Characterization of Lisa in the comedy Woe from Wit. Can you describe Liza from Woe from Wit? Composition Maid Lisa in the comedy Woe from Wit
The female images in Griboedov's comedy "Woe from Wit" play an important role in realizing the relevance and artistic originality of the comedy. Sophia and Lisa are typical roles of classic comedy. But these images are ambiguous. They occupy an intermediate position in the system of characters. Lisa is cunning, smart, quick-witted, i.e. her character meets the requirements of a classic comedy. She is a soubrette, participates in a love affair, and is a kind of reasoner, i.e. gives characteristics to some heroes. She also owns some catchphrases. Sophia, according to the laws of classicism, should have been an ideal character, but her image is ambiguous. On the one hand, she received a typical upbringing of girls of the 19th century. On the other hand, she is smart, has her own opinion.
Both Sophia and Lisa have a lively mind. Sophia was brought up with Chatsky, she is educated, has her own opinion. For example, he can appreciate the personality of the groom: “He never uttered a smart word, I don’t care what kind of neg, what’s in the water.” Liza may not be as educated as Sophia, but she has a practical mind. She very accurately remarks: "Bypass us more than all sorrows and master's anger, and master's love."
Both are true. Sophia openly tells Chatsky that she does not love him, her father expresses dissatisfaction with the groom. Lisa openly rejects Famusov's advances.
Both are involved in a love story. Chatsky Sofia Molchalin Liza Petrusha.
Both have the same ideals of men - a silent man.
But, despite the fact that both of these heroines are young girls, their ideas about life are very different. Sofia is romantic. She grew up without a mother and was very fond of romance novels. Throughout the book, she presents herself as the heroine of a French novel. When Molchalin falls from his horse, Sophia behaves like a heroine in love with a novel - she faints. "Fell! Killed!” Sofya is naive, she believes that Molchalin really loves her. He appears to her as timid, modest, gentle and intelligent. Lisa has a sober outlook on life. She is a simple servant and has seen a lot in her life. She understands people. Lisa is well aware that Molchalin is only playing with Sophia for the sake of the position. She sees his prudence and cunning.
Their further fate will also turn out differently. Sophia, most likely, will obey the rules of the Famus society and marry a rich groom pleasing to her father. Lisa will marry a man of her circle, but for love.
Although Sophia and Liza are similar in some of their personal qualities, their different positions in society and upbringing determine their different future fate.
Bibliography
For the preparation of this work, materials from the site http://www.bobych.spb.ru/
Griboedov's comedy "Woe from Wit", being innovative in many ways, differs from the classic comedies that existed before it in the way the characters are portrayed. The author made the images more realistic than was customary in the tradition of classicism, endowing his characters with both positive and negative features at the same time. Presenting to the public on the pages of the play the conflict between the conservative way of life of the nobility and the progressive views of the younger generation of nobles, the conflict between the “past century” and the “present century”, the author significantly expands the system of comedy images. This helps him make the secular Moscow society depicted in the work more vivid and memorable. In the development of the action of comedy, an important role is assigned to secondary characters. In this regard, in order to comprehend the play, it is necessary to pay attention to the characterization of Liza in the comedy Woe from Wit.
In Russian literature, the maid Liza in the comedy Woe from Wit takes a worthy place in the gallery of female images, despite the fact that her role is secondary. This became possible due to the fact that the reader is attracted by the mind and cunning of this girl, and her character is interesting, deep and bright. Those well-aimed characteristics that we hear from her lips regarding other characters make us pay even more attention to her.
Lisa plays a significant role in the development of the comedy's love affair. She is the person with the help of whom Molchalin, the lover of her mistress Sophia, is exposed. It is Lisa who, the unfortunate lover, admits that he “loves” Sophia “by position”, for personal gain, and laments that the young lady does not attract him as much as the maid: “Why is she not you?” In addition, in communication with Lisa, Molchalin manifests himself in a completely different way than with Sophia. It helps to understand what this hero really is. And the reader hears the conclusion regarding this hero precisely from Liza: “You are modest with the young lady, but from the maid’s rake.”
