State Academic Bolshoi Theater of Russia. "State Academic Bolshoi Theater of Russia" Parish at the Bolshoi
Decree of the Government of the Russian Federation of September 3, 2010 N 678
"On approval of the charter of the federal state budgetary cultural institution "State Academic Bolshoi Theater of Russia"
Government Russian Federation decides:
1. Approve the attached charter of the federal state budgetary institution of culture "The State Academic Bolshoi Theater of Russia".
2. Recognize as invalid:
Decree of the Government of the Russian Federation of September 1, 2000 N 649 "Issues of the State Academic Bolshoi Theater of Russia" (Sobraniye Zakonodatelstva Rossiyskoy Federatsii, 2000, N 37, Art. 3719);
paragraph 35 of the amendments that are made to the acts of the Government of the Russian Federation regulating land relations, approved by Decree of the Government of the Russian Federation of December 23, 2002 N 919 "On the amendment and invalidation of certain acts of the Government of the Russian Federation regulating land relations" (Collection of Legislation of the Russian Federation, 2002, N 52, item 5225).
Charter
Federal State Budgetary Institution of Culture "State Academic Bolshoi Theater of Russia"
(approved by Decree of the Government of the Russian Federation of September 3, 2010 N 678)
I. General provisions
1. Federal state state-financed organization culture "The State Academic Bolshoi Theater of Russia" (hereinafter referred to as the theater) is non-profit organization carrying out professional activity in the field of musical theatrical, choreographic and symphonic art.
2. Decree of the President of the Russian Federation of December 18, 1991 N 294 "On especially valuable objects national heritage Russia" the theater is classified as a particularly valuable object of national heritage, which is the property of the peoples of Russia.
3. The theater is guided in its activities by the legislation of the Russian Federation, as well as by this charter.
4. The official name of the theater:
in Russian:
full - federal state budgetary cultural institution "State Academic Bolshoi Theater of Russia";
abbreviated - Bolshoi Theater of Russia;
on English language - The State Academic Bolshoi Theater Of Russia.
5. Location of the theater - 125009, Moscow, theatre square, d. 1.
6. The Government of the Russian Federation, on behalf of the Russian Federation, exercises the powers of the founder of the theater, ensures the legal and material and technical conditions for the operation of the theater, the safety, integrity and inalienability of the property assigned to it, including funds, collections cultural property and theater collections.
Separate functions of the founder of the theatre, defined by this charter, are carried out by the Ministry of Culture of the Russian Federation, which is in charge of the theatre.
7. The theater is a legal entity, has the right of operational management of the separate property that is in federal ownership.
8. The theater has an independent balance sheet, budget estimates and estimates of income and expenses from income-generating activities, as well as personal accounts in the territorial bodies of the Federal Treasury for accounting for federal budget allocations and funds received from income-generating activities in the currency of the Russian Federation and accounts for accounting of funds in foreign currency in accordance with the legislation of the Russian Federation.
9. The theater has a seal depicting the State Emblem of the Russian Federation and with its name, other seals, stamps, letterheads necessary for its activities, as well as symbols and a trademark registered in accordance with the legislation of the Russian Federation.
10. Financial support for the activities of the theater is carried out within the budgetary allocations of the federal budget, as well as at the expense of funds received from income-generating activities.
11. The theater on its own behalf acquires and exercises property and personal non-property rights, bears obligations, acts as a plaintiff and defendant in court.
The theater is responsible for its obligations with the resources at its disposal. in cash. In case of their insufficiency, the owner of the property assigned to the theater on the right of operational management bears subsidiary responsibility for the theater's obligations.
II. The goals and object of the theater
12. The objectives of the theater are:
1) the preservation and development of global and national cultural values, familiarizing them with the audience in the Russian Federation and abroad;
2) ensuring a high international level of the theater as a world center of theatrical and musical culture;
3) creation of conditions for the growth of professional skills and continuity of the artistic school of the theater.
13. The subject of the theater's activity is the creation and public performance of works of musical, theatrical, choreographic and symphonic art.
14. In accordance with the goals and subject of activity, the theater carries out the following activities:
1) creation and public performance of performances, concerts, holding cultural, entertainment and entertainment programs and festivals, theme evenings, meetings with cultural figures, art and literature;
3) organizing and conducting theater tours in the Russian Federation and abroad;
4) selection and implementation of programs to increase the growth of professional skills of creative and technical workers of the theater and the continuity of the artistic school of the theater;
5) creating favorable conditions for conservation creativity theater troupes;
6) production of stage and production property, including props, props, scenery (soft and hard), furniture, stage clothes, theater and concert costumes, including shoes, headwear and stylist products;
8) save objects cultural heritage(monuments of history and culture), which are part of the property of the theater, as well as museum and library funds, art objects, musical instruments and other property assigned to the theater on the right of operational management;
10) conducting research in the field of musicology, source studies, theater studies and literary criticism;
11) creation of multimedia products (film, video, audio, photo products), including programs.
III. The rights and obligations of the theater
15. The theater has the right:
2) carry out:
choice of the type of use of performances, concerts created by him;
transfer, in the manner and in the cases provided for by the legislation of the Russian Federation, to other theaters, other legal entities and individuals of the rights to stage performances and concerts, including television and radio broadcasts, filming and recording on film, video, audio and other material media, their reproduction, sale and distribution, subject to the rights of authors and other persons, objects intellectual property which were used in the creation of these performances and concerts;
issuing permissions for copying film, video, audio and other material media with recordings of performances and concerts, subject to the rights of authors and other persons whose intellectual property objects are used in the creation of these performances and concerts;
3) provide stage venues for touring events of other cultural organizations;
5) to provide its employees at the expense of funds received from income-generating activities, additional social benefits in accordance with the legislation of the Russian Federation and the collective agreement;
6) plan their activities and determine development prospects;
7) form their development program, determine the procedure for the sale of tickets, services and products;
8) to hold theme evenings, meetings with figures of culture, art, literature;
9) use objects of intellectual property on a contractual basis;
10) establish, in agreement with the Ministry of Culture of the Russian Federation, branches and open representative offices and liquidate them;
11) approve regulations on branches and representative offices, appoint their heads;
12) conclude agreements with legal entities and individuals that do not contradict the goals and subject of the theater's activities;
13) organize work related to capital construction, modernization, reconstruction and repair of real estate assigned to the theater;
14) carry out in agreement with the Ministry of Culture of the Russian Federation and federal agency for the management of state property, leasing and providing for temporary free use of real estate, which is in the operational management of the theater, in accordance with the legislation of the Russian Federation;
15) in accordance with the established procedure, acquire, rent or rent property necessary to ensure the operation of the theatre;
16) establish the mode of maintenance and use of buildings and structures occupied by the theatre, security and fire safety measures;
17) participate in the activities of associations, unions, foundations and other commercial organizations in the Russian Federation and abroad in accordance with the legislation of the Russian Federation;
18) receive voluntary property contributions, donations, gifts, bequests from Russian and foreign legal entities and individuals, international organizations;
19) enjoy other rights that correspond to the statutory goals and the subject of its activities and do not contradict the legislation of the Russian Federation.
16. The theater has the right to carry out, in accordance with the legislation of the Russian Federation, the following types of income-generating activities, if such activities serve the achievement of the statutory goals and do not harm the main activities of the theater:
1) preparation of performances, concerts, events for public performance on own or rented stages, on television, broadcast on radio and filming on film, video, audio and other material media;
2) holding master classes with leading stage masters and artists, internships for specialists from theaters of the Russian Federation and foreign countries and exchange of specialists;
3) implementation of publishing and printing activities in accordance with the established procedure;
4) provision of services for organizing and holding conferences, seminars, exhibitions;
5) provision of household, social and medical services in the established field of activity;
6) provision of services and performance of work in the established field of activity under agreements and contracts within the framework of federal target, regional and departmental programs;
8) sale of stage property, including props, props, scenery (soft and hard), furniture, stage clothing, theatrical and concert costumes, including shoes, hats and stylization products, made at the expense of funds from income-generating activities;
9) sale of printed and souvenir products, audio, audiovisual, video and film products manufactured or purchased at the expense of funds received from income-generating activities, including under commission agreements;
10) disposal, in accordance with the procedure established by the legislation of the Russian Federation, of the rights belonging to the theater to the results of intellectual activity created in the process of carrying out the activities of the theater;
12) organization of public catering;
13) organization of accommodation of citizens engaged in activities in the field of theater management, in hotels and (or) hostels.
