Pechorin is a strange, terrible person. An essay on the topic: "why was Pechorin considered strange?"

(383 words) In the novel by Mikhail Yuryevich Lermontov "A Hero of Our Time" leading role played by Pechorin. Other characters serve as the frame for his character. They cannot be called secondary, each of them in its chapter has a great influence on the fate of Gregory.

Maksim Maksimych is a kind and simple man, staff captain. He is completely devoted to his work - service. The hero will never understand the worldview of his beloved friend, but despite this, after for long years separation from Pechorin, he is glad to wrap him in his arms. Maxim Maksimych has a simpler attitude to life, has nothing against society. But even such a good-natured man could not endear himself to Gregory for a long time. The hero of that time is cold as ice.

One of the main characters in the chapter "Princess Mary" is Grushnitsky, who pretends to be a demoted officer. Initially, the junker participates in love triangle: Grushnitsky - Mary - Pechorin, but soon Grigory pushes him into the background, as an unsuccessful opponent.

Lermontov portrays Grushnitsky as a romantic person. He likes to produce an effect, he tries to create a veil of secrecy around himself, but in reality he is just an imitator who puts on the mask of Pechorin, but does not cope with his role.

The closest person to Pechorin was Dr. Werner. Their life paths they are somewhat similar: they did not develop relationships with society, a rather skeptical outlook on life appeared early. The only thing that distinguishes them: Werner is poor, dreams of money, but does nothing for this, while Pechorin seeks to get at least a drop of pleasure without raising funds.

Gregory is also surrounded by ladies. First we meet Bela, a Circassian princess who was kidnapped by Pechorin. She is modest, proud and has a sense of her own dignity, but could not resist the charms of the kidnapper. Of all the women, she is the only victim who instilled guilt in the hero. Lermontov considers Vera to be a very special type of strong, intelligent and independent heroine. She alone was able to understand Pechorin's worldview and bind him to herself. She lived with love for Gregory all her life and was able to prove to him that he was also capable of love. And, thanks to Mary, the reader can observe how Pechorin's main vice is revealed: the desire for power. Mary is an educated and romantic person, but Pechorin notices two opposite principles in her: naturalness and secularity. Lermontov leaves her at a crossroads, and the reader is left in the dark whether she is broken or still finds the strength to overcome the lesson.

Analyzing Pechorin's environment, we see that he is the flesh of the flesh of the society in which he rotates. It gave birth to him, and it will destroy him.

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Pechorin is an ambiguous personality

The image of Pechorin in the novel "A Hero of Our Time" by Lermontov is an ambiguous image. It cannot be called positive, but it is not negative either. Many of his actions are worthy of condemnation, but it is also important to understand the motives of his behavior before making an assessment. The author called Pechorin a hero of his time, not because he recommended to be equal to him, and not because he wanted to ridicule him. He just showed a portrait typical representative that generation - extra person”- so that everyone can see what the social structure that disfigures the personality leads to.

Qualities of Pechorin

Knowledge of people

Can such a quality of Pechorin as an understanding of the psychology of people, the motives of their actions, be called bad? Another thing is that he uses it for other purposes. Instead of doing good, helping others, he plays with them, and these games, as a rule, end tragically. This was the end of the story with the mountain girl Bela, whom Pechorin persuaded her brother to steal. Having achieved the love of a freedom-loving girl, he lost interest in her, and soon Bela fell victim to the vengeful Kazbich.

Playing with Princess Mary also did not lead to anything good. Pechorin's intervention in her relationship with Grushnitsky resulted in broken heart princesses and death at the duel of Grushnitsky.

Ability to analyze

Pechorin demonstrates a brilliant ability to analyze in a conversation with Dr. Werner (chapter "Princess Mary"). He absolutely logically calculates that Princess Ligovskaya was interested in him, and not her daughter Mary. “You have a great gift for thinking,” Werner notes. However, this gift again does not find a worthy application. Pechorin could possibly do scientific discoveries, but he became disillusioned with the study of science, because he saw that in his society no one needed knowledge.

