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Veronika Dzhioeva: “I feel bad without a stage. Veronika Dzhioeva: biography of the Russian star of the world opera - But you have your own home

"Singer from God" - this is how the Russian star of the world opera Veronika Dzhioeva is called. Among the images that this amazing woman embodied on stage are Tatiana (“Eugene Onegin”), the Countess (“The Wedding of Figaro”), Yaroslavna (“Prince Igor”), Lady Macbeth (“Macbeth”) and many others! It is about the owner of the divine soprano that will be discussed today.

Biography of Veronika Dzhioeva

Veronika Romanovna was born at the end of January 1979. The birthplace of the opera singer is the city of Tskhinvali in South Ossetia. In an interview, Veronica said that initially her father wanted her to become a gynecologist. True, he changed his mind in time and decided that his daughter should become an opera singer.

By the way, the father of Veronika Dzhioeva has a good tenor. He repeatedly heard that he should study vocals. However, during his youth, singing in Ossetia among men was considered completely unmanly. That is why Roman chose sports for himself. The father of the opera singer became a weightlifter.

Carier start

In 2000, Veronika Dzhioeva graduated from the art school in Vladikavkaz. The girl studied vocals in the class of N. I. Hestanova. After 5 years, she completed her studies at the St. Petersburg Conservatory, where she studied in the class of T. D. Novichenko. It is worth noting that the competition for admission to the conservatory was more than 500 people for one place.

For the first time, the girl appeared on stage in 1998. Then she performed at the Philharmonic. The debut as an opera singer with Veronika Dzhioeva took place in early 2004 - she performed the part of Mimi in Puccini's La bohème.

World recognition

Today, Dzhioeva is one of the most sought-after opera singers, and not only in Russian Federation but also outside of our country. Veronica has performed on the stages of Lithuania and Estonia, Italy and Japan, the United States of America and Spain, Great Britain and Germany. Among the images that Veronika Dzhioeva brought to life are the following:

Thais ("Thais", Massenet).
Countess (The Marriage of Figaro, Mozart).
Elizabeth ("Don Carlos", Verdi).
Martha ("The Passenger", Weinberg).
Tatiana ("Eugene Onegin", Tchaikovsky).
Michaela ("Carmen", Bizet).
Lady Macbeth (Macbeth, Verdi).

It is worth noting that Veronica is the leading soloist of three opera houses Russia: she performs on the stages of Novosibirsk, Mariinsky and Bolshoi Theater.

World recognition came to this opera singer after she performed the part of Fiordiligi in Mozart's Cosi fan tutte. On the capital's stage, Veronika Dzhioeva performed the part of Princess Urusova in Shchedrin's opera Boyarynya Morozova. Conquered the hearts of the audience and Zemfira from "Aleko" Rachmaninov. Veronica performed it at the end of the summer of 2007.

Residents of St. Petersburg remembered Dzhioeva and fell in love with her numerous premieres at the Mariinsky Theater. Pleased with Veronica and opera lovers in Seoul. In 2009, the premiere of "Carmen" by Bizet took place here. And, of course, the performance of Veronika Dzhioeva in La Boheme was a real triumph. Now Italian theaters in Bologna and Bari are happy to see the singer on their stage. The audience of Munich also applauded the opera diva. Here Veronika performed the part of Tatyana in the opera Eugene Onegin.

Dzhioeva's personal life

The family occupies a special place in the biography of Veronika Dzhioeva. The singer is happily married to Alim Shakhmametyev, who holds the position of chief conductor at the Novosibirsk Philharmonic chamber orchestra, and at the St. Petersburg Conservatory he directs the Bolshoi symphony orchestra.

The couple has two children - daughter Adriana and son Roman. By the way, the second time the audience did not even notice the absence of Veronica on stage: Opera singer she performed until the eighth month of pregnancy, and just a month after the birth of the baby, she returned to her favorite pastime again. Veronika Dzhioeva calls herself a wrong Ossetian woman. main reason she considers a dislike for cooking. But Veronica is a great wife and mother: order and mutual understanding always reign in her house.

Participation in the TV project "Big Opera"

In 2011, the southern beauty Veronika Dzhioeva became the winner of the Big Opera project. The opera diva entered the television competition at her own request, but against the wishes of her husband, colleagues and relatives.