17. The right of the theater to carry out activities for which, in accordance with the legislation of the Russian Federation, a special permit is required - a license, arises from the theater from the moment the license is received or within the period specified in it and terminates upon its expiration, unless otherwise established by the legislation of the Russian Federation.
18. Prices (tariffs) for the services provided are set in accordance with the legislation of the Russian Federation.
19. The theater is obliged:
1) ensure the safety, efficiency and intended use of property assigned to the theatre;
2) to ensure compliance with the regime of maintenance, use and safety of property and land plots assigned to the theatre;
3) ensure compliance with the access regime for visitors;
4) submit information about the property acquired by the theater at the expense of funds received from income-generating activities to the federal executive body that maintains the register of federal property;
5) comply with labor protection requirements, sanitary and hygienic standards and fire safety requirements;
6) carry out accounting of the results of financial, economic and other activities, keep statistical and accounting (budgetary) reporting;
7) to carry out, in accordance with the established procedure, measures to civil defense and mobilization readiness.
20. A board of trustees is formed in the theater.
The regulation on the board of trustees and its composition are approved by the general director of the theater in agreement with the Ministry of Culture of the Russian Federation.
IV. Theater property
21. The theater owns, uses and disposes of the federal property assigned to it by the right of operational management in accordance with the statutory goals, tasks of the owner and the purpose of the property.
The theater is not entitled to alienate or otherwise dispose of federal property assigned to it on the basis of the right of operational management, and property acquired at the expense of funds allocated according to the estimate.
Land plots are provided to the theater for permanent (perpetual) use.
22. The sources of formation of the property of the theater are:
1) movable and immovable property assigned to the theater on the basis of the right of operational management;
2) property acquired at the expense of budget appropriations of the federal budget, as well as at the expense of funds received from income-generating activities;
3) other property acquired in accordance with the legislation of the Russian Federation.
23. Making transactions, the possible consequences of which are the alienation or encumbrance of immovable property assigned to the theater, or immovable property acquired by the theater at the expense of the owner, is prohibited.
24. The financial resources of the theater are formed from:
1) budget appropriations of the federal budget;
2) funds received from income-generating activities;
3) funds received in accordance with the legislation of the Russian Federation from the budgets of the constituent entities of the Russian Federation and municipalities within the framework of the implementation of regional and municipal programs;
4) funds in the form of grants received from extrabudgetary sources;
5) gratuitous receipts, voluntary donations, gifts, targeted contributions received from Russian and foreign legal entities and individuals, international organizations, funds transferred under a will;
6) funds received from tenants for reimbursement of operating, utility and administrative and economic costs;
7) income received from the lease of federal property secured on the basis of the right of operational management, in accordance with the procedure established by the legislation of the Russian Federation;
8) other funds received in accordance with the legislation of the Russian Federation.
25. The funds received from the income-generating activities provided for by this Charter, and the property acquired at the expense of these funds, shall be at the independent disposal of the theater and are accounted for on a separate balance sheet.
26. The theater organizes and maintains accounting, including budgetary, and statistical accounting and reporting in accordance with the legislation of the Russian Federation.
The theater presents accounting, including budgetary, and statistical reporting in the manner and terms established by the legislation of the Russian Federation.
27. Control over the financial and economic activities of the theater is carried out by the Ministry of Culture of the Russian Federation and other state bodies in accordance with the legislation of the Russian Federation.
28. It is prohibited to misuse the theatre's financial resources, including placing them on deposit accounts of credit institutions and purchasing valuable papers.
The theater has no right to receive credits (loans) from credit institutions, other legal entities and individuals, from the budgets of the budgetary system of the Russian Federation.
V. Management of the theater
29. The management of the theater is carried out by the General Director, who is appointed to and dismissed by the Government of the Russian Federation on the proposal of the Ministry of Culture of the Russian Federation.
30. Deputies CEO And creative leaders theaters are appointed and dismissed by the Ministry of Culture of the Russian Federation on the proposal of the General Director.
31. The General Director directs the activities of the theater on the basis of unity of command and bears personal responsibility for the performance of the functions assigned to him.
8) makes decisions related to the release for public performance of new and renewed productions of the theatre;
9) provides conditions for organizing public performances of performances and concerts as part of the theater's participation in events held in the Russian Federation and abroad (festivals, tours, competitions, reviews, concerts, days of culture, official events, etc.);
10) approves regulations, instructions and regulations, issues orders binding on all theater workers;
11) approve the structure and staffing theater, regulations on its structural divisions;
13) resolve issues related to certification, professional training, retraining and advanced training of theater workers;
14) in accordance with the labor legislation of the Russian Federation, establishes additional holidays for theater employees, a shorter working day;
15) applies incentive measures to theater workers and imposes on them disciplinary action in accordance with the legislation of the Russian Federation;
16) opens personal accounts in the territorial bodies of the Federal Treasury for accounting of budgetary appropriations of the federal budget and funds received from income-generating activities in the currency of the Russian Federation, accounts for accounting for funds in foreign currency in accordance with the legislation of the Russian Federation;
17) dispose of the property and funds of the theatre, in accordance with the established procedure;
18) organize the carrying out of repair and restoration work, including work on the reconstruction of theater buildings;
19) determine the composition and volume of information constituting an official or commercial secret, as well as the procedure for their protection in accordance with the legislation of the Russian Federation;
20) ensures the implementation of civil defense and mobilization training activities in accordance with the legislation of the Russian Federation;
21) directly manages the fire safety system on the territory of the theater and is personally responsible for compliance with fire safety requirements in accordance with regulatory legal acts in the field of fire safety, ensures the development of measures to ensure fire safety;
22) exercise other powers in accordance with the legislation of the Russian Federation.
33. The structure, staffing, forms and amount of remuneration of theater employees are determined within the budgetary allocations of the federal budget provided for these purposes to the theater, as well as funds received from other sources in accordance with the legislation of the Russian Federation. The rates and salaries of theater workers are determined on the basis of wage systems for employees of federal budgetary institutions.
34. By decision of the general director, collegial advisory bodies may be formed in the theater, the composition and procedure of which are approved by the general director.
35. Collective labor disputes between the theater administration and the labor collective are considered in accordance with the legislation of the Russian Federation.
VI. Reorganization and liquidation of the theater
36. Reorganization and liquidation of the theater are carried out in accordance with the legislation of the Russian Federation.
Government of the Russian Federation decides:
1. Approve the attached charter of the federal state budgetary institution of culture "The State Academic Bolshoi Theater of Russia".
2. Recognize as invalid:
Decree of the Government of the Russian Federation of September 1, 2000 N 649 "Issues of the State Academic Bolshoi Theater of Russia" (Sobraniye zakonodatelstva Rossiyskoy Federatsii, 2000, N 37, art. 3719);
Paragraph 35 of the amendments that are made to the acts of the Government of the Russian Federation regulating land relations, approved by Decree of the Government of the Russian Federation of December 23, 2002 N 919 "On the amendment and invalidation of certain acts of the Government of the Russian Federation regulating land relations" (Collection of Legislation of the Russian Federation, 2002, N 52, item 5225).
Chairman
Government of the Russian Federation
V. Putin
Charter of the Federal State Budgetary Institution of Culture "State Academic Bolshoi Theater of Russia"
I. General provisions
1. The Federal State Budgetary Institution of Culture "State Academic Bolshoi Theater of Russia" (hereinafter referred to as the theater) is a non-profit organization engaged in professional activities in the field of musical, theatrical, choreographic and symphonic art.
2. By Decree of the President of the Russian Federation of December 18, 1991 N 294 "On especially valuable objects of the national heritage of Russia", the theater is classified as a particularly valuable object of national heritage, which is the property of the peoples of Russia.
3. The theater is guided in its activities by the legislation of the Russian Federation, as well as by this charter.
4. The official name of the theater:
In Russian:
Full - federal state budgetary cultural institution "State Academic Bolshoi Theater of Russia";
Abbreviated - Bolshoi Theater of Russia;
In English - The State Academic Bolshoi Theater Of Russia.
5. Location of the theater - 125009, Moscow, Theater Square, 1.
6. The Government of the Russian Federation, on behalf of the Russian Federation, exercises the powers of the founder of the theater, ensures the legal and material and technical conditions for the operation of the theater, the safety, integrity and inalienability of the property assigned to it, including funds, collections of cultural values and collections of the theater.
