Bruno Pelletier singer. Bruno Pelletier - master of disguise

A country

Canada

Professions http://www.brunopelletier.com

Bruno Pelletier (Bruno Peletier, Bruno Pelletier)(fr. Bruno Pelletier , genus. August 7, Charlebourg, Quebec, Canada) is a Canadian singer and actor.

Biography

Bruno Pelletier with early years was interested in music. When the boy was 7 years old, his father gave him a guitar.

In 1983, in Charlesbourg, he and his friends began to perform in the English-language rock bands Amanite and Sneak Preview. Later, he founded the Pell group, performing with a repertoire on French. At the age of 23, he moved to live in Montreal, where he performs in bars. Due to problems with his vocal cords, he is forced to refrain from singing for a while, and then enroll in singing courses to restore his voice.

In 1989 he participates in rock competition Envol, where he receives a prize for the quality of his performance. In 1991, he received a role in his first musical, View from Above (Fr. Vue d'en Haut), staged at the Montgolfier Festival in Saint-Jean-sur-Richelieu (fr. Saint-Jean-sur-Richelieu). The following year, 1992, he joins the troupe "Rock and Roll Madness" (fr. Les fous du rockn'roll), where he performed in 40 performances.

In October 1992 he released his first solo album Bruno Pelletier, and in November joins the troupe of the musical Michel Berger (fr. Michel Berger ) and Luc Plamondon (fr. Luc Plamondon ) "The Legend of Jimmy" (fr. La Legende de Jimmy ). Bruno plays the main role - the role of "teenager" Jimmy. He performed this role about fifty times.

In 1993, Luc Plamondon again invites Bruno to a role in the musical Starmania (fr. starmania), also co-authored by him with Michel Berger. Bruno plays the role of Johnny Roquefort about five hundred times.

In the summer of 1994 he participates in the FrancoFolies de La Rochelle festival, where he performs songs written by Luc Plamondon. A little later, he released his second album, Defaire l'amour.

In the autumn of 1996, Bruno participates in the Saguenay concert, where he performs the song Miserere. It was this song that brought him success in Quebec. His album "Miserere", released in 1997, becomes a hit. Also at that time, Bruno could be seen in the series Omerta 2, where he plays the cameo role of Michel Bergevan.

At the same time, Luc Plamondon again invites Bruno to participate in his performance. At first, Bruno does not agree - the singer was busy with a solo tour - but then he nevertheless joins the troupe of the new musical by Luc Plamondon and Richard Cocciante (fr. Richard Cocciante) Notre Dame de Paris. Bruno brilliantly plays the role of the poet Gringoire, which made him famous outside of Quebec.

In 1999 he released his fourth album D'autres Rives. He continues to play Gringoire, now at the London Theater in an English-language production of the musical.

In 2001, his live-album "Sur Scene" was released, recorded during a tour with the program D'autres rives.

In the middle of the same year, Bruno goes on "holiday" to rest and improve his health, and then return to the stage in August 2002 with the new album "Un Monde a l'envers".

In October 2003, at Notre Dame Basilica in Montreal, he recorded an album of Christmas songs with the Montreal Orchestra.

On January 31, 2006, the premiere of the musical Dracula: Between Love and Death took place (fr. Dracula, entre l "amour et la mort ), where Bruno performed in leading role as well as art director and co-producer.

Bruno participates in concerts with his new project "Bruno Pelletier et GrosZorchestre", in which the singer tries himself, and quite successfully, in a new jazz style.

In January 2008, the European premiere of the musical Dracula Entre l'amour et la mort took place in Lyon.

In February 2009, the tenth album of the singer Microphonium was released. In November 2009, Bruno's first concerts took place in Russia (Moscow), and then in Ukraine (Kiev, Odessa, 2010, 2011), and Belarus (Minsk, 2011).

In 2011, Bruno again visited Russia, gave concerts in several cities (Moscow, November 5-6, St. Petersburg, November 8, Novosibirsk, November 10), his 19-year-old son Thierry took part in the concerts. In December 2011, the "golden" composition of the musical Notre Dame de Paris gathered again in Kiev, on December 17, 18 and 19 this concert was held with great success in Paris at the Bercy Sports Palace, and on July 9, 2012 in Beirut (Lebanon)

In 2012, Bruno's next concerts are expected in Russia and Ukraine (December 25 - Kiev, December 27 - St. Petersburg, December 30 - Moscow) with the album "Concert de Noël" (Christmas concert) accompanied by symphony orchestra.

