Fairy tale genre. Magical fairy tale world

“Theme: “Fabulous epic genre. The magical world of fairy tales. Class: 7. Purpose: on the example of the work of V. Vasnetsov and I. Bilibin, consider the fabulously epic genre ... "

Topic: “Fabulous epic genre. The magical world of fairy tales.

Class: 7. Purpose: on the example of the work of V. Vasnetsov and I. Bilibin, to consider - fabulously epic genre in painting; perform the image of a Russian hero.

Tasks:

1. Educational - to form an idea of ​​​​the fabulous epic genre.

2. Educational - to educate a moral and aesthetic attitude to the world, love and interest in art.

3. Developing - to develop the skills of search work and collective perception, a creative attitude to the task.

Equipment and materials:

1. Reproductions of works by I. Bilibin and V. Vasnetsov, based on fairy tales, as well as books with illustrations.

2. Art materials: paper, watercolor and gouache paints, brushes, colored pencils and pens, jar, palette.

Plan:

Organizational moment - 1 min.

Introductory conversation - 1 min.

Message about the topic and purpose of the lesson.

Explanation of new material - 13 min.

Creativity I. Bilibin

Creativity V. Vasnetsov

Micrototal.

Practical part - 25 min.

briefing;

C / r students.

Summing up the lesson - 4 min.

Analysis of works and grading.

Organizational completion of the lesson - 1 min.

Workplace cleaning.

During the classes

Lesson structure Lesson content

1. Organizational moment:

Greetings and readiness for the lesson.

2. Introductory conversation:

Message about the topic and purpose of the lesson

3. Explanation of the new material.

Creativity of V. Vasnetsov;

Creativity of I. Bilibin;

Micrototal.

4.practical part:

briefing;

C / r students.

5. Summing up the lesson:

Analysis of works and grading

6. Organizational completion of the lesson. Hello guys! Sit down! Before starting our today's lesson, check your readiness for the lesson, you should have on the tables: paper (album), paints, brushes, a palette and a jar.

The success of your work will depend on how carefully you wake me up in the lesson.

Today in the lesson we will talk about a special genre - the genre of fairy tales and epics. And the theme of the lesson sounds like this, “Fairy-tale epic genre. The magical world of a fairy tale. The purpose of today's lesson: to get acquainted with the fabulous epic genre in painting on the example of creativity

V. Vasnetsov and I. Bilibin. And now we will go on a journey, to the Far Far Away Kingdom in the Thirtieth State, and not alone, but together with fairy tale artists.

And the first one we will consider is Viktor Mikhailovich Vasnetsov.

Viktor Mikhailovich Vasnetsov (1848-1926) was born in the village of. Lopyal, now the Kirov region. He studied under the guidance of I.N. Kramskoy.

In 1868-1875. improves his skills at the St. Petersburg Academy of Arts. Since 1878 - a member of the Association of Traveling Art Exhibitions.

The rise of public interest in national antiquities in the decades of the 19th century leads to decisive shifts in creativity

artist. Turning to the themes of folklore mythology, he radically reforms the Russian historical genre, combining historical realities with the exciting atmosphere of the legend. Among his popular paintings of this period are the paintings “Alyonushka”

(1881), “Heroes” (1881-1898) “The Knight at the Crossroads”, “Ivan the Tsarevich on the Gray Wolf”, “Three Princesses of the Underworld” (1881). These paintings blur the boundaries between fairy-tale fantasy and reality.

According to his sketches, a church was built in Abramtsevo in the spirit of the medieval Pskov-Novgorod tradition and the playfully fabulous “Hut on chicken legs” (1883). Vasnetsov is rightfully considered a great Russian artist, whose work played a leading role in the evolution of Russian art from the realism of the 19th century to the Art Nouveau style.

And in the continuation of our journey, we will consider the work of the great Russian artist, illustrator, Ivan Yakovlevich Bilibin.

Ivan Yakovlevich Bilibin was born in 1876 in St. Petersburg, in the family of a military doctor. Enters the workshop of Repin, the Academy of Arts. Bilibin spends the summer of 1899 in the Tver province, where his acquaintance with the Russian countryside and folk art begins. In the same year, the Expedition of State Papers began to publish Russian folk tales with drawings by Bilibin. Bilibin's name became widely known throughout Russia. In his face was a master who perfectly conveyed the spirit of joyful and folk fabulousness. To this day, these “Bilibino” tales are an example of high printing technology. This series included "Vasilisa the Beautiful", "The Tale of Ivan Tsarevich and the Gray Wolf". “White Duck”, “The Frog Princess”, etc.