Separate functions of the founder of the theatre, defined by this charter, are carried out by the Ministry of Culture of the Russian Federation, which is in charge of the theatre.
7. The theater is a legal entity, has the right of operational management of the separate property that is in federal ownership.
8. The theater has an independent balance sheet, budget estimates and estimates of income and expenses from income-generating activities, as well as personal accounts in the territorial bodies of the Federal Treasury for accounting for federal budget allocations and funds received from income-generating activities in the currency of the Russian Federation and accounts for accounting of funds in foreign currency in accordance with the legislation of the Russian Federation.
9. The theater has a seal depicting the State Emblem of the Russian Federation and with its name, other seals, stamps, letterheads necessary for its activities, as well as symbols and a trademark registered in accordance with the legislation of the Russian Federation.
10. Financial support for the activities of the theater is carried out within the budgetary allocations of the federal budget, as well as at the expense of funds received from income-generating activities.
11. The theater on its own behalf acquires and exercises property and personal non-property rights, bears obligations, acts as a plaintiff and defendant in court.
The theater is responsible for its obligations with the funds at its disposal. In case of their insufficiency, the owner of the property assigned to the theater on the right of operational management bears subsidiary responsibility for the theater's obligations.
II. The goals and object of the theater
12. The objectives of the theater are:
1) the preservation and development of global and national cultural values, familiarizing them with the audience in the Russian Federation and abroad;
2) ensuring a high international level of the theater as a world center of theatrical and musical culture;
3) creation of conditions for the growth of professional skills and continuity of the artistic school of the theater.
13. The subject of the theater's activity is the creation and public performance of works of musical, theatrical, choreographic and symphonic art.
14. In accordance with the goals and subject of activity, the theater carries out the following activities:
1) creation and public performance of performances, concerts, holding cultural, entertainment and entertainment programs and festivals, theme evenings, meetings with cultural figures, art and literature;
2) holding creative reviews and competitions;
3) organizing and conducting theater tours in the Russian Federation and abroad;
4) selection and implementation of programs to increase the growth of professional skills of creative and technical workers of the theater and the continuity of the artistic school of the theater;
5) creation of favorable conditions for preserving the creative potential of the theater troupe;
6) production of stage and production property, including props, props, scenery (soft and hard), furniture, stage clothes, theater and concert costumes, including shoes, headwear and stylist products;
7) production and distribution of all types of advertising, information, printing materials, printed materials (including products and goods with the symbols of the theater and its partners) related to the public performance of performances and concerts by the theater;
8) preservation of cultural heritage objects (monuments of history and culture) that are part of the property of the theater, as well as museum and library funds, art objects, musical instruments and other property assigned to the theater on the right of operational management;
9) organization of exhibitions and permanent exhibitions by the theater museum, holding excursions;
10) conducting research in the field of musicology, source studies, theater studies and literary criticism;
11) creation of multimedia products (film, video, audio, photo products), including programs.
III. The rights and obligations of the theater
15. The theater has the right:
1) exercise an independent choice of artistic and creative areas of their activities, repertoire, independently make decisions on the public performance of performances, concerts created by the theater, and the publication of promotional materials;
2) carry out:
The choice of the type of use of performances, concerts created by him;
Transfer, in the manner and in the cases provided for by the legislation of the Russian Federation, to other theaters, other legal entities and individuals of the rights to stage performances and concerts, including television and radio broadcasts, filming and recording on film, video, audio and other material media, their replication, implementation and distribution, subject to the rights of authors and other persons whose intellectual property objects are used in the creation of these performances and concerts;
Issuance of permissions for copying film, video, audio and other material media with recordings of performances and concerts, subject to the rights of authors and other persons whose intellectual property objects are used in the creation of these performances and concerts;
3) provide stage venues for touring events of other cultural organizations;
4) form the composition creative teams, including through competitive selection;
5) to provide its employees at the expense of funds received from income-generating activities, additional social benefits in accordance with the legislation of the Russian Federation and the collective agreement;
6) plan their activities and determine development prospects;
7) form their development program, determine the procedure for the sale of tickets, services and products;
8) to hold theme evenings, meetings with figures of culture, art, literature;
9) use objects of intellectual property on a contractual basis;
10) establish, in agreement with the Ministry of Culture of the Russian Federation, branches and open representative offices and liquidate them;
11) approve regulations on branches and representative offices, appoint their heads;
12) conclude agreements with legal entities and individuals that do not contradict the goals and subject of the theater's activities;
13) organize work related to capital construction, modernization, reconstruction and repair of real estate assigned to the theater;
14) in agreement with the Ministry of Culture of the Russian Federation and the Federal Agency for State Property Management, lease and provide for temporary free use of real estate under the operational management of the theatre, in accordance with the legislation of the Russian Federation;
15) in accordance with the established procedure, acquire, rent or rent property necessary to ensure the operation of the theatre;
16) establish the mode of maintenance and use of buildings and structures occupied by the theatre, security and fire safety measures;
17) participate in the activities of associations, unions, foundations and other non-profit organizations in the Russian Federation and abroad in accordance with the legislation of the Russian Federation;
18) receive voluntary property contributions, donations, gifts, bequests from Russian and foreign legal entities and individuals, international organizations;
19) enjoy other rights that correspond to the statutory goals and the subject of its activities and do not contradict the legislation of the Russian Federation.
16. The theater has the right to carry out, in accordance with the legislation of the Russian Federation, the following types of income-generating activities, if such activities serve the achievement of the statutory goals and do not harm the main activities of the theater:
1) preparation of performances, concerts, events for public performance on own or rented stages, on television, broadcast on radio and filming on film, video, audio and other material media;
2) holding master classes with leading stage masters and artists, internships for specialists from theaters of the Russian Federation and foreign countries and exchange of specialists;
3) implementation of publishing and printing activities in accordance with the established procedure;
4) provision of services for organizing and holding conferences, seminars, exhibitions;
5) provision of household, social and medical services in the established field of activity;
6) provision of services and performance of work in the established field of activity under agreements and contracts within the framework of federal target, regional and departmental programs;
8) sale of stage property, including props, props, scenery (soft and hard), furniture, stage clothing, theatrical and concert costumes, including shoes, hats and stylization products, made at the expense of funds from income-generating activities;
9) sale of printed and souvenir products, audio, audiovisual, video and film products manufactured or purchased at the expense of funds received from income-generating activities, including under commission agreements;
10) disposal, in accordance with the procedure established by the legislation of the Russian Federation, of the rights belonging to the theater to the results of intellectual activity created in the process of carrying out the activities of the theater;
11) use for advertising and other commercial purposes of the official name, symbols, trademark, images of their buildings, reproductions of documents and cultural property stored in the theater, as well as granting such a right to other legal entities and individuals in accordance with the legislation of the Russian Federation;
12) organization of public catering;
13) organization of accommodation of citizens engaged in activities in the field of theater management, in hotels and (or) hostels.
17. The right of the theater to carry out activities for which, in accordance with the legislation of the Russian Federation, a special permit is required - a license, arises from the theater from the moment the license is received or within the period specified in it and terminates upon its expiration, unless otherwise established by the legislation of the Russian Federation.
18. Prices (tariffs) for the services provided are set in accordance with the legislation of the Russian Federation.
19. The theater is obliged:
1) ensure the safety, efficiency and intended use of property assigned to the theatre;
2) to ensure compliance with the regime of maintenance, use and safety of property and land plots assigned to the theatre;
3) ensure compliance with the access regime for visitors;
4) submit information about the property acquired by the theater at the expense of funds received from income-generating activities to the federal executive body that maintains the register of federal property;
5) comply with labor protection requirements, sanitary and hygienic standards and fire safety requirements;
6) carry out accounting of the results of financial, economic and other activities, keep statistical and accounting (budgetary) reporting;
7) to carry out in accordance with the established procedure measures for civil defense and mobilization readiness.
20. A board of trustees is formed in the theater.
The regulation on the board of trustees and its composition are approved by the general director of the theater in agreement with the Ministry of Culture of the Russian Federation.
IV. Theater property
21. The theater owns, uses and disposes of the federal property assigned to it by the right of operational management in accordance with the statutory goals, tasks of the owner and the purpose of the property.
The theater is not entitled to alienate or otherwise dispose of federal property assigned to it on the basis of the right of operational management, and property acquired at the expense of funds allocated according to the estimate.
Land plots are provided to the theater for permanent (perpetual) use.
