accordingly. If there is no institution, then write a dash or the word no in this line.

When filling out the "age category" section, do not specify several age categories. She can only be one. Therefore, if the age of the contestants does not fit into any age range, then write "Mixed". That's what this nomination is for.

If you want to apply not one, but several numbers, then be sure to fill out a separate application for each number.

Applications for participation are accepted until November 13, 2017 inclusive. We accept payment until November 14, 2017. For those wishing to receive a discount, payment must be made before September 10, 2017.

The organizer reserves the right to complete the acceptance of applications before the specified deadline in general or in individual nominations, in case of a large number of participants.

Goals and objectives:

Development of children's and youth creativity.

Identification and support of talented youth. Involvement of talented children in international cooperation programs.

Promoting the realization of creative abilities and the harmonious development of youth.

Creation of favorable conditions for cultural development and establishment of creative contacts between teams.

Conducting creative competitions that increase the motivation for the activities of children's and youth creative centers.

Development of creative skills of young talents.

Assisted by:

Producer center of Dmitry Kiryanov and the Russian-Belarusian group "Belovezhskaya Pushcha"

Jury.

The composition of the jury of the festival is formed by the Organizer and approved after receiving applications. The composition of the jury is not disclosed until the beginning of the festival. The jury of the festival includes leading figures of culture and art of the Russian Federation (teachers of creative universities, famous artists, leaders of famous creative teams, etc.). The composition of the jury periodically changes from competition to competition.

Evaluation criteria, rewarding.

Competitive performances are evaluated in each competitive nomination, in each age group for each performance according to the following criteria:

Technique of performance (plasticity, craftsmanship)
Compositional construction of the performance (idea, theme)
Stage performance (costume props)
Artistry, disclosure of the artistic image

The jury gives marks from 1 to 10 points for each competitive number. According to the results of the points scored, prizes are determined. Voting is closed.

The contestant performs one number by which he is judged. If a participant wants to perform 2 or more numbers, then a title is assigned for each number, regardless of whether they are in the same nomination.

One team can show no more than 20 numbers.

According to the results of competitive performances in all nominations in each age category, the contestants who took 1st, 2nd and 3rd places are awarded the title of Laureates of the competition I, II and III degrees, respectively, and are awarded a cup for the team, a diploma for the team and a diploma to each participant.
Each participant who received the title of Laureate of the 1st degree receives a medal.
The contestants who took the 4th, 5th, 6th places are awarded the title of Diploma winner of the competition I, II, III degrees, respectively, a diploma, a cup for the team and a diploma for each participant are awarded.
All others are awarded with the Diploma of the participant of the competition.
The jury has the right not to award a prize in any of the nominations.
At the competition, not a competitive, but a qualification principle for evaluating the competitive program is applied, taking into account the age of the performers.
If there are no more participants in your nomination and age category, except for your team, this does not mean that your team will definitely receive a prize.
Places are distributed to the contestants based on the average score of the marks that the contestant has earned.
According to the results of the competition, duplication of prizes in one of the nominations is allowed (two first places, two second places, etc.)
If desired, the contestant can receive more detailed feedback from the jury members. The collection of information about the performance of the contestants is formed within 1-2 months after the festival, because The judging staff is re-watching the video with your performance. This service is paid separately. The cost of the service is 250 rubles. (Information from one of the jury members).
If the contestant wishes to receive feedback from three members of the jury, then the cost of the service will be 750 rubles. Payment can be made after the festival.

Please note that the organizing committee is not responsible for judging and awarding titles to participants!

Special prizes have been established from the organizers of the festival and sponsors, regardless of the places occupied by the participants:

Cup and diploma for the best ballet master's work.
Prize from the Producer Center of Dmitry Kiryanov and the Russian-Belarusian group "Belovezhskaya Pushcha" with a face value of 5,000 to 10,000 rubles.
A special prize from the partners of the production center "Grand Prix" - a Certificate for a 50% discount, as well as a Certificate for a free publication about the team (soloist) in the glossy magazine "Music Track".
Certificate for free participation with one number in the IV All-Russian Festival of Choreographic Art "Dance Relay", which will be held in 2018.
Each group (soloist) receives a certificate for a 20% discount for participation in the V All-Russian Festival of choreographic groups "Dance Relay", which will be held in the spring of 2018.
Each teacher will be awarded a diploma for his contribution to the development of choreographic art.
Collectives, duets, soloists with the brightest numbers will be invited to participate in festive concerts in Moscow.

Sponsors.

