Who is Varlamov Alexander Egorovich. The meaning of Varlamov Alexander Egorovich in a brief biographical encyclopedia

Varlamov Alexander Egorovich- Varlamov, Alexander Egorovich - a famous Russian amateur composer.

As a child, he passionately loved music and singing, especially church singing, and early began to play the violin by ear (Russian songs).

At the age of ten, Varlamov entered the court chapel as a chorister.

In 1819, Varlamov was appointed regent of the Russian court church in The Hague, where the sister of Emperor Alexander I, Anna Pavlovna, who was married to the Crown Prince of the Netherlands, then lived.

Over theory musical composition Varlamov, apparently, did not work at all and remained with the meager knowledge that he could have taken out of the chapel, which at that time did not care at all about the general musical development of its pupils.

In The Hague and Brussels then there was a beautiful French opera, with the artists of which Varlamov made acquaintance.

Perhaps this is where he got his acquaintance with the art of singing, which gave him the opportunity to later become a good teacher of vocal art.

Listening to Rossini's "The Barber of Seville", Varlamov was especially delighted by the skillful use of the Russian song "What was the fence for in the garden" in the finale of Act 2, which the Italian maestro, according to Varlamov, "well, masterfully brought into Polish."

Having many acquaintances, especially among musicians and music lovers, Varlamov probably already formed the habit of a disorderly and scattered life, which prevented him from developing his composer talent properly.

In 1823 Varlamov returned to Russia.

According to some sources, he lived this time in St. Petersburg, according to others, less reliable, in Moscow.

At the end of 1828 or the beginning of 1829, Varlamov began to fuss about a second admission to the singing chapel, and he brought two cherubic songs to Emperor Nicholas I - his first compositions known to us.

On January 24, 1829, he was assigned to the chapel as a "great chorister", and he was entrusted with the duty of teaching minor choristers and learning solo parts with them.

In December 1831 he was dismissed from the service in the choir, in 1832 he took the place of assistant conductor of the imperial Moscow theaters, and in 1834 he received the title of composer of music at the same theaters.

By the beginning of 1833, a collection of nine of his romances (including one duet and one trio) appeared in print, with piano accompaniment, dedicated to Verstovsky: " Music album in 1833". By the way, this collection contains the famous romance "Don't sew for me, mother", which glorified the name of Varlamov and became famous in the West as a "Russian national song"and also another very popular romance"What has become foggy, the dawn is clear."

In them, as in other issues of the collection, the merits and demerits of Varlamov's talent as a composer have already quite definitely affected: sincerity of mood, warmth and sincerity, obvious melodic talent, striving for characterization, expressed in rather diverse and sometimes difficult for that time accompaniments with attempts at sound painting, the national Russian flavor, more lively and bright than that of Varlamov's contemporaries and predecessors, and, at the same time, slovenly and illiterate composer's technique, lack of decoration and consistency of style, elementary form. For a correct assessment historical significance The first romances of Varlamov must be remembered that at that time we had only the romances of the brothers Titov, Alyabyev, Verstovsky, and only a little higher were the first romances of M.I. Glinka. Therefore, Varlamov's first romances occupied a prominent place in our vocal literature of that time and immediately became popular with all music lovers and admirers of nationality in its more accessible form. Varlamov retained the favor of the public in his further composing activity, which did not represent any noticeable development, but remained approximately at the same, once achieved, low level of technology and creativity.

Varlamov's merit consisted in popularizing the national genre and in preparing the public for the perception in the future of more serious works of our national art music.

Along with his service, he also taught music, mainly singing, often in aristocratic houses. His lessons and compositions were paid well, but, with the scattered lifestyle of the composer (who loved card game, behind which he sat all night), he often had to need money.

Usually in such cases, he began to compose (always on the piano, on which he played mediocre, especially badly reading from the sight) and immediately sent the barely finished manuscript to the publisher to turn it into specie.

With such an attitude to the matter, he could not rise above the level of a gifted amateur.

