Pierre Auguste Renoir show. Posters, reproductions of paintings by famous artists in high resolution good quality, clipart and large photos for download
There is a lot to dislike about Renoir. Too many nudes female figures reclining on ostentatious sofas like giant hens ready to be plucked. They are often too sugary to deeply move our imagination. His color effects may seem too sentimental and smooth.
And when Renoir painted landscapes (which he did much less often), he often and willingly leaned towards the color he expected. In short, you can immediately identify the convenient and familiar Renoir to us while walking around the Musée d'Orsay.
For example, here:
Paintings of the artist - "Railway bridge in Shatu"
Pierre Auguste Renoir - Pont du chemin de fer à Chatou, 1881 (Paris, Orsay)Or here:
Paintings of the artist - "The banks of the Seine in Champrossey"
Pierre Auguste Renoir - Banks of the Seine at Champrosay (La Seine à Champrosay), 1876 (Paris, Orsay) But not in Algerian landscapes.
The artist's paintings — “Algerian landscape. Savage ravine»
Renoir took a trip to Algiers (a French colony in North Africa) in 1881 and he was the only Impressionist to do so. He made a second trip to next year- but noticeably shorter than the first. A short immersion in Algerian life was enough. Oriental motifs did not fascinate other impressionists either - for many of them, the French hinterland was "deep enough." What Renoir saw in Algiers was very unusual. The bright, blazing colors of wild, unruly, and often unkempt nature took him by surprise. And the artist changed his usual style.
We see a ravine (gorge) in the countryside near the capital of Algeria - a wild and untamed desert area covered with shrubs, flowers, trees and grass. The title of the painting apparently alludes to some piquant incident that happened somewhere here, but we do not see any hint on the canvas.
Pierre Auguste Renoir - Algerian landscape. The ravine of the savage. (Paysage algérien, le ravin de la femme sauvage), 1881 (Paris, Orsay) It is impossible to determine exactly from what distance Renoir looked at this area - it seems that everything is next to us and directly in front of us without any intermediate stages. However, if you look closely, the far part of the ravine is lost in the haze and stretches the image. We feel both impressions almost simultaneously. It was as if Renoir's eye had swallowed whole the curvature and sprawl of the landscape, the delightful visual exuberance of the lines up, down and across.
It's all a bit like hair blowing in a wild, recalcitrant wind in all directions at once - pulsing, rippling back and forth, ever-changing and fickle.
Pierre Auguste Renoir - Algerian landscape. The ravine of the savage. (Paysage algérien, le ravin de la femme sauvage) , 1881 (Paris, Orsay) fragment 1 Not immediately our eye begins to move in the picture in a certain direction. Our gaze immediately stumbles upon another obstacle and returns by itself. Our visual walk across the surface of the painting is like a roller coaster—stormy, bumpy, invigorating, and exciting. Nothing happens for a long time and constantly in this picture. The style resembles early Fauvism rather than Impressionism.
The picture consists of a huge number of roughness and irregularities. Look, for example, at these menacing aloe thorns on foreground- and then immediately smoothness and smoothness, although not for long.
We also see how many, many individual brush strokes the artist has made. It seems that Renoir is no longer doing this in order to capture the effect of light - that would be quite in the spirit of impressionism, but rather to cope with the huge mass of leaves that the artist's eye has noticed.
Paintings of the artist - "Banana fields"
Pierre Auguste Renoir - Banana field (Champ de bananiers), 1881 (Paris, Orsay) Paintings of the artist - "Path in the tall grass"
This is one of Renoir's most recognizable landscapes. Path in tall grass- the result of joint work on the open air with Claude Monet. Here Renoir uses the same motif as Monet in Macach near Argenteuil: a meadow full of greenery and a woman with a boy.
Claude Monet - Poppies near Argenteuil (Coquelicots), 1873 (Paris, Orsay) Just like Monet, Renoir repeats this couple in the background. However, his figures are more expressive, they, and not poppies, are the central characters.
Pierre Auguste Renoir (Auguste Renoir) - Path in the tall grass (Chemin montant dans les hautes herbes) 1876- 1877 (Paris, Orsay) Renoir paints this picture in small strokes, as is customary with the Impressionists. But this manner was not organic for him. As he admitted, it allowed “to make a more gentle transition from one key to another, but such a technique gives a rough texture ... I can’t stand it. I like to stroke the picture with my hand.
