Pechorin's last conversation with Princess Mary (based on Lermontov's novel A Hero of Our Time). The last explanation of Pechorin and Mary essays on Russian literature Why did the hero deceive Mary
Pechorin sought the love of Princess Mary out of boredom, and also because he wanted to annoy Grushnitsky. A kind of game in which Pechorin wanted to achieve his victory just like that, because it's nice to win.
Pecherin got bored on the waters. It was customary to drag after the young ladies, just the way Princess Mary came across all proud and impregnable. Pecherin chose her on principle. All the more he wanted to annoy Grushnitsky.
He fled from boredom and from the emptiness of his life. Even at some point, if I remember correctly, it seemed to him that love could help him feel the fullness of life. But, alas, all in vain. For if the heart and soul are empty, nothing can fill them.
Certainly not because he was not in love. He loved only himself. And, seeking the favor of Princess Mary, he only amused his male pride. He didn't particularly care about her feelings, at least his own feelings and feelings were much more important to him. Competition with Grushnitsky, the breaking of an impregnable beauty - for him it is only entertainment, an attempt to brighten up the monotonous everyday life. And although everyone traditionally pities Mary, it seems to me that Pechorin was a bright event in his life. He gave her what he wanted for himself.
To annoy Grushnitsky, who was in love with the princess.
At the same time, test your strength, whether you can charm, fall in love with a girl who, perhaps, is passionate about another.
Out of purely sporting interest. In his complete indifference to her, he directly admitted during the decisive meeting with the princess, when the final points were placed in these strange relationships. He even admitted that he deserved her contempt. Poor, poor princess. She can only sympathize.
Most likely, Pechorin had one main goal - sports interest. This person is simply not used to giving up something, on the contrary, he is used to achieving his goal. And of course, he wanted to test his strength and amuse his male pride.
He was bored, and besides, he had a reputation for always getting his way. It seemed funny to him to win Mary's love, because she was impregnable, besides, a friend was in love with her. Pechorin was an egoist and respected only his own desires and whims.
Firstly, Pechorin simply had nothing to do, he was bored. Secondly, he wanted to play tricks on Grushnitsky. Well, thirdly, Pechorin was used to getting his way, to win, so for him it was just a game in which he wanted to win, from nothing to do, that's all.
In general, all the works of Mikhail Yuryevich Lermontov are absolutely amazing and exciting. This affects both youth and some opposition to the current government, as well as the influence of such famous literary figures as, for example, A.S. Pushkin.
By the way, Pechorin Grigory Aleksandrovich was a fictional character, which already introduces into the work a certain semblance of imagery, partly inherited from Onegin (A.S. Pushkin), partly the fruit of his own experiences.
The famous novel A Hero of Our Time was written by M.Yu. Lermontov in 1838-1840, and the adaptation of the novel, in our time, was carried out in feature film Princess Mary in 1955 by the no less famous director Isidor Annensky.
In the novel, as in many works of the writer, the characters are tormented by contradictions. Sometimes the power of torment reached such intensity that people were ready to go to the end, and even lose everything in this life, which was far from the last members of secular society.
As always, the focus is on the relationship between a man and a woman, between friends, and between participants in the legal field, which is the state. Again dueling and injured and dead people. Everything that was inherent in that time, because then questions and concepts of honor very clearly appeared in the title role of everything that happened.
The dichotomous situation between love, friendship, devotion and rivalry has never led to good.
Why did he strive?
Of course, as in all centuries, the stumbling block or grain of contention was the attention of a noble person, her location. We live and act intuitively sometimes, and if we feel that we need to do just that, although common sense tells us not to do it, we still, in spite of everything, often do sometimes irreversible actions.
So it is here, the chemistry of the brain, as Herzen once said.
Most likely, the bored Pechorin sought Mary's love just for the sake of interest and curiosity - what will come of it? Will he be able to achieve the location of this impregnable beauty? So he had no love for Mary.