In 1845, Varlamov again moved to St. Petersburg, where he had to live solely on his talent as a composer, singing lessons and annual concerts.

Under the influence of a wrong way of life, sleepless nights playing cards, various griefs and hardships, his health deteriorated, and on October 15, 1848, he suddenly died at a card party of his friends.

Varlamov left more than 200 romances (including 42 Russian folk songs, arranged by him for one voice and piano, of which 4 are Little Russian, a small number of works for 3 voices, three church works for the choir (Cherubic) and three piano pieces(march and two waltzes).

The most famous of these works are: the romances "Red Sundress", "I'll Saddle a Horse" (both served as themes for Wieniawski's violin fantasy "Souvenir de Moscou"), "Grass", "Nightingale", "What has become foggy", "Angel", "Song of Ophelia ", "I'm sorry for you", "No, doctor, no", duets "Swimmers", "Don't you sing", etc. Many of them are now (especially in the provinces) willingly sung in amateurish circles, and romance music "The drum did not beat in front of the vague regiment," attached to another text ("You fell victim to the fatal struggle"), even received nationwide distribution.

Varlamov also owns the first Russian "School of Singing" (Moscow, 1840), the first part of which (theoretical) is a remake of the Parisian school of Andrade, while the other two (practical) are independent and contain valuable instructions on vocal art, which have not lost their significance even now.

Varlamov's son, George, was born in 1825, performed in concerts as a singer and wrote a number of romances in the style of his father. For his other son, Konstantin, see Varlamov's daughter, Elena, also performed as a singer and composed (romances).

Varlamov, Alexander Egorovich

A very talented author of numerous Russian romances and songs, many of which have gained extreme popularity due to sincerity, melody, accessibility and often Russian folk style. V. was born in 1801, died in 1851. He was brought up in the court singing chapel, under the guidance of the famous Bortnyansky. He was preparing first for a career as a singer, but due to the weakening of his voice, he had to abandon this idea. Having received a job as a psalm reader in the Netherlands, he spent some time abroad, where he continued to study musical art. Returning to Russia, from 1832 he was a bandmaster at Moscow theaters, and from 1835 he settled in St. Petersburg and taught singing in various educational institutions. The beginning of V.'s composing activity dates back to the end of the 1930s. The first nine romances by V. were published in Moscow in 1839 by the music publisher Gresser. Of these, the following received particular popularity: “Don’t you sew me, mother, a red sundress” and “What has become foggy, clear dawn.” This series of romances also includes: "Understand me", "Here come the regiments of relatives", "Do not make noise", "Oh, it hurts", "Young young woman", "Oh you, youth." Many romances were written by V. in the forties; they were printed by various publishers in St. Petersburg and Moscow. The well-known "Song of Ophelia", sung by VV Samoilova in the tragedy "Hamlet", was published in 1842 by Gresser in Moscow; "Spanish Serenade" - in 1845 by Bernard, "Love Me Out" - in the same year by Miller, "Sorceress" (1844, edition of the Musical Echo store), "Lone Sail Whitens" - in 1848 by Gresser, etc. Later, all the romances, with a score of 223, were published by Stellovsky in St. Petersburg, in 12 notebooks. V. tried his hand in the field of sacred music. He owns the "Cherubim" for eight and four voices (Gresser's edition, 1844). But the author soon realized that the majestic, requiring strict restraint church style does not fit the nature of his talent and his musical technique, not particularly developed; he again switched to his favorite forms of song and romance. V. declared himself as a teacher in his "Complete School of Singing", in three parts, published by Gresser in Moscow in 1840. This school is our first and for its time a wonderful vocal guide. Now this edition of Gresser is a bibliographic rarity. Of the three parts, the first, theoretical part, which is a reworking of "Nouvelle méthode de chant et de vocalisation" by the Parisian professor Andrade, is less processed. But on the other hand, the second, practical, was made completely independently, replete with many precious remarks that have not lost their significance even today and expose in the author a great connoisseur of the human voice. The third part contains ten exercises for voice, with piano accompaniment, and two Russian songs: "Ah, there is more than one path in the field" and "Don't wake me young", arranged for three voices. Not a single composer withstood as many editions as V. In 1886, a new complete collection works of V., published by his heirs.