A few years after the TV project, in an interview, Veronica said that it all started with a rehearsal of a number for New Year's program on the channel "Culture". It was the employees of this channel who told Dzhioeva about the competition.

The recording of the Bolshoi Opera program took place on Mondays, when the theater had a day off. Veronica confessed - then she thought that this would never happen in her life, and agreed to participate in the project. The singer's husband was categorically against it and argued that Veronica should not waste herself on trifles. Dissuaded diva and almost all friends. The character of Veronica played a big role in the choice - in spite of everyone, she said “Yes!”.

By the way, the voice of Dzhioeva often sounds in films, including the film "Vasilyevsky Island" and "Monte Cristo". Veronica also recorded an album called Opera arias. And in 2010, Pavel Golovkin's film "Winter Wave Solo" was released. This picture is dedicated to the work of Dzhioeva.

Despite the fact that the birthplace of the singer is Ossetia, Veronika positions herself as an opera singer from Russia. This is what is always indicated on the posters. However, there were also unpleasant situations abroad. For example, when several theatrical magazines and posters called Dzhioeva a "Georgian soprano". The singer was seriously angry, and the organizers had to not only apologize, but also seize all printed copies and publish posters and magazines again.

Veronica explains this very simply - she studied in St. Petersburg with Russian teachers. Georgia has nothing to do with this. influence the position opera diva armed conflicts Georgia and her homeland.

Awards

Veronika Dzhioeva is not only the winner of the Big Opera TV contest. She is a laureate of various competitions and festivals of opera performers. For example, in 2003 she became a laureate International Competition named after Glinka, in 2005 she became the winner of the Maria Gallas Grand Prix. Among the awards of Dzhioeva - theater awards"Paradise", "Golden Soffit" and " golden mask". It is worth noting that Veronika is an honored artist of two republics - South and North Ossetia.

, South Ossetian Autonomous Okrug, USSR

Veronika Romanovna Dzhioeva(Oset. Jiota Romana chyzg Veronica , January 29, Tskhinval, South Ossetian Autonomous Okrug, USSR) - Russian opera singer (soprano). People's Artist Republic of North Ossetia-Alania (). People's Artist of South Ossetia ().

Biography

parties

At the Bolshoi Theater:

Mimi (La Boheme by G. Puccini)
Donna Elvira (Don Juan by W. A. Mozart)
Gorislav (Ruslan and Lyudmila by M. Glinka)
Liu (Turandot by G. Puccini)
Elizabeth ("Don Carlos" G. Verdi)

In other theaters:

Leonora (Force of Destiny by G. Verdi)
Musetta (La Boheme by G. Puccini)
Fiordiligi (“Everybody Do It” by W. A. Mozart)
The Countess (The Marriage of Figaro by W. A. Mozart)
Urusova (Boyar Morozova by R. Shchedrin)
Zemfira (Aleko by S. Rachmaninov)
Tatyana (Eugene Onegin by P. Tchaikovsky)
Violetta (La Traviata by G. Verdi)
Michaela (Carmen by G. Bizet)
Elizabeth (Don Carlos by G. Verdi)
Lady Macbeth (Macbeth by G. Verdi)
Thais (Thais by J. Massenet)
Martha (" royal bride"N. Rimsky-Korsakov)

She sang soprano parts in Verdi and Mozart's Requiems, Mahler's Second Symphony, Beethoven's Ninth Symphony, Mozart's Grand Mass, Rachmaninov's poem The Bells.

Family

Awards

People's Artist of North Ossetia-Alania (2014)
Honored Artist of North Ossetia-Alania (2009)
Honored Artist of South Ossetia
Diploma of the Golden Mask festival (2008)
Winner of the competition "Big Opera"

