Fedotov. Picky Bride
Municipal state-financed organization additional education
"DSHI Pochinkovsky district"
Lecture course.
History of paintings.
History of fine arts.
DKhSh.
Developer: teacher of the art department
MBU DO "DSHI Pochinkovsky district"
Kazakova Inna Viktorovna
2017
P. A. Fedotov. " Picky Bride».
The painting "The Picky Bride" was painted by P.A. Fedotov in 1847.
The painter borrowed her plot from Krylov. By the way, the picture itself
was created with the intention of honoring the memory of the great fabulist, recently
deceased, whose work Fedotov placed extremely highly.
The main character of the picture is a fastidious and arrogant old maid. From year to
for a year she refused all applicants for her hand and heart, and realized
only when the line of suitors has melted. Now she is happy with anyone
fiance, even a cripple.
Before us is an old maid and a smartly dressed hunchback offering her his
hand. Fedotov shows the decisive moment of the explanation. It's obvious that
this explanation will be followed by a marriage deal, so characteristic of
aristocratic environment. The external ugliness of the groom, thirsting for wealth,
balanced by the moral ugliness of the bride. Parents,
peeping from behind the curtains, exacerbate the feeling of hypocrisy and falsehood.
The painting “The Picky Bride” vividly demonstrated the picturesque
artist's skill. Fedotov masterfully conveys overflows of matter
bridesmaid dresses, the glitter of gilded frames and the texture of wooden
surfaces. All furnishings of the room are necessary and appropriate. TO
for example, a top hat with gloves overturned by a frisky groom exacerbates
comicality of the situation.
In the film "The Picky Bride" Fedotov showed excellent
knowledge of manners and the ability to create accurate psychological portraits.
The painter is by no means inclined to treat his heroes with sympathy -
rather, their images are permeated with merciless satire.
Description of the painting by Fedotov “The Picky Bride”
Fedotov's painting "The Picky Bride" depicts a funny matchmaking scene.
The action takes place in a luxurious room, the walls of which are decorated with paintings in gilded frames.
The room is furnished with expensive carved furniture, there is also a cage with a large parrot.
In the center of the picture is the same choosy bride who sits in front of the groom in a magnificent iridescent dress.
She is no longer as young as before, such women in those days were ranked among the old maids.
Her beauty has already faded, but she still lives with her parents and was not married.
Before her on one knee is the long-awaited groom.
He is not at all handsome, which the girl dreamed of in early years.
The groom is hunchbacked, ugly and already balding.
He looks at the bride with a look full of expectation.
A man wants to hear the cherished phrase: "I agree!".
His top hat, gloves and cane are scattered on the floor.
The feeling that he ran to the bride, hastily threw his things on the floor and is waiting for the decision of the picky bride.
To the right of the groom is a small white dog, which, like him, is waiting to see if a no longer young woman will give consent.
Apparently, the bride's parents, hiding behind the curtain and waiting for an answer, add to the comical situation.
They have already completely despaired of marrying their daughter, and now a potential groom has come, and the parents are hoping for a positive response.
Everyone is waiting for the decision of the bride, because the fate of all those present depends on her word.
She is not young, all the contenders for the hand and heart have long been married, and she was still waiting for that ideal one, which she did not wait for.
Now she has no choice, she will have to marry the one who proposes or remain an old maid for life.
No matter how ugly the groom is, the discriminating bride has no one else to choose from.
Parents understand this and look forward to her answer.
The fate of the bride is predetermined, because thanks to her legibility, she had no choice at all.
The painting "The Picky Bride" was painted by P.A. Fedotov in 1847. The painter borrowed her plot from Krylov. By the way, the picture itself was created with the intention of honoring the memory of the great fabulist, who recently died, whose work Fedotov put extremely highly.
The main character of the picture is a fastidious and arrogant old maid. From year to year, she refused all applicants for her hand and heart, and she caught herself only when the line of suitors melted away. Now she is glad to any bridegroom, even a cripple.
Before us is an old maid and a smartly dressed hunchback, offering her his hand. Fedotov shows the decisive moment of the explanation. Obviously, this explanation will be followed by a marriage-deal, which is so characteristic in an aristocratic environment. The external ugliness of the groom, thirsting for wealth, is balanced by the moral ugliness of the bride. Parents peeping through curtains exacerbate the sense of hypocrisy and falsehood.
The painting "The Picky Bride" vividly demonstrated the artist's pictorial skill. Fedotov masterfully conveys the play of the matter of the bride's dress, the brilliance of gilded frames and the texture of wooden surfaces. All furnishings of the room are necessary and appropriate. For example, a top hat with gloves overturned by a frisky fiance exacerbates the comedy of the situation.
In the film "The Picky Bride" Fedotov demonstrated excellent knowledge of morals and the ability to create accurate psychological portraits. The painter is by no means inclined to treat his heroes with sympathy - rather, their images are permeated with merciless satire.
In addition to the description of the painting by P. A. Fedotov “The Picky Bride”, our website has collected many other descriptions of paintings by various artists, which can be used both in preparation for writing an essay on a painting, and simply for a more complete acquaintance with the work of famous masters of the past.