N. Solovyov.

(Brockhaus)

Varlamov, Alexander Egorovich

Composer, b. November 15, 1801 in Moscow, mind. October 15, 1848 in St. Petersburg. The son of a nobleman (of Moldavian origin), V. at the age of 10 entered the Court Singing Chapel, where his talent attracted the special attention of Bortnyansky; his voice, however, began to weaken, in 1819 he left the chapel and went to Holland, where he was regent at the church of the Russian embassy and served (psalmist?) at the court of V.K. Anna Pavlovna, Princess of Orange. In 1823 V. returned to Russia and settled in Moscow, where he began to give music lessons (he was not only a singer, but also a violinist and guitarist). In January 1829 V. entered the teacher of solo and choral singing in St. Petersburg. adv. chanter chapel (1200 rubles per year); but already at the end of 1831 he left the service and soon moved again to Moscow, where he took the place of assistant bandmaster and "class composer" Imp. Moscow theaters (the last title died with V.), while at the same time pedagogical activity. Since 1833, V. was granted a pension of 1,000 rubles by the Sovereign. (Assignment) per year. At the same time, the first 9 romances by V. were published in Moscow by Gresser (dedicated to Verstovsky, with whom V. became close in Moscow). After the death of his first wife, V. remarried c. 1842, two years later he left the government service in Moscow and in 1845 moved again to St. Petersburg. His efforts to get a place in the chapel again. were not crowned with success and he had to live exclusively with music lessons (private and in educational institutions) and his compositions. His songs and romances soon became very popular and were paid for by the highest fees for that time (along with Glinka). There was even a legend that was not based on anything, as if "Askold's Grave" was written by V., who then sold it to Verstovsky. V. died suddenly, from a broken heart; a few weeks later his grave (at the Smolensk cemetery) was washed away by a flood; her place is still unknown. The collection of romances by V. (223) was published by Stellovsky in 12 volumes; since then, most of them have been reprinted more than once. By its general nature and technical warehouse they are approaching the Alyabyevsk; however, V. was more talented than his contemporary, he knew his strength better and therefore used them better. In the Russian "songs" of V. there are undoubtedly folk features, but for the most part these features are captured only superficially and nowhere are they sustained to the end. The most famous of the songs: "Red Sundress", "I'll Saddle a Horse" (both served as themes for Venyavsky's "Souvenir de Moscou"), "Grass", "Nightingale", "What has become foggy"; from romances: "Song of Ophelia", "I'm sorry for you", "No doctor, no", duets: "Swimmers", "You don't sing", etc. Many of them are still willingly sung now (mainly in amateur circles) . In addition, V. wrote several "Cherubic" and the first Russian "School of Singing" (Moscow, 1840), the first part of which (theoretical) is a remake of the Parisian school of Andrade, while the other two (practical) are independent and abound with valuable instructions on the art of singing , which in many respects have not lost their significance to this day. Sons V .: George, b. 1825, served in military service, the author of many romances in the spirit of his father, and Konstantin (born after the death of his father) is a gifted drama artist in St. Petersburg. Imp. scenes. See Bulich's article on V. ("Rus. Muz. Gaz.", 1901, Nos. 45-49).