Albums

• Bruno Pelletier (1992)
• Defaire l'amour (1995)
• Miserere (1997)
• D'autres rives (1999)
• Sur scene (2001)
• Un monde à l'envers (2002)
• Concert de Noel (2003)
• Dracula - Entre l'amour et la mort (2005)
• Bruno Pelletier & GrosZorchestre (2007)
• Microphonium (2009)
• Rendus la (2012)

Awards and Nominations

• 2008 Album of the Year - Jazz Interpretation ("Bruno Pelletier et le GrosZorchestre")
• 2000 Interprete masculin de l'année (vote populaire)
• 2000 Album de l'année - Pop-Rock (D'autres rives)
• 1999 Interprete masculin de l'année (vote populaire)
• 1999 Spectacle de l'année interprète (Notre-Dame de Paris)
• 1999 Album de l'année Meilleur Vendeur (Notre-Dame de Paris)
• 1999 Artiste québécois s "étant le plus illustré hors Québec: Notre-Dame de Paris
• 1999 Album de l'année - Populaire: Notre-Dame de Paris - L'Intégrale
• 1999 Chanson populaire de l'année: Le temps des cathédrales - Interprete: Bruno Pelletier
• 1998 Album de l'année Meilleur Vendeur (Miserere)
• 1998 Album de l'année Pop Rock (Miserere)
• 1998 Spectacle de l'année interprète (Miserere, la tournée)
• 1998 Album de l'année Populaire (Notre-Dame de Paris)
• 1997 Interprete masculin de l'année (vote populaire)
• 1994 Spectacle de l'année interprète (Starmania)
• 1993 Spectacle de l'année interprète (La légende de Jimmy)

VICTOIRES DE LA MUSIQUE:

• 1998 Album de l'année populaire (Notre-Dame de Paris)
• 1994 Spectacle musical de l'annee (Starmania)

WORLD MUSIC AWARDS:

• 2000 World Best Selling French Recording Artist/Group (NOTRE DAME DE PARIS - Le Temps De Cathedrales)
• 1999 World Best Selling French Recording Artist/Group (NOTRE DAME DE PARIS - Lune)

• 2001: Sur scene (Gold)
• 2001: La tournée D'autres rives (Billet or, 50,000 spectateurs)
• 2000: La tournée D'autres rives (Billet argent, 25,000 spectateurs)
• 1999: D'autres rives (Gold) Canada
• 1999: Miserere, la Tournée (Billet argent, 25,000 spectateurs)
• 1998: Miserere (Double Platinum) Canada
• 1998: Notre-Dame de Paris (Gold/Platinum/Double Platinum/Triple Platinum/Quadruple Platinum)In Canada
• 1998: Notre-Dame de Paris (Diamond Disc) France
• 1998: Le temps des Cathedrales (Gold) France
• 1997: Miserere: (Gold/Platinum) Canada
• 1994: Starmania Mogador 94 (Platinum) France

OTHER AWARDS/ACHIEVEMENTS:

• 2009: SOBA Prize, Jazz Artist or Group of the Year ("Bruno Pelletier et le GrosZorchestre")
• 2001: Talent France Bleu 2000/2001, prix décerné par le réseau radiophonique France Bleu
• 1998: Le Palmarès - "Aime" breaks the record of 10 consecutive weeks in first position.
• 1996: Trophy SOCAN - "En manque de toi" 1st position of Palmarès

• 2003 Felix Interprete masculin de l'année (vote populaire)
• 2003 Félix Album de l'année - Pop-Rock (Un monde à l'envers)
• 2003 Félix Site internet de l'année (www.brunopelletier.com)
• 2003 Félix Spectacle de l'année - Auteur-compositeur-interprète (Un monde à l'envers)
• 2001 Felix Interprete masculin de l'année (vote populaire)
• 2001 Félix Site internet de l'année (www.brunopelletier.com)
• 2001 Félix Album de l'année - Meilleur vendeur (Sur scène)
• 2001 Félix Album de l'année - Pop-Rock (Sur scène)
• 2000 Félix Album de l'année - Meilleur vendeur (D'autres rives)
• 2000 Félix Spectacle de l'année - Interprète (La tournée D'autres rives)
• 2000 Félix Spectacle de l'année - Interprete (La dernière de Céline)
• 2000 Félix Artiste québécois s "étant le plus illustré hors Québec - (Notre-Dame de Paris)
• 1999 Genie Meilleur variete: Bruno Pelletier, Plein Chant
• 1998 Felix Videoclip "Aime"
• 1998 Felix Interprete masculin
• 1998 Felix Chanson Populaire "Aime"
• 1997 JUNO AWARD Best selling Francophone album "Miserere"
• 1997 JUNO AWARD Male vocalist
• 1996 Felix Interprete masculin
• 1996 Félix album Pop Rock "Défaire l'amour"