Sponsors are invited to participate in the festival. Conditions of participation of sponsors are negotiated separately in each case. The Sponsor has the right to establish its own prize (prizes), place its advertisement within the framework of competitive events.

The announcement of the results and the awarding of the winners takes place after the end of the competitive performances on the day of the festival after each nomination. Therefore, the Gala Concert is not provided.

All nominations are divided into blocks:

At the Award, all teams and teachers will be invited to the stage one team at a time. Therefore, the contestants must remain in costume.

After the Award, Laureates of I, II, III degrees will be invited to a video interview.

The jury's decision is final and not subject to revision, voting protocols are not made public. Awards (diplomas) are not sent by mail.

Members.

NON-PROFESSIONAL (amateur) and PROFESSIONAL groups of duets and solo performers aged 5 years and over with no age limit are allowed to participate in the festival - students of cultural centers, choreographic schools; art schools; choreographic, music studios; dance schools, show ballets, state and non-state educational institutions, as well as institutions of additional education, etc.

Solo performers, duets, small forms (from 3 to 5 participants) and ensembles (from 6 participants) are allowed to participate in the festival.

If the team has more than 30% of participants of a different age category, then they belong to the mixed age group.

Competitive nominations and age categories.

Competitive nomination
classical dance(ballet) (solo, small form, ensemble)
Modern dance(Jazz, Jazz-modern, modern, contemporary, experimental choreography) (solo, small form, ensemble)	5-7 years old 8-12 years old 13-16 years old 17-25 years old From 26 years old Mixed group
Folk dance(flamenco, Russian dance, Irish dance, Spanish dance, oriental dance, gypsy dance, folk stylized dance) (solo, small form, ensemble)	5-7 years old 8-12 years old 13-16 years old 17-25 years old From 26 years old Mixed group
pop dance(disco, variety dance) (solo, small form, ensemble)	5-7 years old 8-12 years old 13-16 years old 17-25 years old From 26 years old Mixed group
Club dances(street dance, hip-hop, house, go-go, popping, locking, jazz-funk, vauge, break dance) (solo, small form, ensemble)	5-7 years old 8-12 years old 13-16 years old 17-25 years old From 26 years old Mixed group
Theatrical dance If the performance has 60-70% of the plot and only 30-40% of the choreography. (solo, small form, ensemble)	5-7 years old 8-12 years old 13-16 years old 17-25 years old From 26 years old Mixed group
Folk-stylized dance(solo, small form, ensemble)	5-7 years old 8-12 years old 13-16 years old 17-25 years old From 26 years old Mixed group

The terms of participation.

To participate in the festival, it is necessary to send an Application for participation in the prescribed form by November 13, 2017 inclusive.

After receiving the Application, the Organizer sends the Participant a receipt for payment. The Participant sends a copy of the payment receipt to the e-mail address.

Participants who submitted applications, but did not pay the registration fee on time, are not allowed to participate.
To participate in the festival, each Participant (collective or solo performer) must send a screenshot or a photographed payment receipt. Along with the check, you must immediately send the phonogram in .mp3 format (WE DO NOT ACCEPT ANOTHER FORMAT) to the Organizer's email address (each sound recording must contain: the name of the group or the surname of the solo performer, the name of the competition number, the nomination, and the duration of the sound of the piece. Example: STAR TEAM KITTEN DANCE 3.35 ESTR MIXED DANCE.
The same phonograms, each recorded on a separate flash drive in a conventional audio format with high sound quality, must be carried by the Participant (group or solo performer) on the day of the festival.
Claims for the sound of phonograms during the festival are not accepted. Submitted phonograms are non-refundable.
Each group or solo performer can submit a performance (in one or different categories) for the competition, no more than 4 minutes each.
The order of performances is determined by the Organizer, making changes to the order of performances is not allowed. Changes to the declared numbers after the deadline for submitting the Application for participation are not allowed.
Each time you send a letter to the organizer, write the name of the band and the name of the Festival in the subject line of the letter. Otherwise, your letter may be left without attention, because. There are a lot of teams and the Organizing Committee holds several competitions at the same time.
Participants (groups) must have at least one accompanying person per 10 participants. The team leader is not an escort.
Participants agree that the photo and video recording of competitive performances made by the Organizer can be used by him at his own discretion to further promote the project (without paying a fee to participants)
By submitting an Application for participation, the legal representatives of minor Participants agree that the holding of competitive events can take place in the evening, but no later than 22.00.
Entrance to the hall is free for everyone.
Transportation and other expenses of the participants of the competition and accompanying persons shall be borne by the sending party or the Participants themselves.
In case of non-appearance of the Participant for the competitive performance, the registration fee is non-refundable.
The participant may refuse the competitive performance by notifying the Organizer in writing before November 13, 2017 inclusive, in this case the registration fee is refundable minus 6%.
If, after paying the fee, one of the team members cannot take part in the Festival, the payment for this participant is non-refundable, even if the contestant has a good reason.