Varlamov, Alexander Egorovich

(1801-1851) - Russian composer, representative of the era of the so-called. dilettantism of Russian music. V. is a nobleman by birth. Numerous songs and romances of V. (among them the most famous: "The Red Sundress", "The Nightingale Stray", "I Will Saddle a Horse", "Grass", "Nightingale", etc.) are in most cases a fake for a folk song, which finds explanation for itself lies in the demand for sweetened folk songs that characterizes the musical life of Russia in the first half of the 19th century. V.'s works, distinguished by their ease and accessibility of form, great melody and sound characteristic, were very popular even during his lifetime; Later, V.'s romances continued to be a favorite repertoire among the petty-bourgeois and merchant classes. Failure music education V. imposed the stamp of primitivism on his work and did not allow him to become at the level of the then Western European musical creativity, although some of his romances reflected the influence of Schubert. V. enjoyed great fame as a teacher. He compiled a singing school in 3 parts (Moscow, 1840), of which, however, only the last two are independent. The collection of romances by V. was published by Stellovsky in 12 notebooks.

Lit.: Bulich S., A. B. Varlamov, "Russian Musical Newspaper", 1901, Nos. 45-49.

Varlamov, Alexander Egorovich

(b. 27.XI.1801 in Moscow, d. 27.X.1848 in St. Petersburg) - Russian. composer, singer, conductor, teacher. Muses. received education in Court Singing Chapel; student of D. Bortnyansky. In 1819-23, a singing teacher at the Russian. embassy church in The Hague; in subsequent years he lived in Moscow (1823-29, 1832-45) and St. Petersburg (1829-32, 1845-48). Author of the first manual on vocal pedagogy in Russia. The main field of creativity is vocal lyrics (song, romance), marked by proximity to urban everyday music, warmth, immediacy, and genre diversity.

Cit.: ballets "Fun of the Sultan" (1834), "Cunning Boy and Ogre" ("A Boy with a Finger", together with A. Guryanov, 1837); music for drama. spectrum. "Ermak", "Two-wife", "Hamlet" and others; OK. 200 romances and songs, including "Oh, time, time," "Red Sundress," "A blizzard sweeps along the street," "I'll saddle a horse," "Don't wake her up at dawn," "The Robber's Song" ( “What is clouded, clear dawn”), “What are you early, grass”, “So the soul breaks”, “The lonely sail turns white”, “Nightingale”, duet “Swimmers”, etc .; Complete School of Singing (1840).

Varlamov, Alexander Egorovich

Famous Russian amateur composer. Born in Moscow on November 15 (27), 1801, descended from Moldavian nobles. As a child, he passionately loved music and singing, especially church singing, and early began to play the violin by ear (Russian songs). At the age of ten, Varlamov entered the court choir as a chorister. In 1819, Varlamov was appointed regent of the Russian court church in The Hague, where the sister of Emperor Alexander I, Anna Pavlovna, who was married to the Crown Prince of the Netherlands, then lived. Apparently, Varlamov did not work on the theory of musical composition and remained with the knowledge that he could have taken from the chapel, which in those days did not care at all about the general musical development of its graduates. In The Hague and Brussels there was then an excellent French opera, whose artists Varlamov met. Perhaps from here he learned his art of singing, which gave him the opportunity to later become a good teacher of vocal art.

In 1823 Varlamov returned to Russia. At the end of 1828 or the beginning of 1829, Varlamov began to fuss about a second admission to the singing chapel, and he brought two cherubic songs to Emperor Nicholas I - his first compositions known to us. On January 24, 1829, he was assigned to the chapel as a "great chorister", and he was entrusted with the duty of teaching minor choristers and learning solo parts with them. In December 1831 he was dismissed from the service in the chapel, in 1832 he took the place of assistant conductor of the imperial Moscow theaters, and in 1834 he received the title of composer of music at the same theaters. By the beginning of 1833, a collection of nine of his romances (including one duet and one trio) with piano accompaniment, dedicated to Verstovsky, appeared in print: "Music Album for 1833". By the way, this collection contains the famous romance “Don’t sew for me, mother” (“Red Sundress”), which glorified the name of Varlamov and became famous in the West as a “Russian national song”, as well as another very popular romance “What foggy, clear dawn." Advantages of Varlamov's talent as a composer: sincerity of mood, warmth and sincerity, obvious melodic talent, striving for characterization, expressed in rather diverse and sometimes difficult accompaniments for that time with attempts at sound painting, national Russian flavor, more lively and bright than that of contemporaries and predecessors Varlamov. For a correct assessment of the historical significance of the first romances of Varlamov, it must be remembered that at that time we had only the romances of the brothers Titov, Alyabyev, Verstovsky, and only a little higher were the first romances of M.I. Glinka.

