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Women's images war and peace table. An essay on the topic “female images in the novel L.N.

In his outstanding novel "War and Peace" L.N. Tolstoy showed the life of Russian society at the beginning of the 19th century. He, trying to understand the importance of a woman in society, the family, creates in the work a lot of female images that can be divided into two categories: in the first there are women of the national ideal, such as Marya Bolkonskaya, Natasha Rostova and others, and in the second - representatives of high society - Anna Scherer, Helen and Julie Kuragin.

One of the most prominent female images is the image of Natasha Rostova, in which Tolstoy realized the best qualities of a person. Nobility and modesty make her more charming than the prudent, intelligent Helen Kuragina with her secular manners. Many fragments of the novel tell how Natasha lends a helping hand to people, makes them kinder, helps them find love for life, gives advice, makes others feel happier without demanding anything in return.

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So, when Nikolai Rostov comes home after losing money to Dolokhov, with a sense of hopelessness, having heard Natasha's singing, he regains the joy of life: “All this: misfortune, and money, and Dolokhov, and anger, and honor - all nonsense, and here she is for real.”

In addition to everything, Natasha is close to the perception of the incredible beauty of nature. Describing the night in Otradnoye, Tolstoy compares the mood of two sisters, Sonya and Natasha. Natasha, admiring the beauty of the night sky, exclaims: “After all, such a lovely night has never happened!” However, Sonya is not close to the state of her friend, she does not have that spark that is inherent in Natasha. Sonya is sincere, affectionate, gentle, friendly. She is too correct, does not take actions from which one could learn lessons and develop further. And unlike her, Natasha constantly makes mistakes and draws some conclusions; has feelings for Prince Andrei, something unites their souls. However, then he suddenly falls in love with Anatoly Kuragin. This suggests that Natasha is a simple person with imperfections.

Marya Bolkonskaya is the opposite of Natasha, but in some ways she is similar to her. Its main feature is self-sacrifice, which is combined in it with humility and the desire for happiness. Obedience to the orders of the father, a ban on protesting his desires - understanding his role as the daughter of Princess Mary. But if necessary, she can demonstrate a firm character. Putting self-sacrifice above all else, she destroys something truly important in herself; and yet, it was sacrificial love that allowed her to find happiness in the family. Marya truly revealed her personal qualities when the state of affairs forced her to show independence after the death of her father, and also when she became a mother and wife.

These two similar women are opposed by ladies of high society - Anna Pavlovna Scherer, Helen Kuragina, Julie Kuragina. They are similar in many ways.

With these images, L.N. Tolstoy shows that simple women living an ordinary life, such as Natasha Rostova and Princess Marya Bolkonskaya, find family happiness, while secular ladies, far from moral values, are not able to achieve true happiness because of pride and devotion to false and empty ideals of the highest. society.

Updated: 2018-04-27

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What is romance without women? He won't be interested. In relation to them, the main characters, we can judge their character, behavior, inner world. War is war, but it ends at some point. There are many women in the novel. Some images are positive, others are negative.

One of the main female images beloved by the author is the image of Natasha Rostova. We watch her throughout the novel. Tolstoy constantly emphasizes that she is not beautiful. From a little girl who dances after a hunt, to an adult lady, wife and mother of the Bezukhov family. But she is beautiful in her soul. It was such a wife that Pierre needed, and not the cold beauty Helen Kuragina.

Some kind of inner fire burns in her. What is beauty? "... a vessel .. in which there is emptiness, or a fire burning in a vessel ..." Remember Zabolotsky's poem "Ugly Girl"? That's just in Natasha, as in a vessel, and this fire burned. And the reflections of this fire made her face so inspired and alive. Therefore, she is so attractive to the opposite sex. Men like lively, smiling women, "laughter". How she danced after the hunt! Incendiary, selfless. Eyes are burning, cheeks are flushed, the skirt is spinning like a top. Well, what man can resist here!

