TV presenter in the picture the end of winter noon. Essays for all classes
Yuon "The end of winter. Noon” can be started by comparing it with Boris Pasternak’s poems about February. They simply call to one another with aching joy, when, from the anticipation of the appearance of beautiful poems, one wants to write about the end of winter and cry uncontrollably.
The first rays of the sun
The approaching spring is always unusually good - both in a slushy sunless thaw, when the air is filled with the smell of melting snow, and in windy weather, when the clouds run fast and low, and a blue-blue sky peeps through them. But the feeling of jubilation is associated precisely with the first quiet sunny days, one of which is kept by Yuon's painting “The End of Winter. Noon".
Description of this wonderful scenery gives joy, because there is not a single disturbing note in it. Peace and goodness, poured in nature, seem to be eternal.
All-pervading joy
The amazing artist Yuon Konstantin Fedorovich (1875-1958) is a recognized master of landscape. Infinitely loved the nature of the environs of Moscow, and indeed of all of central Russia. Good man lived with dignity, he was happy in family life and not offended by career advancement. His paintings were a success and were always in demand. Maybe that's why they are so light?
A fan of the winter landscape, Yuon loved to draw these particular months of the year - February and March. He was captivated by the blue-tinged snow under the shining first sun, the golden domes of Russian churches, animals delighted with the approach of warmth, the feeling of approaching spring floating in the air. All this is transferred to his canvases, which are full of joy and cause a kind smile. In 1929, Yuon's painting “The End of Winter. Noon". The description of this organically continues the theme of paintings with views of the winter Trinity-Sergius Lavra or a snow-covered street bathed in the March sun - the same space, permeated fresh air, and the goodness spilled in it.
Abundance of light and air
The canvas depicts the Moscow region, the artist's favorite plein air. Plein air is a French word, it is a true reflection of nature, in which light and air play a special active role. Therefore, Yuon’s painting “The End of Winter. Noon". The description of the air in this work can be continued using only enthusiastic epithets and exclamation points. Being next to the picture, you smell the snow that has just begun to melt. It is snow that indicates that February is displayed on the canvas. The white cover is no longer elastic, does not creak underfoot - it is loose, slightly drooping. There is still a lot of snow, as evidenced by the high hat lying on the roof of a tightly built house in the left corner of the picture. But the skiers are in no hurry to catch the passing moment, they know that this is not the last walk in the forest - the blue haze is so clearly visible against the background. It says that the creaking frosts are behind, but the snow will not come down tomorrow either.
Snow as the main character
A talented painter who wholeheartedly loves the urban and rural Russian landscape, K. F. Yuon equally beautifully painted subjects for all seasons. However, his snow is so good and tells the viewer so much about the chosen plot that it becomes the main character of the work. And on the described canvas, the snow also talks to the viewer. There is a lot of it, it is different - in the distance it is still winter, cold. Winter is on the horizon. And looking there, you understand that February is tricky - it can still swirl with a blizzard and cover everything with snow. From this, the first warmth seems even more captivating, the joy of schoolchildren who have gathered for a ski trip is even clearer.
Originally Russian landscape
The snow at KF Yuon is eloquent, because the artist never painted it only with white paints - on this canvas, shadows of all shades of blue and even yellow lie on the snow, in which paths are trodden. The children ran through the snowdrifts - in deep traces, one can assume the presence of melted snow. The following is a description of Yuon’s painting “The End of Winter. Noon ”can be continued with a story about trees, of which there are quite a lot on the canvas. Slender tall birch trees, casting long shadows, indicate that the picture depicts exactly noon - the sun is sinking, and not standing at its zenith. The white-bodied beauties are a little closer than several slender fir trees, which have not yet brightened, but the snow has already been shed, and the sun drains their wet needles.
Health in everything
On the canvas there is nothing wretched or dirty that melted snow could expose - everything is strong, slender, clean and fresh, even a shed visible behind the fir trees. A little further away, a river is guessed, which, obviously, disappeared. Description of the artwork «The end of winter. Noon ”K.F. Yuon smoothly approaches the sparse mixed forest covering the hills located on the other side. The canvas does not depict the sun, but the whole picture is full of it - the trunks of tall trees and the transparent crown of a small birch are filled with sunlight. The high school students, who decided to take a walk to the river after classes, had already put on their skis, waiting for two sluggish or just arrived comrades. They, too, admired the blue snow seen in the distance. It is still cold there, but everything is saturated with the expectation of the imminent arrival of spring.
