The picky bride 1847. Description of the painting “The picky bride” Fedotov

Painting by Pavel Fedotov Picky Bride"Written in 1847. With this picture, Fedotov paid tribute to the memory of the fabulist Krylov three years after his death. As a basis, the artist took Krylov's fable of the same name about a finicky beauty who for several years refused all suitors wooing her, until she realized herself, drawing attention to her fading skin ...

A beauty that hasn't faded yet

For the first who wooed her, she went,

And I'm glad, I was glad

What went for a cripple.

The unnatural emotional expression of the faces of the depicted attracts attention: the courteous indulgence of a middle-aged lady and the plea for the opportunity to be next to her by an already middle-aged gentleman, who understands that his chances are small: the groom is disgusting in appearance. However, the artist shows the bride's obvious interest in the next contender for her hand. Realizing the need for her consent this time, because apparently she had no choice left, she pretends to hesitate before entrusting herself to this ugly old man, although it is obvious that she has already made a decision, the announcement of which her parents are eagerly awaiting, watching the process behind the door. The groom's chic clothes - an expensive jacket, a shiny top hat, patent leather shoes - attract them much more than sincere feelings, and guarantee a "successful marriage."

The artist emphasizes the external ugliness of the groom with moral character his favourites. The abundance of cosmetics on her face betrays a desire to please and avoid rejection on his part.

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Painting by Pavel Fedotov Picky Bride: description, biography of the artist, customer reviews, other works of the author. A large catalog of paintings by Pavel Fedotov on the website of the online store BigArtShop.

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Pavel Andreevich Fedotov was born in Moscow in 1815 in the family of a titular adviser. His father during the time of Catherine served in the army, upon retirement he received the rank of lieutenant and the nobility.

Pavel, at the age of 11, was determined by his father in the First Moscow cadet corps where he showed the ability to military service, and in 1830 he was promoted to non-commissioned officer, and in 1832 - to sergeant major, and in the same year he graduated with honors.

During his studies, he was fond of mathematics and chemistry, and in free time- drawing.

In 1833, Fedotov was promoted to the first officer's rank, in 1834 he, with the rank of ensign, was sent to serve in the Finnish Life Guards Regiment in St. Petersburg, where he served for 10 years.

After three years of service, the young officer began to attend evening drawing lessons at the Academy of Arts, practiced at home, drawing portraits of his colleagues, scenes of regimental life, caricatures. The portraits turned out to be very similar, but the portrait of Grand Duke Mikhail Pavlovich, whose images were willingly bought, came out especially well from Fedotov's brush.

In the summer of 1837, Fedotov painted a watercolor painting "The Meeting of the Grand Duke", for which the prince himself granted the artist a diamond ring. This award, according to Fedotov, "finally imprinted in his soul artistic pride." After that, the artist began the painting “The Consecration of the Banners in Winter Palace updated after the fire. The still unfinished picture was presented to the Grand Duke, who, in turn, showed it to his august brother, which resulted in the highest command: “to grant the painting officer the voluntary right to leave the service and devote himself to painting with a maintenance of 100 rubles. banknotes per month.

After much deliberation, Pavel Andreevich nevertheless decided to take advantage of the royal favor: he submitted a letter of resignation, and in 1844 he was dismissed with the rank of captain and the right to wear a military uniform.

Despite the fact that now he had to live on a meager pension, the love of art helped to persistently go towards the intended goal - to become a real artist.

At first, Pavel Andreevich chose the battle genre for himself, but later he found his true calling in genre painting.

The fabulist Krylov, who saw some of Fedotov's works, helped the artist to decide on his choice and advised him to take up genre painting. Heeding this advice, Fedotov painted two oil paintings one after the other: “The Fresh Cavalier” and “The Picky Bride” and showed them to Bryullov, who was all-powerful in those years at the Academy of Arts, who was delighted. The Council of the Academy Fedotov was nominated for the title of academician and received a cash allowance, which allowed him to continue the begun painting "Major's Matchmaking"

After the exhibition of this picture, the Council of the Academy unanimously recognized the artist as an academician, the name of Fedotov became known to the general public, laudatory articles by critics appeared in magazines. Simultaneously with the “Major’s Matchmaking”, a poem became known that explained the meaning of this picture, composed by the artist himself. At the same time, it turned out that Fedotov from a young age loved to write poetry, fables, romances, which he himself set to music ...