Pierre Auguste Renoir - Path in the tall grass (Chemin montant dans les hautes herbes) 1876- 1877 (Paris, Orsay) fragment (the text uses materials from the article Michael Glover - Algerian Landscape. INPEDENDANT, March 2011 and the book by A. Kiselev "Landscapes of the Impressionists", Series "Great Canvases")
Pierre-Auguste Renoir is considered one of the leading figures in Impressionism. For all the time he created more than a thousand paintings. The artist was so devoted to painting that even being chained to wheelchair, he painted with a brush tied to his arm.
Renoir might not have become an artist. As a boy, he sang in the church choir, and the teacher seriously insisted that he be sent to study music. However, when the parents noticed how beautifully their son draws with charcoal on the walls, they sent him to an apprentice. He painted porcelain in the workshop of Mr. Levy.
13-year-old Renoir worked incredibly quickly and efficiently. The owner of the workshop did not know whether to rejoice at him or be upset. "Boy! And he makes so much money!” he sighed. Mr. Levy and lowered the rate young talent and transferred it to piecework, but still Pierre Auguste worked at such a speed that he soon earned so much money that they were enough to buy a house for his parents.
When Auguste Renoir was in the house of Richard Wagner, he managed to paint a portrait of the famous composer in just 35 minutes.
Despite the fact that Renoir's work is attributed to impressionism, the artist did not drive himself into the clear framework of a particular style. He experimented. After studying Renaissance painting, the artist's style of work was influenced by the paintings of Raphael and other masters of that era. This period of his work is called "Ingres" (derived from the name of the leader of European academicism of the 19th century, Jean-Auguste-Dominique Ingres).
The last 10 years of the 19th century are defined by art historians as Renoir's "mother-of-pearl" period. It was then that the painter actively experiments with color transitions, while maintaining his own individual style. His paintings are filled with a peculiar play of light and a special charm.
In 1897, the artist fell off his bicycle, breaking his arm. Against this background, he developed rheumatism. After another 13 years, Renoir had an attack of paralysis, which chained him to a wheelchair. But the desire to create paintings helped the artist to live. He asked the maid to tie the brush to her hand and continued to create.
Fame and universal recognition came to Renoir only in last years his life. When in 1917 the painting "Umbrellas" was exhibited at the London National Gallery, hundreds of letters began to come to the artist. People who saw his canvas congratulated Renoir on his success: “From the moment your painting was hung in the same row with the works of the old masters, we experienced the joy that our contemporary took his rightful place in European painting».
In 1919, a few months before his death, an already paralyzed Renoir arrived at the Louvre, only to see his painting in an art museum.
Renoir continues to make headlines even in the 21st century. In 2009, a woman bought a painting at a flea market for $7. Later it turned out that "Landscape on the banks of the Seine" belongs to the brush of Renoir and is estimated at between 75 and 100 thousand US dollars.
Not only the painting by Auguste Renoir, but also other works of art, ironically, ended up in flea markets. These
Pierre Auguste Renoir (fr. Pierre-Auguste Renoir; February 25, 1841, Limoges - December 3, 1919, Cagnes-sur-Mer) - French painter, graphic artist and sculptor, one of the main representatives of impressionism. Known, first of all, as a master of a secular portrait, not devoid of sentimentality. Renoir was the first of the Impressionists to win success with wealthy Parisians. In the mid 1880s. he actually broke with impressionism, returning to the linearity of classicism, to "engrysme". Father of the famous director Jean Renoir.
Auguste Renoir was born on February 25, 1841 in Limoges, a city in the south of Central France. Renoir was the sixth child of 7 children of the poor tailor Leonard Renoir (1799-1874) and his wife Marguerite (1807-1896).
In 1844 the Renoirs moved to Paris. Here Auguste enters the church choir at the great Cathedral of Saint-Eustache. He had such a voice that the choir director, Charles Gounod, tried to convince the boy's parents to send him to study music. But besides this, Auguste showed the gift of the artist. When he was 13 years old, he began to help the family, getting a job with a master, from whom he learned to paint porcelain plates and other dishes. In the evenings, Auguste attended a painting school.
In 1865, at the home of his friend, the painter Jules Le Coeur, he met the 16-year-old Lisa Treo. She soon became Renoir's lover and his favorite model. In 1870, their daughter Jeanne Marguerite was born - although Renoir refused to acknowledge his paternity officially. Their relationship continued until 1872, when Lisa left Renoir and married another.
creative career Renoir was interrupted in 1870-1871 when he was drafted into the army during Franco-Prussian War ended in a crushing defeat for France.