Yes, Natasha is wrong. And the arrogant and cold Prince Andrei does not forgive her. Or maybe Tolstoy did not specifically connect their fate? Maybe he specifically gave her husband Pierre Bezukhov, this bear with the soul and heart of a child? He idolized her. See how she blossomed with him, opened up like a woman. It seems to me that with the prince she would not be so happy.

Vera Rostova

The direct opposite of her is her older sister Vera. Her smile did not attract, but on the contrary, repelled. Children's laughter and squealing irritate her, interfere with her own person.

It seems that Vera is a "foundling" in this family. She is not native to Rostov in spirit. Well, the Lord apparently selects couples in the image and likeness. He chose the same husband for her. Two of a Kind.

Andrei Bolkonsky's sister is Princess Maria. If a prince can run away from a despotic father to serve, then, alas, a girl cannot do this. And I have to endure it. She sacrifices her life for her father. For some reason, laying in her an inferiority complex, her father constantly humiliates her. But she also wants to be happy. He wants, like all women, a family, a husband, children.

Tolstoy describes her eyes in such a way that you don’t pay attention to some flaws in appearance. Moreover, as my mother said: "Beauty will fade, kindness will not deceive." And she is very kind at heart. Her sacrifice finally finds a worthy addressee - this is Nikolai Rostov. He saves her and she saves him.

Helen Kuragina

Here is the narcissistic soulless beauty Helen Kuragina. Dear painted doll without a soul, without a heart. Brother and sister, both are the same. Both are utterly deceitful and inhuman. Other people's lives mean nothing to them. I took it like that, in between times, and helped my brother deceive one person, Natasha. And ruin the lives of two people.

The second berry of the same field is Julie Kuragina, who became rich after the death of her brothers and became the richest bride. In order to somehow draw attention to herself, she put on a mask of decent melancholy. But one of the suitors, Boris, feels in his gut that she is "overacting" and turns away from her.

I remember the adaptation of the novel "War and Peace" directed by Sergei Bondarchuk. Natasha Rostov was played by Lyudmila Savelyeva. Here I am writing an essay and I see her in the Amazon, galloping on the hunt. And then her incendiary dance after the hunt. Accurately picked up the actress for the image. For me, this is the best image of Natasha Rostova.

Option 2

Not a single novel can do without charming representatives of the fair sex. Without women, any work will be boring and absolutely not interesting. After all, it is in relation to women that the reader can judge the main characters. There are a lot of female images in the novel, Tolstoy managed to combine both negative and positive images there.

One of the most beloved heroines, the author of this work himself, was Natasha Rostova. The reader can watch her throughout the work. The author repeatedly emphasized the fact that she was not particularly beautiful, rather the opposite. Natasha as a race is an example of a woman who is beautiful not outwardly, but in her soul. Her story begins with a little girl and stretches to a wife and mother in the Bezukhov family. Tolstoy created her image exactly the way Pierre needed it.

Many men liked Natasha, precisely because she was distinguished by her smile, a fire literally burned in her. She could dance uncontrollably, whirl, her eyes burned and her cheeks reddened, and men liked it in her.

The absolute opposite of this heroine was Vera. She was her sister, she was very repulsive to people. She was very annoyed by extraneous noise, especially irritated by her children's laughter and cries. She was completely alien in spirit to her family. Vera got the same husband, they really were a couple.

Another female image in the work is personified by Marya. She could not escape from her father's despot, as her brother did. She had to endure it. Alas, Marya sacrificed her life for the sake of the priest. He laid in her an inferiority complex with his constant humiliation. But like any woman, she also wanted to be happy.

Lev Nikolayevich describes her eyes so vividly that the rest of the flaws in her were practically invisible. Yes, in her heart, she was a very kind and gentle girl. Fate is favorable to her, Nikolai Rostov comes to her aid. With him she will find her happiness.

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In Tolstoy's novel "War and Peace" a huge number of images pass before the reader. All of them are excellently depicted by the author, alive and interesting. Tolstoy himself divided his heroes into positive and negative, and not only into secondary and main ones. Thus, positivity was emphasized by the dynamism of the character's character, while static and hypocrisy indicated that the hero was far from perfect.
In the novel, several images of women appear before us. And they are also divided by Tolstoy into two groups.