However, despite the fact that by the beginning of the 1850s the well-deserved recognition came to the artist, success was overshadowed by the increased attention of censorship, which caused satirical orientation Fedotov's creativity and his adherence to principles. Patrons began to turn away from Fedotov.

Worries and disappointment, together with the constant strain of the mind, hands and eyes, especially when working in the evening and at night, had a devastating effect on Pavel Andreevich's health. The artist's eyesight worsened, he began to suffer from congestion of blood to the brain, frequent headaches, grew old beyond his years, and in his very character an increasingly noticeable change took place: cheerfulness and sociability were replaced by thoughtfulness and silence.

In the spring of 1852, Pavel Andreevich showed signs of an acute mental disorder. The people around him thought he was crazy.

Friends and the authorities of the Academy placed Fedotov in one of the private St. Petersburg hospitals for the mentally ill, and the sovereign granted him 500 rubles for his maintenance in this institution. Despite this, the disease progressed, and in the fall of 1852, acquaintances secured the transfer of Pavel Andreevich to the Hospital of All Who Sorrow on Peterhof Highway. Here Fedotov died on November 14 of the same year, forgotten by all but a few close friends.

The texture of the canvas, high-quality paints and large-format printing allow our reproductions of Pavel Fedotov to be as good as the original. The canvas will be stretched on a special stretcher, after which the picture can be framed in a baguette of your choice.

Painting by P.A. Fedotov "The Picky Bride" depicts a funny matchmaking scene. The action takes place in a luxurious room, the walls of which are decorated with paintings in gilded frames. The room is furnished with expensive carved furniture, there is also a cage with a large parrot. In the center of the picture is the same choosy bride who sits in front of the groom in a magnificent iridescent dress. She is no longer as young as before, such women in those days were ranked among the old maids. Her beauty has already faded, but she still lives with her parents and was not married.

Before her on one knee is the long-awaited groom. He is not at all handsome, which the girl dreamed of in early years. The groom is hunchbacked, ugly and already balding. He looks at the bride with a look full of expectation. A man wants to hear the cherished phrase: "I agree!". His top hat, gloves and cane are scattered on the floor. The feeling that he ran to the bride, hastily threw his things on the floor and is waiting for the decision of the picky bride. To the right of the groom is a small white dog, which, like him, is waiting to see if a no longer young woman will give consent. Apparently, the bride's parents, hiding behind the curtain and waiting for an answer, add to the comical situation. They have already completely despaired of marrying their daughter, and now a potential groom has come, and the parents are hoping for a positive response.

Everyone is waiting for the decision of the bride, because the fate of all those present depends on her word. She is not young, all the contenders for the hand and heart have long been married, and she was still waiting for that ideal one, which she did not wait for. Now she has no choice, she will have to marry the one who proposes or remain an old maid for life. No matter how ugly the groom is, the discriminating bride has no one else to choose from. Parents understand this and look forward to her answer. The fate of the bride is predetermined, because thanks to her legibility, she had no choice at all.

Municipal state-financed organization additional education
"DSHI Pochinkovsky district"
Lecture course.
History of paintings.
History of fine arts.
DKhSh.
Developer: teacher of the art department
MBU DO "DSHI Pochinkovsky district"
Kazakova Inna Viktorovna