In "Princess Mary" the human soul is revealed to us. We see that Grigory Alexandrovich Pechorin is a contradictory, ambiguous person. He himself says before the duel: “Some will say: he was a good fellow, others - a bastard. Both will be false." And indeed, this story shows us and good qualities young man(poetic nature, extraordinary mind, insight) and bad traits of his character (terrible selfishness). And indeed, real man is not exclusively good or bad.
The chapter "Princess Mary" shows the confrontation between Pechorin and Grushnitsky.
Both characters meet like old friends. Pechorin is self-confident, reasonable, selfish, mercilessly caustic (sometimes beyond measure). At the same time, he sees Grushnitsky through and through, and laughs at him. Their dissimilarity and rejection of each other do not prevent them from communicating and spending a lot of time together.
Almost simultaneously they saw Princess Mary for the first time. From that moment, a thin crack lay between them, which eventually turned into an abyss. Grushnitsky - a provincial romantic - is seriously fond of the princess. Pechorin's eternal enemy - boredom - makes him infuriate the princess with various petty antics. All this is done without a shadow of hostility, but solely out of a desire to entertain oneself.
Pechorin makes the princess fall in love with him out of a desire to dispel boredom, to annoy Grushnitsky, or God knows from what else. After all, even he himself does not understand why he does this: Mary, Pechorin believes, he does not love. Main character true to himself: for the sake of entertainment, he invades the life of another person.
“What am I fussing about? "- he asks himself and answers:" There is an immense pleasure in the possession of a young, barely blossoming soul! "That's selfishness! And besides suffering, he can bring nothing to either Pechorin or others.
The more the princess becomes interested in Pechorin (after all, she is much more interested in him than with an ingenuous boy), the wider the gap between him and Grushnitsky becomes. The situation is heating up, mutual hostility is growing. Pechorin's prophecy that they will someday "collide on the narrow road" is beginning to come true.
A duel is the denouement of the relationship between two heroes. She approached inexorably as the road became too narrow for two.
On the day of the duel, Pechorin experiences cold anger. They tried to deceive him, but he cannot forgive this. Grushnitsky, on the contrary, is very nervous and tries with all his might to avert the inevitable. He behaved in Lately unworthy, spreading rumors about Pechorin, and tried in every possible way to put him in a black light. You can hate a person for this, you can punish him, despise him, but you cannot deprive him of his life. But this does not bother Pechorin. He kills Grushnitsky and leaves without looking back. The death of a former friend does not awaken any emotions in him.
Pechorin confesses to Mary that such a society of the Grushnitskys made of him " moral cripple» . It can be seen that this "disease" is progressing: the debilitating feeling of emptiness, boredom, loneliness is increasingly taking over the main character. At the end of the story, already in the fortress, he no longer sees those bright colors that pleased him so much in the Caucasus. "Boring," he concludes.
"Princess Mary" shows us the true tragedy of Grigory Pechorin. After all, he spends such a remarkable nature, enormous energy on trifles, on petty intrigues.
The story "Princess Mary" follows "Taman", it tells about the events of Pechorin's forty-day stay at the healing waters in Pyatigorsk and Kislovodsk. Interestingly, if the main events in "Taman" took place at night, then the story "Princess Mary" begins at five in the morning (by the way, at five in the morning the hero returns home and at the end of the story, without catching up with his beloved - Vera). Thus, the beginning of the story “Princess Mary” is connected with the morning and the hope for renewal, which Pechorin expects to find in love and friendship, the end with disappointment and losses, in which, according to Lermontov, not only the hero himself is guilty, but also mistakes, common to all people.
There are five main characters in the work: Pechorin, Grushnitsky and Dr. Werner, Princess Mary and Vera. The relationship between them is distributed as follows: Pechorin has developed a trusting relationship with two heroes, these are “confidants” - Vera and Dr. Werner (it is they who leave Pechorin at the end of the story), the other two act as opponents of the hero, “opponents” - Princess Mary, love which Pechorin seeks, and Grushnitsky, who competes with him and is capable of killing (in the final, Pechorin leaves Princess Mary and kills Grushnitsky in a duel). Thus, the plot of the story forms love conflict as rivalry (Pechorin - Princess), subordination (Pechorin - Vera), conflict of hostility-friendship as hatred (Pechorin - Grushnitsky) and compliance (Pechorin - Dr. Werner).