22. The sources of formation of the property of the theater are:
1) movable and immovable property assigned to the theater on the basis of the right of operational management;
2) property acquired at the expense of budget appropriations of the federal budget, as well as at the expense of funds received from income-generating activities;
3) other property acquired in accordance with the legislation of the Russian Federation.
23. Making transactions, the possible consequences of which are the alienation or encumbrance of immovable property assigned to the theater, or immovable property acquired by the theater at the expense of the owner, is prohibited.
24. The financial resources of the theater are formed from:
1) budget appropriations of the federal budget;
2) funds received from income-generating activities;
3) funds received in accordance with the legislation of the Russian Federation from the budgets of the constituent entities of the Russian Federation and municipalities within the framework of the implementation of regional and municipal programs;
4) funds in the form of grants received from extrabudgetary sources;
5) gratuitous receipts, voluntary donations, gifts, targeted contributions received from Russian and foreign legal entities and individuals, international organizations, funds transferred under a will;
6) funds received from tenants for reimbursement of operating, utility and administrative and economic costs;
7) income received from the lease of federal property secured on the basis of the right of operational management, in accordance with the procedure established by the legislation of the Russian Federation;
8) other funds received in accordance with the legislation of the Russian Federation.
25. The funds received from the income-generating activities provided for by this Charter, and the property acquired at the expense of these funds, shall be at the independent disposal of the theater and are accounted for on a separate balance sheet.
26. The theater organizes and maintains accounting, including budgetary, and statistical accounting and reporting in accordance with the legislation of the Russian Federation.
The theater submits accounting, including budgetary, and statistical reporting in the manner and within the time limits established by the legislation of the Russian Federation.
27. Control over the financial and economic activities of the theater is carried out by the Ministry of Culture of the Russian Federation and other state bodies in accordance with the legislation of the Russian Federation.
28. Misuse of the theatre's financial resources, including their placement on deposit accounts of credit institutions and the purchase of securities, is prohibited.
The theater has no right to receive credits (loans) from credit institutions, other legal entities and individuals, from the budgets of the budgetary system of the Russian Federation.
V. Management of the theater
29. The management of the theater is carried out by the General Director, who is appointed to and dismissed by the Government of the Russian Federation on the proposal of the Ministry of Culture of the Russian Federation.
30. Deputy general directors and creative directors of the theater are appointed and dismissed by the Ministry of Culture of the Russian Federation on the proposal of the general director.
31. The General Director directs the activities of the theater on the basis of unity of command and bears personal responsibility for the performance of the functions assigned to him.
32. General Director:
1) without a power of attorney, acts on behalf of the theatre, represents its interests in public authorities and local governments and in relations with legal entities and individuals, concludes contracts and issues powers of attorney on behalf of the theatre;
2) organize and direct the activities of the theatre;
3) ensures the creative and administrative activities of the theatre;
4) selects the artistic and creative areas of the theatre's activity;
5) approves the theatre's repertoire;
6) approves the release plan for new and renewed productions of the theatre;
7) approves the distribution of roles in new and renewed theater productions;
8) makes decisions related to the release for public performance of new and renewed productions of the theatre;
9) provides conditions for organizing public performances of performances and concerts as part of the theater's participation in events held in the Russian Federation and abroad (festivals, tours, competitions, reviews, concerts, days of culture, official events, etc.);
10) approves regulations, instructions and regulations, issues orders binding on all theater workers;
11) approves the structure and staffing of the theatre, regulations on its structural subdivisions;
12) in accordance with the established procedure, appoints and dismisses theater workers, determines their duties, concludes employment contracts with them, and selects creative workers on a competitive basis;
13) resolve issues related to certification, professional training, retraining and advanced training of theater workers;
14) in accordance with the labor legislation of the Russian Federation, establishes additional holidays for theater employees, a shorter working day;
15) applies incentive measures to theater workers and imposes disciplinary sanctions on them in accordance with the legislation of the Russian Federation;
16) opens personal accounts in the territorial bodies of the Federal Treasury for accounting of budgetary appropriations of the federal budget and funds received from income-generating activities in the currency of the Russian Federation, accounts for accounting for funds in foreign currency in accordance with the legislation of the Russian Federation;
17) dispose of the property and funds of the theatre, in accordance with the established procedure;
18) organize the carrying out of repair and restoration work, including work on the reconstruction of theater buildings;
19) determine the composition and volume of information constituting an official or commercial secret, as well as the procedure for their protection in accordance with the legislation of the Russian Federation;
20) ensures the implementation of civil defense and mobilization training activities in accordance with the legislation of the Russian Federation;
21) directly manages the fire safety system on the territory of the theater and is personally responsible for compliance with fire safety requirements in accordance with regulatory legal acts in the field of fire safety, ensures the development of measures to ensure fire safety;
22) exercise other powers in accordance with the legislation of the Russian Federation.
33. The structure, staffing, forms and amount of remuneration of theater employees are determined within the budgetary allocations of the federal budget provided for these purposes to the theater, as well as funds received from other sources in accordance with the legislation of the Russian Federation. The rates and salaries of theater workers are determined on the basis of wage systems for employees of federal budgetary institutions.
34. By decision of the general director, collegial advisory bodies may be formed in the theater, the composition and procedure of which are approved by the general director.
35. Collective labor disputes between the theater administration and the labor collective are considered in accordance with the legislation of the Russian Federation.
VI. Reorganization and liquidation of the theater
36. Reorganization and liquidation of the theater are carried out in accordance with the legislation of the Russian Federation.
ON THE APPROVAL OF THE NEW EDITION OF THE CHARTER OF THE MOSCOW STATE THEATER "LENKOM" RESOLUTION OF THE GOVERNMENT OF MOSCOW June 5, 2001 N 509 , reorganization, liquidation of state and municipal unitary enterprises and institutions of the city of Moscow and on the participation of the city of Moscow in business entities "The Government of Moscow decides: 1. Rename the Moscow state theater"Lenkom" of the Government of Moscow to the State Cultural Institution of the City of Moscow Moscow State Theater "Lenkom" of the Government of Moscow (GUK Moscow Moscow State Theater "Lenkom" of the Government of Moscow). 2. Approve the charter of the GUK of Moscow, the Moscow State Theater "Lenkom" of the Government of Moscow in a new edition, according to the appendix. 3. Recognize as invalid paragraph 2 of Decree of the Government of Moscow dated 14.04.92 N 201 "On the transfer of the Moscow Government of the Moscow theater "Lenkom" and the appendix to it. I. Prime Minister of the Government of Moscow Yu.M. Luzhkov June 5, 2001 N 509 Appendix to the Decree of the Government of Moscow of June 5, 2001 N 509 CHARTER of the State Cultural Institution of the City of Moscow of the Moscow State Theater "Lenkom" of the Government of Moscow (new edition N 1) 1. General Provisions 1.1 State cultural institution of the city of Moscow The Moscow State Theater "Lenkom" of the Government of Moscow (hereinafter referred to as the Theatre), which is a non-profit organization, was established in accordance with the Decree of the Government of Moscow dated April 14, 1992 N 201 and is the assignee of rights and obligations of the transformed Moscow Theater named after Lenin Komsomol. The theater was registered by the Moscow Registration Chamber on February 23, 1998 in the register for N 39033-iu1 with the name "Moscow State Theater "Lenkom". The theater was renamed the State Cultural Institution of the City of Moscow Moscow State Theater "Lenkom" of the Government of Moscow on the basis of a decree of the Government of Moscow dated June 5 2001 N 509-PP The theater is the assignee of the Moscow State Theater "Lenkom" The new edition N 1 of the Charter of the State Cultural Institution of the City of Moscow of the Moscow State Theater "Lenkom" of the Government of Moscow was approved by the Government of Moscow on the basis of the Decree of the Government of Moscow dated June 15, 1999 N 542 "On the creation, reorganization, liquidation of state and municipal unitary enterprises and institutions of the city of Moscow and on the participation of the city of Moscow in business entities. " 1.2. Full name of the Theater - State cultural institution of the city of Moscow Moscow State Theater "Len com" of the Government of Moscow. The official abbreviated name of the Theater is GUK of Moscow Moscow State Theater "Lenkom". Used for informational and promotional purposes. 1.3. The founder of the Theater is the Government of Moscow. The theater is directly subordinated to the Government of Moscow (hereinafter referred to as the Founder). 1.4. The theater is a legal entity, has separate property, an independent balance sheet, settlement and other accounts in banking institutions, a seal with its name, forms, company name, standard stamps and other details. The Director of the Theater is responsible for the production, storage and use of the seal. 1.5. The theater operates in accordance with laws and other regulations Russian Federation and the city of Moscow, as well as this charter. 1.6. The theater on its own behalf acquires and exercises property and personal non-property rights, bears obligations, acts as a plaintiff and defendant in court in accordance with the current legislation of the Russian Federation. 1.7. The theater is responsible for its obligations with the funds at its disposal, as well as the property recorded on its balance sheet, acquired at the expense of income from entrepreneurial activity. In case of their insufficiency, the owner of the property bears subsidiary liability for its obligations. 