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Who wrote the girl on the ball the author. One of Picasso's most famous paintings

In 1905, the outstanding painter Pablo Picasso painted his famous painting"Girl on the Ball". Let's talk about this picture and some curious moments associated with it.

In his youth, after graduating from the art academy in Madrid, Picasso went to France, where he later stayed to live. In Paris, a young artist, thanks to his passion for the circus, ended up on Wednesday circus artists with whom he became close friends. Observing their specific way of life, Picasso was quickly inspired to create paintings.

One of the first paintings on the circus theme was "Family of Acrobats". For the first time, the figure of a teenager balancing on a ball appeared on it. There is an opinion that Picasso borrowed the idea to depict a boy on a ball from the German sculpture by Johannes Götze, which he created in 1888. Maybe.
In the process of repeatedly redrawing The Acrobat's Family, Picasso finally decided to divide this picture into two separate ones. "Family of an acrobat" in the final version was left without a boy on the ball, but a baboon was added. The boy turned into a girl and became central theme another picture - "Girl on the ball".
What is worth paying attention to when considering this wonderful and famous painting? Let's name the most interesting moments.

1. girl pose
Despite the fact that the girl’s figure bends in search of balance, and her arms are gracefully and logically raised up, it is not difficult to notice that in general, standing on the part of the ball on which she stands, it is almost impossible to maintain balance and no acrobatic bearing in this will help. From this we can conclude that in the process of creating the picture, no one posed for Picasso.

2. Ball
According to a number of art historians, one of the nested symbolisms of this picture lies in the ball. A fortune woman standing on a ball or wheel symbolizes her inconstancy, instability and capriciousness.

3. Figure of a male acrobat
In the figure of an athlete, experts discerned the origin of the ideas of "cubism" in Picasso. Picasso, as you know, is considered one of the founders of this avant-garde direction of painting of the last century. Indeed, the features of the man's figure are deliberately convex, the torso acquires the correct geometric shapes, which in general looks a bit even unnatural.

4. Pink color in the picture
At the beginning of his creative way, Picasso, as mentioned above, often visited the circus. The lighting of the Parisian circus arena had a pinkish tint, so the artist had a strong association between pink and everything related to the circus theme. Pink color dominates in all the paintings of Picasso dedicated to the circus or circus performers.

5. The background of the painting
If you try to guess the place to which the plot of the picture refers, then this is more likely Spain than France. Spain is more characterized by a rocky-hilly landscape with poor vegetation. In addition, a horse is visible in the background, which was used by itinerant artists to move to a new place and in their circus acts. Picasso could see wandering artists in his youth, when he was still living in Spain.

6. Flower
There is a flower on the girl's head. Picasso portrayed him fuzzy, as if dissolving against the general background - this can also be read as symbolism, which tells us that beauty is fleeting, vulnerable and not eternal. There is another version: Picasso painted a flower in order to intuitively show the viewer the entry point of the axis of balance, so that the girl would be perceived as a more stable object.

7. Geometry
And yet, the main symbolism in the picture is seen in the opposition of geometric figures - a stable cube on which a textured athlete sits, and a ball on which a fragile girl balances. In the future, these and other geometric figures become an integral part of Picasso's work. The basis of the innovative direction in painting - cubism.

One of the most famous paintings Picasso.

In 1900, Picasso and his friend, the artist Casajemas, left for Paris.

It was there that Pablo Picasso got acquainted with the work of the Impressionists.

His life at that time was fraught with many difficulties, and the suicide of Carlos Casajemas is deeply

influenced the young Picasso.

Under these circumstances, at the beginning of 1902, he began to make works in the style, subsequently called the "blue period".

Picasso developed this style upon his return to Barcelona in 1903-1904.

The work of the transitional period - from "blue" to "pink" - "Girl on the ball" 1905.
In the work of Pablo Picasso, the painting "Girl on a ball" opens the so-called "pink period",

which replaced the "blue" and still retains its echoes. .

The painting "Girl on a ball" does not belong to cubism (as you know, Picasso is the founder of cubism).

Indeed a picture of the transitional period. The classification is complex, can be attributed to the Art Nouveau style.

On the canvas "Girl on the ball" Picasso depicted a wandering troupe of acrobats.