Independence from the opinions of others

The description of Pechorin in the novel "A Hero of Our Time" gives many a reason to accuse him of spiritual callousness. It would seem that he acted badly towards his old friend Maxim Maksimych. Upon learning that his colleague, with whom they ate more than one pood of salt together, stopped in the same city, Pechorin did not rush to meet him. Maksim Maksimych was very upset and offended by him. However, Pechorin is to blame, in fact, only for not living up to the old man's expectations. "Am I not the same?" - he reminded, nevertheless embracing Maxim Maksimych in a friendly way. Indeed, Pechorin never tries to portray himself as someone he is not, just to please others. He prefers to be rather than seem, always honest in the manifestation of his feelings, and from this point of view, his behavior deserves all approval. He also does not care what others say about him - Pechorin always does as he sees fit. IN modern conditions such qualities would be invaluable and would help him quickly achieve his goal, to fully realize himself.

Bravery

Courage and fearlessness are character traits due to which one could say “Pechorin is the hero of our time” without any ambiguity. They also appear on the hunt (Maxim Maksimych witnessed how Pechorin “went on a boar one on one”), and in a duel (he was not afraid to shoot with Grushnitsky on conditions that were obviously losing for him), and in a situation where it was necessary to pacify the raging drunken Cossack (chapter "Fatalist"). “... nothing will happen worse than death - and you can’t escape death,” Pechorin believes, and this conviction allows him to move forward more boldly. However, even the mortal danger he faced daily on Caucasian war, did not help him cope with boredom: he quickly got used to the buzz of Chechen bullets. It's obvious that military service was not his vocation, and therefore Pechorin's brilliant abilities in this area did not find further application. He decided to travel in the hope of finding a remedy for boredom "through storms and bad roads."

pride

Pechorin cannot be called conceited, greedy for praise, but he is proud enough. He is very hurt if a woman does not consider him the best and prefers another. And he strives by all means, by any means, to win her attention. This happened in the situation with Princess Mary, who at first liked Grushnitsky. From the analysis of Pechorin, which he himself does in his journal, it follows that it was important for him not so much to achieve the love of this girl as to recapture her from a competitor. “I also confess that an unpleasant, but familiar feeling ran lightly at that moment through my heart; this feeling - it was envy ... it is unlikely that there will be a young man who, having met a pretty woman who riveted his idle attention and suddenly clearly distinguishes another, who is equally unfamiliar to her, I say, there is hardly such a young man (of course, who lived in high society and accustomed to indulge his vanity), who would not be unpleasantly struck by this.

Pechorin loves to achieve victory in everything. He managed to switch Mary's interest to his own person, make the proud Bela his mistress, get a secret date from Vera, and outplay Grushnitsky in a duel. If he had a worthy cause, this desire to be the first would allow him to achieve tremendous success. But he has to give vent to his leadership in such a strange and destructive way.

selfishness

In the essay on the topic “Pechorin - the hero of our time”, one cannot fail to mention such a trait of his character as selfishness. He does not really care about the feelings and fates of other people who have become hostages of his whims, for him only the satisfaction of his own needs matters. Pechorin did not even spare Vera, the only woman whom he believed he really loved. He put her reputation at risk by visiting her at night in the absence of her husband. A vivid illustration of his dismissive, selfish attitude is his beloved horse, driven by him, who did not manage to catch up with the carriage with the departed Vera. On the way to Essentuki, Pechorin saw that “instead of a saddle, two ravens were sitting on his back.” Moreover, Pechorin sometimes enjoys the suffering of others. He imagines how Mary, after his incomprehensible behavior, "will spend the night without sleep and will cry", and this thought gives him "immense pleasure". “There are moments when I understand the Vampire…” he admits.

Pechorin's behavior is the result of the influence of circumstances

But can this bad character trait be called innate? Is Pechorin flawed from the very beginning, or was the living conditions made him so? Here is what he himself told Princess Mary: “... such was my fate from childhood. Everyone read on my face signs of bad feelings, which were not there; but they were supposed - and they were born. I was modest - they accused me of slyness: I became secretive ... I was ready to love the whole world - no one understood me: and I learned to hate ... I spoke the truth - they did not believe me: I began to deceive ... I became moral cripple».

Finding himself in an environment that does not correspond to his inner essence, Pechorin is forced to break himself, to become what he is not in reality. That's where this internal inconsistency, which left an imprint on his appearance. The author of the novel draws a portrait of Pechorin: laughter with non-laughing eyes, a daring and at the same time indifferently calm look, a straight frame, limp, like a Balzac young lady, when he sat down on a bench, and other "inconsistencies".

Pechorin himself realizes that he makes an ambiguous impression: “Some revere me worse, others better than I really am ... Some will say: he was a kind fellow, others a bastard. Both will be false." But the truth is that under the influence of external circumstances, his personality has undergone such complex and ugly deformations that it is no longer possible to separate the bad from the good, the real from the false.