The central intrigue of the story "Princess Mary" is Pechorin's desire to seduce Princess Mary, to fall in love with her. Pechorin's behavior towards the girl is traditionally considered selfish and immoral, and the attitude towards Vera is the use of her love for him. At the usual, everyday and partly psychological level of approach to the plot, this point of view is justified. However, since Lermontov, through this plot, solves not only questions of everyday morality, but also deep problems associated with understanding the essence of love, then when comprehending the story, one should not blame the hero or justify him, but try to understand exactly what problems the author raises and what idea he seeks to express. . So, in Pechorin’s entry of June 3, we read: “Vera loves me more than Princess Mary will ever love,” and this remark of the hero speaks of his doubts about true love.
Notice the similarity last phrases Grushnitsky and Princess Mary, addressed to Pechorin. Grushnitsky says: “I despise myself, but I hate you,” and Princess Mary: “I hate you.” One gets the impression that the purpose of Pechorin's intrigue in relation to the former cadet and the young princess was to hear words of hatred. The ending of the story is, of course, connected with the phrases uttered by Grushnitsky and Pechorin at its beginning. Grushnitsky, assuming a pictorial pose, speaks loudly in French so that the princess can hear him: “My dear, I hate people in order not to despise them, otherwise life would be too disgusting farce”; Pechorin answers him also in French with a similar phrase: "My dear, I despise women so as not to love them, because otherwise life would be too ridiculous a melodrama." From these statements it follows that the main feelings that denote relationships between people in the story are contempt, hatred, love.
Lermontov's story "Princess Mary" is written according to the laws of drama, as if it were intended to be staged. The diary entries that the hero keeps are reminiscent of theatrical phenomena, the natural landscape is a theater, the key places of action (a well, Pechorin's apartment, mountains) are scenery. The genres of the performances are also named: comedy, farce, melodrama. The text of the story is made in two literary forms: diary and memoirs. The diary entries cover all the days of the story, and only the last three days are given in the form of memoirs, presenting the events as the tragedy of Pechorin's life: he loses everything he hoped for - love and friendship.
The chapter "Princess Mary" is central in the Pechorin's Journal, where the hero in diary entries reveals his soul. Their last conversation - Pechorin and Princess Mary - logically completes storyline complex relationships, drawing a line over this intrigue. Pechorin consciously and prudently achieves the love of the princess, having built his behavior with knowledge of the matter. For what? Just so he doesn't get bored. The main thing for Pechorin is to subordinate everything to his will, to show power over people. After a number of calculated actions, he achieved that the girl was the first to confess her love to him, but now she is not interesting to him. After a duel with Grushnitsky, he received an order to go to fortress N and went to the princess to say goodbye. The princess learns that Pechorin defended the honor of Mary and considers him noble man, she is most concerned about the condition of her daughter, because Mary is sick from experiences, so the princess openly invites Pechorin to marry her daughter. She can be understood: she wants Mary to be happy. But Pechorin cannot answer her anything: he asks permission to explain himself to Mary herself. The princess is forced to yield. Pechorin has already said how afraid he is to part with his freedom, and after a conversation with the princess, he can no longer find in his heart a spark of love for Mary. When he saw Mary, pale, emaciated, he was shocked by the change that had taken place in her. The girl looked in his eyes for at least "something like hope", tried to smile with pale lips, but Pechorin is stern and implacable. He says that he laughed at her and Mary should despise him, making a logical, but such a cruel conclusion: “Consequently, you cannot love me ...” The girl suffers, tears shine in her eyes, and everything she can barely whisper clearly, “Oh my God!” In this scene, Pechorin's reflection is especially clearly revealed - the bifurcation of his consciousness, which he spoke about earlier, that two people live in him - one acts, "the other thinks and judges him." The acting Pechorin is cruel and deprives the girl of any hope for happiness, and the one who analyzes his words and actions admits: “It became unbearable: another minute, and I would have fallen at her feet.” He explains in a "firm voice" that he cannot marry Mary, and hopes that she will change her love for contempt for him - after all, he himself is aware of the baseness of his act. Mary, "pale as marble", with sparkling eyes, says that she hates him.