Canadian Foundation "Children's Dreams" Reves d'enfants)

Bruno Pelletier is the official representative of the Children's Dreams Charitable Foundation. In 2001, together with his friend Sylvain Cosset, Bruno recorded the single "A travers toi", all proceeds from the sale of which went to the foundation.

“Children are so precious. Their smiles light up our days… their laughter echoes softly in our ears and their dreams shape the future… But when a child is not well, only faded smiles and laughter disappear on his face, and his dreams seem unattainable to him. Children's Dreams is a Canadian federal organization dedicated to helping children affected by life-threatening illnesses. It is through the organization that these children can finally see their dreams come true. We have never said no to a sick child, and with your support, we can continue our work. Making a child's dream come true is wonderful... and with your help, we will become wizards!"

P. Mancuso, Director of Children's Dreams Quebec

ABOUT talented people they say they are kissed by God. Canada's "Golden Voice" singer Bruno Pelletier is one of them.

His voice is unlike any other: deep, intoxicating, with tart notes. Incredible explosive energy permeates the hall every time, whether it performs rock, pop, classical or jazz, ”the fans wrote about Bruno on the forum of his official website. They themselves call themselves "brunettes" and diligently study French in order to be able to communicate with an idol without intermediaries. For many admirers from Russia, Ukraine and Belarus, this hobby turned out to be a turning point in life: someone, having learned the language, went on an internship to France and got a job there, and someone found personal happiness among like-minded “brunets”. Peltier himself probably did not even suspect that he would be so popular across the ocean, and even starting a creative

The path in his native Canada, did not at all strive to become a star. I only dreamed of finding my audience and singing for it. The artist became popular quite late - he received his first significant role at the age of 28. And the real success came in 1996 with the song Miserere, famously performed by Andrea
Bocelli and dedicated to Luciano Pavarotti. The opinion of the press then was unanimous: Bruno finally found himself ... in operatic art. Already in next year he released an album of the same name, Starting point his resounding success, and went on tour, in which he gave more than a hundred concerts. It was for this reason that he initially refused to participate in the famous musical Notre Dame de Paris: he did not want to interrupt the tour. It would seem to reject such an offer at least imprudently. However, soon fate gave a second chance - and Peltier did not miss it. After the incredible success of the musical, many associated Bruno with his hero, the long-haired, handsome poet Gringoire. Most of the fans now identify with this image of the artist. And not so long ago, a new generation of fans appeared - those who initially saw Peltier in the musical "Dracula", released in 2006, and only after that got acquainted with his earlier work.

Brief discography

Microphonium (2009) Bruno Pelletier and GrosZorchestre (2007) Dracula - Entre l'amour et la mort (2005) Concert de Noel (2003) Un monde a l'envers (2002) Sur scene (2001)

But even now, rich and famous, Bruno is not going to rest on the laurels of his previous achievements: he participates in many projects, releases albums and tours the world. That's just the events of his personal life, until recently, remained a secret even for the most devoted fans, who seemed to know almost everything about their favorite performer. A year ago, the secret was revealed: in August 2010, information appeared that Peltier officially married dancer Melanie Bergeron, whom he met in 2003. But this event had no effect on the number of “brunettes” devoted to him.

Our meeting with the artist took place after the concert in Kyiv, in the lobby of the hotel where he stayed. Peltier appeared exactly at the appointed time and, holding out his hand, said: “I am Bruno. And you?" I confess that it was unexpected for me that he is so surprisingly easy to communicate with. Modest, with a charming smile and an open look, Bruno endeared himself from the very first minute. It was hard to believe that in front of me was the same Peltier - a “volcano of passions”, who just yesterday masterfully performed complex compositions, moving around the stage at an incredible speed, descended to the stalls, and then easily jumped to a one and a half meter height.