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Notes

An excerpt characterizing Dzhioeva, Veronika Romanovna

- Whose company? - Prince Bagration asked the fireworks, standing by the boxes.
He asked: whose company? but in essence he was asking: are you not timid here? And the fireworker figured it out.
“Captain Tushin, Your Excellency,” shouted a red-haired fireworker with a freckled face, stretching out in a cheerful voice.
- So, so, - said Bagration, thinking something, and drove past the limbers to the extreme gun.
While he was driving up, a shot rang out from this cannon, deafening him and his retinue, and in the smoke that suddenly surrounded the cannon, artillerymen were visible, grabbing the cannon and, hastily straining, rolling it back to its original place. A broad-shouldered, huge soldier of the 1st with a banner, legs wide apart, jumped back to the wheel. The 2nd, with a trembling hand, put a charge into the muzzle. A small, round-shouldered man, officer Tushin, stumbled on his trunk and ran forward without noticing the general and looking out from under his small hand.
“Add two more lines, that’s exactly what will happen,” he shouted in a thin voice, to which he tried to give a youthfulness that did not suit his figure. - Second! he squeaked. - Crush, Medvedev!
Bagration called out to the officer, and Tushin, with a timid and awkward movement, not at all like the military salute, but like the priests bless, putting three fingers to the visor, approached the general. Although Tushin's guns were assigned to bombard the hollow, he fired fire-brandskugels at the village of Shengraben, which was visible ahead, in front of which large masses of the French advanced.
No one ordered Tushin where and with what to shoot, and he, after consulting with his sergeant major Zakharchenko, for whom he had great respect, decided that it would be good to set fire to the village. "Fine!" Bagration said to the report of the officer and began to look around the entire battlefield that opened before him, as if thinking something. On the right side, the French came closest. Below the height on which the Kiev regiment stood, in the hollow of the river, the erratic rumble of guns was heard, and much to the right, behind the dragoons, the retinue officer pointed out to the prince at the French column that was bypassing our flank. To the left the horizon was limited to a close forest. Prince Bagration ordered two battalions from the center to go for reinforcements to the right. The retinue officer dared to remark to the prince that after the departure of these battalions, the guns would be left without cover. Prince Bagration turned to the retinue officer and looked at him with dull eyes in silence. It seemed to Prince Andrei that the remark of the retinue officer was just and that there really was nothing to say. But at this time an adjutant galloped up from the regimental commander, who was in the hollow, with the news that huge masses of the French were coming down, that the regiment was upset and was retreating to the Kyiv grenadiers. Prince Bagration bowed his head in agreement and approval. He walked at a pace to the right and sent an adjutant to the dragoons with orders to attack the French. But the adjutant sent there arrived half an hour later with the news that the dragoon regimental commander had already retreated beyond the ravine, for strong fire had been directed against him, and he was wasting people in vain and therefore hurried shooters into the forest.
- Fine! Bagration said.
While he was driving away from the battery, shots were also heard to the left in the forest, and since it was too far to the left flank to have time to arrive on time himself, Prince Bagration sent Zherkov there to tell the senior general, the same one who represented the regiment to Kutuzov in Braunau, so that he retreats as quickly as possible behind the ravine, because the right flank will probably not be able to hold the enemy for a long time. About Tushin, and the battalion that covered him, was forgotten. Prince Andrei carefully listened to the conversations of Prince Bagration with the chiefs and to the orders he gave, and noticed to his surprise that no orders were given, and that Prince Bagration only tried to pretend that everything that was done out of necessity, chance and the will of private chiefs, that all this was done, if not by his order, but according to his intentions. Thanks to the tact shown by Prince Bagration, Prince Andrei noticed that, despite this randomness of events and their independence from the will of the chief, his presence did an extremely great deal. The commanders, who drove up to Prince Bagration with upset faces, became calm, the soldiers and officers greeted him cheerfully and became livelier in his presence and, apparently, flaunted their courage in front of him.

Honored Artist of Russia
People's Artist of the Republics of South Ossetia and North Ossetia
Laureate of international competitions
Diploma of National theater festivals"Golden Mask"

Graduated from the St. Petersburg Rimsky-Korsakov Conservatory in vocal class (class of Prof. T. D. Novichenko). In the troupe of the Novosibirsk Opera and Ballet Theater since 2006.