In 1890, Renoir married Alina Charigot, whom he had met ten years earlier when she was a 21-year-old seamstress. They already had a son, Pierre, born in 1885. After the wedding, they had two more sons - Jean, born in 1894, and Claude (known as "Coco"), born in 1901 and became one of his father's favorite models. By the time his family was finally formed, Renoir had achieved success and fame, was recognized as one of the leading artists of France and managed to receive the title of Knight of the Legion of Honor from the state.
Renoir's personal happiness and professional success were overshadowed by illness. In 1897, he broke his right arm in a fall from his bicycle. As a result, he developed rheumatism, from which the artist suffered until the end of his life. Because of this, it became difficult for Renoir to live in Paris, and in 1903 the Renoir family moved to an estate called "Colette" in the small town of Cagnes-sur-Mer.
After an attack of paralysis that occurred in 1912, despite two surgical operations, Renoir was chained to a wheelchair, but continued to paint with a brush that was put between his fingers by a nurse.
In the last years of his life, Renoir gained fame and universal recognition. In 1917, when his "Umbrellas" were exhibited in the London National Gallery, hundreds of British artists and just art lovers sent him congratulations, which said: “From the moment your painting was posted in the same row with the works of the old masters, we experienced the joy that our contemporary took his rightful place in European painting ". Renoir's painting was also exhibited at the Louvre. In August 1919 the artist in last time visited Paris to see her.
On December 2, 1919, at the age of 79, Pierre-Auguste Renoir died in Cagnes-sur-Mer from pneumonia. Buried in Essua.
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Renoir is attributed to one of the founders of classical impressionism, however, unlike the paintings of his colleagues, his painting developed in a different direction. He devoted his work to the techniques of transparent painting. Using completely new techniques for applying strokes, Renoir achieved a separate structure of his work, which greatly distinguishes his work from the school of the old masters.
Women in the paintings of Renoir
Paintings by Renoir, with the names of which is truly associated feminine charm, miraculously convey barely noticeable features of girlish beauty. He was an optimist and looked for the best manifestations in life, trying to preserve them with the help of the picturesque kinetics of his brushes.
As which emit light, he knew how to find and depict only joyful and happy faces. Largely due to this ability of his, as well as the love of love inherent in people, the creator made women the quintessence of his art.
Renoir's paintings with the titles "Joan Samary", "Ballerina", "Bathers" give out in him a connoisseur of female nature, who had his own ideal of beauty and was alien to conventions. The women in Auguste's paintings are recognizable, and anyone who has ever encountered the history of painting is able to recognize the master's hand. Each lady always looks from the canvas with eyes filled with a thirst for love and a craving for change. Among common features that are visible in all portraits of women artist, - all the ladies in the paintings have a small forehead and a heavy chin.
"Portrait of Jeanne Samary" and "Portrait of Henriette Hanriot"
In 1877, a personal exhibition of the artist's expositions was held within the framework of impressionism. Among the majority of works, Renoir's paintings with the titles "Portrait of Jeanne Samary" and "Portrait of Henriette Hanriot" aroused the greatest interest. The ladies depicted in the pictures are actresses. The author painted their portraits more than once. The paintings captured attention largely due to the skillfully created illusion of the mobility of the white-blue background, which gradually condenses around the outlines of the feminine Henriette and leads the viewer to her velvety brown eyes. Despite the fact that in general the exposition came out very kinetic and emotional, it at the same time remained motionless, with an emphasis on the contrast of dark brow ridges and supple red curls.
In a similar manner, Pierre Auguste Renoir, whose paintings are not famous for the placement of accents and detailing, painted a portrait of the charming Jeanne Samary. The figure of the actress seems to be molded from ornate purple strokes, which incredibly absorbed the entire possible color palette and at the same time retained the dominant red color. Renoir skillfully brings the viewer to the girl's face, drawing attention to the drawn mouth, eyes and even strands of hair. The background puts reflexes on the face of the actress with a purple blush, which fits very harmoniously into the image of the diva. The very body of the actress is filled with hasty strokes characteristic of the Impressionists.
Technical features of Renoir's performance
Pierre Auguste Renoir, whose paintings radiate the spirit of impressionism, continued to work until last days life, not allowing the disease to remove him from the colors. In addition to his love for the depiction of female nature, the artist became famous for his ability to effectively use color and work with paints that his colleagues in the craft rarely resorted to.