It is forbidden:

It is forbidden during competitive performances to walk around the hall in the space in front of the stage.
It is forbidden to occupy places from 1 to 6 rows.
It is forbidden during the performance of the contestants to show and prompt students of the movement in front of the stage.
It is forbidden to drink and eat in the auditorium.
It is forbidden to disrespect other contestants, as well as members of the jury and organizers of the festival.

Please note that neither the organizers nor the employees of the Academy are responsible for the safety of personal belongings. Therefore, please do not leave valuables unattended, and do not leave mobile phones charging unattended.

Please note: by submitting an Application for participation in the festival, you agree to the terms of these Regulations.

The Arts Relay Race 2017-2018 is one of the most popular city festivals of children's and youth creativity, the main task of which for several years since its inception has been to identify talents in children and children's groups of all educational organizations in the city of Moscow. It is this competition that many experts consider and refer to as an excellent stage in the artistic development of a child and the formation of his cultural personality. If you are interested in this competition, then it's time to get acquainted with its main conditions closer.

Competition and its position.

This type of competition, festival is held strictly within the framework of the state system for identifying young talents. The organizer of this festival is considered to be the City Methodological Center, and a special committee is created to conduct and prepare.

Everyone from additional and general educational organizations, whose age is not less than 5 and not more than 18 years old, can become participants in the festival.

In the future, all relay participants are necessarily divided into two leagues, each of which has its own peculiarities and characteristics.

1 league. This includes children from kindergartens and educational institutions aged 5 to 7 years.
2 league. Children from educational organizations and creative teams aged 7 to 18 years.

As a rule, the created special committee consists of employees of the methodological center of the city of Moscow. Regarding the festival itself, it should be noted that it consists of 3 stages, each of which is characterized not only by the timing, but also by features and certain conditions. What are these stages?

Stage 1. It is scheduled for such months as September and October. It is during this period of time that a review of all concert numbers of various genres presented by all educational organizations is held. As a rule, these events are held within each participating institution. Among all the presented participants, the jury chooses the best ones and selects the numbers for the 2nd round. Based on the results of this stage, the jury members must necessarily draw up a program of different genres from the numbers selected for the second stage.
Stage 2. To be held in November, December and January 2018. In order to become a participant in the second round, it is also necessary to register in October on the official website of the City Methodological Center. The entire registration process must be carried out directly by the teacher, who then bears full responsibility for sending this application. The entire concert program must necessarily take place according to a pre-composed and planned plan, the schedule of which is checked by the jury before the start. All tours must be held at the public level, and to participate in each of these tours, teams must prepare and submit one performance in each individual age group. In the event that you decide to make a performance in a foreign language, then the jury members must provide the lyrics of the song and its translation. The duration of the concert number should not exceed 5 minutes, and in the case of artistic reading - exactly 3 minutes. The results of this stage are accepted collectively. But all participants must be aware of what points and points can be deducted for. What are these cases?
1. Aggression towards other festival participants or jury members.
2. Using profanity during a speech.
3. The use of religious or political themes.
4. Use of obscene gestures or shouts.
Stage 3. Scheduled for February, March and April 2018. The final concert of the laureates is always held in April.

Results and evaluations of the jury.

As you know, the jury evaluates the performance of the teams and the competition itself according to the following criteria, which must also be reported in advance.

1. Culture of performance and artistry, skill.
2. Aesthetic and artistic value of the number.
3. The quality and complexity of the performance.
4. Correspondence of the selected repertoire to the age of the performer.

As for the genres themselves, the following areas can be included in this list. These are choral, vocal, instrumental, folklore, dance, original, ethnic culture number, modern direction, artistic reading, performance of vocal and instrumental ensembles.

Regarding the results themselves, the absolute winners in their genre and age category are those who scored the maximum number of points in the rating table. Winners are all those who took second, third and fourth place in the rating table.

If you are interested in this competition, then you should definitely think about participating in it, and for this, the best thing is to visit the official website of the festival, where everyone can find answers to all questions that concern and interest him.

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