In its further development, Bilibin meets with the work of Pushkin, and in 1905 the “Tale of Tsar Saltan” and “About the Golden Cockerel” appear. The last work of the artist was an illustration for the epic “Duke Stepanovich”. The artist died on the night of February 7-8, 1942.

In all the works of the artist, his love for the ancient world of Russia is visible, and he carried admiration of this world through his whole life.

Here is a journey into the world of fairy tales we have made.

Well, now let's remember what new you have learned for yourself.

In response, you raise your hand.

What is the difference between the paintings of I. Bilibin and V. Vasnetsov?

(pictures by I. Bilibin are graphic, V. Vasnetsov, picturesque).

2. Who are the main characters in the paintings of V. Vasnetsov? (People or fairy tale characters)?

3. Which of the paintings did you like the most and why?

(student answers).

Along the fairytale path we came with you to the ancient Russian land. Here live heroes, heroes - heroes.

At the beginning of the lesson, I announced the goal of practical work, to fulfill the image of a Russian hero. The work is complicated by the fact that you will not have reliance on reproductions. You must create the image yourself and do the work in color. They are as you see them.

Get to work!

At the end of the lesson, let's remember what topic we met in today's lesson.

What new things have you learned for yourself?

What was your practical work?

All (failed) coped with the purpose of the lesson.

Based on your work, we will hold an exhibition for the Defenders of the Fatherland Day.

Thank you all for the lesson, bye!

On call, everyone cleans their workplace.

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> was born in 1876 in St. Petersburg in the family of a military doctor. The father did not support his son's aspirations for drawing, and at the request of his father, Bilibin graduated from the law faculty of St. In 1898 he traveled to Munich to work in the workshop of Professor Ashbe. Bilibin preserved the basics of accurate drawing for the rest of his life. Bilibin spends the summer of 1899 in the Tver province, where his acquaintance with the Russian countryside and folk art begins. In the same year, the Expedition of State Papers began to publish Russian folk tales with drawings by Bilibin. Bilibin's name became widely known throughout Russia. In his face was a master who perfectly conveyed the spirit of joyful and folk fabulousness. To this day, these “Bilibino” tales are an example of high printing technology. This series included “Vasilisa the Beautiful”, “The Tale of Ivan Tsarevich and the Gray Wolf”<Рисунок 2 >, “White Duck”, “The Frog Princess”, etc. Bilibin fully joined the “World of Art” association. The first resounding success was the impetus for the further development of the artist's work. He made trips to the north of Russia, where he discovered the beauty of wooden architecture and the ornamental richness of folk costumes and embroideries. The results of the trip showed up pretty soon. In 1904, the epic "Volga" with drawings by Bilibin came out of print. This is one of the best publications of our century. The illustrations of this epic depict the departure of the Volga squad, the fantastic Indian kingdom, the bowels of the sea, birds and fabulous animals. Everything in the edition of this epic was distinguished by taste and grace. In its further development, Bilibin meets with the work of Pushkin, and in 1905 the “Tale of Tsar Saltan” and “About the Golden Cockerel” appear.<Рисунок 3 >. But Bilibin was not only interested in fairy tales and epics, he was also attracted by other aspects of folk art: sayings and riddles. There is also humor in the drawings for riddles, dressed in an attractive and decorative form. The decorative qualities of Bilibin's work, his imagination and deep knowledge of styles attracted him to theatrical work.

During the civil war, Bilibin ended up in Egypt, in 1925 he settled in Paris, but everywhere he was busy with his favorite work of illustrating books. In 1936, Bilibin returned to his homeland, he came to St. Petersburg-Leningrad and began working as a professor at the graphic workshop of the Academy of Arts, causing, as usual, respect from students. But the war began, Bilibin moved from his private apartment to the basement of the Academy of Arts, where teachers were accommodated. The difficult conditions of basement life and the lack of proper nutrition undermined Bilibin's health. He refused to evacuate deep into Russia and continued to work all the time on a series of decorative panels united by a common theme - "Bogatyrs". His last work was an illustration for the epic "Duke Stepanovich". It was a detailed preparatory drawing that had to be covered with watercolor, but it remained in pencil. Feeling that his strength was leaving him, Bilibin placed an eight-pointed cross under the top button that held the paper on the board. It was the final touch, the “last forgiveness” of the artist. The artist died on the night of February 7-8, 1942.