Auguste is one of the few who skillfully resorted to using a combination of black, gray and white colors on his canvases so that the paintings did not look “dirty”. The idea is to experiment with this colors visited the artist when he somehow sat and watched the raindrops. Many art historians notice that the artist can be called a master of the image of umbrellas, since he often resorted to this detail in his work.
For the most part, the master used white paint, Neapolitan yellow paint, cobalt blue, crown, ultramarine, kraplak, emerald green paint and vermilion for work, but their skillful combination gave rise to incredibly picturesque masterpieces. Closer to 1860, when impressionism was gaining momentum, color palette Renoir underwent changes and he began to resort to brighter shades, for example, red.
Monet's influence on Renoir's work
The case led Renoir to a meeting with no less significant for french art painter, Their fates intertwined, and for some time they lived in the same apartment, constantly honing their skills, depicting each other on canvases. Some critics argue that the similarities between their paintings are so obvious that, were it not for the caption in the lower left corner, it would technically be impossible to tell them apart. However, there are obvious differences in their work. For example, Monet focused on the play of light and shadow, thanks to which he created his own contrasts on canvases. Auguste appreciated color more as such, which makes his paintings more iridescent and full of light. Another fundamental difference in the work of painters was that the paintings of Renoir, with the names of which women are certainly associated, always gravitated towards the image human figures, while Claude Monet certainly led them into the background.
Pierre Auguste Renoir (fr. Pierre-Auguste Renoir). Born February 25, 1841 in Limoges - died December 3, 1919 in Cagnes-sur-Mer. French painter, graphic artist and sculptor, one of the main representatives of impressionism. Renoir is known primarily as a master of secular portraiture, he was the first of the Impressionists to find success with wealthy Parisians. In the mid 1880s. actually broke with impressionism, returning to the linearity of classicism, to engrism. Father of the famous director Jean Renoir.
Auguste Renoir was born on February 25, 1841 in Limoges, a city located in the south of Central France.
Renoir was the 6th child of 7 children of the poor tailor Leonard Renoir (1799-1874) and his wife Marguerite (1807-1896).
In 1844, the Renoirs moved to Paris, and here Auguste entered the church choir at the large Cathedral of Saint-Eustache. He had such a voice that the choir director, Charles Gounod, tried to convince the boy's parents to send him to study music. However, in addition to this, Auguste showed the gift of an artist, and when he was 13 years old, he began to help his family by getting a job with a master, from whom he learned to paint porcelain plates and other dishes. In the evenings, Auguste attended a painting school.
At the beginning of 1862, Renoir passed the exams for the School fine arts at the Academy of Arts and enrolled in the workshop of Gleyre. There he met with Fantin-Latour, Sisley, Basil and. Soon they became friends with Cezanne and Pissarro, so the backbone of the future Impressionist group was formed.
IN early years Renoir was influenced by the works of the Barbizons, Corot, Prudhon, Delacroix and Courbet.
In 1864, Gleyre closed the workshop, the training ended. Renoir began to paint his first canvases and then for the first time presented the painting "Esmeralda dancing among the tramps" to the Salon. She was accepted, but when the canvas was returned to him, the author destroyed it.
Having chosen genres for his works in those years, he did not change them until the end of his life. This is a landscape - "Jules le Coeur in the Forest of Fontainebleau" (1866), everyday scenes - "The Frog" (1869), "Pont Neuf" (1872), still life - "Spring Bouquet" (1866), "Still Life with a Bouquet and a Fan" (1871), portrait - "Lisa with an umbrella" (1867), "Odalisque" (1870), nude - "Diana the huntress" (1867).
In 1865, at the house of his friend, the painter Jules Le Coeur, he met a 16-year-old girl Lisa Treo, which soon became Renoir's lover and his favorite model.
In 1870, their daughter Jeanne Marguerite was born, although Renoir refused to acknowledge his paternity officially. Their relationship continued until 1872, when Lisa left Renoir and married another.
Renoir's creative career was interrupted in 1870-1871, when he was drafted into the army during the Franco-Prussian war, which ended in a crushing defeat for France.
In 1872, Renoir and his friends created "Anonymous cooperative partnership".
The first exhibition of the partnership opened on April 15, 1874. Renoir presented pastel and six paintings, among which were "Dancer" and "Lodge" (both - 1874). The exhibition ended in failure members of the partnership received an insulting nickname - "impressionists".