1.8. Location, postal address and place of storage of documents of the Theatre: 103006, Russian Federation, Moscow, st. Malaya Dmitrovka, 6. 1.9. The theater in its type and appearance belongs to the drama and musical theaters. 2. The subject and goals of the Theater. 2.1. The main objectives of the Theater are: the formation and satisfaction of the needs of the audience in the performing arts; the development of theater as an art form and social institution; preservation and development of historically established forms and phenomena of performing arts, which are national treasure Russian culture; preservation of the best traditions of Russian repertory theater; creation and display of highly artistic performances, other public performances; replenishment of the Theater repertoire with the best examples of Russian and foreign classics; promotion of achievements theater culture in Russia and abroad; cooperation between Russian and foreign theaters. The theater does not set itself the extraction of profit as the main goal of its activity. 2.2. In achieving the main goals in its activities, the Theater is guided by the following basic principles: - ensuring the constitutional right of citizens to freedom of creativity, participation in cultural life and use of the services provided by the Theater, equal access to performing arts ; - humanism, priority of universal values; - preservation of the originality of Russian culture, national identity, language; - independence of the Theater in the choice of artistic directions, repertoire, in making decisions on the public performance of performances, performances, publication of advertising and other materials that do not contradict the legislation of the Russian Federation; - assistance in the preservation and development of interethnic, interregional and interstate cultural ties; - protection of exclusive rights to the results of the creative activity of the Theater in accordance with the legislation on copyright and related rights. 2.3. The main activities of the Theater are: - creating and showing performances, organizing tours, holding creative evenings, concerts, reviews, festivals and competitions, selling tickets for these events; - preparation of performances, concerts, performances under agreements with other legal entities and individuals for display on their own or rented stages, on television, for broadcast on the radio, for filming on film, video and other material media; - organization of other events of an artistic and creative nature, held on their own or by the forces of invited teams, invited performers; - conducting internships by leading masters and figures of the Theater; - holding creative seminars, creation of experimental creative laboratories; - provision of staging services, stage staging facilities for performances and concerts to other organizations under contracts with them; - production on orders and contracts with other legal entities and individuals of items of artistic design for performances, concerts, performances; - provision of stages, venues for touring and visiting events of other theaters, for the implementation of joint projects and programs in accordance with the concluded agreements; - carrying out, in accordance with the established procedure, publishing activities related to the artistic and creative activities of the Theatre; - implementation of audio recording, photo, film, video filming, replication and sale of audio, photo, film, video products related to the artistic and creative activities of the Theatre; - preparation, reproduction and sale of information and reference publications, copies of video materials and phonograms related to the artistic and creative activities of the Theatre; - production of posters, programs of performances, booklets, calendars, badges and other promotional products; - provision of advertising and information services, creation and placement of advertising, distribution of promotional materials related to the artistic and creative activities of the Theatre; - production of souvenir products by auxiliary shops and its sale; - production, rental and sale of scenery, costumes, shoes, equipment, props, props, dressing rooms, wigs and other accessories; - organizing the work of buffets, cafes for spectators and employees of the Theater; - provision of related services to the audience of the Theatre. 2.4. The Theater has the right to carry out the following types of income-generating activities (business activities): - leasing of fixed assets and property of the Theater in accordance with the current legislation of the Russian Federation and the regulations of the city of Moscow; - provision of intermediary services; - carrying out, in accordance with the established procedure, publishing activities not related to the artistic and creative activities of the Theatre; - implementation of audio recording, photo, film, video filming, replication and sale of audio, photo, film, video products not related to the artistic and creative activities of the Theatre; - equity participation in the activities of commercial organizations in the prescribed manner (with the exception of the use of funds received according to the estimate); - acquisition of shares, bonds and other securities and receipt of income (dividends, interest) on them. 2.5. All funds received by the Theater as a result of the above activities are directed to solving the main tasks and goals of the Theatre, to strengthening the material and technical base, equipping with all types of necessary equipment and electronic equipment, ensuring social security of the Theatre's employees, creation and organization of working, living and leisure conditions for the Theatre's employees, allowing them to fully reveal their creative potential. 3. Property and funds of the Theatre. 3.1. All property of the Theater is state-owned by the city of Moscow, is reflected in the independent balance sheet of the Theater and is assigned to the Theater on the basis of the right of operational management, in accordance with the State Property Assignment Agreement concluded between the Department of State and Municipal Property of the City of Moscow and the Theatre. The Theater's intellectual property rights are governed by the laws of the Russian Federation. The theater independently disposes of the products of its intellectual and creative work, including performances created by it. 3.2. The sources of the formation of the Theatre's property, including financial resources, are: - funds allocated for special purposes from the budget of the city of Moscow, in accordance with the estimate approved by the Founder; - property transferred to the Theater by its owner or a body authorized by him; - fees from the sale of tickets for performances and other performances, as well as from the provision of related services; - income from the performance of works, services, sales of products in the course of carrying out activities permitted by this Charter; - loans from banks and other credit institutions; - depreciation and business income; - voluntary contributions, donations from organizations, enterprises and citizens, funds received under wills; - other sources that do not contradict the legislation of the Russian Federation. 3.3. Funds received from various sources, including the income of the Theatre, provided for by the charter, with the exception of funds from doing business, appropriations for major repairs, restoration, equipping with technical means and equipment, as well as voluntary donations with a special purpose, are included in the total income of the Theatre. . 3.4. The income received from entrepreneurial activity, the property acquired at the expense of these funds, are at the independent disposal of the Theatre, are accounted for on a separate balance sheet and used for statutory purposes. The Theater has the right to form an accumulation fund and a consumption fund and other funds similar in purpose at the expense of income from entrepreneurial activities permitted by this Charter, remaining at the disposal of the Theater after mandatory payments. 3.5. From the funds of the general income, the Theater pays in accordance with the established procedure wages, allowances, additional payments and other incentive payments, payroll and current expenses, reimburses material costs, settles obligations with legal entities and individuals. The remaining funds are directed to the fund for the creative, industrial and social development of the Theatre. The amount and order of deductions in this fund, as well as the procedure for the formation and expenditure of the funds of the fund is determined by the internal document of the Theater (order, regulation), approved by the director of the Theatre. 3.6. The property of the Theater is accounted for on the balance sheet of the Theater and consists of fixed assets and other funds necessary to fulfill the goals and objectives of the Theater in accordance with this Charter. 3.7. When carrying out its own creative and production activities, the Theater independently disposes of the income from this activity and the property acquired at the expense of these incomes, within the limits of the tasks provided for by this Charter. 3.8. The theater is obliged to: - effectively use the property assigned to it; - ensure the safety and prevent deterioration of the technical condition of the property assigned to it (this requirement does not apply to deterioration associated with the standard wear and tear of this property during operation); - carry out major and current repairs of the property assigned to him within the limits of the funds allocated to him for these purposes from budgetary appropriations. 3.9. The property reflected on the balance sheet of the Theatre, may be withdrawn in full or in part only in the following cases: - when making a decision on the liquidation, reorganization of the Theater in accordance with the legislation of the Russian Federation; - if the property is not used, excessive, or is used for other purposes or to the detriment of the activity; Withdrawal and (or) alienation of property is carried out in accordance with the procedure established by law. 4. Organization of the Theater activities. 4.1. The theater builds its relations with state bodies, other enterprises, institutions, organizations and citizens in all spheres of activity on the basis of agreements, agreements, contracts and other legal acts. In its activities, the Theater takes into account the interests of consumers, provides high quality products, works, services. The theater is free to choose the forms and subject of contracts and obligations, any other terms of relations with enterprises, institutions, organizations that do not contradict the current legislation, this charter and the State Property Assignment Agreement. 