In the comedy "Woe from Wit" Lisa reveals the true face of not only Molchalin. Each character, directly or indirectly in contact with her, appears before the reader in a new way. For example, Famusov, Sophia's father, believes that he is the best moral model for his daughter, because in society he is "known for his monastic behavior." But secretly from everyone, he drags after Lisa, and very frankly.
The fact that two heroes of the play are trying to drag Liza into their love game at once does not in the least discredit the image of this girl. She is a forced person, but her natural mind and ingenuity help her delicately get out of delicate situations. In addition, a timid but sincere feeling for a person of her circle lives in her heart - the barman Petrusha. And Molchalin fails to seduce Lisa with any gifts, which indicates that the girl has certain moral principles and attitudes.
In the comedy Woe from Wit, Lisa's characterization is largely based on what assessment she gives to other heroes of the play. This girl is well versed in people, seeing in them the very essence. It is she who, even before Chatsky appears on the stage, gives him the most accurate description: "Who is so sensitive, and cheerful, and sharp, like Alexander Andreyich Chatsky."
Liza is also distinguished by sincerity, the ability to keep up the conversation, listen and even offer practical advice. It is no coincidence that it was with her, as the maid recalls, that Chatsky shared his fears before leaving abroad: “No wonder, Liza, I cry: who knows what I will find when I return? And how much, perhaps, I will lose!
Despite the fact that in the play "Woe from Wit" the image of Lisa belongs to secondary characters, it would be impossible to imagine this comedy without her. The heroine is a link between all parts of the work, has a significant impact on the development of the action of the comedy, on the disclosure of the characters of other characters. Without Lisa, the outcome of the comedy would have been completely different.
Artwork test
Griboedov's comedy "Woe from Wit", being innovative in many ways, differs from the classic comedies that existed before it in the way the characters are portrayed. The author made the images more realistic than was customary in the tradition of classicism, endowing his characters with both positive and negative features at the same time. Presenting to the public on the pages of the play the conflict between the conservative way of life of the nobility and the progressive views of the younger generation of nobles, the conflict between the “past century” and the “present century”, the author significantly expands the system of comedy images. This helps him make the secular Moscow society depicted in the work more vivid and memorable. In the development of the action of comedy, an important role is assigned to secondary characters. In this regard, in order to comprehend the play, it is necessary to pay attention to the characterization of Liza in the comedy Woe from Wit.
In Russian literature, the maid Liza in the comedy Woe from Wit takes a worthy place in the gallery of female images, despite the fact that her role is secondary. This became possible due to the fact that the reader is attracted by the mind and cunning of this girl, and her character is interesting, deep and bright. Those well-aimed characteristics that we hear from her lips regarding other characters make us pay even more attention to her.
Lisa plays a significant role in the development of the comedy's love affair. She is the person with the help of whom Molchalin, the lover of her mistress Sophia, is exposed. It is Lisa who, the unfortunate lover, admits that he “loves” Sophia “by position”, for personal gain, and laments that the young lady does not attract him as much as the maid: “Why is she not you?” In addition, in communication with Lisa, Molchalin manifests himself in a completely different way than with Sophia. It helps to understand what this hero really is. And the reader hears the conclusion regarding this hero precisely from Liza: “You are modest with the young lady, but from the maid’s rake.”
In the comedy "Woe from Wit" Lisa reveals the true face of not only Molchalin. Each character, directly or indirectly in contact with her, appears before the reader in a new way. For example, Famusov, Sophia's father, believes that he is the best moral model for his daughter, because in society he is "known for his monastic behavior." But secretly from everyone, he drags after Lisa, and very frankly.
The fact that two heroes of the play are trying to drag Liza into their love game at once does not in the least discredit the image of this girl. She is a forced person, but her natural mind and ingenuity help her delicately get out of delicate situations. In addition, a timid but sincere feeling for a person of her circle lives in her heart - the barman Petrusha. And Molchalin fails to seduce Lisa with any gifts, which indicates that the girl has certain moral principles and attitudes.