Therefore, Varlamov's first romances occupied a prominent place in our vocal literature of that time and immediately became popular with all music lovers and admirers of nationality in its more accessible form.

Varlamov retained the favor of the public in his further composing activity. Varlamov's merit consisted in popularizing the national genre and in preparing the public for the perception in the future of more serious works of our national art music. Along with his service, he also taught music, mainly singing, often in aristocratic houses. His lessons and compositions were paid well, but, with the scattered lifestyle of the composer (who was very fond of the card game, behind which he sat all night), he often had to need money. Usually in such cases, he began to compose (always on the piano, on which he played mediocre, especially badly reading from the sight) and immediately sent the barely finished manuscript to the publisher to turn it into specie. With such an attitude to the matter, he could not rise above the level of a gifted amateur. In 1845, Varlamov again moved to St. Petersburg, where he had to live solely on his talent as a composer, singing lessons and annual concerts. Under the influence of a wrong way of life, sleepless nights playing cards, various griefs and hardships, his health deteriorated, and on October 15, 1848, he suddenly died at a card party of his friends.

Varlamov left over 200 romances and three piano pieces (a march and two waltzes). The most famous of these works are: the romances The Red Dress, I'll Saddle a Horse (both served as themes for Wieniawski's violin fantasy Souvenir de Moscou), Grass, Nightingale, What's Foggy, Angel, Ophelia's Song, "I'm sorry for you", "No, doctor, no", duets "Swimmers", "You don't sing", etc. Varlamov also owns the first Russian "School of Singing" (Moscow, 1840), the first part of which (theoretical) is a reworking of the Parisian school of Andrade, while the other two (practical) are of an independent nature and contain valuable instructions on vocal art, which have not lost their significance even now.

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See what "Varlamov, Alexander Egorovich" is in other dictionaries:

Russian composer. From the age of 10 he sang and studied at the St. Petersburg Court Choir. In 1819‒23 teacher of choristers in the Russian embassy church in The Hague. In 1823 he returned to his homeland, ... ... Great Soviet Encyclopedia

Varlamov, Alexander Yegorovich is a famous Russian amateur composer. Born in Moscow on November 15, 1801; came from Volosh, that is, Moldavian nobles. As a child, he passionately loved music and singing, especially church singing, and early began to play on ... ... Biographical Dictionary

- (1801 48), Russian. composer and singer (tenor). One of the prominent masters of Russian. vocal lyrics. On the verses of L. created romances: “Cossack Lullaby"And the duet" From Goethe "(" Mountain peaks ") (M., 1842), "Angel" (M., 1843), "Prayer" ("I, mother of God ..." ... Lermontov Encyclopedia

- (1801 48) Russian composer, singer. Master of vocal lyrics. His music is based on the intonations of the Russian folk song and urban romance. OK. 200 romances and songs: A blizzard sweeps along the street, Red sundress, At dawn, don't wake her up... Big Encyclopedic Dictionary

Varlamov, Alexander Egorovich- VARLAMOV Alexander Egorovich (1801-48), composer, singer; about 200 romances and songs based on the intonations of Russian urban and peasant folklore (“A blizzard sweeps along the street”, “Red Sundress”, “Don’t wake her up at dawn”). … Illustrated Encyclopedic Dictionary

Wikipedia has articles about other people with that surname, see Varlamov. Alexander Egorovich Varlamov Date of birth 15 (27) November 1801 (1801 11 27) Place of birth Moscow Date of death ... Wikipedia

VARLAMOV, ALEXANDER EGOROVICH(1801–1848), Russian composer, singer (tenor) and vocal teacher. Born in Moscow on November 15 (27), 1801 in the family of an official. At the age of nine he was sent to St. Petersburg, where he studied music at the Court Singing Chapel, was a choir singer, and later the author of a number of spiritual compositions. At the age of 18 he was sent to Holland as a teacher of choristers of the Russian embassy church in The Hague. From 1823 he lived in St. Petersburg, where he taught at theater school and for some time served in the Chapel as a chorister and teacher. During this period, he became close with M.I. Glinka, took part in the performance of his works, performed in public concerts as a conductor and singer.