Wonderful landscape colors
Yuon's painting “The End of Winter. Noon". The description (no matter how hard the author tries) is not able to convey the beauty of the landscape. Separate words deserve chickens and a rooster, who came running to bask in the sun. Perhaps one of the guys, before leaving the yard, threw them food on the snow, which they peck. Or maybe, warmed by the first warmth, they jumped out of the chicken coop, which had become boring over the winter, in the hope of extracting something from under the snow.
The color scheme of poultry fits very organically into big picture- yellow hens and a bright red rooster, like the ocher color of the logs stacked by the fence - everything is filled with sunlight, everything screams about the approaching spring. The landscape is rural, and the artist managed to convey the last winter calm before the spring suffering. Description of the painting by Konstantin Yuon “The end of winter. Noon ”can be ended with words of admiration about how amazingly accurately the artist managed to capture the moment of the meeting of two time periods of the year - the outgoing winter and the approaching, always beautiful spring.
The end of winter is the time when nature comes to life in anticipation of the coming spring. The time when you want to breathe deeply, reveling in the fresh air. The sun is already warming and the snow is melting from its rays. In the picture K.F. Yuon depicts exactly this time when winter recedes, and the long-awaited spring comes to replace it. The snow is no longer fluffy like in winter, but loose and wet. It is already beginning to melt, and very soon mischievous murmuring streams will run. Chickens and a rooster trample on this snow on the path, they peck at something from the ground. They are like bright spots against the already dirty snow.
Everything is still covered in snow, even the roofs of houses, but it feels like spring is coming very soon. The sky became somehow translucent and weightless. The air is humid and clean, it is intoxicating and impossible to breathe. As if there is not enough lung capacity to inhale and get enough of it. Only the warm rays of the sun and the heady air can breathe joy and desire to live into a person. One feels how nature wakes up and begins new life. The forest on the mountain is shrouded in a light haze, it seems that something new is being born behind the mountain and it is because of it that spring will come with all its charms.
Near the fence there are several people who decided to take what may be the last opportunity to go skiing. Two are standing, leaning on sticks, and the third has already taken off his skis. The three of them are waiting for a friend who is crossing the bridge. Apparently, they had already finished their walk on a warm day, at the end of winter. Now they are waiting for each other to go home together and drink hot fragrant tea. It is spring-like warm outside, which means that very soon the snow will melt, and other chores will begin. K.F. Yuon knows how to convey the mood of a sunny day. His landscapes inspire and inspire. They give the person looking at them a feeling of lightness, freedom and weightlessness. You can feel the warmth of the sun's rays and the freshness of almost spring air.
In our material, we consider Yuon’s painting “The End of Winter. Noon”, the description of which we will get acquainted with in this article. The painting belongs to the brush of the Russian artist Konstantin Fedorovich Yuon, whose well-deserved fame and folk love were lifelong companions talented person. One day in 1958, during the action of the play, one actress, reading her monologue, suddenly stopped and, throwing a random glance at the reproduction of the painting “Open Window”, said: “Yuon ... I love Yuon” - and the hall exploded with applause, thus expressing respect for the artist and admiration for his work. So, let's get acquainted with one of the works of K.F. Yuon "The end of winter. Noon".
Brief biography of the artist
Yuon Konstantin Fedorovich was born on October 12, 1875 in Moscow. His father was the head of an insurance company, his mother was engaged in music. The gifted young man became popular during his youth. The paintings of the novice artist were exhibited, had great success and quickly sold out. ABOUT young talent began to write in art journals. With the proceeds, Konstantin Fedorovich traveled a lot, the beauties he saw in the expanses of the Motherland were the result of these trips. Talented works replenished the collection of the young artist. Fate favored him: he was recognized early, awarded, for many years he was engaged in teaching, raised famous students, including the sculptor Vera Mukhina and the artist Vasily Vatagin.
Detailed description of the picture. Color palette
Painting by K.F. Yuon "The end of winter. Noon" was written in 1929. On it we see the backyard of a wooden house, which, apparently, is located on the edge of the village. The central part of the picture horizontal line separates the fence. In the courtyard of the house, basking in the first warm rays of the still winter sun, chickens roam, busily rummaging in snowdrifts, looking for something edible. In the background we see a small group of guys skiing. It's worth a fine day. These days come at the end of winter. It is at this time of the year that snow still lies, but the first warm sun is already appearing. Children enjoy winter skiing.
In the painting by the artist Yuon “The End of Winter. Noon” the amount of snow is amazing. There is so much of it that you involuntarily want to close your eyes. Konstantin Fedorovich loved to paint snow, in his picture he is depicted not only in crystal white colors. The artist used shades from light blue to blue. There are also yellowish shades, reaching a light brownish color in places. In the picture we can see the play of shadows from trees, birds and part of the house. Description of the painting by Yuon “The end of winter. Noon ”leads to the idea that the work is as close to reality as possible. Analyzing the work of Yuon, we can conclude that the artist unconsciously or not draws himself in each of his paintings, he grabs every color thread and creates a drawing full of beauty and light on the canvas from their bizarre interweaving.