Bruno, they say, when you visit a country, you try to learn as much as possible about it. Ukraine is no exception?
This is my third visit to you, however, unfortunately, there is not enough time to see something. The schedule is so tight, everything is scheduled by the minute. In addition, our stay is always very short. But last time they organized a walk around Kyiv for me - this is a wonderful way to feel the pulse of the city. We were in the Lavra, which made a very strong impression. I saw people praying there - they did it so sincerely! Prayer is always very personal, intimate... We don't have that in Quebec: the churches are usually empty. I can't name myself a religious person However, spirituality is very important to me. After our conversation, for the first time since my arrival, I will go for a walk. Because before that I saw Kyiv only from the car window. But now I just want to blend in with the crowd: I do this in every city. I sit down with a cup of coffee in some cozy cafe and watch people. This makes it possible to soak up the energy of the city and see what is happening around.

But they will recognize you!
N-e-e-t! (Laughs) That is, the fans, of course. But the majority is unlikely, so I can afford such a luxury. By the way, in the evening we are invited to a concert of the symphony orchestra and the choir that worked with us in the musical Notre Dame de Paris. His leader was at our concert, and now we're going to theirs.

Probably accompanied by fans? By the way, what can you say about Ukrainian girls?
What strikes me most is their femininity and ability to present themselves. I say this with sincere admiration! Day or evening, they are always very beautiful, elegant and well dressed. Ukrainian girls feel the highest class. And of course, I'm just in awe of how much beautiful women comes to my concerts. Fortunately, my wife is not jealous. (Laughs.)

At all?
Absolutely! Not all women will be able to be close to a man who is surrounded by so many interesting girls. You need to be very wise, confident in yourself and in your soul mate, and most importantly, trust your partner. She has all these qualities, which is why I married her.

Your performance was just amazing! Admit it, you are worried before going on stage?
Very! After all, the audience is constantly expecting something new, and I have to justify their hopes, give everything one hundred percent. My only fear is not being on the level, so I always raise the bar very high.

You are obviously a workaholic. How do you rest?
I go to the gym, and I also read a lot - I love historical literature. I am interested in the history of other countries, because it is so exciting to find out what happened many years ago, how everything was formed. The history of my country is very short: four hundred years is practically nothing for Quebec, the French-speaking part of Canada. Now I am actively working on the play “The Girls from Caleb”, and when I have a free minute, I will go by bike to the South of America - I really like this type of recreation.

In The Girls from Caleb you play Napoleon. What drew you to the role?
Perhaps this is the smallest role of all that I had to play. But it seemed very important, because I play a man who goes through different age periods: seventeen years old, thirty, old age - everyone has their own characteristics. And I'm interested in working on this image.

Have you achieved everything you once dreamed of, or remained unfulfilled cherished desires?
I can’t say that I have absolutely everything that I would like to achieve: it seems so only from the outside. There are many things that I can't take out to the general public - this is already personal. (Smiling.)

Bruno, we wish you all the best and hope that this is not your last visit to Ukraine.
Certainly. In December of this year, we will come to you again as part of Notre Dame de Paris. These will be the last concerts that will take place only in Paris and Kyiv.

Thank you for your help in preparing the material of Alliance-Shatro LLC.

Singer Bruno Pelletier goes from success to success, but he is not always happy to leave to sing in London or Paris, leaving his son Thierry at home ...

Meeting a person who is forced to do difficult choice to ensure the happiness of his son.

Already five in the career of Bruno Pelletier there has been an unprecedented rise. The 37-year-old singer, who made himself known by his participation in one of the productions of "Starmania", received universal recognition thanks to his performance of the role of Gringoire in "Notre Dame de Paris". Moreover, twice he was chosen as the most popular singer year at Gala d "ADISQ. But his success was not an accident. Bruno, who took his first steps in music at the age of 15, has always been confident in his dream ... Today, however, he is forced to make a painful choice. What happened to his life? Not Did overseas success pave the chasm between him and his eight-year-old son?

Bruno, your popularity forced you to change something in Everyday life?

Let's say that now I avoid going to McDonald's with my son on Saturday! When we go there - Thierry loves it - I order from the comfort of my car. And I avoid going to the grocery store on Thursday night, it's better to do it on Monday morning. Since I adhere to these rules, I generally manage to lead a normal life.

Are you really good at it?

In regards to everything related to my son, yes... in a way... For example, on his birthday, or on the birthday of one of his friends, we organize a small party at our house. If he and his friends want to go to some entertainment center, Recreatheque or la Jungle, I sometimes refrain from accompanying him.