On the stage of the theater she performed about 20 leading opera parts, including: Martha (Rimsky-Korsakov’s The Tsar’s Bride), Zemfira (Rakhmaninov’s Aleko), Princess Urusova (Shchedrin’s Boyarina Morozova), Fiordiligi (They Do It all” by Mozart), Countess (“Marriage of Figaro” by Mozart), Tatiana (“Eugene Onegin” by Tchaikovsky), Elizabeth (“Don Carlos” by Verdi), Lady Macbeth (“Macbeth” by Verdi), Violetta (“La Traviata” by Verdi), Aida ("Aida" by Verdi), Mimi and Musetta ("La Boheme" by Puccini), Liu and Turandot ("Turandot" by Puccini), Michaela ("Carmen" by Bizet), Tosca ("Tosca" by Puccini), Amelia ("Un ball in masquerade" Verdi), Yaroslavna ("Prince Igor" by Borodin), as well as solo parts in Mozart's Requiem, Beethoven's Ninth Symphony, Verdi's Requiem, Mahler's Second Symphony, Rossini's Stabat mater. Has an extensive repertoire of works contemporary composers, including works by R. Shchedrin, B. Tishchenko, M. Minkov, M. Tanonov and others. She toured with the troupe of the Novosibirsk Opera and Ballet Theater in South Korea, Thailand.

Guest soloist of the Bolshoi Theater of Russia. Performs on the stages of leading theaters and concert halls of the world, takes part in productions and concert programs in Russia, China, South Korea, Great Britain, Spain, Italy, Japan, USA, Estonia and Lithuania, Germany, Finland and other countries. Collaborates well with European theaters, including Teatro Petruzzelli (Bari), Teatro Comunale (Bologna), Teatro Real (Madrid). In Palermo (Teatro Massimo) she sang the title role in Donizetti's opera "Maria Stuart", at the Hamburg Opera - the part of Yaroslavna ("Prince Igor"). The Real Theater successfully hosted the premiere of Puccini's Sisters Angelica with the participation of Veronika Dzhioeva. In the US, the singer made her debut at the Houston Opera as Donna Elvira. In 2011 in Munich and Lucerne she performed the part of Tatiana in Eugene Onegin with the Bavarian Radio Symphony Orchestra conducted by Mariss Jansons, with whom she continued her collaboration with the soprano part in Mahler's 2nd Symphony with the Royal Concertgebouw Orchestra in Amsterdam, St. Petersburg and Moscow. In past seasons, she performed as Elvira at the Teatro Philharmonico in Verona, then she performed the part of Aida with maestro P. Furnillier at the Finnish Opera. On the stage of the Prague Opera she sang the premiere as Iolanta (Maestro Jan Latham König), then the premiere of Un Ballo in Maschera. In the same year she performed the soprano part in Verdi's Requiem under the baton of maestro Jaroslav Kinzling in Prague. She has toured with the London Symphony Orchestra and with maestro Jacques van Steen in the UK (London, Warwick, Bedford). With maestro Hartmut Heanheal performed the soprano part on stage concert hall Bozar in Brussels. In Valencia, she sang the part of Madina in the opera "The Gap" staged famous director P. Azorina. On the stage of the main concert hall in Stockholm, she performed the soprano part in Verdi's Requiem. In March 2016, Veronica performed on stage at the Geneva Opera House as Fiordiligi. In November 2017, she sang the part of Tatiana in Japan with maestro Vladimir Fedoseev.

Constantly participates in music festivals in Russia and abroad. In 2017, the first festival of Veronika Dzhioeva took place on the stage of the Novosibirsk Opera. Also, the singer's personalized festivals are held in her homeland in Alanya and Moscow.

In the nearest plans of the singer, the performance of the part of Amelia on stage Czech Opera, parts of Aida on the stage of the Zurich Opera, Leonora and Turandot on the stage of the Finnish Opera.

In May 2018, Veronika Dzhioeva was awarded the honorary title of Honored Artist of the Russian Federation.

She is called nothing more than a "singer from God", "opera diva" or "one of the best sopranos of our time." Her name is well-known not only because Veronika Dzhioeva comes from the long-suffering Tskhinval or because the singer's husband, conductor Alim Shakhmametyev, leads the Novosibirsk Philharmonic Chamber Orchestra. The very talent of Veronica makes her talk about her, write and run to her concerts. In Novosibirsk, they are rare, because Veronika Dzhioeva is a man of the world. So it is customary to express it when you were born in one place, live in another, keep your way to the third and the stage for you is the whole world. But it's good that the people of Novosibirsk can at least occasionally - in the Philharmonic, where we met, or in the Opera and Ballet Theater - hear this free and strong voice.

- You are a stray bird with us, Veronika, so I would like to start by asking: what marked the beginning of your cooperation with Novosibirsk?