The first includes female images that lead a false, artificial life. All their aspirations are aimed at achieving one single goal - a high position in society. These include Anna Scherer, Helen Kuragina, Julie Karagina and other representatives of high society.

The second group includes those who lead a true, real, natural way of life. Tolstoy emphasizes the evolution of these heroes. These include Natasha Rostova, Marya Bolkonskaya, Sonya, Vera.

The absolute genius of social life can be called Helen Kuragina. She was beautiful like a statue. And just as soulless. But in fashion salons, no one cares about your soul. The most important thing is how you turn your head, how gracefully you smile when you greet, and what an impeccable French accent you have. But Helen is not just soulless, she is vicious. Princess Kuragina is not marrying Pierre Bezukhov, but for his inheritance.
Helen was a master at luring men by tapping into their baser instincts. So, Pierre feels something bad, dirty in his feelings for Helen. She offers herself to anyone who is able to provide her with a rich life, full of secular pleasures: "Yes, I am a woman who can belong to anyone, and to you too."
Helen cheated on Pierre, she had a well-known affair with Dolokhov. And Count Bezukhov was forced, defending his honor, to shoot himself in a duel. The passion that clouded his eyes quickly passed, and Pierre realized what a monster he was living with. Of course, the divorce turned out to be a boon for him.

It is important to note that in the characterization of Tolstoy's favorite heroes, their eyes occupy a special place. The eyes are the mirror of the soul. Ellen doesn't have one. As a result, we learn that the life of this heroine ends sadly. She is dying of illness. Thus, Tolstoy passes judgment on Helen Kuragina.

Tolstoy's favorite heroines in the novel are Natasha Rostova and Marya Bolkonskaya.

Marya Bolkonskaya is not distinguished by beauty. She has the appearance of a frightened animal due to the fact that she is very afraid of her father, the old prince Bolkonsky. She has a "sad, frightened expression that rarely left her and made her ugly, sickly face even more ugly ...". Only one feature shows us her inner beauty: “the eyes of the princess, large, deep and radiant (as if rays of warm light sometimes came out of them in sheaves), were so good that very often ... these eyes became more attractive than beauty.”
Marya devoted her life to her father, being his indispensable support and support. She has a very deep connection with the whole family, with her father and brother. This connection is manifested in moments of spiritual upheaval.
A distinctive feature of Marya, as well as of her entire family, is high spirituality and great inner strength. After the death of her father, surrounded by French troops, the princess, heartbroken, nevertheless proudly rejects the offer of the French general for patronage and leaves Bogucharov. In the absence of men in an extreme situation, she alone manages the estate and does it wonderfully. At the end of the novel, this heroine marries and becomes a happy wife and mother.

The most charming image of the novel is the image of Natasha Rostova. The work shows her spiritual path from a thirteen-year-old girl to a married woman, a mother of many children.
From the very beginning, Natasha was characterized by cheerfulness, energy, sensitivity, a subtle perception of goodness and beauty. She grew up in the morally pure atmosphere of the Rostov family. Her best friend was the meek Sonya, an orphan. The image of Sonya is written out not so carefully, but in some scenes (the explanation of the heroine and Nikolai Rostov), the reader is struck by a pure and noble soul in this girl. Only Natasha notices that in Sonya "something is missing" ... In her, indeed, there is no liveliness and fire characteristic of Rostova, but the tenderness and meekness, so loved by the author, excuse everyone.

The author emphasizes the deep connection between Natasha and Sonya with the Russian people. This is a great praise for the heroines from their creator. For example, Sonya fits perfectly into the atmosphere of Christmas divination and caroling. Natasha "knew how to understand everything that was in Anisya, and in Anisya's father, and in her aunt, and in her mother, and in every Russian person." Emphasizing the folk basis of his heroines, Tolstoy very often shows them against the backdrop of Russian nature.