4.2. In order to fulfill the main tasks, the Theater has the right to: - in accordance with the established procedure independently carry out creative and production and entrepreneurial activity; - carry out an independent choice of artistic and creative areas of their activities, repertoire, independently make decisions on the public performance of the performance, the publication of promotional materials; - use the objects of intellectual property created by him, the means of individualization equated to them in the manner and on the terms provided for by the legislation on copyright and related rights; - independently select the type of use of the intellectual property object created by him, transfer the rights to intellectual property objects to other legal entities and individuals (including: to be shown on television and broadcast on radio, filming and recording on magnetic, film, video and audio media , as well as other material media, their reproduction, sale, distribution and issuance of permissions for copying) subject to the rights of authors and other persons whose intellectual property objects are used; - use for advertising purposes its own designation (official name, emblem), images and reproductions of artistic and cultural values that are in its collections, collections and funds, as well as allow such use by other legal entities and individuals on a contractual basis; - use objects of intellectual property on a contractual basis; - participate in the prescribed manner in the implementation of federal and interstate targeted programs in the field of culture and art, in international cultural exchanges, to carry out international activities in accordance with the legislation of the Russian Federation and the tasks provided for by this Charter; - create separate structural subdivisions, including branches and representative offices, approve regulations on them, as well as participate in the work of associations, companies, funds and other business entities in the Russian Federation and abroad in accordance with the legislation of the Russian Federation; - independently plan their activities and determine development prospects, based on the goals of the activity, the availability of their own creative and economic resources, the need for creative, industrial and social development of the Theatre, as well as consumer demand for products, works and services and concluded contracts; - in accordance with the established procedure independently determine its economic program, the amount of funds directed to its production and social development; - independently determine ticket prices and the procedure for selling tickets for performances, concerts, creative meetings, other events, the procedure for the sale of printed and other products, paid services, set prices for them in accordance with the legislation of the Russian Federation; - when carrying out their own creative and production activities, receive and independently dispose of income from this activity and property acquired at the expense of these incomes, in accordance with the legislation of the Russian Federation and for the purposes determined by this Charter; - engage other enterprises, institutions and other organizations, as well as specialists, to carry out their creative and production tasks on a contractual basis, acquire or lease fixed assets at the expense of financial resources available to the Theater, temporary financial assistance and loans and credits received for these purposes from banks , including in foreign currency; - to carry out logistical support of activities and development of facilities social sphere; - hire and dismiss workers in accordance with labor legislation; - establish additional vacations, shorter working hours and other social benefits for their employees in accordance with applicable law; - in accordance with the established procedure, determine the amount of funds allocated for the remuneration of employees of the Theater, for technical and social development within the budget; - organize the development of programs for the restoration and reconstruction of occupied buildings and structures, act as a customer in the development and implementation of projects for material and technical reconstruction, restoration and construction, monitor the progress of design, restoration, repair and other work. 4.3. The theater is obliged: - to be guided by the present charter; - duly fulfill its obligations in accordance with their terms, requirements of the legislation of the Russian Federation, and in the absence of such conditions and requirements - in accordance with business practices or other usually imposed requirements; - bear responsibility in accordance with the legislation of the Russian Federation for violation of obligations; - compensate for damage caused by the irrational use of land and other natural resources, environmental pollution, violation of safety rules, production, sanitary and hygienic standards and requirements for protecting the health of workers, the public and consumers of products, due to the results of their activities; - to provide its employees with guaranteed by the legislation of the Russian Federation minimum size remuneration, safe working conditions and measures of social protection, bear responsibility in accordance with the established procedure for damage caused to their health and ability to work; - carry out, in accordance with the legislation of the Russian Federation, social, medical and other types of compulsory insurance of their employees, provide them with conditions for work, pay wages in a timely manner and carry out its indexation in accordance with the legislation of the Russian Federation; - carry out operational and accounting records of the results of financial, economic and other activities, maintain statistical reporting, report on the results of activities to the relevant authorities in the manner and within the time limits established by the current legislation. Not later than April 1, send the Founder an annual report (balance sheet with annexes and an explanatory note). For improper performance of duties and distortion of state reporting, the officials of the Theater bear responsibility established by the legislation of the Russian Federation; - submit to the Founder the necessary cost estimate and financial documentation in full of the approved forms and by type of activity; - provide the necessary regime for the maintenance and use of occupied buildings and structures, implement fire safety measures; - carry out state measures for civil defense and mobilization training in accordance with the current legislation and regulations of the Moscow Government. 4.4. Relations between the Founder and the Theater are determined by the legislation of the Russian Federation, this charter and the agreement concluded between them in accordance with the legislation of the Russian Federation. The agreement may provide for the obligations of the Theater in relation to the volume of the main activity, the establishment of preferential prices for certain categories of the population, touring and traveling activities, other obligations related to the main activity, and the obligations of the Founder to provide funding for the Theater in the amounts determined by the budget or contract, allocate funds for technical re-equipment, overhaul or reconstruction. The agreement may provide for the fulfillment by the Theater of individual orders of the Founder, providing for additional funding, the obligations of the Founder for the social protection of the employees of the Theater and others, the procedure for using the property transferred to it by the Founder by the Theater, the material responsibility of the parties. The contract for a new term is concluded no later than one month before the expiration of the current contract. Termination of the contract is carried out in the manner prescribed by civil law. 5. Theater management. 5.1. The management of the Theater is carried out in accordance with the legislation of the Russian Federation and this charter. 5.2. The founder of the Theater approves the charter and amendments to the charter, appoints and dismisses the artistic director, exercises control over the compliance of the Theater's activities with the legislation of the Russian Federation and this charter. 5.3. The management of the Theater activities is carried out on the basis of the separation of areas of responsibility by the artistic director of the Theater, appointed and dismissed by the Founder, and the director of the Theater, appointed and dismissed by the artistic director of the Theatre. Creative activity and general management of the Theater is carried out by the artistic director. The management of the organizational, production and financial activities of the Theater is carried out by the director. 5.4. The Founder concludes an employment agreement (contract) with the artistic director, which defines his rights and obligations, responsibilities, conditions of material support and dismissal by the Founder from his position, taking into account the guarantees provided for by the current legislation. The release of the artistic director from his position before the expiration of the employment contract (contract) can take place only on the grounds provided for in the current legislation of the Russian Federation. The Artistic Director determines the artistic principles of the Theatre’s work, conducts creative management of the Theatre’s activities, acts without a power of attorney on behalf of the Theatre, within its competence, is accountable to the Founder and is responsible to him for the fulfillment of the tasks and functions assigned to him, creative results of activity, professional level and highly efficient work Theatre. The artistic director acts on the basis of the laws and other regulations of the Russian Federation and the city of Moscow, this charter, the State Property Assignment Agreement and the employment agreement (contract). 5.5. The Artistic Director of the Theater makes decisions on the following issues of the Theatre's activities: - creative management of the artistic and artistic staff of the Theater in the creation of new productions, the capital renewal of performances and the showing of performances of the current repertoire of the Theatre; - development of plans for creating new productions of the Theatre, promising repertoire plans for the Theatre; - approval of the Theater's repertoire and its distribution plan. - decision-making on the release for public performance of new or capital-renewable performances; - formation of production groups for new productions of the Theatre, appointment of performers in new productions, capital-renewable performances, when introducing performers into performances of the current repertoire of the Theatre; - approval of sketches, models, scenery and other results of the production team's activities during the preparatory period; - the artistic level of the performances of the Theater on a stationary basis, on the road and on tour; - work with authors to create new dramatic works for the Theatre; - management of work on the creation of new performances by directors at the Theatre; - determining the timing of the release of performances, the readiness of performances and making decisions on their public performance; - formation of calendar plans for showing performances of the current repertoire of the Theatre. - any other issues of artistic, creative, financial and production activities of the Theatre. 5.6. An employment contract (contract) with the director of the Theatre, which defines his rights and obligations, responsibilities, conditions for material support and dismissal of him from his position, taking into account the guarantees provided for by the current legislation, is concluded by the artistic director of the Theatre. 