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The name of the Nobel Prize winner, Colombian Gabriel Garcia Marquez is inscribed in golden letters in the history of literature of the 20th century. This collection includes the stories of Garcia Marquez "The Other Side of Death", "The Funeral of the Great Mama" and others, which, along with famous novels"One Hundred Years of Solitude" and "Autumn of the Patriarch" brought the writer worldwide fame and love of readers.

Today one of the brightest writers Latin American Literature, a classic of the magical realism genre, Nobel Prize winner Gabriel Garcia Márquez would have turned 88 years old. In April last year, the life of Gabo, as his Colombian compatriots called him, was cut short: the body could not cope with a serious illness. His texts have always been a tidbit not only for readers, but also for filmmakers, although they were considered practically beyond the control of film adaptation. "RG" recalls the most notable examples adaptations of Marquez's prose for the wide screen.

"Widow Montiel" (1979)

One of the first widely distributed film adaptations of the great Colombian was a great success not only in South America, but also in the Soviet box office (however, the film with the film reached the USSR six years later). Filmmakers from four countries worked on "The Widow" at once - Venezuela, Cuba, Mexico and Colombia. And the main role went not to anyone, but to a real star - Geraldine Chaplin, the daughter of the genius Charlie. The actress was attracted, first of all, by criticism of dictatorial regimes, which is very powerfully drawn in literary source, and in a cinematic scenario. Critics appreciated the bold political statement: they put forward a painting by Miguel Littin at the Golden Bear at the Berlinale.

"Time to Die" (1985)

Ribbon Jorge Louis Triana - perhaps one of the most famous films based on the works of Marquez. A clear and concise picture of the co-production of Colombia and Cuba again appealed to the Soviet film enthusiast. Fortunately, everything necessary for spectator interest is now with her. There is to this day the topic of blood feud, which is interesting to many people (of course, with a color corresponding to people with hot blood), and a sharp social background, which the writer himself wove into his realistic plots, and into the frankly fantastic rehearsals of the most famous novels. In addition, "Time to Die" is considered one of the the best pictures about Colombia as such, with its landscapes, way of life and customs.

"Erendira" (1983)

A film adaptation of one of Gabo's most striking stories - no longer just realistic, but sustained in the corporate style that has become for him " magical realism"The work of the famous Brazilian director Ruy Guerra is a generally recognized successful attempt to transfer the specific Marquezian language to the big screen. European film functionaries from France and Germany also had a hand in the film. The result was a nomination for the Palme d'Or at the Cannes Film Festival. Erendira was praised for beautiful picture, careful attitude to the literary original, symbolism and highly artistic eroticism. The latter, by the way, was not appreciated by the Soviet censors. Therefore, we did not show the tape.

"No one writes to the Colonel" (1999)

By the end of the twentieth century, Marquez's books had not become less popular. Rather, on the contrary: it was at this time that the Colombian entered the cohort of writers who could be called fashionable - with all the attendant pluses and minuses. The novel about the colonel, sung by the rock group Bi-2, was transferred to the cinema by the Mexican Arturo Ripshtein, a student of Luis Bunuel. And one of the leading roles was played by Salma Hayek - now Hollywood star largest caliber. The screen version turned out almost verbatim (and this is a compliment). True, the emphasis on politics was partially replaced by melodrama. But this did not prevent "The Colonel" from successfully passing at the box office. He got into competitive program Cannes and was praised at the prestigious Sundance Forum.

"Love in the Time of Cholera" (2007)

"Love in the Time of Cholera" became the most expensive - at least to date - adaptation of Marquez. Filming cost $45 million. However, there is nothing surprising in this: in 2007, Hollywood finally seized upon the texts of the Colombian classic. And he, as you know, does not save on budgets. However, opinions about the tape cannot be called unambiguous: both seasoned film critics and the writer's fans were confused by the excessive simplicity that did not color the picture at all - with a clear eye on the American layman. True, Javier Bardem received good marks, portraying the main character Florentino Ariza in front of the cameras. But for success - both critically and commercially - this was not enough: the film's fees - "only" 31 million in US currency.

"Remembering My Sad Whores" (2011)

The last of the in vivo films made based on literary works Gabriel Garcia Márquez can be called a kind of parting gift to the wonderful Gabo. The picture turned out to be really good and touching - quite in the spirit of the story of the same name (Marquez published it in 2004 - after a protracted period of silence). One of the most enjoyable moments is the return of Geraldine Chaplin to work with the texts of Marquez for the first time since the role of the widow Montiel (that is, after a little over thirty years). But even without it, the tape has many advantages: the story of an elderly cynic journalist who, at the end of his life, turns out to be capable of a real feeling, is unlikely to leave a lover of good cinema indifferent.

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In situations where, it would seem, there is nothing left but to surrender and entrust your life to fate, a courageous person will fight to the end and defend his right to be under this sun, thus justifying his proud name - “man”. A warship during a raid gets caught in a storm. In this terrible thunderstorm, eight sailors are washed overboard by a wave. In the heat of the fight against the elements, no one noticed. Eight different people, eight destinies became a toy in the hands of the Ocean, for ten days, during which their search continued. Most importantly, in this situation it will become clear which of them real man and who is a coward, ready for meanness in order to save his own life.

