Comparison of the images of Andrei Bolkonsky and Pierre Bezukhov. Common and distinctive features in the characters of Andrei Bolkonsky and Pierre Bezukhov (l

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Comparative characteristics of Andrei Bolkonsky and Pierre Bezukhov

Lev Nikolaevich Tolstoy:

“In order to live honestly, one must tear, get confused, fight, make mistakes, start and quit again, and start again, and quit again, and always struggle and lose. And peace is spiritual vulgarity.

The characters have different views, characters, demeanor. But, with many differences, the heroes of the work have a lot in common. Andrei Bolkonsky and Pierre Bezukhov are smart people who have received an excellent education. They are close to each other in spirit, since both are independent in their judgments and thoughts. Adrey and Pierre are very frank in their conversations, and on some topics they can only talk with each other, because they find understanding with each other, even having completely different worldviews.

The description of the spiritual quest of Andrei Bolkonsky and Pierre Bezukhov in the novel "War and Peace" by Leo Tolstoy is given a lot of space. The multifaceted content of the work made it possible to define its genre as an epic novel. It reflects important historical events, the fate of people of different classes throughout the whole era. Along with global problems, the writer pays great attention to the experiences, victories and defeats of his favorite heroes. Watching their fate, the reader learns to analyze their actions, achieve their goals, and choose the right path.

The life path of Andrei Bolkonsky and Pierre Bezukhov is difficult and thorny. Their fates help convey to the reader one of the main ideas of the story. L. N. Tolstoy believes that in order to be truly honest, one must “torn, get confused, fight, make mistakes, start and quit and start again, and always fight and lose.” That's what friends do. The painful searches of Andrei Bolkonsky and Pierre Bezukhov are aimed at finding the meaning of their existence.

The path to yourself Andrei Bolkonsky

Andrei Bolkonsky is rich, handsome, married to a charming woman. What makes him give up a successful career and a quiet, secure life? Bolkonsky is trying to find his destiny.

At the beginning of the book, this is a man who dreams of fame, popular love and exploits. “I love nothing but glory, human love. Death, injury, loss of family, nothing scares me,” he says. His ideal is the great Napoleon. In order to resemble his idol, the proud and ambitious prince becomes a military man, performs feats. Insight comes suddenly. The wounded Andrei Bolkonsky, seeing the high sky of Austerlitz, realizes that his goals were empty and worthless.

Leaving the service and returning, Prince Andrei seeks to correct his mistakes. Evil fate decides otherwise. After the death of his wife, a period of depression and despondency begins in Bolkonsky's life. A conversation with Pierre makes him look at life differently.

Bolkonsky again strives to be useful not only to his family, but also to the Fatherland. Engaging in public affairs briefly captivates the hero. The meeting with Natasha Rostova opens one's eyes to the false nature of Speransky. The meaning of life is love for Natasha. Again dreams, again plans and again disappointment. Family pride did not allow Prince Andrei to forgive the fatal mistake of his future wife. The wedding was upset, hopes for happiness were dispelled.

Again, Bolkonsky settled in Bogucharovo, deciding to take up the upbringing of his son and the arrangement of his estate. The Patriotic War of 1812 awakened the best qualities in the hero. Love for the Motherland and hatred for the invaders make them return to the service and devote their lives to the Fatherland.

Having found the true meaning of his existence, the main character becomes a different person. In his soul there is no more room for conceited thoughts and selfishness.

The simple happiness of Pierre Bezukhov

The path of searching for Bolkonsky and Bezukhov is described throughout the novel. The author does not immediately lead the characters to the cherished goal. Finding happiness was not easy for Pierre either.

The young Count Bezukhov, unlike his friend, is guided by the dictates of his heart in his actions.

In the first chapters of the work we have before us a naive, kind, frivolous young man. Weakness and gullibility make Pierre vulnerable, make him commit rash acts.

Pierre Bezukhov, like Andrei Bolkonsky, dreams of the future, admires Napoleon, tries to find his life path. Through trial and error, the hero achieves the desired goal.