2017
P. A. Fedotov. "The Distracted Bride".

The painting "The Picky Bride" was painted by P.A. Fedotov in 1847.
The painter borrowed her plot from Krylov. By the way, the picture itself
was created with the intention of honoring the memory of the great fabulist, recently
deceased, whose work Fedotov placed extremely highly.
The main character of the picture is a fastidious and arrogant old maid. From year to
for a year she refused all applicants for her hand and heart, and realized
only when the line of suitors has melted. Now she is happy with anyone
fiance, even a cripple.
Before us is an old maid and a smartly dressed hunchback offering her his
hand. Fedotov shows the decisive moment of the explanation. It's obvious that
this explanation will be followed by a marriage deal, so characteristic of
aristocratic environment. The external ugliness of the groom, thirsting for wealth,
balanced by the moral ugliness of the bride. Parents,
peeping from behind the curtains, exacerbate the feeling of hypocrisy and falsehood.

The painting “The Picky Bride” vividly demonstrated the picturesque
artist's skill. Fedotov masterfully conveys overflows of matter
bridesmaid dresses, the glitter of gilded frames and the texture of wooden
surfaces. All furnishings of the room are necessary and appropriate. TO
for example, a top hat with gloves overturned by a frisky groom exacerbates
comicality of the situation.
In the film "The Picky Bride" Fedotov showed excellent
knowledge of manners and the ability to create accurate psychological portraits.
The painter is by no means inclined to treat his heroes with sympathy -
rather, their images are permeated with merciless satire.

First, a tale read somewhere. The father says to his son: "Let's go to the Gogol Museum today, Nikolai Vasilyevich Gogol is a very funny writer." And now the father walks between the windows, and the boy trudges behind him and moaning: "Dad, I'm not funny ... I'm not funny! Not-funny!"

In the Russian Museum, in front of Pavel Fedotov's painting "Major's Matchmaking", everyone becomes ridiculous. Specially observed: the most dreary spectator faces light up with sudden smiles. Either they rejoice at recognition - this work was replicated widely, even on postage stamp was. Whether the plot itself amuses. He really can not help but amuse.

In the time of Fedotov, genre paintings were considered entertaining, base art. The top of the hierarchy was occupied by historical canvases, biblical and ancient subjects. And everything that is "about life" is a topic that is not worthy of a real artist.

It's nice, after all, that everyone writes as he hears. What if from the charming Pavel Fedotov, who has been delighting us with "The Picky Bride", "Breakfast of an Aristocrat" for almost two hundred years, " Fresh cavalier", there were only paintings like "Meeting the Grand Duke in the Life Guards of the Finnish Regiment" or "Wade the rangers on maneuvers."

But life is an amazingly wise thing: it washed away all these official constructions with scenes of shabby everyday life. It was they who - clumsy, funny, sometimes almost shameful - remained interesting to the public many generations later. And they also helped poor fellow Fedotov, a poor officer, stuffed with Nikolaev drill, to enter the history of art forever.

Someone said: literature is divided into funny and bad. When you look at Fedotov's paintings, you believe that this also applies to other arts. Everything that is devoid of humor is lifeless and short-lived.

Interestingly, the artist himself was never married. And in "Major's Matchmaking", perhaps he realized his secret dream. It is no coincidence that in the first version of the picture, more sarcastic (it is stored in Tretyakov Gallery), Fedotov wrote the major-groom from himself. And the brave mustache that the hero twists in anticipation of the reception is quite recognizable.

It is generally accepted that Fedotov is ridiculing here his contemporary customs and customs: they say that marriage is a prudent deal when an impoverished rank and status is combined with low-grade capital. I want there to be a story about love, but it turns out, as always, about profit.

But marriage in the 19th century was not only the choice of a life partner, as we have. Rather, they chose life itself, its entire structure, way of life and perspective. It is as if today a young girl had to pass the exam at once, enter the desired university and find a job she likes with a fair salary and career prospects. A successful or unsuccessful marriage determined everything: the sphere of communication, the standard of living, the circle of acquaintances, the health and well-being of children. Nowadays, any decision can be played back. In the century before last, brides and grooms were deprived of such a right.