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Love is the main character of this novel. She came to her master already at the end of his life. He completely mediocrely passed the path of his existence on this earth, he never opened his soul to this feeling and wasted his body just on sex for the sake of sex. But having once let love into his heart, he finds meaning in his existence, begins to see familiar things in a different way, and it fills his icy body with living warmth. And now comes the understanding of how beautiful love is and at the same time merciless.
Another hero of this book worth noting is old age. It gives a person the understanding that he can desire something, even when he has almost no strength for it. At his disposal is the last thing - to see the charm, cruelty and inexorably running forward life without embellishment and illusions.

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When he starts writing a review of the novel, he remembers school. More specifically, college. It was there that he first heard about this novel. "100 Years of Solitude" is included in school curriculum, it should be studied in 11th grade. And he would have read it, probably, but in 1 year to pass both the 10th and 11th grades, as is customary in college, it was akin to a gallop across Europe - there are a lot of works, but little time.

The second time he heard about this novel was from an old acquaintance who came to work to visit. “Very interesting joke! The story of one kind, with all sorts of magic and miracles, ”an acquaintance said then. This was surprising to hear, since, while talking before, he showed no interest in literature. But then Pullman and a lot of other fantasy interfered, and "100 Years" was shelved on the shelf "Someday to read", which, as you know, is one of the three endless things, along with "Someday to see" and "Someday do".

The third time he heard about the novel, when he began to understand literature, a little, and found out what kind of “beast” this is - magical realism. The novel was moved on the shelf closer to its beginning, or end, depending on which side to look at, and the waiting began.

And now the novel has been read and appreciated. The time was well spent.

He kneads his fingers, his neck, looks out the window - the snow has not completely melted yet, it's cold outside, but his thoughts are in the hot Colombian summer, full of miracles and passions.

There is such a town - Macondo, which was founded by a certain Jose Arcadio Buendia associates, in an attempt to leave their homes and find better land, but in fact, in an attempt to escape from conscience. And Macondo prospered. Every year, the gypsies brought the wonders of science there, told stories about the "outside" world, had fun and left to return a year later and bring new wonders of science - magnets, alchemy, the prophecies of Nostradamus, bah, even false teeth! So Jose Arcadio and get acquainted with the gypsy Melquiades - the bearer of wisdom, who was dying and was resurrected. From about this moment, the story of love and hate begins, full of deaths, betrayals, revolutions and rescues, travels and gains, “soaked” in loneliness, “dressed” in loneliness, with loneliness “at the head of the table”. After all, every hero of the book, Buendia or not, is alone. Each in his own way, and each with his own way of dealing with it, whether it's fun feasts with strangers, where money is a river and the stomach is filled to overflowing, or waiting for the end tied to a chestnut, speaking the truth that no one can understand, revolutions for good purposes, but really for the sake of your vanity, or a little bit of power that will lead to death.

For a long time, in the Buendia family, it is customary to call the sons of either José Arcadio or Aureliano. Each of Jose Arcadio, like the father of the family, is more like a bull - strong, stubborn, lonely. Each Aureliano is tall, round-shouldered, gloomy, lonely. Girls, when they were born, were called Amaranta or Rebeca, or, after the mother of the family, Ursula. Each of the Buendia women was lonely, each in her own way. The novel draws Buendia into the abyss of life so much that you start to get lost about which José Arcadio you are reading about, or which Aureliano did this or that. They can be distinguished, but they are too similar to each other - each in his own cocoon.

Not a small share is devoted to miracles that are taken for granted, because almost every day it rains flowers, death says when you die, and the ghost teaches ancient language. Little things like that play an important role in the plot, and some of them are so beautiful that they can be framed and put on the shelf of your favorite literary moments: butterflies around Mauricio's head, four years of rain, ascension on sheets and 17 Aurelianos with indelible crosses on their foreheads.

He thinks, "I missed something." Pauses. Of death…

Many die, both the Buendias themselves and people associated with the family. They die of love when they see a beautiful girl, give their heart to her, and without waiting for reciprocity, they die from bullets fired at them accidentally or intentionally, by themselves or other people in them, they die of old age, seeing in front of them the ghosts of the long gone, they die from awareness of the truth, from loneliness. They are killed intentionally or accidentally, by acquaintances and strangers.

Incest plays an important role in the novel. But he will keep silent about him, so as not to spoil the impression, and he has already told a lot.

It's time to sum up. A fine example of classics and magical realism. A wonderful family epic, reminiscent of ancient Greek mythology scope and interweaving of destinies. A great way to warm up on cold evenings. beautiful and sad story, wherein true love, alas, leads to death.

He rereads the result and is satisfied. A little rough and crooked in places, but not bad. His thoughts are still where the Arabs exchange curiosities for parrots, and the gypsies tell stories where love is as strong as hate, and someone can just leave a statue with a golden treasure inside and not come back for it. It's a pity he didn't read the novel sooner...