In the novel A Hero of Our Time, the image of Pechorin is a moral, psychological portrait of a whole generation. How many of its representatives, having not found a response in the surrounding “soul to wonderful impulses”, were forced to adapt, become the same as everyone around, or die. The author of the novel, Mikhail Lermontov, whose life ended tragically and prematurely, was one of them.

Artwork test

Pechorin - main character novel by M.Yu. Lermontov "A Hero of Our Time". One of the most famous characters Russian classics, whose name has become a household name. The article provides information about the character from the work, quotation characteristic.

Full name

Grigory Alexandrovich Pechorin.

His name was ... Grigory Alexandrovich Pechorin. The little one was nice

Age

Once, in the autumn, a transport with provisions came; there was an officer in the transport, a young man of about twenty-five

Relation to other characters

Pechorin treated almost everyone around him with disdain. The only exceptions are, whom Pechorin considered equal to himself, and female characters that evoked feelings in him.

Pechorin's appearance

A young man of twenty-five. A striking feature is the never laughing eyes.

He was of average height; his slender, thin frame and broad shoulders proved a strong constitution, capable of enduring all the difficulties of a nomadic; his dusty velvet frock coat, buttoned only with the bottom two buttons, made it possible to see dazzlingly clean linen, exposing the habits of a decent person; his soiled gloves seemed purposely tailored to his small aristocratic hand, and when he took off one glove, I was surprised at the thinness of his pale fingers. His gait was careless and lazy, but I noticed that he did not wave his arms, a sure sign of a certain secretiveness of character. When he sank down on the bench, his straight frame bent, as if he did not have a single bone in his back; the position of his whole body showed some kind of nervous weakness: he sat as a thirty-year-old Balzac coquette sits. At first glance at his face, I would not have given him more than twenty-three years, although after that I was ready to give him thirty. There was something childlike in his smile. His skin had a kind of feminine tenderness; blond hair, curly by nature, so picturesquely outlined his pale, noble forehead, on which, only after a long observation, traces of wrinkles could be noticed. Despite the light color of his hair, his mustache and eyebrows were black - a sign of breed in a man, just like a black mane and a black tail in a white horse. He had a slightly upturned nose, dazzling white teeth, and brown eyes; I must say a few more words about the eyes.
First, they didn't laugh when he laughed! This is a sign - or an evil disposition, or a deep constant sadness. Their half-drooped lashes shone with a kind of phosphorescent sheen. It was the gleam of steel, dazzling but cold; his glance, short, but penetrating and heavy, left an unpleasant impression of an indiscreet question and might have seemed impudent if it had not been so indifferently calm. In general, he was very good-looking and had one of those original physiognomies that secular women especially like.

social status

An officer exiled to the Caucasus for some bad story, perhaps a duel.

Once, in the autumn, a transport with provisions came; there was an officer in the transport

I explained to them that I was an officer, I was going to the active detachment on official duty.

And what do I care about human joys and misfortunes, me, a wandering officer

I said your name... She knew it. Seems like your story made a lot of noise there...

At the same time, a wealthy aristocrat from St. Petersburg.

strong constitution ... not defeated by the depravity of metropolitan life

and besides, I have lackeys and money!

they looked at me with tender curiosity: the Petersburg cut of the frock coat misled them

I remarked to her that she must have met you in Petersburg, somewhere in the world...

empty travel carriage; its easy movement, comfortable arrangement and dapper appearance had some kind of foreign imprint.

Further fate

He died while returning from Persia.

I recently learned that Pechorin, returning from Persia, died.

Personality Pechorin

To say that Pechorin - unusual person is to say nothing. It intertwines the mind, knowledge of people, the utmost honesty towards oneself and the inability to find a goal in life and low morality. Because of these qualities, he constantly finds himself in tragic situations. His diary is striking in the sincerity of his assessment of his actions and desires.

Pechorin about himself

He himself speaks of himself as an unhappy person who cannot get away from boredom.