One of the main misconceptions of the inexperienced Pierre was his marriage to the seductive Helen Kuragina. The deceived Pierre feels pain, resentment, annoyance as a result of this marriage. Having lost his family, having lost hope for personal happiness, Pierre tries to find himself in Freemasonry. He sincerely believes that his active work will be useful to society. The ideas of brotherhood, equality, justice inspire the young man. He is trying to bring them to life: he alleviates the fate of the peasants, orders the construction of free schools and hospitals. “And only now, when I ... try to live for others, only now I understand all the happiness of life,” he says to a friend. But his orders remain unfulfilled, the Masons brothers turn out to be deceitful and greedy.

In the novel War and Peace, Bolkonsky and Pierre constantly have to start all over again.

The turning point for Pierre Bezukhov comes with the outbreak of World War II. He, like Prince Bolkonsky, is inspired by patriotic ideas. With his own money he forms a regiment, is at the forefront during the Battle of Borodino.

Having decided to kill Napoleon, Pierre Bezukhov commits a series of frivolous acts and is captured by the French. Months spent in captivity completely change the count's outlook. Under the influence of a simple peasant Platon Karataev, he understands that the meaning of human life is to satisfy simple needs. “A person should be happy,” says Pierre, who has returned from captivity.

Having understood himself, Pierre Bezukhov began to better understand those around him. He unmistakably chooses the right path, finds true love and family.

common goal

I would like to finish the essay on the topic “The Spiritual Searches of Andrei Bolkonsky and Pierre Bezukhov” with the words of the author: “Calmness is spiritual meanness.” The heroes dear to the writer do not know peace, they are in search of the right path in life. The desire to honestly and dignifiedly fulfill a duty and benefit society unites Andrei Bolkonsky and Pierre Bezukhov, makes them so different in character.

Artwork test

Nesterova I.A. Comparative characteristics of Pierre Bezukhov and Andrei Bolkonsky // Encyclopedia of the Nesterovs

Artistic images of Pierre Bezukhov and Andrei Bolkonsky in the novel "War and Peace".

The novel "War and Peace" was written by L.N. Tolstoy in 1869. The book was a resounding success. Soon it was translated into European languages.

The work immediately aroused admiration among the writer's contemporaries.

N.N. Strakhov wrote:

In such great works as "War and Peace", the true essence and sublimity of art is most clearly revealed ...

At the same time, the epic novel by L.N. Tolstoy is a unique historical source. Here, the fates of historical figures are subtly intertwined: Napoleon, Kutuzov, Alexander the First and fictional heroes.

Among the characters created by the writer's imagination, the most significant are Pierre Bezukhov and Andrei Bolkonsky. They both belong to the high society. Andrei Bolkonsky was born into a wealthy noble family. Father - a former general-in-chief, lived without getting out on his estate. Prince Andrei was brought up in a strict environment, received a good education. He was "... of small stature, a very handsome young man with certain dry features." Pierre outwardly differed from his friend. Bezukhov was "a massive, fat young man with a cropped head, wearing glasses ...". Pierre is the illegitimate son of the famous Catherine's nobleman. Unlike Prince Andrei, he was brought up abroad. It is obvious to the reader that L.N. Tolstoy contrasts the image of Bolkonsky and Bezukhov. A massive Pierre and a short handsome prince.

Prince Andrei Bolkonsky, unlike Pierre Bezukhov, feels confident in high society. He knew how to behave in high society. In all the behavior of Bolkonsky, arrogance and contempt for those around him were felt. “He, apparently, all those who were in the living room were not only familiar, but already tired so much that it was very boring for him to look at them and listen to them. Of all the faces that bored him, the face he seemed to be the most tired of his pretty wife. With a grimace that spoiled his beautiful face, he turned away from her ... "At the same time, Pierre Bezukhov was enjoying the high society. All people seemed to him kind and bright. He tries to see only the good in them. So Pierre believes in the sincerity of Helen's love, despite the outright falsehood. He perceives the fawning of the princesses and Prince Vasily as sincere kindness. The flattery of those around him after receiving the inheritance is not obvious to him. Previously, he did not notice ill will, but now he does not see lies. Prince Andrei Bolkonsky, on the contrary, has long studied lies and perceives them as an integral part of secular life.