– It all started in 2005, when I participated in the Maria Callas competition (the competition takes place in Athens. - Author's note). When I performed in the third round, the conductor Teodor Currentzis, who arrived there, approached me. He told what is music director and chief conductor of the orchestra of the Novosibirsk State academic theater opera and ballet. And he really wants me to sing in his theater. And then I just got to the Mariinsky Theater after graduating from the St. Petersburg Conservatory and at first shrugged my shoulders in bewilderment: why should I go to Siberia? At the time, I had no idea what level it was! Now I know that in Novosibirsk there are strong singers and musicians, wonderful orchestras. And the Philharmonic Chamber Orchestra, led by Alim (singer's husband, Alim Anvyarovich Shakhmametyev. - Author's note), - he will give odds to many orchestras in St. Petersburg and Moscow. And then I was in no hurry to Siberia. But Currentzis did not calm down, he called me from time to time, and here is the result - I am here. Since 2006 I have been working as a guest soloist.

- What was the last argument in favor of Novosibirsk?

“At first I came just to hear the Currentzis orchestra, to see how Teodor works…

- ... We even have such an expression: "Theodore of Opera and Ballet." Have you heard?

- No, but I was told a lot about Currentzis in St. Petersburg. And it also influenced that he studied with my classmate, a Greek tenor, who after some time began to sing incomparably better. I came to the exam, to cheer for a classmate, and was amazed at the changes. Now I felt it for myself: no one else works the way Currentzis works with vocalists! After him it is difficult to return to other conductors. Now I am again, since November last year, working at the Mariinsky Theatre. I just sang two La Traviatas... Now Don Carlos with my participation will be shown at the Mariinsky Theater, then Aida. A lot of everything. The performances are one more interesting than the other! There will be work in Tallinn - the Germans are staging Tais, an opera by Jules Massenet. Interesting opera, it is extremely rarely embodied in the stage version. By the way, on March 12, I will have a concert at the Novosibirsk Opera House, where I will sing excerpts from this opera. Under the piano Come!

I work with great enthusiasm both here, with Theodore, and there, in St. Petersburg, abroad. I am grateful to Theodore for believing in me and the possibilities of my voice, and this gave me an impetus. We, singers, on the one hand, are such a commodity - you either like it or not, your school is scolded or praised. And all this is subjective! Intrigue is a well-known thing in creative environment. But Theodore is far from them. On the other hand, we are narcissists. It is very important for us to know that you are artistic, that you are admired, that you good voice. Currentzis gave me confidence, pressure. In addition, he is my person in spirit. If you see how we communicate during rehearsals, you will understand everything. I myself am the same - eccentric, impulsive. And he is unexpected, indefatigable, works 15 hours a day. You can see it at the concert: he feels me - I understand him.

- And was it that you yourself threw him some musical ideas?

No, it's better not to argue with him. In music, he is a tyrant: as he said, so it should be. But then you realize: everything is justified. This is proved by the projects that I did with him. Cosi Fantutti, for example (another name for this opera by Mozart is “Everyone does it.” - Author's note).

– But you said that now you are also working with other orchestras, with other conductors?

- Yes. Just yesterday, in Moscow, in Great Hall I sang Mozart's Requiem at the conservatory. The orchestra was directed by conductor Vladimir Minin. It was big concert dedicated to the memory of Patriarch of Moscow and All Rus' Alexy II. The whole beau monde was present, famous people musicians, actors, directors.

- So you are from the ball to the ship, that is, to the plane? And to us?

- Yes Yes Yes! (Laughs.) And Moscow began to invite me, I think, thanks to Currentzis. After his "Cosi Fantutti" the press was especially favorable to me. It was even noted that this is the best debut of the year. With Currentzis, I also sang Vatican music of the 20th century. Also in Moscow. And after that, the reviews wrote that I became a sensation because I sang in an unusual manner, very low voice. Cosi Fantutti, Don Carlos, Macbeth, Figaro's Marriage - I did all these projects with Currentzis. As a matter of fact, La Traviata also goes into this piggy bank. After Theodore heard me sing the aria of Traviata, he said: "Let's do a concert performance of the opera." This is where it all started. He conducted, convincing me that it was not the coloratura that was called upon to sing this part, but voices like mine, strong and with technique. It is no secret that people from the Caucasus are distinguished by their strong timbre. And also the Italians. Many people say to me: "Your voice is of Italian quality." It means a strong soprano, with mobility. The soprano is usually legato. (“legato” is a musical term meaning “connected, smooth.” - Author's note), and to have a technique is rare.