I have an unhappy character; Whether my upbringing made me that way, whether God created me that way, I don’t know; I only know that if I am the cause of the unhappiness of others, then I myself am no less unhappy; Of course, this is bad consolation for them - only the fact is that it is so. In my first youth, from the moment I left the care of my relatives, I began to enjoy wildly all the pleasures that money can get, and, of course, these pleasures disgusted me. Then I set off into the big world, and soon I also got tired of society; I fell in love with secular beauties and was loved - but their love only irritated my imagination and pride, and my heart remained empty ... I began to read, study - science was also tired; I saw that neither fame nor happiness depended on them in the least, because the most happy people- ignorant, and fame is luck, and to achieve it, you just need to be dexterous. Then I got bored ... Soon they transferred me to the Caucasus: this is the happiest time of my life. I hoped that boredom did not live under Chechen bullets - in vain: a month later I was so used to their buzzing and to the proximity of death that, really, I paid more attention to mosquitoes - and I became more bored than before, because I lost almost last hope. When I saw Bela in my house, when for the first time, holding her on my knees, I kissed her black curls, I, a fool, thought that she was an angel sent to me by compassionate fate ... I was mistaken again: the love of a savage woman is a little better than love noble lady; the ignorance and simple-heartedness of one are just as annoying as the coquetry of another. If you like, I still love her, I'm grateful to her for a few rather sweet minutes, I'll give my life for her - only I'm bored with her ... Whether I'm a fool or a villain, I don't know; but it is true that I am also very pitiable, maybe more than she: in me the soul is corrupted by light, the imagination is restless, the heart is insatiable; everything is not enough for me: I get used to sadness just as easily as to pleasure, and my life becomes emptier day by day; I have only one option: to travel. As soon as possible, I will go - just not to Europe, God forbid! - I'll go to America, to Arabia, to India - maybe I'll die somewhere on the road! At least I am sure that this last consolation will not soon be exhausted, with the help of storms and bad roads.

About your upbringing

Pechorin blames his behavior on improper upbringing in childhood, non-recognition of his true virtuous principles.

Yes, this has been my fate since childhood. Everyone read on my face signs of bad feelings, which were not there; but they were supposed - and they were born. I was modest - I was accused of slyness: I became secretive. I deeply felt good and evil; no one caressed me, everyone insulted me: I became vindictive; I was gloomy - other children are cheerful and talkative; I felt superior to them—I was placed inferior. I became envious. I was ready to love the whole world - no one understood me: and I learned to hate. My colorless youth flowed in the struggle with myself and the light; my best feelings, fearing ridicule, I buried in the depths of my heart: they died there. I told the truth - they did not believe me: I began to deceive; knowing well the light and springs of society, I became skilled in the science of life and saw how others without art were happy, enjoying the gift of those benefits that I so tirelessly sought. And then despair was born in my chest - not the despair that is cured at the muzzle of a pistol, but cold, powerless despair, hidden behind courtesy and a good-natured smile. I became a moral cripple: one half of my soul did not exist, it dried up, evaporated, died, I cut it off and threw it away, while the other moved and lived at the service of everyone, and no one noticed this, because no one knew about the existence of the deceased half of it; but now you have awakened in me the memory of her, and I have read her epitaph to you. To many, all epitaphs in general seem ridiculous, but not to me, especially when I remember what lies beneath them. However, I do not ask you to share my opinion: if my trick seems ridiculous to you, please laugh: I warn you that this will not upset me in the least.

On Passion and Pleasure

Pechorin often philosophizes, in particular, about the motives of actions, passions and true values.

But there is an immense pleasure in the possession of a young, barely blossoming soul! She is like a flower whose best fragrance evaporates towards the first ray of the sun; it must be torn off at that moment and, after breathing it to its fullest, throw it on the road: maybe someone will pick it up! I feel this insatiable greed within me, consuming everything that comes my way; I look at the sufferings and joys of others only in relation to myself, as food that supports my mental strength. I myself am no longer capable of madness under the influence of passion; my ambition is suppressed by circumstances, but it manifested itself in a different form, for ambition is nothing but a thirst for power, and my first pleasure is to subordinate everything that surrounds me to my will; arouse a feeling of love, devotion and fear for oneself - isn't this the first sign and the greatest triumph of power? To be the cause of suffering and joy for someone, without having any positive right to do so - is this not the sweetest food of our pride? And what is happiness? Intense pride. If I considered myself better, more powerful than anyone in the world, I would be happy; if everyone loved me, I would find in myself endless sources of love. Evil begets evil; the first suffering gives the idea of ​​the pleasure of torturing another; the idea of ​​evil cannot enter a person's head without him wanting to apply it to reality: ideas are organic creations, someone said: their birth already gives them a form, and this form is action; the one in whose head more ideas were born, he acts more than others; from this the genius, chained to the bureaucratic table, must die or go insane, just as a man with a powerful physique, with a sedentary life and a modest behavior, dies of apoplexy. Passions are nothing but ideas in their first development: they belong to the youth of the heart, and he is a fool who thinks to be agitated by them all his life: many calm rivers begin with noisy waterfalls, and not a single one jumps and foams to the very sea. But this calm is often a sign of great though hidden power; the fullness and depth of feelings and thoughts does not allow frantic impulses; the soul, suffering and enjoying, gives a strict account of everything and is convinced that it should be so; she knows that without thunderstorms, the constant heat of the sun will dry her up; she gets into her own life, - cherishes and punishes himself, like a beloved child. Only in this highest state of self-knowledge can a person appreciate the justice of God.