The speech of the characters is very remarkable. So Andrei Bolkonsky speaks slowly with obvious arrogance. Only with close people he takes off his mask: "... seeing Pierre's smiling face, he smiled unexpectedly - a kind and pleasant smile." Bolkonsky's speech changes depending on who he is talking to. In remarks to representatives of high society, arrogance is felt, his speech does not change when communicating with soldiers. However, he speaks with great respect with Kutuzov. In remarks with his wife, his voice sounds annoyed. Unlike Prince Andrei, Pierre always speaks passionately, his speech is emotional. He says what he thinks: “I argue everything with your husband; I don’t understand why he wants to go to war,” said Pierre, without any hesitation (so common in the relationship of a young man to a young woman) turning to the princess.

The circle of communication of the characters and the circle of their communication are also different. At first, Pierre leads a wild life, participates in carousing at Dolokhov's. However, after the duel, excited by the possibility of murder, Pierre becomes a Freemason. He builds schools and hospitals for the peasants, immerses himself in literature. In general, he leads a very, very measured lifestyle. However, all the time he is surrounded by liars and flatterers. After the departure of Prince Bolkonsky, Bezukhov remains alone among those who are strangers to him, whom he does not accept. The wife does not love him. Helen and Prince Vasily only want his money. It seems that in Freemasonry he found salvation, but, alas, the order consists of the same people that abhor him.

Prince Andrei is alone in his own way, surrounded by those who do not understand him. The wife is only interested in embroidery and spreading gossip. All his acquaintances are useless and empty people. But unlike Pierre, Bolkonsky has a source of support - a sister and a father. Pierre is completely alone.

In the army, Bolkonsky finds himself surrounded by people who do not command his respect. The prince directed his extraordinary mind to achieve glory. The first step towards this is the development of a battle plan, which, according to Bolkonsky, will lead to victory. And then, with a banner in his hands, the prince accomplishes the feat that he aspired to: “But before he finished these words, Prince Andrei, feeling tears of shame and anger rising to his throat, was already jumping off his horse and running to the banner.

Guys, go ahead! he shouted childishly.

"Here it is!" thought Prince Andrei, grabbing the staff of the banner and listening with pleasure to the whistle of bullets, obviously directed precisely against him. Several soldiers fell.

Hooray! - shouted Prince Andrei, barely holding the heavy banner in his hands, and ran forward with undoubted confidence that the whole battalion would run after him.

Indeed, he ran only a few paces alone. One, another soldier set off, and the whole battalion shouted "Hurrah!" ran ahead and overtook him."

The sky of Austerlitz reveals to the hero all the pettiness and illusory nature of his aspirations for glory. For Prince Andrei, there comes a time of painful reflections about the meaning of life. He tries to overcome the spiritual crisis by turning to the family and the household.

In a crisis of worldview, unlike Prince Bolkonsky, Pierre Bezukhov delves into philosophy, makes attempts to know life better. He believes that he can correct this imperfect world: "... this is what I know and know for sure, that the pleasure of doing this good is the only true happiness of life." However, his search for the meaning of life is tragic and painful. The isolation of Masonic ideas from real life, the understanding that lies and hypocrisy reign in this environment, plunges Pierre's soul into despair. It is noteworthy that the heroes somehow owe their spiritual rebirth to Natasha Rostova.

The most significant event in the spiritual development of both Pierre and Andrei Bolkonsky can be safely called the year 1812. Seized by a patriotic impulse, the heroes of L.N. Tolstoy tend to personally participate in the defense of the fatherland. So, Prince Andrei did not stay at the headquarters: with all his being he strove to be where the Russian soldiers decided the fate of the fatherland: "... if anything depended on the orders of the headquarters, then I would be there and make orders, but instead I I have the honor to serve here, in the regiment, with these gentlemen, and I believe that tomorrow will really depend on us, and not on them ... Success has never depended and will not depend either on position, or on weapons, or even from the number; and least of all from the position. The hero courageously realizes his duty. Just like Prince Andrei, he understands his connection with the fatherland. Deeply civilian, far from everything military, he found himself in the hottest point of the battle of Borodino. The hidden warmth of patriotism allowed him to enter the "family circle of the soldiers of the Raevsky battery." "Our master" so they began to call him here. L.N. Tolstoy emphasizes: in difficult times for Russia, his heroes feel the highest spiritual uplift.