Natasha's appearance, at first glance, is ugly, but her inner beauty ennobles her. Natasha always remains herself, never pretends, unlike her secular acquaintances. The expression of Natasha's eyes is very diverse, as well as the manifestations of her soul. They are “radiant”, “curious”, “provocative and somewhat mocking”, “desperately lively”, “stopped”, “begging”, “scared” and so on.

The essence of Natasha's life is love. She, despite all the hardships, carries it in her heart and, finally, becomes the embodiment of Tolstoy's ideal. Natasha turns into a mother who is completely dedicated to her children and her husband. In her life there are no interests other than family. So she became truly happy.

All the heroines of the novel, to one degree or another, represent the worldview of the author himself. Natasha, for example, is a beloved heroine, because she fully meets the needs of Tolstoy himself for a woman. And Helen is "killed" by the author for not being able to appreciate the warmth of the hearth.

Women in the novel

Many female images in Tolstov's novel "War and Peace" have prototypes in the real life of the author. This, for example, is Maria Bolkonskaya (Rostova), Tolstoy wrote her image from her mother, Volkonskaya Maria Nikolaevna. Rostova Natalya Sr. is very similar to the grandmother of Lev Nikolaevich - Pelageya Nikolaevna Tolstaya. Natasha Rostova (Bezukhova) even has two prototypes, these are the writer's wife, Sofya Andreevna Tolstaya, and her sister, Tatyana Andreevna Kuzminskaya. Apparently, this is why Tolstoy creates these characters with such warmth and tenderness.

It is amazing how accurately he conveys the feelings and thoughts of people in the novel. The author subtly feels the psychology of a thirteen-year-old girl - Natasha Rostova, with her broken doll, and understands the grief of an adult woman - Countess Natalya Rostova, who lost her youngest son. Tolstoy seems to show their life and thoughts in such a way that the reader seems to see the world through the eyes of the heroes of the novel.

Despite the fact that the writer talks about the war, the female theme in the novel "War and Peace" fills the work with life and a variety of human relationships. The novel is full of contrasts, the author constantly opposes good and evil, cynicism and generosity.

Moreover, if negative characters remain constant in their pretense and inhumanity, then positive characters make mistakes, are tormented by pangs of conscience, rejoice and suffer, growing and developing spiritually and morally.

Rostov

Natasha Rostova is one of the main figures of the novel, it is felt that Tolstoy treats her with special tenderness and love. Throughout the work, Natasha is constantly changing. We see her at first as a little lively girl, then as a funny and romantic girl, and in the end she is already an adult mature woman, the wise, beloved and loving wife of Pierre Bezukhov.

She makes mistakes, sometimes she is mistaken, but at the same time, her inner instinct and nobility help her to understand people, to feel their state of mind.

Natasha is full of life and charm, therefore, even with a very modest appearance, as Tolstoy describes, she attracts with her joyful and pure inner world.

The eldest Natalia Rostova, mother of a large family, a kind and wise woman, seems very strict at first glance. But, when Natasha pokes her skirts, the mother "falsely angry" lashes out at the girl and everyone understands how much she loves her children.

Knowing that her friend is in a difficult financial situation, the Countess, embarrassed, gives her money. “Annette, for God’s sake, don’t refuse me,” the countess suddenly said, blushing, which was so strange with her middle-aged, thin and important face, taking out money from under her scarf.

With all the external freedom that she provides to children, Countess Rostova is ready to go to great lengths for the sake of their well-being in the future. She dares Boris from her youngest daughter, interferes with the marriage of her son Nikolai with the dowry Sonya, but at the same time it is completely clear that she does all this only out of love for her children. And maternal love is the most selfless and bright of all feelings.

Natasha's older sister, Vera, is a little apart, beautiful and cold. Tolstoy writes: “A smile did not adorn Vera's face, as is usually the case; on the contrary, her face became unnatural and therefore unpleasant.