About fatal destiny

Pechorin knows what brings misfortune to people. Even considers himself an executioner:

I run through my memory of all my past and involuntarily ask myself: why did I live? for what purpose was I born?.. But, it is true, it existed, and, it is true, I had a high purpose, because I feel immense powers in my soul ... But I did not guess this purpose, I was carried away by the lures of empty and ungrateful passions; from their furnace I came out hard and cold as iron, but I lost forever the ardor of noble aspirations - the best light of life. And since then, how many times have I played the role of an ax in the hands of fate! As an instrument of execution, I fell on the heads of doomed victims, often without malice, always without regret ... My love did not bring happiness to anyone, because I did not sacrifice anything for those whom I loved: I loved for myself, for my own pleasure: I only satisfied strange need of the heart, greedily devouring their feelings, their joys and sufferings - and could never get enough. Thus, exhausted by hunger, he falls asleep and sees sumptuous food and sparkling wine in front of him; he devours with delight the aerial gifts of the imagination, and it seems to him easier; but just woke up - the dream disappears ... there remains a double hunger and despair!

I felt sad. And why was fate to throw me in a peaceful circle honest smugglers? Like a stone thrown into a smooth spring, I disturbed their calmness and, like a stone, I almost sank myself!

About women

Pechorin does not bypass the unflattering side of women, their logic and feelings. It becomes clear that women strong character he eschews for the sake of his weaknesses, because such people are not able to forgive him for indifference and spiritual stinginess, to understand and love him.

How to be? I have a premonition… Getting acquainted with a woman, I always accurately guessed whether she would love me or not….

What a woman will not do to upset her rival! I remember one fell in love with me because I loved another. There is nothing more paradoxical female mind; women are difficult to convince of anything, they must be brought to the point where they convince themselves; the order of evidence with which they destroy their warnings is very original; in order to learn their dialectics, one must overthrow everything in one's mind school rules logic.

I must admit that I definitely don’t like women with character: is it their business! .. True, now I remember: once, only once, I loved a woman with a strong will, whom I could never defeat ... maybe if I had met her five years later, we would have parted differently ...

About the fear of marriage

At the same time, Pechorin honestly admits to himself that he is afraid to marry. He even finds the reason for this - in childhood, a fortune teller predicted his death from an evil wife

I sometimes despise myself...isn't that why I despise others too?... I have become incapable of noble impulses; I'm afraid to seem ridiculous to myself. Someone else in my place would have offered the princess son coeur et sa fortune; but over me the word marry has some kind of magical power: no matter how passionately I love a woman, if she only makes me feel that I must marry her, forgive me, love! my heart turns to stone and nothing will warm it up again. I am ready for all sacrifices except this one; twenty times my life, I will even put my honor at stake ... but I will not sell my freedom. Why do I treasure her so much? what do I need in it?.. where am I preparing myself? what do I expect from the future?.. Really, absolutely nothing. This is some kind of innate fear, an inexplicable premonition ... After all, there are people who are unconsciously afraid of spiders, cockroaches, mice ... Should I confess? .. When I was still a child, one old woman wondered about me to my mother; she predicted to me death from an evil wife; This struck me deeply at the time; an irresistible aversion to marriage was born in my soul ... Meanwhile, something tells me that her prediction will come true; At least I will try to make it come true as soon as possible.

About enemies

Pechorin is not afraid of enemies and even rejoices when they are.