In the center of the composition are two artists - a girl gymnast and a strongman.

The child balances on the ball, rehearsing his number.

The figure of the girl is gracefully curved, she raised her hands to maintain a delicate balance.

The athlete sits motionless, his powerful body is full of calmness.

The two artists contrast sharply with each other.

On the one hand, the fragility and impetuosity of a thin girl on the ball, and on the other hand, the strength, power and static character of a man sitting on

Main means of expression Picasso still remains the line.

But unlike the paintings of the "blue" period, here we also see a perspective. In the canvas "Girl on the ball" is built using

several horizontal lines and small figures in the background (a woman with a child and a snow-white horse). Because of this

the picture does not look flat, it has lightness and airiness.

The image of a bare desert or steppe is chosen as a background. This setting is not very consistent with the mood of the circus.

Thus, the artist emphasizes that the life of these people does not consist only of fun, jubilation and applause from the audience.

It also has need, grief, sickness.

The colors chosen by the artist are also very characteristic.

The blue color, so beloved by Picasso, remained only in the clothes of an athlete and a gymnast.

And the rest of the picture is dominated by shades of pink.

The picture is alive and very dynamic, how did the artist achieve such dynamics?

Let's consider the picture in detail, and, without invading the competence of art criticism, we will study visual solutions.
The first thing you can pay attention to is the opposition of the youth and plasticity of the girl to the experience and strength of the athlete. The ball on which the girl keeps her delicate balance is opposed to the cubic circus props on which the athlete sits.

Thus, there is a contrast and conflict - not only between two characters, but also two states of a person that occur to him during his life, a conflict of generations.
Let us note that the conflict is not declared by the artist in the actions of the characters, in the picture the relationship is rather related, perhaps it is a brother and sister, the girl is open, the look of the athlete is calm.
All this is quite obvious and well known.

Let's take a closer look.
The girl is drawn in cold colors, the athlete - in warm colors.
Usually cold tones visually characterize the character as negative, and perhaps this looks strange for a pretty girl that he painted great artist. But, if you remember your teenage period - didn't we climb into a confrontation with adults for any reason? Didn't they violate the rules that had developed in society - formal and informal? This is a mechanism laid down by nature, destabilizing the social system as a whole, but at the same time pushing the boundaries of human perception.

There is anxiety in the colors with which the girl is drawn. This is her fear of losing balance, and the athlete's anxiety for the girl, and the elder's anxiety for the future of the young.

The plasticity of the girl is contrastingly emphasized by the static, calm posture of an athlete. In the bends of the girl - not only the desire to maintain balance, but also the impulsiveness of character, readiness for games and provocations, in the look of an athlete - solidity and readiness to pick up, support, in the muscles and the very posture of the athlete - strength and readiness for quick, dexterous movements.

The girl's direction is forward, towards the viewer, into the future. The athlete sits with his back to the viewer, the gaze of a mature person is turned to the past.
The emerging movement of time is emphasized by a little girl in a red dress, she logically completes the time inside the picture - childhood, youth, maturity.

Now let's do some experiments.

Using graphics editor, change the tone of the girl to warm ...

Also, let's get people out...

...and a horse in the background.

With each introduction into the original idea of the artist, the internal tension and movement of the picture is noticeably reduced. The "disappearance" of the horse makes the landscape lifeless, deprives the important warm emotional component of the picture. A grazing horse is a uniform, peaceful, lively and warm movement. The dress of a little girl fluttering in the wind is another important movement, light and airy. Deprived of these accents, the picture becomes a dry, almost documentary sketch, a study. And nothing in it provokes the viewer's imagination to think about the passage of time, about the relationship of generations, about new trends and eternal values. The picture ceases to be a deep philosophical parable.

Try in your imagination to also remove the red bow on the girl's head - the picture will “dry” completely.

After that, it is worth re-evaluating the artist's decisions - outwardly simple - which "charged" the picture with internal energy, movement and plasticity.

source

Here's another opinion...

Everyone in this picture can see something of their own.

A person with positive emotions may see a positive meaning, while a person in a depressed mood will see something sinister in it.

This is also proved by the fact that a lot of caricatures and expressions of their vision of the picture were made on the picture.

Someone instead of a girl depicts a nail on the ball, someone a dog, or a bird, a naked woman - whatever.