Impressions from viewing the picture
The first impression that the canvas of a wonderful artist gives us is a feeling of cheerfulness. The cold season is coming to an end, there is no snowstorm, no north wind blows, winter meets early spring. Yuon's painting “The End of Winter. Noon" conveys the nuances of the pre-spring mood. Please note that the sun is not depicted in the picture, but it literally permeates the landscape, fills the entire space with itself. Snow glitters. Evergreen majestic fir trees involuntarily attract the attention of the viewer. There is a feeling of merging with nature. Cold, darkness conquer light and heat. Feel the triumph of life and nature itself. The picture of the artist is written in bright colors. Yuon was full of inexhaustible optimism and saw the world in bright colors, which greatly affected his work.
Yuon's painting "The end of winter. Noon" - a description of beauty native land. After all, those moments of life that were captured on the artist's canvases, even in the last millennium, are close and understandable to today's viewer. The main characteristic of the work of Konstantin Fedorovich is the depiction of paintings in bright, saturated colors. Be sure to have the presence of a "celebration of life." In the soul of every person there is such a memorable corner where he keeps pictures of his native land. And most importantly, we remember the sensations that the memory of dear to my heart places. These places are our homeland. And it is not necessary to be born in these places. It also happens that a person finds a special corner of the world where he is happy and carefree, like those children who are depicted in the picture of our favorite artist.
Conclusion. Outcome
So, in conclusion, summing up what has been said, I would like to note that Yuon’s painting “The End of Winter. Midday”, which is described in this article, shows the beauty of Russian nature, introduces schoolchildren to the work of the famous Russian artist Konstantin Fedorovich Yuon, whose talent is a reflection of the multifaceted Russian culture of the past millennium.
K.F. Yuon is a real master lyrical landscape. The tone of the artist's creations is almost always optimistic and bright, perhaps because his creative destiny turned out remarkably well.
The main theme of the canvas is “The end of winter. Noon. Ligachevo, written in 1929, is a Central Russian landscape, a typical corner of the Moscow region.
In front of us are snow-covered distances and a summer cottage drenched in the sun. A wooden house on a hillock is somehow surprisingly cozy. The snow is already loose in spring, and the trunks of birches under the rays of the sun seem dazzling.
The painter connects a person with the life of nature - chickens dig in the snow, kids go skiing - and this gives the picture a special warmth and charm.
The painting “The end of winter. Noon. Ligachevo" seems to be a fragment of a large canvas: the tops of the trees seem to be "cut off" by the frame, and the viewer contemplates the entire landscape with a house and fir trees. A competent compositional solution allows the artist to focus on the main thing - on the jubilant, triumphant beauty and power of nature.
The color scheme of the canvas is based on contrasting combinations. The dark green fir trees contrast with the dazzling snow with intense bluish shadows. With great skill, the painter paints melting snow, a bluish haze enveloping the forest, bluish shadows from trees. Yellow stacks of firewood and a rooster in the snow are two spots that enliven the canvas.
It seems that the artist draws what he sees before his eyes, without thinking or embellishing. At the same time, the picture makes an indelible impression. We see nature waiting for the arrival of spring, waking up from the winter cold. However, the seemingly simple landscape is filled with spontaneity, naturalness, real poetry.
With the help of the means of painting, K.F. Yuon was able to convey a feeling of elation, festivity, which invariably arises in anyone who looks at the awakening nature.
In addition to describing the painting by K.F. Yuon "The end of winter. Noon. Ligachevo”, our website contains many other descriptions of paintings by various artists, which can be used both in preparation for writing an essay on a painting, and simply for a more complete acquaintance with the work of famous masters of the past.
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1 essay option:
The famous Russian artist Yuon Konstantin Fedorovich lived and worked mainly in Moscow and the town of Ligachevo near Moscow. He liked to paint portraits, architectural monuments and landscapes of his favorite places.
Landscapes of the native suburbs are depicted in Yuon's paintings "March Sun. Ligachevo", "Spring Sunny Day", "End of Winter. Noon". In addition to drawing, Yuon studied the history and theory of art.
The picture shows a winter day in the village. The snow is white and fluffy, like a blanket. It covers the earth like a soft blanket, under which it slumbers until spring. Snow lies on the roofs of houses
People rejoice in the spring warmth. We see how, in the background of the picture, a family is in a hurry to cross the river to go skiing in the forest. They have to cross the catwalks, and one person (probably a child) has already taken off his skis, and his parents are just getting ready to do it. In addition, one of the family members or their friends has already crossed the bridge and "insures" the others...