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First, a tale read somewhere. The father says to his son: "Let's go to the Gogol Museum today, Nikolai Vasilyevich Gogol is a very funny writer." And now the father walks between the windows, and the boy trudges behind him and moaning: "Dad, I'm not funny ... I'm not funny! Not-funny!"
In the Russian Museum, in front of Pavel Fedotov's painting "Major's Matchmaking", everyone becomes ridiculous. Specially observed: the most dreary spectator faces light up with sudden smiles. Either they rejoice at recognition - this work was replicated widely, even on postage stamp was. Whether the plot itself amuses. He really can not help but amuse.
At the time of Fedotov genre paintings considered art entertaining, base. The top of the hierarchy was occupied by historical canvases, biblical and ancient subjects. And everything that is "about life" is a topic that is not worthy of a real artist.
It's nice, after all, that everyone writes as he hears. What if from the charming Pavel Fedotov, who has been delighting us with "The Picky Bride", "Breakfast of an Aristocrat" for almost two hundred years, " Fresh cavalier", there were only paintings like "Meeting the Grand Duke in the Life Guards of the Finnish Regiment" or "Wade the rangers on maneuvers."
But life is an amazingly wise thing: it washed away all these official constructions with scenes of shabby everyday life. It was they who - clumsy, funny, sometimes almost shameful - remained interesting to the public many generations later. And they also helped poor fellow Fedotov, a poor officer, stuffed with Nikolaev drill, to enter the history of art forever.
Someone said: literature is divided into funny and bad. When you look at Fedotov's paintings, you believe that this also applies to other arts. Everything that is devoid of humor is lifeless and short-lived.
Interestingly, the artist himself was never married. And in "Major's Matchmaking", perhaps he realized his secret dream. It is no coincidence that in the first version of the picture, more sarcastic (it is stored in Tretyakov Gallery), Fedotov wrote the major-groom from himself. And the brave mustache that the hero twists in anticipation of the reception is quite recognizable.
It is generally accepted that Fedotov is ridiculing here his contemporary customs and customs: they say that marriage is a prudent deal when an impoverished rank and status is combined with low-grade capital. I want there to be a story about love, but it turns out, as always, about profit.
But marriage in the 19th century was not only the choice of a life partner, as we have. Rather, they chose life itself, its entire structure, way of life and perspective. It is as if today a young girl had to pass the exam at once, enter the desired university and find a job she likes with a fair salary and career prospects. A successful or unsuccessful marriage determined everything: the sphere of communication, the standard of living, the circle of acquaintances, the health and well-being of children. Nowadays, any decision can be played back. In the century before last, brides and grooms were deprived of such a right.
Well, how can you not lose your head from doubts and worries? Our heroine lost, rushing like a wounded bird. And her mother, still a very young woman, not yet forty, is trying to stop this flight - her lips folded in a tube clearly read: "Ku-u-ud, fool ?!" Involuntarily, you will recall Gogol's Agafya Tikhonovna with her identikit of the ideal groom.
Before the canvas "Major's Matchmaking" everyone becomes funny
Pavel Fedotov, who exchanged the service of the Guards for the wrong craft of the artist, was funny and observant. And he loved fables: he even corresponded with Ivan Andreevich Krylov himself. He also composed his paintings as fables - it is enough to give their full names:
"The old age of an artist who married without a dowry in the hope of his talent"
"The Picky Bride, or the Hunchbacked Groom"
"Out of Time Guest, or Breakfast of an Aristocrat"
"A Fresh Cavalier, or the Consequences of a Feast"
"The House Thief, or the Chest of Drawers Scene"
And with what performances he accompanied the exhibited works! For example, at the “Major’s Matchmaking” he pulled with a squeaky parsley accent: “But our bride will not foolishly find a place: A man! A stranger! Oh, what a shame! .. And a smart mother grab her dress! the hawk threatens the turtledove - the major is fat, dashing, his pocket is full of holes - he twists his mustache: I, they say, will get to the money! Moreover, these verses were sung by a man in a captain's uniform.
Yes, he laughs at his heroes, but he also loves them, and admires them, and sympathizes with them. So the bride on this canvas was dressed up in an almost wedding dress, and the samovar is a symbol of a comfortable home life and the fusion of two elements, fire and water, male and female. feminine, placed in the very center of the composition. But it is still unknown what the matchmaking will turn into. But the artist is in a hurry to rejoice for his heroes. Let them, funny and absurd, be happy.
In his diaries, Fedotov wrote: "Happy is he who can find poetry everywhere, pearling both a tear of sorrow and a tear of joy."
He could. And tried to teach it to others. It's after, in next generation, the Wanderers will appear with their love for the genre, Dostoevsky with the "tear of a child", Leskov and Ostrovsky with a variety of colors of philistine or merchant life. Pavel Fedotov, a poor officer endowed with the talents of a draftsman, cartoonist, writer and actor, was the forerunner of them all. And he was the first to introduce us to their heroes.
But he himself did not have time to marry: at the age of thirty-seven, he died in a lunatic asylum from a mental disorder. Funny.