Her younger brothers and sister annoy her, they interfere with her, the main concern for her is herself. Selfish and self-absorbed, Vera is not like her relatives, she does not know how to love sincerely and disinterestedly, as they do.

Fortunately for her, Colonel Berg, whom she married, was very suitable for her character, and they made an excellent couple.

Marya Bolkonskaya

Locked up in a village with an old and despotic father, Marya Bolkonskaya appears before the reader as an ugly, sad girl who is afraid of her father. She is smart, but not self-confident, especially since the old prince constantly emphasizes her ugliness.

At the same time, Tolstoy says about her: “the eyes of the princess, large, deep and radiant (as if rays of warm light sometimes came out of them in sheaves), were so good that very often, despite the ugliness of her whole face, these eyes became more attractive than beauty. . But the princess never saw the good expression in her eyes, the expression they assumed in those moments when she was not thinking about herself. Like all people, her face took on a strained, unnatural, evil expression, as soon as she looked in the mirror. And after this description, I want to look at Marya, watch her, understand what is going on in the soul of this timid girl.

In fact, Princess Marya is a strong personality with her own established outlook on life. This is clearly seen when she, along with her father, does not want to accept Natasha, but after the death of her brother, she nevertheless forgives and understands her.

Marya, like many girls, dreams of love and family happiness, she is ready to marry Anatole Kuragin and refuses marriage only for the sake of sympathy for Mademoiselle Bourienne. The nobility of the soul saves her from the vile and vile handsome man.

Fortunately, Marya meets Nikolai Rostov and falls in love with him. It is difficult to immediately say for whom this marriage becomes a great salvation. After all, he saves Mary from loneliness, and the Rostov family from ruin.

Although this is not so important, the main thing is that Marya and Nikolai love each other and are happy together.

Other women in the novel

In the novel "War and Peace" female images are drawn not only in beautiful and iridescent colors. Tolstoy also portrays very unpleasant characters. He always indirectly defines his attitude to the heroes of the story, but he never speaks about it directly.

So, finding herself at the beginning of the novel in the living room of Anna Pavlovna Sherer, the reader understands how fake she is with her smiles and ostentatious hospitality. Scherer "... is full of revival and impulses", because "to be an enthusiast has become her social position ...".

The coquettish and stupid Princess Bolkonskaya does not understand Prince Andrei and is even afraid of him: “Suddenly, the angry squirrel expression of the princess’s beautiful face was replaced by an attractive and compassionate expression of fear; she glanced frowningly at her husband with her beautiful eyes, and on her face appeared that timid and confessing expression that a dog has, quickly but feebly waving its lowered tail. She does not want to change, develop, and does not see how bored the prince is with her frivolous tone, her unwillingness to think about what she says and what she does.

Helen Kuragina, a cynical narcissistic beauty, deceitful and inhuman. Without hesitation, for the sake of entertainment, she helps her brother seduce Natasha Rostov, destroying not only the life of Natasha, but also Prince Bolkonsky. For all her external beauty, Helen is ugly and soulless internally.

Repentance, pangs of conscience - all this is not about her. She will always find an excuse for herself, and the more immoral she appears before us.

Conclusion

Reading the novel "War and Peace", we plunge into the world of joys and sorrows together with the characters, we are proud of their successes, we empathize with their grief. Tolstoy managed to convey all those subtle psychological nuances of human relationships that make up our lives.

Finishing the essay on the topic “Female Images in the Novel “War and Peace”, I would like to once again draw attention to how accurately and with what understanding of psychology the female portraits in the novel are drawn. With what awe, love and respect Tolstoy treats some female characters. And how ruthlessly and clearly shows the immorality and falsity of others.

Artwork test

Women in the novel

Rostov

She makes mistakes, sometimes she is mistaken, but at the same time, her inner instinct and nobility help her to understand people, to feel their state of mind.

Natasha is full of life and charm, therefore, even with a very modest appearance, as Tolstoy describes, she attracts with her joyful and pure inner world.

Fortunately for her, Colonel Berg, whom she married, was very suitable for her character, and they made an excellent couple.