– A few years ago, I was accredited to music festival"Budapest Spring". And we worked together with the Frenchwoman Monique, a critic from Paris. When on one of opera performances there was a replacement and a Russian tenor appeared on the stage instead of a sick English artist, Monique immediately reacted: “The Russian is singing.” She didn't need a program! And the opera was performed in Italian. Tell me, is it really possible to immediately, by one voice timbre, determine nationality?

- Not the nationality itself, but rather the school. But nature is also important, of course. The conditions in which the voice was formed, heredity - all together. The most beautiful voices, in my opinion, are in multinational Russia. We have just been in Erfurt, visiting a very famous professor, a friend of my husband, now he teaches Russian music in Germany. So he told us so: “You come to the opera, if you like your voice, then the singer is from Russia.”

What about the famous Italian bel canto? And after all, your voice, as you said, is also compared with Italian?

- Yes, it is, but it is no coincidence that our people sing everywhere abroad. We are in great demand. Perhaps the reason for this is also the fact that we sing everything: Russian music, German, Italian. Italians cannot sing with such high quality in such a repertoire range.

- A Italian do you own enough?

- The Italians themselves say that my Italian is good, with the correct pronunciation. Recently, La Scala agents approached me, after some time in the course of the conversation, they asked: “Besides Italian, what language do you still speak?” They took it for granted that I spoke fluent Italian. Although music taught me Italian.

- Here's another question, almost intimate for people in your profession. How does your condition affect the sound of your voice?

- Oh, it's different. People don't know sometimes what kind of people we go on stage. Sick, upset, anxious. Or lovers, happy, but overly worried. Life bursts into music all the time. And there's nothing you can do about it. But an artist is an artist to overcome himself. Everyone fails, believe me. I sang in the best theaters peace, I know what I'm talking about. But failures depend on many things, and successes depend only on yourself. And also from those who work with you: from musicians, from other singers, from the conductor. Good luck doesn't just happen!

- Veronica, talking with the singer about life without talking about her work is nonsense. That's why we started our conversation from the stage. And, perhaps, one more amateur question... Do you have a favorite composer?

– Verdi and Puccini are meant for me, for my voice. This oil is what you need. But I would like to perform more: Bellini, Donizetti, Rossini. And, of course, Mozart. Puccini, if I had my way, I would later begin to sing. In the meantime, the voice is young, beautiful and strong - Bellini would sing. The operas "Puritanes", "Norma", "Lucrezia Borgia" ... This is mine!

- But any woman, even if she is a singer, and maybe especially if she is a singer, has something else in her life, which also makes up the meaning of her existence. Relatives, home… Were you born in Ossetia?

– I was born in Tskhinvali. Tom himself. I'll tell you about my parents. My dad- unique person He had an amazing voice. And he worked in the Nakaduli group in Tbilisi. This is "Rodnik" in Georgian. Before, everything was peaceful... Yes, and now among my father's friends there are Georgians, because in art there are no such barriers as in politics. Moreover, it was these people who helped dad move to Germany, where he now lives. At one time he was told: "You must become opera singer". And he became a weightlifter! Honored Coach. In the Caucasus, it was a shame to sing if you were a man. My father's name is Roman Dzhioev. He owns the piano, plays the guitar beautifully, he has an unusual voice.

- And your mother, is she also related to music?

- No, my mother has nothing to do with music. She is a quiet family person. She devoted herself to her husband and children. We have three parents. My sister Inga is very musical, now she lives in Ossetia. Inga and I sang a lot together in childhood. She also studied vocals, but ... became a lawyer. And we also have a younger brother Shamil. I'm proud of it, I live it. We all raised him! Shamil speaks five languages, he is very capable, you know, such an athlete with books. Dad went to Germany for him, he wanted to give the guy the opportunity to study in Europe. In Ossetia, you know, life is difficult now. And the other side of my personal life is my husband Alim. If it wasn't for him, I wouldn't have made much of a difference. I would not go to any Callas competition. And Theodora would not have met there. Alim is a gift for me as a woman.