5.7. The director organizes and directs the organizational, production and financial activity Theatre, acts without a power of attorney on behalf of the Theatre, represents its interests in public authorities and in relations with legal entities and individuals, resolves the financial and economic activities of the Theatre, manages the property and funds of the Theatre, within its competence, in accordance with the employment agreement (contract) and the Agreement on the Assignment of State Property, makes transactions in accordance with the established procedure on behalf of the Theatre, concludes contracts, submits and legally draws up all documents on activities and contracts with domestic and foreign organizations and authorities, issues powers of attorney (including with the right of substitution), opens settlement and other accounts, signs documents on the financial activities of the Theatre, including bank documents, submits reliable statistical, accounting and other reports to the Government of Moscow in accordance with the established procedure, performs other functions, and is also responsible for ensuring maintenance of proper organizational, production and financial conditions for the work of the Theatre. 5.8. The director independently determines and approves the structure of the Theatre, its staff and qualifications, hires and dismisses the employees of the Theatre, according to the employment agreement (contract). 5.9. The formation of highly qualified management and creative personnel of the Theatre, taking measures to make the best use of the opportunities and abilities, knowledge and experience of the Theatre's employees is carried out by the Director of the Theater in agreement with the artistic director of the Theatre. 5.10. The director, within the limits of his competence, issues orders and gives instructions and directives that are obligatory for all employees of the Theater, and also controls their execution. 5.11. The Theater Director makes decisions on the following issues of the Theatre's activities: - organization of the Theater's activities through its long-term and current planning, financial management, commercial expediency and all possible reduction commercial risk; - implementation of the current operational activities of the Theater and its divisions, ensuring the safety and development of fixed production assets, monitoring and organizing accounting for labor and production discipline, as well as compliance with labor protection and safety standards, sanitary and hygienic working conditions for the Theatre's staff; - ensuring control over the execution of all contracts of the Theater and its contractual obligations; - application, in accordance with labor legislation, of measures to encourage and bring to disciplinary responsibility the employees of the Theatre; - maintaining the legal status and ensuring the legal protection of the interests of the Theater in all instances, in court, arbitration, arbitration court; - observance of confidentiality of personnel information during the conclusion employment contracts(contracts) with the creative staff and managers, specialists of the Theatre; - coordination with the Founder of the terms of business trips and vacations of the director and artistic director of the Theatre. 5.12. The Theater has an Artistic Council on a permanent basis. The order of its work, functions and powers are determined by the artistic director. The goal of the Arts Council is to help artistic director for questions creative activity Theater in the form of recommendations on the following issues: - Formation of the Theatre's repertoire; - release for public performance of new or capitally renewed productions; - distribution of roles in new or capitally renewed productions; - on other issues of artistic and creative activity; - improvement of social and living conditions of the Theater workers. 5.13. Control over the activities of the Theater is carried out by the Founder, the tax inspectorate, other organizations and management bodies within their competence, determined by the laws and other regulations of the Russian Federation and the city of Moscow, this Charter. Control over the efficiency of use and safety of state property, compliance with the Agreement on fixing state property on the right of operational management is carried out by the Department of State and Municipal Property of the City of Moscow. 6. Labor relations and social protection. 6.1. Relations between the employee and the Theater are governed by the current legislation of the Russian Federation, the collective agreement, the Regulations on the personnel of the Theater. 6.2. In accordance with the legislation of the Russian Federation, forms of remuneration, material incentives, official salaries of the Theater employees, types and amounts of additional payments and allowances and other incentive payments are established by the Theater independently within the limits of available funds for wages. 6.3. Compulsory social and medical insurance, social security for employees of the Theater and their families are carried out in accordance with the legislation of the Russian Federation. 6.4. Working and rest conditions, additional holidays, reduced working hours and other benefits for employees are established by the Theater in the manner prescribed by the legislation of the Russian Federation. 7. Change of charter, liquidation and reorganization of the Theatre. 7.1. Changes and additions to this Charter are made by the Founder in agreement with the Department of State and Municipal Property of the City of Moscow and are registered in the prescribed manner. 7.2. Termination of the Theater's activity can be carried out in the form of its liquidation or reorganization (merger, acquisition, separation, separation, transformation) on the terms and in the manner prescribed by the legislation of the Russian Federation: - by decision of the Government of Moscow; - By the tribunal's decision. 7.3. From the moment of appointment of the liquidation commission, the powers to manage the Theater are transferred to it. The liquidation commission draws up the liquidation balance sheet and submits it to the Founder. 7.4. The property of the liquidated Theatre, after settlements made in accordance with the established procedure with the budget, creditors, employees of the Theatre, is transferred to the relevant state body that assigned it to the Theatre. 7.5. The liquidation of the Theater is considered completed, and the Theater ceased its activities from the moment it was excluded from the State Register legal entities. The procedure for the liquidation of the Theater is established by laws and other regulations of the Russian Federation and the city of Moscow. 7.6. During the liquidation and reorganization of the Theater, dismissed employees are guaranteed the observance of their rights and interests in accordance with the legislation of the Russian Federation. 7.7. When the Theater is reorganized, the necessary changes are made to the charter and the State Register of Legal Entities. The reorganization entails the transfer of rights and obligations vested in the Theater to its legal successor (successors) in accordance with applicable law. 7.8. Upon termination of the Theater's activities, all documents (management, financial and economic, personnel, and others) are transferred in the prescribed manner to the successor (successors). In the absence of an assignee, documents of permanent storage of scientific and historical significance are transferred to the state archive in the city archive, documents on personnel (orders, personal files, and others) are transferred to the archive of the administrative district on whose territory the Theater is located. Transfer and ordering of documents are carried out by forces and at the expense of the Theater in accordance with the requirements of archival authorities.From a long-time costume designer Andrey Nikolaevich Smirnov
THE GENUINE HISTORY OF THE BOLSHOI THEATER
WITH Tanislavsky, who said that the theater begins with a hanger, did not mean a wardrobe at all, but a dressing room hidden from prying eyes in the theatrical bowels. This hanger is a completely different story.
COMING TO THE BIG
You can't just get into the Big One! The first time, when he tried to get a job, they didn't take him. There was no one to say a word for me. They accepted me from the second entry as a security guard, and from there to the props, and only then to the costumers. Please note: there are never job advertisements in the Bolshoi. The theater does not need people from the outside, who do not care what to do - wash the floors or put on a fur coat on the artist: as long as they pay. We need those who love this business. You won't earn much money here. So they come to us mainly by acquaintance. And that's okay. If I know that a person sincerely loves music, I can recommend him. I'll be responsible for it later. Ninety percent of the attendants in the theater are fans of their work. Sick people, whoever you take. For example, I can work at night. Last year, when the Japanese filmed our "Boris Godunov" on video, we worked hard for two nights in a row. First, until midnight, they dismantled the scenery " Queen of Spades", then until two o'clock they installed "Boris", and finished recording only at half past six in the morning.
It would seem that it doesn't matter which theater to work in, but no, I can't. I love music very much. Once I tried to leave the Bolshoi, even got a job at the Helikon-Opera, but I could not hold out even for half a year. It would seem that the same music, the same Carmen, but she sits there on the barrel - wildness! It's like working in a cafeteria after a restaurant. Here, at the Bolshoi, Carmen was different. But what! Arkhipov and Obraztsov. They even came out in different forms. Arkhipova - in low-heeled shoes, Obraztsova - barefoot. Both one and the other constantly sang with Jose - Sotkilava, but he killed them in different ways: Arkhipov - with a knife in the side. Exemplary - in the chest. I don't know why, and the mise-en-scenes were all staged in different ways... So, returning to my service in "Helikon". I thought, thought and decided: than so, better than no music at all. Better dig ditches. After all, when the performance begins, the brains are no longer here, but there ... Every day I looked at the program of the Bolshoi Theater and suffered: “Today there Olezhka Biktimirov the Stargazer sings in The Golden Cockerel, and I am here, poor fellow.” Could not stand it - and back to the Bolshoi.
LEAVING THE BIG
Leaving the Bolshoi is easier than getting there. There was a man - and there is no man. It is not customary for us to arrange farewell banquets, at least I have never seen "big" people somehow seen off. Maybe somewhere up there, something similar is happening. And so that the entire theater, the entire troupe and staff - never. Here in the choir, everything is completely different. After all, they are always together: on tour, at rehearsals, they play chess together, they eat together. Celebrate the arrival of the new and the departure of the old. Everything is simple there. There is no such thing as “You are better than me, I am worse than you”...
I don’t know about others, but personally I was very sorry when Vladimir Atlantov left. It's like pulling a big ruby out of the crown: the crown will remain, but it's not the same anymore. Previously, according to the charter of the theater, the soloist was obliged to sing four performances a month. But, of course, no one did. Everyone went to work abroad, and Atlantov somehow went to Austria. I sang there once and earned as much as I would have received in the theater in three months. Soon after that incident, he had to leave the Bolshoi: he left, and he took his wife Tamara Milashkina. The “lumps” are gone, and some kind of “zilch” has been substituted in their place...