Doesn't it sometimes seem to you because of this that you are deprived of his presence?

Certainly. But the main thing is that he enjoys it. I tell myself: if we go to some public place like La Ronde, I still won't be able to be completely with him, I won't be able to give him all my attention, because there will be people who want to see me, talk to me … And I am sure that he is not very happy to share me with someone. When we are together, I want to make the most of this time.

Do you really spend enough time together?

I try to destroy the guilt about my frequent absence, inherent in my profession, which has firmly settled in me. Thanks to the phone, fax, and internet, I can feel closer to him, even if I'm physically far away. Every day, in the worst case - once every two days, we communicate with him.

How does he feel about your long trips?

Now he tolerates them very well. He has learned to accept this situation. Yes, and he had no choice - now he is eight years old, and from the first day of his life I was often forced to leave ... But I do not think that he feels left out because of this state of affairs.

And you, don't you feel left out?

Yes, sure. But for us, adults, such a situation is a little easier to understand - we can explain everything to ourselves. I gradually reduce my guilt by telling myself that I'm not the only one who has to go through this kind of breakup. After all, there are engineers who work on projects in Israel, soldiers... men and women who have to leave their homes because of work.

Your profession should give your son the opportunity to get acquainted with things that other children at his age are not yet familiar with ...

Yes, it is true! Thierry was with me three times in Paris, once for quite a long period of time, he was then two years old. He knows what the Eiffel Tower is and Triumphal Arch. He will also spend three months with me in London, where posters for the English version of Notre Dame de Paris will appear in the spring; thanks to a private teacher, he will be able to study school curriculum, there is even a question of him becoming a reporter for his school newspaper. This experience gives him the opportunity to see life in a slightly different perspective than what books offer. Such a lifestyle is difficult and not always calm enough, I never know when I will return home… However, such a life gives my son the opportunity to travel, discover other cultures…

Aren't you worried about how Thierry's life is unfolding?

No. My son is in a good frame, and he is far from being left to his own devices. In addition, his mother takes good care of him.

What does the ring you wear on your right hand mean?

For several years I wore it on my left hand, it was wedding ring. I continue to wear it because it is dear to me - it belonged to my grandfather and my grandmother gave it to me. It confirms my belonging to my family. It reminds me of an important part of my life...

Will it one day take its original place on the left hand?

Yes, maybe, but I'm not going to get married anytime soon.

You don't intend to build new family, have a second child?

Not now. And, if you listen to my latest album "D" autres rives ", you will understand that, although I am an optimist, I seriously think about the seriousness of the choice that I have to make and about the possibility of a happy family life. Now I am amending my views on this so serious issue ... I will not say that I no longer believe in life together, but to say that I'm ready to make "promises forever" again, I'm not ready either.

Are you thinking about your approaching fortieth birthday?

Yes, but not often. I will tell you an incident from my childhood: when I was studying in primary school I tried to imagine what would happen in the year 2000. I calculated that by the beginning of the new millennium I would be 37 years old. Then it seemed to me a terrible old age! Today, I take my 40th birthday much more calmly than before.

But fame and the risk that comes with it must sometimes put your newfound calmness in doubt...

Experience gained professionally in three recent years, led me to the conclusion that I need to learn how to protect myself, in particular from others, but I try to avoid the other extreme - isolation ... I love people, and when it comes to honest offers that I receive, I am initially open-minded towards everyone. I prefer to be wrong about one or two people than to be constantly guarded; in this case, I risk missing out on great opportunities. The great danger of success is that if we don't take care of ourselves, we run the risk of ending up in a world divided in two. I don't want this to happen to me... I sometimes remind myself of an open book. My loved ones will confirm to you - I do not dedicate them to everything that is in my soul, but when I am in good mood they see it right away. I'm not pretending ... I'm gradually learning to trust, but only good people and only a little. When you are constantly under the lights of the ramp, it is to be expected, unfortunately, that some people - from the media or from our environment - arrogate to themselves the right, sometimes unwittingly, to take out to the public things that are part of their personal lives. And, nevertheless, I remain a person who needs communication, communication with others, and who is also close to their emotions.

Do you have many friends?

A lot of? no, but those that are, I can fully rely on. Perhaps there will be too many fingers on one hand to count them ...

Has your character changed a lot over the years?