Despite poverty, it was during these years that the artist created his main masterpieces: Grands Boulevards (1875), Walk (1875), Ball at the Moulin de la Galette (1876), Nude (1876), Nude in the Sunlight" (1876), "Swing" (1876), "First Departure" (1876/1877), "Path in the Tall Grass" (1877).
Renoir gradually ceased to participate in exhibitions of the Impressionists. In 1879, he presented the full-figure Portrait of the Actress Jeanne Samary (1878) and Portrait of Madame Charpentier with Children (1878) to the Salon in 1879 and achieved universal recognition, and after that financial independence.
He continued to paint new canvases - in particular, the famous Clichy Boulevard (1880), Rowers' Breakfast (1881), On the Terrace (1881), which became famous. Renoir traveled to Algeria, then to Italy, where he became closely acquainted with the works of the Renaissance classics, after which his artistic taste changed. Ingres was the source of inspiration during this period, so art historians call this period in the artist's work "Ingres".
Renoir himself called this period "sour". He painted a series of paintings "Dance in the country" (1882/1883), "Dance in the city" (1883), "Dance in Bougival" (1883), as well as such canvases as "In the Garden" (1885) and "Umbrellas" (1881/1886), where the impressionist past is still visible, but Renoir's new approach to painting appears: environment written in an impressionistic manner, the figures are outlined with clear lines.
Most famous work this period - "Big bathers"(1884/1887). For the construction of the composition, the author first used sketches and sketches. The lines of the drawing became clear and defined. The colors lost their former brightness and saturation, the painting as a whole began to look more restrained and colder. For this work posed: Alina Sharigo - the artist's wife and Suzanne Valadon - Renoir's model and artist, mother of Maurice Utrillo.
In 1890, Renoir married Aline Charigot., whom he had met ten years earlier when she was a 21-year-old seamstress. They already had a son, Pierre, born in 1885, and after the wedding they had two more sons - Jean, born in 1894, and Claude (known as "Coco"), born in 1901 and became one of the most beloved models father.
By the time his family was finally formed, Renoir had achieved success and fame, was recognized as one of the leading artists of France and managed to receive the title of Knight of the Legion of Honor from the state.
In 1892, Durand-Ruel opened big exhibition paintings by Renoir, which was a great success. Recognition also came from government officials - the painting "Girls at the Piano" (1892) was purchased for the Luxembourg Museum.
Renoir traveled to Spain, where he got acquainted with the work of Velasquez and Goya.
In the early 90s, new changes took place in Renoir art. In a picturesque manner, an iridescence of color appeared, which is why this period is sometimes called "mother-of-pearl".
At this time, Renoir painted such paintings as "Apples and Flowers" (1895/1896), "Spring" (1897), "Son Jean" (1900), "Portrait of Mrs. Gaston Bernheim" (1901). He traveled to the Netherlands, where he was interested in the paintings of Vermeer and Rembrandt.
The "pearl" period gave way to the "red", so named because of the preference for shades of reddish and pink flowers.
Renoir continued to paint sunny landscapes, still lifes with bright colors, portraits of his children, naked women, created A Walk (1906), Portrait of Ambroise Vollard (1908), Gabriel in a Red Blouse (1910), Bouquet of Roses "(1909/1913)," Woman with a mandolin "(1919).
Renoir's personal happiness and professional success were overshadowed by illness. In 1897, Renoir broke his right arm after falling off his bicycle. As a result, he developed rheumatism, from which he suffered for the rest of his life. Rheumatism made it difficult for Renoir to live in Paris, and in 1903 the Renoir family moved to an estate called "Colette" in the small town of Cagnes-sur-Mer.
After an attack of paralysis that occurred in 1912, despite two surgical operations, Renoir was confined to a wheelchair, but continued to write with a brush that a nurse put between his fingers.
In the last years of his life, Renoir gained fame and universal recognition. In 1917, when he "Umbrellas" were exhibited at the London National Gallery, hundreds of British artists and just art lovers sent him congratulations, which said: “From the moment your painting was hung in the same row with the works of the old masters, we experienced the joy that our contemporary took its proper place in European painting.
Renoir's painting was also exhibited at the Louvre, and in August 1919 the artist visited Paris for the last time to look at it. On December 2, 1919, Pierre-Auguste Renoir died in Cagnes-sur-Mer from pneumonia at the age of 78. Buried in Essua.