I am glad; I love enemies, although not in a Christian way. They amuse me, excite my blood. To be always on the alert, to catch every glance, the meaning of every word, to divine intentions, to destroy conspiracies, to pretend to be deceived, and suddenly with one push to topple the whole huge and laborious edifice of their cunning and plans - that's what I call life.

about friendship

According to Pechorin himself, he cannot be friends:

I am incapable of friendship: of two friends, one is always the slave of the other, although often neither of them admits this to himself; I cannot be a slave, and in this case commanding is tedious work, because at the same time it is necessary to deceive; and besides, I have lackeys and money!

About inferior people

Pechorin speaks badly about the disabled, seeing in them the inferiority of the soul.

But what to do? I am often inclined to prejudices... I confess that I have a strong prejudice against all the blind, crooked, deaf, dumb, legless, armless, humpbacked, and so on. I noticed that there is always some kind of strange relationship between the appearance of a person and his soul: as if with the loss of a member, the soul loses some feeling.

About fatalism

It is difficult to say for sure whether Pechorin believes in fate. Most likely he does not believe and even argued about it with. However, on the same evening he decided to try his luck and almost died. Pechorin is passionate and ready to say goodbye to life, he tests himself for strength. His determination and steadfastness even in the face of mortal danger amaze.

I like to doubt everything: this disposition of mind does not interfere with the decisiveness of character - on the contrary, as far as I am concerned, I always go ahead bolder when I do not know what awaits me. After all, nothing worse than death will happen - and death cannot be avoided!

After all this, how would it seem not to become a fatalist? But who knows for sure whether he is convinced of something or not? .. and how often we mistake for conviction a deception of the senses or a mistake of reason! ..

At that moment, a strange thought flashed through my head: like Vulich, I decided to try my luck.

The shot rang out just above my ear, the bullet tore off the epaulette

About death

Pechorin is not afraid of death. According to the hero, he has already seen and experienced everything possible in this life in dreams and dreams, and now he wanders aimlessly, having spent the most on fantasies. best qualities your soul.

Well? die so die! little loss to the world; And yes, I'm pretty bored too. I am like a man who yawns at a ball, who does not go to bed just because his carriage is not yet there. But the carriage is ready ... goodbye! ..

And perhaps tomorrow I will die!.. and not a single creature will remain on earth who would understand me completely. Some revere me worse, others better than I really ... Some will say: he was a kind fellow, others - a bastard. Both will be false. Is it worth living after this? and yet you live - out of curiosity: you expect something new ... Ridiculous and annoying!

Pechorin has a passion for fast driving

Despite all the internal contradictions and oddities of character, Pechorin is able to truly enjoy nature and the power of the elements; he, like M.Yu. Lermontov is in love with mountain landscapes and seeks salvation from his restless mind in them.

Returning home, I mounted and galloped into the steppe; I love to ride a hot horse through tall grass against the desert wind; I greedily swallow the fragrant air and direct my gaze into the blue distance, trying to catch the vague outlines of objects that are becoming clearer and clearer every minute. Whatever grief may lie on the heart, whatever anxiety may torment the thought, everything will dissipate in a minute; the soul will become light, the fatigue of the body will overcome the anxiety of the mind. There is no woman's gaze that I would not forget at the sight of curly mountains illuminated by the southern sun, at the sight of a blue sky, or listening to the noise of a stream falling from cliff to cliff.

1. Pechorin and his entourage. Disclosure of the character of the hero.
2. Pechorin and Maxim Maksimych.
3. Pechorin and Grushnitsky.
4. Werner's role in the story.

Grigory Aleksandrovich Pechorin, chief actor novel "A Hero of Our Time" by M. Yu. Lermontov, throughout the story rotates in different circles, among different strata of society. He is shown surrounded by secular society - his environment by position (in the chapter "Princess Mary"), among the highlanders ("Bela"), falls into the circle of smugglers ("Taman"), and does not find a suitable environment for himself. This is a lone hero. The author characterizes Pechorin through the mouths of minor heroes-narrators, his contemporaries. All these people perceive Grigory Alexandrovich and judge him differently, each from the height of his life experience. As a result, we have the opportunity to look at it from different angles. A portrait of the hero of the time gradually emerges before the reader. Who tells us about it? This is a nameless officer, Maxim Maksimych and Grigory Alexandrovich Pechorin himself, speaking to the reader through his diary.