I have become wiser...

In what sense?

I finally accepted the idea that I couldn't control everything. When I was younger, I wanted to do everything myself, to be in complete control of every aspect of my life, but that was not a very correct way of looking at life. I need to learn patience, because I realized that time often plays on my side. This understanding is important to me because very often I want things to happen immediately.

Do you have any projects related to your career in France?

The French public recognized Bruno Pelletier by the features of Gringoire from Notre Dame de Paris. Now I have to introduce them to another Bruno Pelletier... Success is not a foregone conclusion, but it doesn't matter: this is my profession, and I'm eager to fight! I experienced the same feeling at the beginning of my career, 15 years ago. I'm ready to wait for success. I no longer feel the urge to get it immediately at any cost. Today I know that time is my best ally.

Michel Jasmin
Translation: Irina Nikiforova

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• 2008 Album of the Year - Jazz Interpretation ("Bruno Pelletier et le GrosZorchestre")
• 2000 Interprete masculin de l'année (vote populaire)
• 2000 Album de l'année - Pop-Rock (D'autres rives)
• 1999 Interprete masculin de l'année (vote populaire)
• 1999 Spectacle de l'année interprète (Notre-Dame de Paris)
• 1999 Album de l'année Meilleur Vendeur (Notre-Dame de Paris)
• 1999 Artiste québécois s "étant le plus illustré hors Québec: Notre-Dame de Paris
• 1999 Album de l'année - Populaire: Notre-Dame de Paris - L'Intégrale
• 1999 Chanson populaire de l'année: Le temps des cathédrales - Interprete: Bruno Pelletier
• 1998 Album de l'année Meilleur Vendeur (Miserere)
• 1998 Album de l'année Pop Rock (Miserere)
• 1998 Spectacle de l'année interprète (Miserere, la tournée)
• 1998 Album de l'année Populaire (Notre-Dame de Paris)
• 1997 Interprete masculin de l'année (vote populaire)
• 1994 Spectacle de l'année interprète (Starmania)
• 1993 Spectacle de l'année interprète (La légende de Jimmy)

VICTOIRES DE LA MUSIQUE:

• 1998 Album de l'année populaire (Notre-Dame de Paris)
• 1994 Spectacle musical de l'annee (Starmania)

WORLD MUSIC AWARDS:

• 2000 World Best Selling French Recording Artist/Group (NOTRE DAME DE PARIS - Le Temps De Cathedrales)
• 1999 World Best Selling French Recording Artist/Group (NOTRE DAME DE PARIS - Lune)

• 2001: Sur scene (Gold)
• 2001: La tournée D'autres rives (Billet or, 50,000 spectateurs)
• 2000: La tournée D'autres rives (Billet argent, 25,000 spectateurs)
• 1999: D'autres rives (Gold) Canada
• 1999: Miserere, la Tournée (Billet argent, 25,000 spectateurs)
• 1998: Miserere (Double Platinum) Canada
• 1998: Notre-Dame de Paris (Gold/Platinum/Double Platinum/Triple Platinum/Quadruple Platinum)In Canada
• 1998: Notre-Dame de Paris (Diamond Disc) France
• 1998: Le temps des Cathedrales (Gold) France
• 1997: Miserere: (Gold/Platinum) Canada
• 1994: Starmania Mogador 94 (Platinum) France

OTHER AWARDS/ACHIEVEMENTS:

• 2009: SOBA Prize, Jazz Artist or Group of the Year ("Bruno Pelletier et le GrosZorchestre")
• 2001: Talent France Bleu 2000/2001, prix décerné par le réseau radiophonique France Bleu
• 1998: Le Palmarès - "Aime" breaks the record of 10 consecutive weeks in first position.
• 1996: Trophy SOCAN - "En manque de toi" 1st position of Palmarès