Well, how can you not lose your head from doubts and worries? Our heroine lost, rushing like a wounded bird. And her mother, still a very young woman, not yet forty, is trying to stop this flight - her lips folded in a tube clearly read: "Ku-u-ud, fool ?!" Involuntarily, you will recall Gogol's Agafya Tikhonovna with her identikit of the ideal groom.

Before the canvas "Major's Matchmaking" everyone becomes funny

Pavel Fedotov, who exchanged the service of the Guards for the wrong craft of the artist, was funny and observant. And he loved fables: he even corresponded with Ivan Andreevich Krylov himself. He also composed his paintings as fables - it is enough to give their full names:

"The old age of an artist who married without a dowry in the hope of his talent"

"The Picky Bride, or the Hunchbacked Groom"

"Out of Time Guest, or Breakfast of an Aristocrat"

"A Fresh Cavalier, or the Consequences of a Feast"

"The House Thief, or the Chest of Drawers Scene"

And with what performances he accompanied the exhibited works! For example, at the “Major’s Matchmaking” he pulled with a squeaky parsley accent: “But our bride will not foolishly find a place: A man! A stranger! Oh, what a shame! .. And a smart mother grab her dress! the hawk threatens the turtledove - the major is fat, dashing, his pocket is full of holes - he twists his mustache: I, they say, will get to the money! Moreover, these verses were sung by a man in a captain's uniform.

Yes, he laughs at his heroes, but he also loves them, and admires them, and sympathizes with them. So the bride on this canvas was dressed up in an almost wedding dress, and the samovar is a symbol of a comfortable home life and the fusion of two elements, fire and water, male and female. feminine, placed in the very center of the composition. But it is still unknown what the matchmaking will turn into. But the artist is in a hurry to rejoice for his heroes. Let them, funny and absurd, be happy.

In his diaries, Fedotov wrote: "Happy is he who can find poetry everywhere, pearling both a tear of sorrow and a tear of joy."

He could. And tried to teach it to others. It's after, in next generation, the Wanderers will appear with their love for the genre, Dostoevsky with the "tear of a child", Leskov and Ostrovsky with a variety of colors of philistine or merchant life. Pavel Fedotov, a poor officer endowed with the talents of a draftsman, cartoonist, writer and actor, was the forerunner of them all. And he was the first to introduce us to their heroes.

But he himself did not have time to marry: at the age of thirty-seven, he died in a lunatic asylum from a mental disorder. Funny.

Description of the painting by Fedotov “The Picky Bride”

Fedotov's painting "The Picky Bride" depicts a funny matchmaking scene.
The action takes place in a luxurious room, the walls of which are decorated with paintings in gilded frames.
The room is furnished with expensive carved furniture, there is also a cage with a large parrot.
In the center of the picture is the same choosy bride who sits in front of the groom in a magnificent iridescent dress.
She is no longer as young as before, such women in those days were ranked among the old maids.
Her beauty has already faded, but she still lives with her parents and was not married.

Before her on one knee is the long-awaited groom.
He is not at all handsome, which the girl dreamed of in her youth.
The groom is hunchbacked, ugly and already balding.
He looks at the bride with a look full of expectation.
A man wants to hear the cherished phrase: "I agree!".
His top hat, gloves and cane are scattered on the floor.
The feeling that he ran to the bride, hastily threw his things on the floor and is waiting for the decision of the picky bride.
To the right of the groom is a small white dog, which, like him, is waiting to see if a no longer young woman will give consent.
Apparently, the bride's parents, hiding behind the curtain and waiting for an answer, add to the comical situation.
They have already completely despaired of marrying their daughter, and now a potential groom has come, and the parents are hoping for a positive response.

Everyone is waiting for the decision of the bride, because the fate of all those present depends on her word.
She is not young, all the contenders for the hand and heart have long been married, and she was still waiting for that ideal one, which she did not wait for.
Now she has no choice, she will have to marry the one who proposes or remain an old maid for life.
No matter how ugly the groom is, the discriminating bride has no one else to choose from.
Parents understand this and look forward to her answer.
The fate of the bride is predetermined, because thanks to her legibility, she had no choice at all.