The naughty winter did not frighten people with frost and snow.
The artist wanted to say that he loves the Russian winter very much, fluffy and snowy, and not in the city, but in the countryside. You look at this reproduction and it becomes a little sad that you don’t see the same snow outside the window until you can go skiing
Option 2 essay:
The work of K.F. Yuon is a bright page of the Russian pre-revolutionary and Soviet painting. A master of a peculiar artistic talent, he saw in his own way the architecture of ancient Russian cities and the nature of the Central Russian zone. His paintings are distinguished by a joyful perception of reality and a decorative richness of the palette.
The great skill of Yuon as a landscape painter lies in the fact that he can turn the most ordinary landscape motif into artistic image, attracting with poetry and freshness of perception of the world. A striking example so one of the best pictures artist “The end of winter. Noon".
The artist depicted a typical corner of the Moscow region. Country yard, snow-covered distances - everything is flooded with the rays of the sun. Trunks of birch trees and spring-like loose snow dazzling white. A wooden house on a hillock, children skiing, chickens digging in the snow give the landscape a “lived-in” and special warmth. There is a lot of true poetry in a simple, familiar landscape motif.
The painting “The end of winter. Midday "is distinguished by naturalness, vital immediacy. It seems that the artist did not think about the composition, but simply wrote what was before his eyes. But actually it is not. The composition of this canvas has its own logic, which is why the picture makes such an integral impression. In fact, the fence divides it into almost equal parts horizontally, the house on the left is balanced by the dark masses of fir trees on the right. This brings the necessary balance to the composition, prevents it from falling apart.
The thoughtfulness of the compositional solution made it possible for Yuon to focus the viewer's attention on the main thing that he wanted to express, namely, on the feeling vitality lurking in nature, on the feeling of joy, festivity that a person experiences in the face of nature triumphant in its eternal beauty. This feeling and this feeling arise mainly due to the radiant coloration, with which Yuon achieves the impression of a bright sunny day. With great skill, snow is painted in the picture, transparent blue shadows from trees, haze enveloping the forest distances. This skill made it possible to convey with great persuasiveness the state of nature on the eve of spring, when the sun begins to warm up, when the shadows become deeper, when nature wakes up after winter days.
It is important that Yuon connects the life of nature with man, whose presence brings special warmth to the picture. At the same time, the feeling of festivity that the picture radiates seems natural, alive due to the presence of people in the picture. The artist seems to be saying that his feelings when looking at this view are akin to the feelings of skiers returning from a walk. He immediately introduces the viewer into his world of feelings and thoughts, reveals to him the beauty in nature.
By means of composition and coloring, the artist affirms the ever-living life of nature and its impact on the feelings and thoughts of man. These tools are very typical. Despite its construction, the picture gives the impression of freedom and naturalness. It seems to be a fragment of a large panorama: the edges of the frame cut off the tops of birches and blue shadows from trees, the viewer mentally imagines the whole house and spruce trees behind the right edge of the picture.
The color of the picture is based on contrasting comparisons and combinations. Dark, brown-green spruces are contrasted white snow with intense blue and blue shadows. The color composition of the canvas is enlivened by a bright spot of a stack of yellow firewood and a red rooster rummaging in the snow. Colorful combinations create that emotional tension, which helps the artist to express the feeling of freshness, joy, festivity that arises when looking at this jubilant nature.
3 essay options:
Before me is a reproduction of a painting by K.F. Yuon "The end of winter. Noon". I really like her. The artist, apparently, was very fond of the beginning of spring. The artist, apparently, was very fond of the beginning of spring. The picture shows a sunny day.The picture shows a sunny day. The sky is in pearlescent shades that are reflected in the snow. And the snow is loose, sticky and very beautiful. The sun pleases everyone with its beauty and warmth. The air is clean, pleasant and warm. Snow is reflected in the sky as in a mirror. In the background of the picture is the kingdom of winter. foreground I see happy chickens, they are looking for last year's seeds. In the background of the picture, the landscape painter depicted a dark forest. There is still the kingdom of winter. The snow in the forest is white-white, no shades. The hut is full of sunshine. A cap of snow slides off of it. The skiers turned their faces to the sun. The chickens are so happy that they run, fuss. There are traces of crosses from chicken legs in the snow. Birches have raised their twigs-handles and reach for the sun. Even the spruce stands satisfied. All in anticipation of heat and light. With the help of paints, the artist showed the struggle between spring and winter.