• 2003 Felix Interprete masculin de l'année (vote populaire)
• 2003 Félix Album de l'année - Pop-Rock (Un monde à l'envers)
• 2003 Félix Site internet de l'année (www.brunopelletier.com)
• 2003 Félix Spectacle de l'année - Auteur-compositeur-interprète (Un monde à l'envers)
• 2001 Felix Interprete masculin de l'année (vote populaire)
• 2001 Félix Site internet de l'année (www.brunopelletier.com)
• 2001 Félix Album de l'année - Meilleur vendeur (Sur scène)
• 2001 Félix Album de l'année - Pop-Rock (Sur scène)
• 2000 Félix Album de l'année - Meilleur vendeur (D'autres rives)
• 2000 Félix Spectacle de l'année - Interprète (La tournée D'autres rives)
• 2000 Félix Spectacle de l'année - Interprete (La dernière de Céline)
• 2000 Félix Artiste québécois s "étant le plus illustré hors Québec - (Notre-Dame de Paris)
• 1999 Genie Meilleur variete: Bruno Pelletier, Plein Chant
• 1998 Felix Videoclip "Aime"
• 1998 Felix Interprete masculin
• 1998 Felix Chanson Populaire "Aime"
• 1997 JUNO AWARD Best selling Francophone album "Miserere"
• 1997 JUNO AWARD Male vocalist
• 1996 Felix Interprete masculin
• 1996 Félix album Pop Rock "Défaire l'amour"

Canadian Foundation "Children's Dreams" Reves d'enfants)

Bruno Pelletier is the official representative of the Children's Dreams Charitable Foundation. In 2001, together with his friend Silvan Cosset, Bruno recorded the single "À travers toi", all proceeds from the sale of which went to the foundation.

“Children are so precious. Their smiles light up our days… their laughter echoes softly in our ears and their dreams shape the future… But when a child is not well, only faded smiles and laughter disappear on his face, and his dreams seem unattainable to him. Children's Dreams is a Canadian federal organization dedicated to helping children affected by life-threatening illnesses. It is through the organization that these children can finally see their dreams come true. We have never said no to a sick child, and with your support, we can continue our work. Making a child's dream come true is wonderful... and with your help, we will become wizards!"

P. Mancuso, Director of Children's Dreams Quebec

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An excerpt characterizing Pelletier, Bruno