In the comedy Woe from Wit, Lisa's characterization is largely based on what assessment she gives to other heroes of the play. This girl is well versed in people, seeing in them the very essence. It is she who, even before Chatsky appears on the stage, gives him the most accurate description: "Who is so sensitive, and cheerful, and sharp, like Alexander Andreyich Chatsky."
Liza is also distinguished by sincerity, the ability to keep up the conversation, listen and even offer practical advice. It is no coincidence that it was with her, as the maid recalls, that Chatsky shared his fears before leaving abroad: “No wonder, Liza, I cry: who knows what I will find when I return? And how much, perhaps, I will lose!
Despite the fact that in the play "Woe from Wit" the image of Lisa belongs to secondary characters, it would be impossible to imagine this comedy without her. The heroine is a link between all parts of the work, has a significant impact on the development of the action of the comedy, on the disclosure of the characters of other characters. Without Lisa, the outcome of the comedy would have been completely different.
Artwork test
A. S. Griboedov in his comedy "Woe from Wit" violates one of the canons of classicism, not dividing the heroes of his work strictly into positive and negative.
Lisa, Sophia's maid, plays a minor role, but this role proves to be extremely important in revealing the comedy's love affair.
In the work, Famusov's secretary Molchalin is in love with Lisa. He is also Sophia's lover. It is Lisa who exposes Molchalin, showing everyone who he really is.
Although Lisa is a maid, she is not at all stupid or mediocre. In comedy, she also reveals the essence of Famusov, one of the main characters. In society, this hero, known for his "monastic behavior", tries to look like an exemplary, quiet person. In fact, he is secretly trying to court Lisa.
Lisa is drawn into a love affair, but she does not give in to courtship and does not accept gifts. The heroine is guided by her own moral principles, she tries to appear a modest, reasonable girl. In addition, Lisa, constantly giving an assessment to other acting characters in the comedy, has an excellent understanding of people.
It is impossible to fully attribute Lisa to the representatives of the "past century", just as it is impossible to attribute her to the representatives of the "present century". She takes an independent position. All she wants to achieve is to marry the barman Petrusha, live a prosperous life and someday be freed from serfdom.
Liza differs from other heroes in her sensitivity, ability to listen and wit, because it is she who owns the phrase that has become winged: "To whom it is appointed, fate cannot be avoided."
A. S. Griboedov draws the image of a cheerful, smart, energetic maid, who is an important part of the whole comedy. This is not a dumb character who is needed only for extras, this is an active hero. It is Lisa, exposing Molchalin, that gives impetus to the denouement of the love conflict of the comedy, makes it more complex and in-depth. Thanks to Lisa, Chatsky learns that his beloved Sophia is not at all interested in him. It is Lisa's actions and her ability to characterize other characters that push the entire action of the comedy to a semantic conclusion.
Option 2
The innovative comedy in the verses of Alexander Sergeevich Griboyedov "Woe from Wit" reflects the conflict that has developed in society between the "past century" and the "current century". The conservative-minded nobility, which does not accept innovations, is opposed by the young progressive generation.
The images of comedy heroes are endowed with both positive and negative features, which makes them more vivid and memorable. A special place in the comedy is given to secondary characters who help to reveal the characters of the main characters from different angles. Such a character is the maid in the Famusovs' house - Liza.
Lisa is a young girl, her age is not indicated in the comedy. She is funny, cunning and resourceful. He has a pleasant appearance and the ability to support any conversation, and sometimes help with practical advice. Lisa helps Sofya hide her relationship with Molchalin from her father. It is not easy for a girl to live in the Famusovs' house, she has to be responsible for the tricks of the young lady.
Despite the fact that Lisa considers her judgments stupid, the girl is smart, well versed in people. From her speeches, one can understand what a particular comedy character is. So the girl reveals the true face of Molchalin. It is to Lisa that he admits that he "loves" Sophia only for personal gain. In fact, he likes Liza, and he regrets that she is only a servant in the young lady's house. You can also notice the differences in the behavior of Molchalin with Sophia and Lisa: in conversations with the first, the hero is timid and modest, while in communication with Lisa, he behaves pompously and cheekily.