A wound in the battle of Borodino brings Bolkonsky mental and physical suffering. Andrei changes his outlook on life and the world in general. After being wounded, he becomes kinder, more tolerant and simpler. In anticipation of death, he finds peace and harmony with the whole world.

Pierre Bezukhov also goes through pain and suffering. Hunger, cold and fear help him gain a simple and wise outlook on life. Just like Prince Andrei, he acquires a sense of harmony with the world of people. However, unlike Bolkonsky, Pierre's inner state is closer to life, more natural. In the post-war life, he “matches” his being and the being of other people without any effort. This is how natural the union of Pierre and Natasha Rostova is, this is a harmonious unity of feeling and reason.

The images of Pierre Bezukhov and Andrei Bolkonsky have so much in common, but despite this, the characters are completely different. Heroes L.N. Tolstoy express his own views on life. Lev Nikolaevich showed that every person should look for the meaning of life. Let his judgments be erroneous, but he has a goal. We see that L.N. Tolstoy sympathizes with his heroes. The author does not directly condemn their mistakes, but clearly shows their consequences. He proves. That every person should follow the highest goal, but at the same time remember that there is a family and society.

The writer introduces us to the main characters of the novel "War and Peace" literally on the first pages of the work. Both Andrei Bolkonsky and Pierre Bezukhov are still quite young. At their first meeting, Prince Andrei is 26 years old, and Pierre is not even 20 years old. With their dissimilarity, both heroes stand out sharply among the guests who gathered in the salon of the St. Petersburg court lady Anna Scherer. Prince Andrei, for example, says to Pierre: "This life is not for me." Thus, he shows that he is burdened by the need to maintain ties with a hypocritical, deceitful and immoral secular society. Only with the appearance in the high-society salon of Pierre Bezukhov, a kind smile suddenly appeared on the gloomy face of Andrei Bolkonsky. Friendliness and a joyful gleam in his eyes inspired Pierre, gave him courage and self-confidence. At the same time, Pierre's love of life and optimism more than once kindled an extinct brilliance in the eyes of Prince Andrei, his desire for a full happy life and struggle in difficult days.

Andrei Bolkonsky and Pierre Bezukhov contrasted in character and appearance, and L. Tolstoy emphasizes this dissimilarity of his heroes: “Pierre in appearance was a sharp contrast to Prince Andrei. In comparison with the thin, hard and definite features of Prince Andrei, Pierre's features seemed especially puffy, large and indefinite.

However, Andrei Bolkonsky and Pierre Bezukhov are brought together by their desire to know the truth. Both of them are trying with all their might to free themselves from the influence of the society to which they belong by birth (especially Prince Andrei). Both heroes have a moral search, loyalty to their convictions, the ability to "be, not seem." Prince Andrei dreams of personal glory, of human love, which he wants to win by accomplishing a military feat; Pierre is focused on his moral development, but at first leads the scattered lifestyle of a secular young man.

Andrei Bolkonsky and Pierre Bezukhov are the leading representatives of the nobility, from which the Decembrists emerged after the Patriotic War of 1812. True, Prince Andrei did not wait for the expulsion of Napoleon from Russia and the victorious end of the war. But the reader is left with no doubt that he would certainly have been among those who in December 1825 went to Senate Square. Yes, Pierre and Prince Andrei go through life each in their own way and achieve different results. That is why Prince Andrei tells Pierre: “You lived for yourself and say that you almost ruined your life with this ... But I experienced the opposite. I lived for glory ... I lived for others, and not almost, but completely ruined my life.