- Oh, what a horror! Stella squeaked. “Look, this is when they captured him!!!
My breath stopped... The picture we saw was really not a pleasant one! This was the moment when Arno had just died, and his essence began to rise up the blue channel. And right behind him... to the same channel, three absolutely nightmarish creatures crept up!.. Two of them were probably lower astral earthly entities, but the third one clearly seemed somehow different, very scary and alien, obviously not earthly... And all these creatures were very purposefully chasing a person, apparently trying to get him for some reason ... And he, poor thing, not even suspecting that he was being hunted so “cutely”, soared in a silver-blue, bright silence, enjoying an unusually deep , unearthly peace, and, greedily absorbing this peace, rested his soul, forgetting for a moment the wild, heart-destroying earthly pain, "thanks" to which he ended up today in this transparent, unfamiliar world ...
At the end of the channel, already at the very entrance to the "floor", two monsters darted with lightning speed after Arno into the same channel and unexpectedly merged into one, and then this "one" quickly flowed into the main, most vile, which was probably the most powerful of them. And he attacked ... Or rather, he suddenly became completely flat, "spread" almost to a transparent haze, and "enveloping" the unsuspecting Arno, completely swaddled his essence, depriving him of his former "I" and in general any "presence" ... And then, laughing terribly, he immediately dragged the already captured essence of poor Arno (who had just matured the beauty of the approaching upper "floor") straight into the lower astral ....
“I don’t understand…” Stella whispered. – How did they capture him, does he seem so strong?.. Well, let's see what happened even earlier?
We again tried to look through the memory of our new acquaintance ... And then we realized why he was such an easy target to capture ...
In clothing and surroundings, it looked as if it had happened about a hundred years ago. He stood in the middle of a huge room, where on the floor lay, completely naked, two female body... Rather, they were a woman and a girl who could be fifteen years old at the most. Both bodies were terribly beaten, and apparently brutally raped before death. Poor Arno "had no face" ... He stood like a dead man, not moving, and perhaps not even understanding where he was at that moment, since the shock was too cruel. If we understood correctly, these were his wife and daughter, who were abused by someone in a very brutal way ... Although, it would be wrong to say “atrociously”, because no animal will do what it is sometimes capable of Human...
Suddenly, Arno screamed like a wounded animal and fell to the ground, next to the terribly mutilated body of his wife (?) ... In him, as during a storm, emotions raged in wild whirlwinds - anger replaced hopelessness, rage covered melancholy, then growing into inhuman pain, from which there was no escape ... He rolled on the floor screaming, finding no way out for his grief ... until finally, to our horror, he completely calmed down, no longer moving ...
And of course - having opened such a stormy emotional "flurry", and having died with it, at that moment he became an ideal "target" for capture by any, even the weakest "black" creatures, not to mention those who later so stubbornly pursued follow him to use his powerful energy body, like a simple energy "suit" ... to do after, with its help, their terrible, "black" deeds ...
“I don’t want to watch this anymore ...” Stella said in a whisper. “I don’t want to see horror anymore… Is that human?” Well tell me!!! Is this right?! We are people!!!
Stella began to have a real hysteria, which was so unexpected that in the first second I was completely at a loss, not finding what to say. Stella was very indignant and even a little angry, which, in this situation, was probably completely acceptable and understandable. For others. But it was so, again, unlike her, that only now I finally realized how painfully and deeply all this endless earthly Evil had hurt her kind, affectionate heart, and how tired she was, probably, constantly carrying all this human dirt and cruelty on my fragile, still quite childish shoulders.... I really wanted to hug this sweet, persistent and so sad little man now! But I knew it would upset her even more. And therefore, trying to stay calm, so as not to touch even deeper her already too “disheveled” feelings, I tried, as best I could, to calm her down.
- But there is good, not only bad! .. Just look around - and your grandmother? .. And the Light? And how many of them! .. There are very, very many of them! You are just very tired and very sad because we have lost good friends. So everything seems to be in “black colors” ... And tomorrow there will be a new day, and you will become yourself again, I promise you! And also, if you want, we will no longer go to this "floor"? Want?..
- Is the reason in the "floor"? .. - Stella asked bitterly. – Nothing will change from this, whether we go here or not... It's just earthly life. She's evil... I don't want to be here anymore...
I was very scared if Stella was thinking of leaving me and generally leaving forever ?! But it was so unlike her! .. In any case, it was not at all the Stella that I knew so well ... And I really wanted to believe that her violent love for life and bright joyful character "All today's bitterness and anger, and very soon she will again become the same sunny Stella that she was so recently ...
Therefore, having calmed myself a little, I decided not to draw any "far-reaching" conclusions now, and wait until tomorrow before taking any more serious steps.
– And look, – to my greatest relief, Stella suddenly said very interested, – don’t you think that this is not an Earthly entity? The one that attacked... She is too different from the usual "bad earth" that we saw on this "floor". Maybe that's why she used those two, earthly monsters, because she herself could not get to the earthly "floor"?
As it seemed to me earlier, the “main” monster really did not look like the others that we had to see here during our daily “trips” to the lower “floor”. And why not imagine that it came from somewhere far away? .. After all, if the good ones came, like Veya, why couldn’t the bad ones also come?
"You're probably right," I said thoughtfully. - It did not fight according to the earthly. He had some other, non-earthly power.
- Girls, dear, when are we going somewhere? – suddenly I heard a thin childish voice.
Embarrassed by the fact that we were interrupted, Maya, nevertheless, very stubbornly looked directly at us with her big doll-like eyes, and I suddenly felt very ashamed that, carried away by our problems, we completely forgot that we were here with these, dead tired, waiting for someone's help, utterly frightened kids...
- Oh, sorry, my good ones, well, of course, let's go! - I exclaimed as joyfully as possible and, already turning to Stella, asked: - What are we going to do? Let's go higher, shall we?
Having made protection for the kids, we waited with curiosity to see what our “newly made” friend would do. And he, carefully watching us, very easily made himself exactly the same defense and now calmly waited for what would happen next. Stella and I smiled contentedly at each other, realizing that we were absolutely right about him, and that his place was certainly not the lower Astral ... And, who knew, maybe it was even higher than we thought.
As usual, everything around sparkled and sparkled, and in a few seconds we were "drawn" to the well-known, hospitable and calm upper "floor". It was very nice to breathe freely again, not being afraid that some abomination would suddenly jump out from around the corner and, slapping on the head, would try to “feast” on us. The world was again friendly and bright, but still sad, because we understood that it would not be so easy to expel from the heart that deep pain and sadness that our friends left when they left ... They now lived only in our memory and in our hearts... Not being able to live anywhere else. And I naively vowed to myself that I would always remember them, not yet understanding that memory, no matter how beautiful it was, would later be filled with the events of the passing years, and not every face would come up as vividly as we remembered it now, and little by little, everyone, even a very important person to us, will begin to disappear in the dense fog of time, sometimes not returning at all ... But then it seemed to me that this was now forever, and that this wild pain would not leave me forever ...