There are even many sculptures dedicated to this painting. Many authors of sculptures wanted to embody a masterpiece of painting in stone or bronze, others in cartoon characters and cartoons.

The theme of the picture is in demand, and continues to amaze the imagination of people.

By official sources the picture depicts the life of a traveling circus, a harlequin sits on a stone, and a girl from younger generation trains for performances.

The man's face is frowning and serious, he is thinking about something and is confident in himself. Girl cheerful, carefree, but at the same time, it balances unsteadily on the ball.

In the picture, tenderness is opposed to rudeness, childish carelessness looks in contrast on the background
dejected life experience wisdom. Movement is shown against a backdrop of calm.

There is also care for the younger generation, and at the same time, a man feels insecure about his own future. The man is slightly inclined, which shows his sadness, at the same time, the whole figure of the girl strives upwards, her hands are directed with palms to the sky, as a symbol of striving for a happy future.

The location of the acrobats is in an open area, somewhere in the distance you can see a woman with a child and a horse.

The expanses are endless, in the distance there are several horizons, as a symbol of freedom. The picture carries a deep meaning, where every detail is part of a single whole.

In 2012, a coin was issued in Russia, it depicted this particular painting by Pablo Picasso."

SEVEROV A, S,

What makes the strongest impression when looking at this picture is the contrast of heaviness and lightness. The canvas became a saga about balance, about the interaction of human temperaments. The Girl on the Ball is Pablo Picasso's reflections on the fate of art and the artist as a whole.

Plot

Circus performers take a break between endless performances. Thin as the line itself, the gymnast balances on the ball, repeating the number, the strongman calmly sits on the cube. A typical circus scene.

The contrast of the bodies is also enhanced by the difference in the bases: the ball is an extremely unstable figure with a single point of support, while the cube is in contact with the entire base with the floor plane, which makes it as stable as possible.

Girl on the Ball. (wikipedia.org)

Picasso, in whose head the ideas of cubism were still taking shape in 1905, in this work is already concentrated on form. It is through her that he expresses his ideas, his worldview. IN color scheme pink prevails (the main color of this creative stage), but echoes of the previous, “blue” period, dedicated to the poor, the hardships of life, poverty, and generally making a difficult impression (rich blue with its shades was used by the artist as a repeater of sadness, hopelessness and emptiness) are still heard.

On the horizon, Picasso depicted part of the wandering troupe, which he saw as a child in his homeland. Because the landscape is so reminiscent of Spanish lands.

Context

The "pink" period is associated with Picasso's communication with circus performers. Having moved to Paris in 1904, he was in love with this city, with its hustle and bustle, with a gushing variety of ideas and events. Several times a week, he visited the Medrano Circus, got acquainted with the artists and decided to paint a large canvas, “A Family of Acrobats”. In the process of work, he went far from the original idea.

A family of acrobats, 1905. (wikipedia.org)

What we know today as "The Girl on the Ball" was the scene with the boy in "Family of the Acrobats", but in the process the artist dropped that part. A separate episode was then framed in an independent work, while the boy became a girl.

The researchers suggest that, while working on the balancing figure, Picasso took the sculpture of Johannes Goetz as a basis. Indeed, it is quite difficult to imagine that even the most skilled acrobat is able to stand on the ball for a long time.

"Boy balancing on a ball" by Johannes Götz. (wikipedia.org)

Born in the family of an artist. It was the father who taught the child to draw, and quite early. By the age of 15, Pablo had already participated in city exhibitions in his native Malaga. It was clear that he had one path - to become an artist. After studying in Madrid, but unable to cope with academic boredom, the young man went to Paris, where the intellectual and creative color was then concentrated.

In Paris, Picasso experienced everything - from unbearable poverty to fabulous wealth. There were times when the woman with whom he lived could not go out - there were no corny shoes. So many lived in Montmartre creative people and many couldn't resist.

"Guernica", 1937. (wikipedia.org)

He did not leave the house alone and always carried a weapon with him, because the area where he lived was teeming with those who understood only the language of force. Picasso in those years allowed himself everything - both in creativity and in life. One mistress succeeded another, relationships with men, alcohol, opium binges. He stopped using drugs when he saw the body of a hanged man in the workshop German artist. Picasso was afraid that one day, being drugged, he would cross the line of despair and also commit suicide.