Undoubtedly, he himself has the most accurate information about the hero, and the diary - a way to record your thoughts, can tell a lot about your master. How does Pechorin characterize himself? He admits that he cannot swim and has a prejudice against crippled people - he is frightened by "the strange relationship between the appearance of a person and his soul: as if, with the loss of a member, the soul loses some feeling." The incident with the smugglers helps us evaluate the hero as an inquisitive, risk-taking, decisive person. But, having left the peaceful smugglers, he is no longer interested in them, he does not care "for the joys and misfortunes of men." In "Princess Mary" Pechorin appears before us as an experimenter on others. He first arouses hatred in the princess, then kindling her love. Pechorin notes his passion to contradict, and this is what drives him - noticing that Mary singled out Grushnitsky, he is envious and wants to anger him. “Since I live and act, fate somehow always led me to the denouement of other people's dramas, as if without me no one could die or despair!” - Pechorin says about himself, thinking that his destiny is to destroy other people's hopes.

We also learn what the hero is capable of strong feeling. On the waters, he meets a woman whom Pechorin used to love. He calls her "the only woman in the world whom he would not be able to deceive", this is the only woman who accepted and understood in Pechorin "with all petty weaknesses, bad passions.

Now let's see what impression the hero makes on others. How does Maxim Maksimych perceive him? Pechorin is incomprehensible to him: “He was a nice fellow, I dare to assure you; just a little strange ... there are, really, such people who are written in their family that various unusual things must happen to them. Staff Captain Maksim Maksimych is the exact opposite of Pechorin, he is a man of a different era, a different upbringing and character, position. He can have warm sincere feelings for the hero, as for an old acquaintance, but he tries in vain to understand him. Pechorin and Maxim Maksimych perceive what surrounds them from completely opposite points of view. Maxim Maksimych will never challenge the orders of his superiors and think about them, and one of Pechorin's properties is to weigh everything. Maxim Maksimych speaks of him as a person "with whom one must certainly agree." The captain agrees with the customs of the highlanders, but Pechorin does not limit himself to any limits, as soon as he left the custody of his relatives, he wanted to experience all the pleasures: “My soul is spoiled by light, my imagination is restless, my heart is insatiable; everything is not enough for me; I get used to sadness just as easily as to pleasure, and my life becomes emptier day by day; I have only one remedy: to travel. chance meeting with Pechorin, Maxim Maksimych pleases, he is ready to throw himself on his neck, but Pechorin's coldness and indifference surprises the staff captain, although Grigory Alexandrovich tells him that he has remained the same.

How does the officer, the witness of his meeting with Maxim Maksimych, see Pechorin? He notices a careless lazy gait - a sign of some secretiveness of character, Grigory Alexandrovich's eyes did not laugh when he laughed. This, as the narrator says, "is a sign of either an evil temper, or a deep constant sadness." His gaze is indifferently calm.

The officer is much closer to Pechorin in age than Maxim Maksimych, so the hero is more understandable for him. What the staff captain does not understand in Pechorin's behavior, for an officer - character traits his contemporaries. After reviewing Pechorin's journal, the nameless officer tells the reader that "he was convinced of the sincerity of the one who so mercilessly exposed his own weaknesses and vices," because the story of the hero of our time is written without vanity.

Junker Grushnitsky is a dapper young man who speaks in pretentious pompous phrases and loves to recite. This young man expects to produce an effect and looks like a parody of Pechorin. What are Pechorin's words alone worth, that Grushnitsky is reputed to be a brave man, but this is not Russian courage - he rushes forward with a saber, closing his eyes. The reason for his arrival in the Caucasus "will remain an eternal mystery between him and heaven." Pechorin does not love him and feels the inevitability of a collision. Not only does Grushnitsky provoke him to a collision, taking Princess Mary out from under Pechorin's nose. Grushnitsky is arrogant and self-satisfied, Pechorin, on the other hand, behaves simply, at ease, like a spectator in a theater, where the play is played out according to the scenario he conceived and ends with a duel. In a duel, Grushnitsky is not honest - knowing that Pechorin's pistol is not loaded, he refuses to reconcile in order to make Pechorin a coward. Pechorin shows himself courageous and noble man. He invites Grushnitsky to remember that they were friends and to abandon slander. This infuriates the cadet - he demands to shoot, says that he despises himself and hates the hero, he will stab him at night from around the corner if he does not kill him now.