All works of the artist are united by one invariable quality - exceptional craftsmanship. Bilibin's works teach respect for work and responsibility for every line, for every pattern. In all the works of the artist, his love for the ancient world of Russia is visible, and he carried admiration of this world through his whole life. Captivating is his dream of happiness, of using all kinds of images of beauty in life. Who keeps the youth of the soul in himself, he will find joy in the works of Bilibin.

Fairy tale genre. (mythological genre) (Reasoning lesson) Objectives: 1. To form ideas about the fabulously epic genre in painting on the example of the work of V. Vasnetsov and I. Bilibin, M. Vrubel. 2. To educate a moral and aesthetic attitude to the world, love and interest in art. 3 Develop the skills of search work and collective perception, a creative attitude to the task. Lesson plan 1 Conversation about the features of the fairy-tale epic genre. 2. Story - a message about the life and work of I. Bilibin, V. Vasnetsov, M. Vrubel. 3. Performing a test-task. 4. Summing up and analysis of the task.

From the Greek (my thos) - tradition. A genre of fine art dedicated to events and heroes, which are told by myths, legends, traditions. The mythological genre was formed in the Renaissance, when ancient legends provided the richest subjects for paintings by S. Botticelli, Giorgione, and frescoes by Raphael.

Vasnetsov Viktor Mikhailovich (g.) (g.) Bogatyrs "Traditions of antiquity deep"

Bilibin Ivan Yakovlevich (city) Is a prominent representative of the "modern" in Russian graphics, created an ornamental and decorative graphic expressive "Bilibinsky style" of book illustration, based on the stylization of folk popular print motifs, embroideries, wood carvings.

Vrubel Mikhail Alexandrovich (g.) ... There is a princess beyond the sea, That you can’t take your eyes off: In the daytime, the light of God overshadows, At night, the earth illuminates, The moon shines under the scythe, And the star burns in the forehead. A.S. Pushkin

Test task 1. option Which of the Vasnetsov brothers created the painting "Bogatyrs": Victor or Apollinaris? What Russian artist designed the façade of the Tretyakov Gallery building? Sitting, flying, defeated ... And all the same character of the same artist, only the pictures are different. Name the artist and character. Option 2 Which of the Vasnetsov brothers painted the paintings "The Moscow Kremlin under Ivan Kalita" and "The Moscow Kremlin under Dmitry Donskoy": Victor or Apollinaris? In 1896, Pavel Mikhailovich Tretyakov was awarded the high title of Honorary Citizen of Moscow. Which artist painted this charter? Name the Russian artist, the author of the painting "The Swan Princess".

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What do we learn

What is a fabulous-epic (mythological) genre. Let's get acquainted with the paintings of famous artists who worked in the fabulous-epic (mythological) genre. V. M. Vasnetsov. Princess - Nesmeyana.

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Fairy-tale epic (mythological) genre

The fairy-tale-epic (mythological) genre is a genre of fine art, which includes paintings painted on the plots of myths, legends, legends, epics and fairy tales. The genre originated in medieval art, when ancient Greek myths ceased to be beliefs, but became literary stories. M. Vrubel Pan.

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Victor Mikhailovich Vasnetsov (1848 - 1926)

The role of V. M. Vasnetsov is very significant in the development of Russian culture. He is called "the singer of the Russian fairy tale". He painted many paintings on fabulous and epic stories. They make a huge impression on the viewer. Let's take a look at them. V. M. Vasnetsov. Self-portrait.

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V. M. Vasnetsov. Bogatyrs.

What feeling does the painting evoke in you?

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Knight at the Crossroads

What was the knight thinking about?

Slide 7

Alyonushka

Why is Alyonushka sad? One of the best works of the artist, creating a fabulous image of Alyonushka's sister. The dark forest in the background, dark cold water emphasize the sadness of the girl, her defenselessness

Slide 8

Ivan Tsarevich on a gray wolf.