- Tell me, how did you and your husband meet? What is your love story?

– We were inspired to love by the opera La bohème. This is the first opera I have done with Alim. He was a young conductor, he worked for us at the conservatory. I came to the sing. I saw him, I thought: "So young and so talented." And then a current ran between us ... The music contributed to this, of course. I sang seven performances with him - and from the overture our romance moved on to the denouement ... Alim really has been given a lot from God. As in childhood he was a child prodigy, he remained an outstanding personality: he succeeds in everything. And he also studied with such musicians, such masters as Kozlov and Musin. He found the great professors, imbued with the spirit of their music. What can I say if Tishchenko himself dedicated a symphony to him! And Tishchenko is unique! The most brilliant composer, student of Shostakovich. My husband gave me a lot both as a musician and as a man. This is my other half. Next to such a person, I will only develop! And his family is wonderful. Remember the Soviet adventure film "Kortik"? So here it is a little boy who played in this film is Alim's dad. As a child, he was taken throughout the Union to meet with the audience when the film was released. And my husband’s mother, my mother-in-law… Despite what they usually say about the relationship between mother-in-law and daughter-in-law… She always supports me. We come - for her joy. Cooks a lot of delicious food at once. And thanks to her, I have no life! I don't go to the stove at all!

But do you have your own house?

- I'm not at home. (Whispers, playfully.) Everything is scattered! We have an apartment in St. Petersburg, but I come there as if I were in a hotel. St. Petersburg, Moscow, Novosibirsk, a little abroad ... And I also have a son who lives in Ossetia. His name is the same as my father, Roman. He is 13 years old and already big boy and made his own choice. He said his masculine word: "I am Ossetian - and I will live in my homeland, in Ossetia." He did not like St. Petersburg.

- During the war, I read in the press, your son was just in Tskhinval?

- Yes. Two days before the war, I went on tour. Even then, shots were heard from the outskirts of the city, but sister Inga reassured me, saying that everything would soon calm down. I left, but my son stayed there. And two days later, on TV, I saw the destroyed house of my sister. And I was shocked by the words of the presenter: "At night, Georgian troops attacked South Ossetia ...". It was already the third attack of Georgia on South Ossetia! The first happened back in 1920, yes, we were exterminated. And the second is already in my memory, in 1992, when I was at school. And here's the third ... I almost lost my mind at that moment. I started calling my relatives - both at home and mobile. The answer is silence. I cut off my phone for three days. Only on the fourth day I managed to find out that everything was in order with my relatives, I talked with my son. He said: "Mom, we are all alive!" And then he cried: “I saw how my dead classmates were carried out of their houses.” It's very scary. I don't wish this on anyone. My boy showed courage. He a real man even though he is still very young. But we grow up early!

– Would you like more children, Veronica?

– Yes, I would like to. And Alim. Here I will get up a little on the western rails, then I will be able to afford it. Perhaps then I will already learn to nurse and educate. When my first child was born, all this was done for me by his Ossetian grandmother. I was married for the first time at the age of fifteen - in Ossetia we get married early, not only grow up - and at sixteen I had Roman.

- So you said "I'll get up on the western rails." What does it take besides talent? Good impresario?

- Not only. I have a professional agent, everything is going as it should, in the right direction, but there are enough nuances, if we talk about the "western rails" ... In our world, money decides a lot, and the foul play of those who ... not only make their way to the big stage. I seek recognition for my art. There are moves. First "Tais", then ...

Until I speak, I must live. But I suppose that 2010 will be very eventful for me. This July I’m leaving for La Scala… I won’t say that I have everything scheduled for five years, but there is always a year interesting job. It is unpleasant when good offers coincide in time. For example, I was supposed to sing Marguerite in Gounod's Mephistopheles in Erfurt. Did not work out.