However, emotional rushing and the search for the main goal in life lead Prince Andrei and Pierre to a single result - understanding the role of the people in history. The military service of Andrei Bolkonsky and the private activities of Pierre Bezukhov acquire meaning and significance only when they connect their fate with the fate of the Russian people on decisive days for Russia.

In the friendly relations between Andrei Bolkonsky and Pierre Bezukhov, the role of the eldest, both in age and in worldview, first belonged to Prince Andrei. But in subsequent events, Pierre, as it were, comes to the fore, becomes the leader in a friendly duet. Despite this, Pierre continued to look at Prince Andrei as an older comrade, and always treated his statements with great attention. L. Tolstoy notes that “Pierre considered Prince Andrei the model of all perfections precisely because the prince

The relationship between Andrei Bolkonsky and Pierre Bezukhov is an example of an unchanging and demanding friendship carried through a variety of trials. But L. Tolstoy did not idealize his heroes. Both Prince Andrei and Pierre are shown by the great Russian writer from the standpoint of historical truth - people of their time and environment, with many of their inherent shortcomings. It is enough to recall the desire for fame and the aristocratic prejudices of Prince Andrei or the violent youth of Pierre.

What are the similarities between Andrei Balkonsky and Pierre Bezukhov in Leo Tolstoy's novel "War and Peace", and what are their differences? and got the best answer

Answer from Dorota[guru]
The aforementioned problematics of "War and Peace" was in line with Dostoevsky's reflections on the hero, who is looking for what is good, "what is evil." a cultural type" striving for "beautifulness", but never able to achieve it. In this inability to acquire "beautifulness", Dostoevsky sees a trait of a person symptomatic of the era, whose consciousness is doomed by historical circumstances to defend itself in the "chaos of concepts". Interpretation of this qualitative difference Dostoevsky outlines his “cultural type” in the draft “For the Preface” in the March rough notes to “The Teenager” in March 1875. Bolkonsky, Bezukhov and Levin are considered here by Dostoevsky as heroes of “petty vanity”: they are able to be spiritually reborn under the influence of a positive example or under The tragedy of the underground excludes for Dostoevsky's hero the possibility of such a some spiritual change.
Depicting his heroes, the author did not at all embellish or idealize them: he endowed Pierre and Andrei with contradictory features, advantages and disadvantages. In their image, he presented ordinary people who are able to be both strong and weak at certain moments of their lives, but who are able to overcome the internal struggle and independently rise above lies and everyday life, to be spiritually reborn and find their calling in life. Their paths are different, but at the same time they have a lot in common. And, in particular, the similarity lies in their spiritual ordeals, in the struggle. Pierre has his own weakness of character, cowardice, excessive gullibility and ideological impassability. Andrei Bolkonsky - with pride, arrogance, ambition and illusory aspirations for glory.
Pierre Bezukhov is one of the central, most attractive heroes of the novel. His image, like the image of Andrei Bolkonsky, is depicted in constant dynamics. The writer focuses on the almost childish gullibility, kindness and sincerity of the thoughts of his hero, and at first Pierre is presented as a confused, passive, absolutely inactive young man. Pierre obviously does not fit into the false society of flatterers and careerists present in the Scherer salon. He behaves in an inappropriate manner for social events, even being somewhat aggressive towards all other visitors. For this reason, the appearance of Pierre is puzzling to many, and his straightforward statements are outright fears. In addition, Bezukhov is indifferent to money and luxury, he is disinterested and, in spite of everything, keenly feels the boundary between innocent jokes and dangerous games that can cripple someone's life.
The difference in the paths of moral search in the fates of A. Bolkonsky, P. Bezukhov and N. Rostov

Answer from Yergey Smirnov[guru]
The similarity is precisely physiological, primary and secondary sexual characteristics, and differences in characters ...

Answer from Irishka[guru]
Duel and the Woman Countess Sophie Razberglein

Answer from REPORTER[guru]
Balkonsky is sitting on the balcony, and Bolkonsky is dead.

Answer from Alexandra Bodrova[guru]
They are looking for the meaning of life, themselves, but they are disappointed in what they find. Balkonsky in the army. Pierre regrets that he married Helen, and that he became a Freemason.