Sometimes it gets so bad from all this that the last desire to work on the performance disappears. When he sings good singer you listen with your mouth open. And here you are just serving backstage for the prescribed forty minutes, waiting for the action to end. And all the time you think: “Well, to hell with him! He will not run away from you anywhere - he will change clothes. I'd rather go to the buffet while I drink coffee. There is a difference: dress talent or mediocrity.
Or with Liepa. When I was appointed costume designer at the ballet, Liepa had to work in the theater for some two months. And then he was “asked”, and the man died, in general, because of this. Not because they were fired, but because they stopped letting me into the theater. On that day, Liepa came, as usual, to the fifteenth entrance of the Bolshoi Theater, and the security guard gave him a list of the theater employees who had been fired the day before, where his last name was also listed ... I remember his last Spartak well. There was the same performance as usual: half an hour before the start, a spitting image of Crassus sat in front of me. Dressed up and made up. He sat with some "Culture" or "Pravda" in his hands. I looked at the newspaper, but I don't think I saw anything there. Just to get rid of everything. Gathered - and "to fight" ...
"Spartacus" is the only performance in ballet repertoire, after which everyone is given one day to rest. Even the corps de ballet. And then Maris quickly passed, became overweight, maybe his heart no longer pulled. He was then over forty, and the dancer's retirement age was thirty-five. Although Vasiliev went over even more.
I'm not talking about Plisetskaya at all. She will forever remain a girl. Many were horrified when Shchedrin made Anna Karenina and The Seagull for her. Can you imagine the seventy-year-old Nina Zarechnaya or Karenina? At that time, many said that Shchedrin's ballets were not a dance, but fussing around the stage, that Shchedrin, through them, extended Plisetskaya's life in ballet. Even friends said: “Well, where are you all reaching for? You don't have much money, do you?" And the cleaners generally whispered: "Look, Maya Mikhailovna has crawled." It's all out of envy... Great woman.
WORK DAYS
The dressing room is an amazing place in the theater, from which you can see almost everything. How someone relates to their work, who has what problems, who did not get enough sleep, or maybe the mood is bad. Suppose they are giving an opera. Careless soloists come running 15 minutes before going on stage, some Kolya Baskov or Oleg Biktimirov. And, for example, Zurab Lavrentievich Sotkilava - never! Such solid soloists respect both themselves and us. We are dressing them. This is hellish work! And not only physical. Whole service staff comes three hours before the start of the performance, but I am an hour ahead of everyone else. Habit. The morning shift had already prepared all the costumes for me - Susanin's undershirt, fur coats, caftans. I take a gurney and use a large elevator to lower it down to where the soloists' dressing rooms are. I know that in this one, for example, Sotkilava undresses: he will never sit in another. And here is Yuri Mazurok, his implacable enemy. If a simpler singer like Nesterenko comes across, he will wave his hand: "Well, mine is busy, let's change here." And Sotkilava sits dissatisfied, grumbles, asks for tea. The floor attendant brings him a seagull: “Zurab Lavrentievich, maybe you want a sandwich? Mazurok has almost changed clothes. You look, he will thaw, thaw and calm down. Only in the former Chaliapin's dressing room, everyone and sundry undress, regardless of rank.
My relationship with soloists is different with everyone. For example, with Oleg Biktimirov we can drink champagne after the performance. While I'm putting it on, you can talk about football and anything. He is a fan of Spartak, I have been a fan of Torpedo all my life. And Sotkilava tells us everything about his Dynamo Tbilisi. He used to play by himself.
I am almost sure: if I turned to Plisetskaya with a request: “Maya Mikhailovna, give me a hundred rubles,” she would not refuse. And I would not have approached Ulanova. Misha Lavrovsky, in my opinion, the whole theater loves. An amazing guy, with everyone: “Hello, hello” - he greets from the heart, and not only out of duty or through gritted teeth, if only he lags behind. With the dancer Irek Mukhamedov (he now works in Austria), we shook hands, although this, in general, is not accepted here. It is believed that they are first class, and we are second. But we are the same component their lives as they are ours. Without us, they have nothing to do in the theater. They don't dress up anyway. They just physically can't do it. These suits are like an astronaut's spacesuit. Here, for example, is Ivan Susanin's fur coat. Oh heavy. Sheepskin coat weighs five.
If today Nesterenko sings Susanin, he appears in the theater at half past six. He sits down and comes to his senses for about twenty minutes: he is talking to someone, as if there is no performance. Well, I'm sitting in the corridor, waiting for the call. Then he shouts to me: "Andrey, let's get dressed!" Well, I'm slowly putting it on. First, in a fur coat, in which he enters in the first act. It looks like it, looks like it, then says: “Well, take it off: something is very hot.” I'll undress him. He sits in one bottom shirt. Resting. If there is a mood, maybe he will talk to you. He will tell you what he saw on TV. And then his head hurts or something else - ordinary everyday affairs. He doesn't complain, he just talks. What is he to complain about? I'm not a doctor or a priest. I started working with the choir, it’s easier there: ordinary men, only with voices.
There are, of course, different situations, the suit is tight or something. But this is already called a whim. I persuade Sotkilava: “Well, look: you have a label here: “Sotkilava”. You say that the suit is too small for you, you start to grumble (this, of course, I already think to myself). You sang in it that time.” He justifies himself: "I must have gotten fat." And I told him: “There is no other: I won’t get him from the sky.” On the other hand, try to give the same Nesterenko a Seleznev suit, one of whose arms has been amputated. But once it happened. I say to Nesterenko: “Well, kill me, well, your suit is torn, so what to do now?”
It happens that you end up dressing him in “what is,” but he just can’t get used to the image: “Well, I don’t have a voice today, well, no, what can I do. I drank some water and drank coffee. I’ll go for a run a couple of floors up and down, sweat, maybe a voice will appear. Many say so. Both Nesterenko and Baskov. And earlier - Evgeny Shapin, Alexander Voroshilo.
About fifteen years ago, of course, there was a terrible case when Voroshilo lost his voice. Everyone was surprised how he even finished singing his Scarpia then. According to the script, at the end of the first act of Tosca, he climbed the spiral staircase and finished his aria already at the top of the tower. It was here that his voice broke once. The conductor urgently “turned off” the action, a doctor immediately appeared, injected Voroshilo with something in his throat. And he, imagine, finished singing, “creaked”. After this performance, he no longer sang with us.
PERSPECTIVES
I am very jealous of the Bolshoi Theater and believe that it is, if not in the top three, then in the top five. the best theaters peace. And the Mariinsky Theater is in sixth place ... Here I am sitting here with you in complete silence (this is happening in Great Hall conservatory. - M.S.), and there is such a rumble all day long. We've all been living this hum for a long, long time. How the cacophony will begin there from the very morning, and until the very performance. In the evening you come home, but you still have “Onegin” in your ears ... Once, forgetting from all this music, I went on stage during a performance. There was "Khovanshchina". I went to the buffet, thought about something of my own and ... I see the audience in the hall with peripheral vision. And I'm in a black work robe. The assistant director shows me signs: “What are you? Abnormal?" I think: back to go or what? So until the end of the performance, he stood on the stage.
studied history Marina SOKOLOVSKAYA
Photos used in the material: Yuri FEKLISTOVQUESTIONS OF THE STATE ACADEMIC BOLSHOI THEATER OF RUSSIA
(as amended by Decree of the Government of the Russian Federation of December 23, 2002 N 919)
The Government of the Russian Federation decides:
1. Approve the attached charter of the federal public institution"State Academic Bolshoi Theater of Russia".
2. The Ministry of Property Relations of the Russian Federation shall ensure that the federal state institution "The State Academic Bolshoi Theater of Russia" is assigned to the operational management of the relevant property.
3. The Ministry of Finance of the Russian Federation shall, in accordance with the established procedure, when drafting the federal budget for the corresponding year, provide for appropriations for financing the activities of the federal state institution "State Academic Bolshoi Theater of Russia" as a separate line in the departmental classification of federal budget expenditures.
4. To the Ministry of Culture of the Russian Federation, in accordance with the established procedure, to submit proposals on bringing acts of the Government of the Russian Federation into line with Decree of the President of the Russian Federation of August 28, 2000 N 1579 "On the State Academic Bolshoi Theater of Russia".
Prime Minister
Russian Federation
M.KASYANOV
APPROVED
Government Decree
Russian Federation
dated September 1, 2000 N 649