Together with Georges Braque, they came up with cubism. Rejecting the traditions of naturalism, they wanted to more convincingly show the sense of space and the heaviness of the masses. However, they gradually descended to puzzles, which are almost impossible to solve. Late creativity Picasso always reflected on what was happening: fashionable surrealists, political upheavals, wars, Peaceful time. Periods of creativity consistently follows changes in the global world.

"Women of Algeria", version O, 1955. (wikipedia.org)

Picasso was filled with energy. He had several wives, countless mistresses and lovers, legitimate and illegitimate children. Tens of thousands of works are attributed to him. Accurately estimate the scale of it artistic heritage no one can - the numbers vary from 20 thousand to 100 thousand paintings.

And after death, he remains the most popular, the most expensive, the most prolific, the most-most Pablo Picasso.

IN Pushkin Museum there are many cities of Moscow wonderful pictures that amaze the imagination of true connoisseurs of art and ordinary sightseers. Artists Monet, Renoir, Van Gogh, Chagall - these names have forever entered the treasury of world painting. And "The Girl on the Ball" (Picasso's painting) is one of those works of genius, in front of which you can stand spellbound for hours, enjoying the magical play of color and light, the amazing skill of the great artist. This picture is like a fairy tale that you want to believe in, in spite of any global complexities of human existence.

"Pink" period

Each work of a great artist has its own history. This picture is no exception. The young Pablo Picasso, settling in Paris at the beginning of the last century, comprehended the world of bohemia. In his poor art workshop, even the water froze in winter - it was so cold. And in Montmartre, electricity was often cut off. But on the other hand, on the doors of the workshop there was an inscription “The meeting place of poets”, pleasing to the eye. The world of bohemia, rejected by the townsfolk, firmly enters the life of Pablo Picasso. And the theme of kinship and human relations - in that period. The main characters, heroes of the paintings are wandering circus performers, comedians, artists and ballerinas, who, contrary to public taste, attracted attention young talent, aroused genuine interest and interest in it.

"Girl on a ball", painting by Picasso

At that time (1905), the artist is often inclined to choose the most ordinary subjects for his works. The heroes of this picture - wandering acrobats - capture the imagination of Pablo Picasso: a girl on a ball, fragile and tender, an athlete who personifies masculinity and reliability. But the author does not just copy life. He recreates it with his art, skill. And the work "Girl on the ball" (Picasso's painting of the "pink" period) is a vivid example of this! We seem to see dreams, love, devotion and tenderness, strength and courage. Necessity for each other, since the work of traveling circus performers is dangerous and difficult, and they get a penny for it.

Painting by Pablo Picasso "Girl on the ball": the plot

The canvas depicts a seated adult male acrobat and a fragile girl who gracefully balances on a ball. It is in the opposition of these two figures, their plasticity and massiveness, grace and strength, that many critics see the highlight of the work. The theme of friendship, inner community and mutual assistance is also seen in the work. The artist is attracted by the language of contrasts and plasticity, which contributes to the creation of harmony in the composition of the picture. After all, you must admit that if you imagine for a moment only a balancing girl, then without the silent support of a seated circus performer, she can instantly lose her balance by slipping off the ball. The leg of a man bent at a right angle is perceived figuratively, as a kind of support for the fragile figure of a girl.

All the magic that permeates the work of the great master is also based on the magic of lighting, the consonance of colors, the accuracy of strokes. As if the figures do not have a feeling of stiffness, and the space of the canvas is moved apart and filled with air. At the same time, the author also uses the coarsening of the texture of painting, the simplification of style, which manifested itself in earlier years.

Despite the seeming rudeness of the image, the work carries a light and gentle mood, described in pink and blue tones, with shades of ashy. These tones additionally give the impression of a romantic reality of life.

History of the painting after painting

It is known that Pablo Picasso was pleased in 1906 when the collector Vollard bought as many as 30 paintings from him for only two thousand francs. After that, the canvas visited both the famous collection and the Kahnweiler collection. The industrial collector and philanthropist Morozov bought it in 1913 already for 16 thousand. So "Girl on a ball", a painting by Picasso, ended up in Russia, where it is still in the Pushkin Museum.

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