Through the gloomy ominous forest, the Gray Wolf of Ivan the Tsarevich rushes with Vasilisa the Beautiful. Not just an illustration of a fairy tale familiar from childhood, but also a tale of friendship and camaraderie, love and fidelity. The picture is also full of optimism, because even in such a gloomy forest there is a tender flowering apple tree.

Slide 9

Baba Yaga

Slide 10

Koschei the Deathless

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Carpet plane

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Princess Frog

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Snow Maiden

Slide 14

Mikhail Vrubel (1856-1910)

Vrubel was ahead of his time in everything. He discovered new possibilities of color, learned to convey volume using numerous breaking edges. This allowed him to write his fairy-tale characters so brilliantly. M. Vrubel. Self-portrait.

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M. A. Vrubel. Daemon.

What demon does Vrubel have? Cruel, soft, free, thoughtful, lyrical, vicious, strong, immersed, sad, rebellious.

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Princess - swan

What moment from the fairy tale did the artist capture? We can also see the harmonious combination of the fantastic and the real in the painting "The Swan Princess". The composition is built in such a way that it seems as if we looked into a fairy-tale world, where a magical bird girl suddenly appears and is about to disappear, swimming to a distant mysterious shore. The last rays of the sun play on the delicate plumage, shimmering with iridescent colors.The girl turns around, her thin, tender face sadly, her eyes shine with mysterious sadness; in them, the aching longing of loneliness.

Slide 17

"Pan"

In the painting "Pan", the Greek god turns into a Russian goblin. Old, wrinkled, with bottomless blue eyes, knobby, like twigs, fingers, he seems to emerge from a mossy stump. A characteristic Russian landscape acquires a fantastic magical color - boundless wet meadows, a winding rivulet , thin birch trees, frozen in the silence of twilight descending to the ground, illuminated by the crimson of the horned month ...

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Ivan Yakovlevich Bilibin (1876 -1942)

Ivan Yakovlevich Bilibin is a famous Russian graphic illustrator and theater artist. The "Bilibino style", characteristic of his book illustrations, is based on the symbols of Russian folk art. I. Ya. Bilibin's illustrations for fairy tales and epics recreate a fantastic and fabulous world.

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Illustration for the fairy tale "Sister Alyonushka and brother Ivanushka"

Pay attention to the ornament along the edge of the picture, taken from folk ornaments

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Illustration for "The Tale of the Golden Cockerel"

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Fairy tale illustration

What story is the illustration for? Why did the artist choose such a frame for this drawing?

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VasilyevKonstantin Alekseevich

Konstantin Alekseevich Vasiliev (1942-1976) is a Russian artist whose creative heritage includes more than 400 paintings and drawings: portraits, landscapes, surreal compositions, paintings of epic, mythological and battle genres. An extraordinary talent, a rich spiritual world and the education he received allowed Konstantin Vasiliev to leave his own, incomparable, mark in Russian painting. His paintings are easily recognizable

Turning to the themes of folklore mythology, Vasnetsov radically changed the Russian historical genre, combining historical realities, reproduced with archaeological authenticity, with the exciting atmosphere of the legend. He drew the content of his paintings from the beautiful, romantic world of folk fantasy.

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Viktor Mikhailovich Vasnetsov 1848 - 1926 Fabulous - epic genre in painting

self-portrait

Viktor Mikhailovich Vasnetsov was born on May 15, 1848 in the Russian village of Lopyal, Urzhum district, Vyatka province (now the Kirov region), into the family of an Orthodox priest. Society for the Encouragement of Arts, where in 1867-68 he studied under the guidance of I. N. Kramskoy. In 1868-75 he improved his skills at the St. Petersburg Academy of Arts. Since 1878 - a member of the Association of Traveling Art Exhibitions.

The artist liked to wander along the old Moscow streets. And when he returned home, he often said: “How many miracles I have seen!” In front of St. Basil's Cathedral, he could not hold back his tears. Seen and experienced matured in the painting "Tsar Ivan Vasilyevich the Terrible"

Painting "Tsar Ivan Vasilyevich the Terrible"

The figure of the king occupied almost the entire canvas. Ivan the Terrible, dressed in brocade fur, in a hat with icons, in embroidered mittens, was descending a steep staircase. His appearance was majestic, his face expressed will, great intelligence and at the same time suspicion, anger and anger. Strictly sustained color scheme of the picture created the impression of monumentality.