Dr. Werner, whose prototype was Lermontov's acquaintance, Dr. Mayer, can be called the person who understands Pechorin best of all. Pechorin himself characterizes Werner as "a remarkable man for many reasons." The skeptic, materialist and poet Werner, who studies the strings of the human heart, said that he would rather do a favor to an enemy than a friend; He was nicknamed Mephistopheles for his appearance. With Werner Pechorin it is easy, they could become friends, but the fact is that neither one nor the other considers friendship to be relations of equals. Here, it’s every man for himself: “The sad is funny to us, the funny is sad, but in general, in truth, we are rather indifferent to everything, except ourselves.” They fence themselves off from society with their union, it is easy for them together. They do not cause rejection in each other, while others turn away from them. Having started a story together with Grushnitsky and Princess Mary, they are waiting for entertainment from boredom.

Watching Werner, we can conclude that a little younger he was the same as the hero of our time: the same intellect, the same ironic mindset. What has time done to him? He became a disillusioned skeptic about everything. After the duel, Werner and Pechorin coldly part. Werner believes that Pechorin committed the deliberate murder of Grushnitsky, the hero himself is not disappointed - it has already become customary for him that people “know in advance all the bad sides of the act ..., even approve of it ... and then wash their hands and turn away indignantly from that who had the courage to take on the full burden of responsibility. Werner is interested in experiments on people only as a passive observer, while Pechorin is active and always goes to the end, analyzing everything that happened.

Pechorin is a hero of his time, but is time ready for such a hero? Alas, not yet. What would have become of Pechorin is unknown. Would he have been the same as Werner, giving up without a fight? The life of a hero of our time was interrupted on his way from Persia, leaving us no answer to this question.

So, "Hero of our time" - psychological novel, that is, a new word in Russian literature of the nineteenth century. This is a really special work for its time - it has a truly interesting structure: a Caucasian short story, travel notes, diary…. But still, the main goal of the work is to reveal the image of an unusual, at first glance, strange person - Grigory Pechorin. This is indeed an extraordinary, special person. And the reader traces this throughout the novel.

Who is Pechorin, and what is his the main tragedy? We see the hero from the most different people, and can thus compose it psychological picture. In the first chapters of the novel, one can see Grigory Pechorin through the eyes of Maxim Maksimych, a retired officer, a friend of the hero. “The man was strange,” he says. But an elderly officer lives in a different time, in a different world, and cannot give a complete and objective description. But already at the beginning of the novel, from the words of Maxim Maksimych, we understand that this is a special person. The next stage of disclosure image - description Pechorin as a wandering officer. He is closer to him both in age, and in views, and in terms of social circle, therefore, he can better reveal him inner world.

And the officer notices some features of appearance that are directly related to character. Much attention is paid to the description of gait, eyes, hands, figure. But the look is key. "His Eyes did not laugh when he laughed - this is a sign of either an evil disposition or an all-consuming sadness." And it is here that we are approaching the answer to the question: what is the tragedy of the hero? The most complete answer is presented in the part of the novel that illustrates the psychology of secular society - "Princess Mary". It is written in the form of a diary. And that is why we can talk about the real sincerity and genuineness of the story, because in the diary a person expresses feelings only for himself, and, as you know, it is pointless to lie to himself. And here Pechorin himself tells the reader about his tragedy. The text contains a large number of monologues in which the hero himself analyzes his actions, philosophizes about his destiny and inner world. AND the main problem it turns out that Pechorin constantly turns inward, evaluates his actions, words, which contributes to the discovery of his own vices and imperfections. And Pechorin says: “I have an innate passion to contradict ...” He fights with the outside world. It may seem that this is an angry and indifferent person, but this is by no means the case. His inner world is deep and vulnerable. He is tormented by the bitterness of misunderstanding by society. “Everyone read the signs of bad qualities on my face ...” Perhaps this is the main tragedy. He deeply felt good and evil, could love, but those around him did not understand, and his best qualities were strangled. All feelings were hidden in the most distant corners of the soul. He became a "moral cripple". And he himself writes that half of his soul is dead, and the other is barely alive. But she's alive! True feelings still live in Pechorin. But they are suffocated. In addition, the hero is tormented by boredom and loneliness. However, feelings break through in this man, when he runs after Vera, he falls and cries - it means he is still really a man! But suffering is an unbearable test for him. And you can see that the tragedy of Pechorin echoes the tragedy of Pushkin Onegin-Pechorin he cannot find recognition in life, he is not interested in science, the service is boring ...

Thus, there are several main problems: misunderstanding of society, lack of self-realization. And society did not understand Grigory Pechorin. He thought that he was destined for higher goals, but misunderstanding turned out to be a tragedy for him - he broke his life and divided his soul into two halves - dark and light.

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