But it was different. In general, for me, each of my concerts and each performance is a victory. I'm from small town in South Ossetia. Who helped me? She tried herself! And lucky with the teachers. I graduated from a school in Vladikavkaz, studied with an excellent teacher Nelly Ilyinichna Hestanova, she gave me a lot. Then she entered the St. Petersburg Conservatory. Was among 447 applicants! Can you imagine the surge? Then there was the most big competition among vocalists throughout the history of the conservatory! Of the almost 500 who want to learn vocals, 350 are sopranos! I liked my voice with its timbre, they took me. I graduated from the great professor, honored. artist of Russia, Professor Tamara Dmitrievna Novichenko, who made such singers as Anna Netrebko and prima Mariinsky Theater Ira Dzhioeva, who also worked here, as you probably know.

- You are not relatives with Irina Dzhioeva?

- Same family. We have another Dzhioeva, in Ossetia she is called the “third Dzhioeva”, Inga, she now lives in Italy, also a singer, soloist of the La Scala choir.

- Do you sometimes ... sing in the mountains, Veronica?

– No, although I know that many singers do it. Screaming as a child! Now I'm afraid I'll lose my voice...

- And what are you outside of the stage and art?

- Not a hostess and not a homebody - that's for sure. We often have an empty refrigerator and nothing to eat for breakfast. But it doesn't matter - we go to restaurants! Otherwise, I am an exemplary wife: I like to clean the house and, like a true Ossetian woman, serve my husband, bring slippers ... I am pleased. Outside the house, my element is shops. Shopping is almost a passion. If I don't buy the thing I like, I don't even have a voice! A special fad is perfume. For example, when I was in Moscow now, the first thing I did was go to a perfume shop and got a handful of cosmetics and perfumes from Christian Dior. When there is order in the cosmetic bag - and the soul sings! But I am not constant: today I need Christian Dior, tomorrow - Chanel. Today Evening Dress, tomorrow another. I have forty pieces of these dresses, they do not fit in the dressing room. And to some, once put on, I immediately lost interest! But what to do! This is how I was born! (Laughs.)

Iraida FEDOROV,
"New Siberia", April 2010

Biography of Veronika Dzhioeva

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World recognition

Today, Dzhioeva is one of the most sought-after opera singers, not only in the Russian Federation, but also outside our country. Veronica has performed on the stages of Lithuania and Estonia, Italy and Japan, the United States of America and Spain, Great Britain and Germany. Among the images that Veronika Dzhioeva brought to life are the following:

Thais ("Thais", Massenet).
Countess (The Marriage of Figaro, Mozart).
Elizabeth ("Don Carlos", Verdi).
Martha ("The Passenger", Weinberg).
Tatiana ("Eugene Onegin", Tchaikovsky).
Michaela ("Carmen", Bizet).
Lady Macbeth (Macbeth, Verdi).

It is worth noting that Veronika is the leading soloist of three opera theaters in Russia at once: she performs on the stages of the Novosibirsk, Mariinsky and Bolshoi Theaters.

Dzhioeva's personal life

The family occupies a special place in the biography of Veronika Dzhioeva. The singer is happily married to Alim Shakhmametyev, who holds the position of chief conductor of the Chamber Orchestra at the Novosibirsk Philharmonic, and leads the Bolshoi Symphony Orchestra at the St. Petersburg Conservatory.

The couple has two children - daughter Adriana and son Roman. By the way, for the second time, the audience did not even notice the absence of Veronica on stage: the opera singer performed until the eighth month of pregnancy, and just a month after the birth of the baby, she returned to her favorite pastime again. Veronika Dzhioeva calls herself a wrong Ossetian woman. She considers her dislike for cooking to be the main reason. But Veronica is a great wife and mother: order and mutual understanding always reign in her house.

Participation in the TV project "Big Opera"

A few years after the TV project, in an interview, Veronika said that it all started with a rehearsal of a number for the New Year's program on the Kultura channel. It was the employees of this channel who told Dzhioeva about the competition.

Veronica explains this very simply - she studied in St. Petersburg with Russian teachers. Georgia has nothing to do with this. The position of the opera diva was influenced by the armed conflicts of Georgia and her homeland.

Awards

Veronika Dzhioeva is not only the winner of the Big Opera TV contest. She is a laureate of various competitions and festivals of opera performers. For example, in 2003 she became a laureate of the International Glinka Competition, in 2005 she became the winner of the Maria Gallas Grand Prix. Among the awards of Dzhioeva are the theater awards "Paradise", "Golden Soffit" and "Golden Mask". It is worth noting that Veronika is an honored artist of two republics - South and North Ossetia.

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