Famusov's sympathy for her becomes another difficulty in the girl's life. This hero is a moral image for his daughter, because he is known in society for "monastic behavior." But secretly from all Famusov very frankly seeks to impose his feelings on Lisa. Thus, the character of this character, like Molchalin, is more fully revealed thanks to Lisa.
The girl herself has a timid feeling for a person of her circle - the barman Petrusha. Lisa has certain moral principles and rules that she will not violate. She delicately and tactfully leaves the love affairs unfolding in Famusov's house.
The girl, despite being a minor character in the play, strongly influences her development. After all, if you remove her storyline, then the ending of the play will change. She becomes a link between the heroes of the work.
Composition Maid Lisa in the comedy Woe from Wit
Liza is one of the bright secondary characters in the comedy by Alexander Sergeevich Griboyedov called "Woe from Wit".
The girl is a servant, she works on the estate of Pavel Afanasyevich Famusov, helps his daughter Sophia. She is young, has a light and cheerful disposition, as well as a pretty and attractive appearance. Lisa believes in omens and various superstitions. You can always ask the maid with a request, tell about your experiences and get good advice. She can keep up the conversation on various topics. The maid is a modest and timid person, she treats life with humility and naive curiosity. Although the girl is a serf, Lisa is quite smart and shows a sharp mind, although she does not attach any importance to this.
The maid often suffers because of the love affairs of her mistress. She has to protect Sophia and be punished for her actions. Participation in the love affairs of Famusov's daughter shows that Liza has not only positive, but also negative character traits. The maid often helps Sophia out of unpleasant situations, tries to reason with the hostess, but she only dismisses her advice.
The girl has strong moral convictions. Pavel Afanasyevich Famusov and Alexei Stepanovich Molchalin, his personal secretary, with whom Sofya Afanasyevna is in love, show an unequivocal interest in her, take care of Lisa in every possible way and try to woo her with expensive gifts. But the girl is adamant, gently rejects the courtship of both the first and the second. In fact, she is in love with Petrusha, who also works as a servant in Famusov's house. Liza does not seek to get a man from high society as a groom, she is quite satisfied with the same serf as herself, for whom the maid has real and bright feelings. From the favor of the owner or his secretary, the girl could derive her own benefit, increase her position in society, but she does not want to achieve her desires and goals in such an impartial way, she considers it indecent and unworthy of an educated girl. The servant is well versed in people and their intentions, therefore, thanks to her insight, she easily manages to avoid conflict situations, maintain her spotless reputation and self-esteem.
With the help of the character of Lisa, Griboedov showed the reader his vision of a decent, ambitious and smart girl. Her image is not the main one in the work, the maid appears in only a few scenes, but thanks to this heroine, the author was able to more fully reveal and characterize the central characters.
Some interesting essays
- Composition The image of Prince Tugoukhovsky in the comedy Woe from the Wit of Griboyedov
Prince Tugoukhovsky is assigned a minor role in Griboyedov's comedy called Woe from Wit. He is one of the first to arrive at the ball, which was held in the Famusovs' house.
- The main characters of the story Journey from St. Petersburg to Moscow
- Composition Love in the novel Pushkin's Captain's Daughter
It is probably difficult to name at least one writer who would not address the theme of love in his work. This feeling is divinely beautiful, it is necessary for every person. Without it, it is impossible to comprehend happiness.
We have moved to a new house. The builders, of course, cleaned up after themselves, but this building dust ... is nasty, white. And the fact is that the cleaners for our entrance so far could not find it. All in all, it's supposed to be a holiday.
We are just a grain of sand in a vast and vast space. Our problems, joys, ups and downs take place on one small green ball that lonely revolves around another star.
The female images in Griboedov's comedy "Woe from Wit" play an important role in realizing the relevance and artistic originality of the comedy. Sophia and Lisa are typical roles of classic comedy. But these images are ambiguous. They occupy an intermediate position in the system of characters. Lisa is cunning, smart, quick-witted, i.e. her character meets the requirements of a classic comedy. She is a soubrette, participates in a love affair, and is a kind of reasoner, i.e. gives characteristics to some heroes. She also owns some catchphrases. Sophia, according to the laws of classicism, should have been an ideal character, but her image is ambiguous. On the one hand, she received a typical upbringing of girls of the 19th century. On the other hand, she is smart, has her own opinion.