After the battle of Igor Svyatoslavich with the Polovtsy

In the painting “After the Battle of Igor Svyatoslavich with the Polovtsy”, the artist wanted to solemnly sadly and poetically sing the heroism of Russian soldiers, as the creator of “The Tale of Igor's Campaign” did. That is why he depicted not the horrors of the battle, but the greatness of death for the homeland. Rest emanates from the bodies of the fallen. The beautiful mighty hero, lying with his arms wide open, and the young prince in azure robes personified the idea of ​​selfless service to the Motherland.

Knight at the Crossroads

Twilight steppe, the field of a former battle with bones scattered across it. The evening glow is burning. A warning stone stands at the crossroads of three roads. Immersed in a deep thought, the knight stopped in front of him

Bogatyrs

In the picture "Bogatyrs", the heroes of Russian epics, beloved by the people, appear as defenders of their people. In the combination of courage and pride, ingenuity and dexterity, indomitable greatness of spirit, the heroic outpost of ancient Rus' is embodied in Vasnetsov's picture. In a laconic landscape, the open spaces, the immensity of Russian fields are tangibly conveyed.

Alyonushka

One of the most poetic creations of the artist is the painting "Alyonushka" - the image of a bitter orphan's fate. A lonely sad girl sits on a stone by the water. Around woods. And, as if taking part in her grief, the aspens tend to the orphan, guard her slender Christmas trees, the swallows chirp affectionately over her. There is grief in Alyonushka's brown eyes, and, like her grief, it is dark and deep. Tears drip, and golden leaves fly down.

Love for folklore, for the Russian folk tale Vasnetsov carried through his whole life. Full of poetic fabulousness is his painting "Flying Carpet" (1880). The silhouette of the carpet, spread out like a strange bird, and the desert steppes far below, and the lucky Ivanushka - all this excites the viewer's imagination, evoking images he has loved since childhood.

Carpet plane

From the paintings of Vasnetsov on fairy tales, “Ivan Tsarevich on a gray wolf”, “Three princesses of the underworld”, “Sleeping princess”, “Snow Maiden” and others are known.

Ivan Tsarevich on the Gray Wolf

The Snow Maiden is a character in a folk tale about a girl made of snow who came to life. Like all other characters of Vasnetsov, the Snow Maiden reflects the ideal of beauty, “pure snowy Russia”, and nature completely repeats the mood of the heroine. An unknown forest, scattered Christmas trees, a gloomy but moonlit sky and snow sparkling under the moon.

Snow Maiden

The painting "Sleeping Princess" takes us to a real fairy tale. Bright rich colors only emphasize the unusualness of what is happening in front of us. The painted tower, the bear and peacocks sitting on the branches, the jester and the young harpman, the emerald green of the forests - all this looks like a child's joyful dream. So it is, we caught just the moment when the princess pricked her finger with a spindle, and a terrible prediction came true - not only the girl fell asleep, but the whole huge kingdom. People, birds, animals, flowers and trees are all asleep. It seems that not a single breeze dares to disturb the enchanted palace, not a single sound will reach here.

sleeping princess

The painting "Three princesses of the underworld" depicts three princesses: gold, precious stones and coal - the mysterious earthly bowels. It is based on the story of the same name. The peasant son Ivan, descending underground, found a kingdom of gold, precious stones and iron, and brought the princesses of these kingdoms to earth. Vasnetsov depicts three princesses in luxurious decorations, symbolizing the richness of the bowels of the Earth.

Three princesses of the underworld

BOYAN (Bayan), Russian songwriter of the 11th - 12th centuries, who composed songs of glory in honor of the exploits of the princes. It was first mentioned in The Tale of Igor's Campaign. The bayan was captured by the artist during the "magic process" - the singing of songs. The gray long hair of this hero flutters in the wind, large burning eyes stand out on his face, directed somewhere into the distance ... The soldiers surrounding him personify the force that is designed to protect Russia.

Turning to the themes of folklore mythology, Vasnetsov radically changed the Russian historical genre, combining historical realities, reproduced with archaeological authenticity, with the exciting atmosphere of the legend. He drew the content of his paintings from the beautiful, romantic world of folk fantasy.