The consciousness that Pechorin played with her feelings, wounded pride turned Mary's love into hatred. Insulted in her first deep and pure feeling, Mary now is unlikely to be able to trust people again and regain her former peace of mind. The cruelty and immorality of Pechorin in this scene are revealed quite clearly, but it also reveals how hard it is for this person to live according to the principles imposed on himself, how hard it is not to succumb to natural human feelings - compassion, mercy, repentance. This is the tragedy of a hero who himself admits that he will not be able to live in a quiet peaceful harbor. He compares himself to a sailor of a robber brig who languishes on the shore and dreams of storms and wrecks, because for him life is a struggle, overcoming dangers, storms and battles, and, unfortunately, Mary becomes a victim of such an understanding of life.
The chapter “Princess Mary” is the central one in the “Pechorin Journal”, where the hero reveals his soul in diary entries. Their last conversation - Pechorin and Princess Mary - logically completes the storyline of a complex relationship, drawing a line over this intrigue. Pechorin consciously and prudently achieves the love of the princess, having built his behavior with knowledge of the matter. For what? Just so he doesn't get bored. The main thing for Pechorin is to subordinate everything to his will, to show power over people. After a number of calculated actions, he achieved that the girl
The first confessed her love to him, but now she is not interesting to him. After a duel with Grushnitsky, he received an order to go to fortress N and went to the princess to say goodbye. The princess learns that Pechorin defended the honor of Mary and considers him a noble person, she is most concerned about the condition of her daughter, because Mary is sick from experiences, so the princess openly invites Pechorin to marry her daughter. She can be understood: she wants Mary to be happy. But Pechorin cannot answer her anything: he asks permission to explain himself to Mary herself. The princess is forced to yield. Pechorin has already said how afraid he is to part with his freedom, and after a conversation with the princess, he can no longer find in his heart a spark of love for Mary. When he saw Mary, pale, emaciated, he was shocked by the change that had taken place in her. The girl looked in his eyes for at least "something like hope", tried to smile with pale lips, but Pechorin is stern and implacable. He says that he laughed at her and Mary should despise him, making a logical, but such a cruel conclusion: “Consequently, you cannot love me ...” The girl suffers, tears shine in her eyes, and everything she can barely whisper clearly, “Oh my God!” In this scene, Pechorin's reflection is especially clearly revealed - the bifurcation of his consciousness, which he spoke about earlier, that two people live in him - one acts, "the other thinks and judges him." The acting Pechorin is cruel and deprives the girl of any hope for happiness, and the one who analyzes his words and actions admits: “It became unbearable: another minute, and I would have fallen at her feet.” He explains in a "firm voice" that he cannot marry Mary, and hopes that she will change her love for contempt for him - after all, he himself is aware of the baseness of his act. Mary, "pale as marble", with sparkling eyes, says that she hates him.
The consciousness that Pechorin played with her feelings, wounded pride turned Mary's love into hatred. Offended in her first deep and pure feeling, Mary is now unlikely to be able to trust people again and regain her former peace of mind. The cruelty and immorality of Pechorin in this scene are revealed quite clearly, but it also reveals how hard it is for this person to live according to the principles imposed on himself, how hard it is not to succumb to natural human feelings - compassion, mercy, repentance. This is the tragedy of a hero who himself admits that he will not be able to live in a quiet peaceful harbor. He compares himself to a sailor of a robber brig who languishes on the shore and dreams of storms and wrecks, because for him life is a struggle, overcoming dangers, storms and battles, and, unfortunately, Mary becomes a victim of such an understanding of life.