Both Sophia and Lisa have a lively mind. Sophia was brought up with Chatsky, she is educated, has her own opinion. For example, he can appreciate the personality of the groom: “He never uttered a smart word, I don’t care what kind of neg, what’s in the water.” Liza may not be as educated as Sophia, but she has a practical mind. She very accurately remarks: "Bypass us more than all sorrows and master's anger, and master's love."
Both are true. Sophia openly tells Chatsky that she does not love him, her father expresses dissatisfaction with the groom. Lisa openly rejects Famusov's advances.
Both are involved in a love story. Chatsky Sofia Molchalin Liza Petrusha.
Both have the same ideals of men - a silent man.
But, despite the fact that both of these heroines are young girls, their ideas about life are very different. Sofia is romantic. She grew up without a mother and was very fond of romance novels. Throughout the book, she presents herself as the heroine of a French novel. When Molchalin falls from his horse, Sophia behaves like a heroine in love with a novel - she faints. "Fell! Killed!” Sofya is naive, she believes that Molchalin really loves her. He appears to her as timid, modest, gentle and intelligent. Lisa has a sober outlook on life. She is a simple servant and has seen a lot in her life. She understands people. Lisa is well aware that Molchalin is only playing with Sophia for the sake of the position. She sees his prudence and cunning.
Their further fate will also turn out differently. Sophia, most likely, will obey the rules of the Famus society and marry a rich groom pleasing to her father. Lisa will marry a man of her circle, but for love.
Although Sophia and Liza are similar in some of their personal qualities, their different positions in society and upbringing determine their different future fate.
The heroine who violates the moral foundations.
The comedy was a sharp and angry satire on the life and customs of noble Russia, indirectly showed the struggle between the conservatism of the feudal landowners, the backward autocracy and the new moods.
The problem of mutual understanding of the "current century" and "past century".
The comedy "Woe from Wit" was created in the early 1920s. 19th century The main conflict on which the comedy is built is the confrontation between the “current century” and the “past century”. In the literature of that time, the classicism of the era of Catherine the Great still had power.
N. Shmeleva. After the war of 1812, the Russian nobility split into two camps: conservatives and reformers. Griboyedov, of course, could not help but worry about the confrontation between the reactionary and advanced nobility. Being a progressive-minded person and sharing in many ways the beliefs of the future Decembrists ...
Sophia's behavior with Molchalin was indecent! And more than that: it was scandalous and fraught with a challenge! A fact that had to be comprehended in terms of his place in the plot of the play.
The only character conceived and performed in the comedy "Woe from Wit", as close to Chatsky, is Sofia Pavlovna Famusova. Griboyedov wrote about her: "The girl herself is not stupid, she prefers a fool to a smart person."
The strength and novelty of "Woe from Wit" was precisely in the fact that the plot itself was of enormous vital, social, historical significance. “A strong point in the plot” is a fiction about Chatsky's madness.
The plot of Griboyedov's comedy is quite original and unusual in itself. I cannot agree with those who consider it banal. At first glance, it may seem that the main thing in the plot is the love story of Chatsky for Sophia.
"Woe from Wit" is the greatest work of Russian and world literature, which occupies a prominent place in Russian dramaturgy along with such works as Fonvizin's "Undergrowth", Gogol's "Inspector" and "Marriage", Lermontov's "Masquerade".
In the 18th century, many remarkable people worked in the field of literature, among them the writer and historian Nikolai Mikhailovich Karamzin. He wrote such a story as Poor Lisa. There are two characters in the center of the story: the peasant woman Liza and the nobleman Erast. The characters of the characters are manifested in their attitude to...
"Woe from Wit" is one of the most outstanding works of Russian literature of the 19th century. According to Belinsky, this is the noblest humanistic work. The comedy captures a long period of Russian life - from Catherine to Emperor Nicholas.
One of the outstanding works of the first half of the 19th century is AS Griboyedov's comedy Woe from Wit. Each hero of the play, being a typical image, has at the same time unique individual features.