The heyday of creativity falls on the Moscow period of Varlamov's life (1832-1844). Successful composer debut in the play by A.A. Shakhovsky Roslavlev(1832) and work in theatrical genres contributed to Varlamov getting the position of assistant bandmaster (1832), and then "composer of music" at the orchestra of the Imperial Moscow Theaters. Varlamov wrote music for Shakespeare's Hamlet by order famous actor P.S. Mochalova (1837), staged his ballets in Moscow Sultan's fun(1834) and The sly boy and the ogre(1837), etc. In the early 1830s, the first romances and songs of Varlamov appeared; in total, he created more than 100 works of this genre, and among them Red sundress, What is foggy, clear dawn, Don't make noise, the winds are violent(published in 1835-1837). Varlamov successfully performed as a singer, was a popular vocal teacher (he taught at the Theater School, Orphanage, gave private lessons), in 1849 he published his Complete School of Singing; in 1834–1835 he published the journal Aeolian Harp, which included romances and piano works, his own and other authors.

After 1845, the musician lived in St. Petersburg, where he moved in the hope of getting a job as a teacher in the Court Chapel, but for various reasons this plan did not materialize. He was a member of the St. Petersburg literary and art mugs; he became close friends with A.S. Dargomyzhsky and A.A. Grigoriev (two poems by this poet and a critic are dedicated to Varlamov). Varlamov's romances were performed in salons, and the famous Pauline Viardot (1821–1910) sang them in her concerts.

Varlamov died in St. Petersburg on October 15 (27), 1848. Gurilev's romance was dedicated to his memory Memory of Varlamov, collective piano variations on the theme of his romance Nightingale stray(among the authors A.G. Rubinshtein, A. Genselt), as well as published in 1851 Music collection in memory of A.E. Varlamov, which included, along with the works of the late composer, romances by the most prominent Russian composers. In total, Varlamov created about two hundred romances and songs based on texts by more than 40 poets, a collection of arrangements folk songs Russian singer(1846), two ballets, music for at least two dozen performances (most of it has been lost).

Born in Moscow on November 15 (27), 1801 in the family of an official. At the age of nine he was sent to St. Petersburg, where he studied music at the Court Singing Chapel, was a choir singer, and later the author of a number of spiritual compositions. At the age of 18 he was sent to Holland as a teacher of choristers of the Russian embassy church in The Hague. From 1823 he lived in St. Petersburg, where he taught at a theater school and for some time served as a chorister and teacher in the Chapel. During this period, he became close with M.I. Glinka, took part in the performance of his works, performed in public concerts as a conductor and singer.

The heyday of creativity falls on the Moscow period of Varlamov's life (1832-1844). A successful composer's debut in the play by A.A. Shakhovsky Roslavlev (1832) and work in theatrical genres contributed to Varlamov getting the position of assistant bandmaster (1832), and then "composer of music" with the orchestra of the Imperial Moscow Theaters. Varlamov wrote music for Shakespeare's Hamlet commissioned by the famous actor P.S. In the early 1830s, the first romances and songs of Varlamov appeared; in total, he created more than 100 works of this genre, and among them the Red Sundress, What has become foggy, the dawn is clear, Do not make noise, violent winds (published in 1835–1837). Varlamov successfully performed as a singer, was a popular vocal teacher (he taught at the Theater School, Orphanage, gave private lessons), in 1849 he published his Complete School of Singing; in 1834–1835 he published the journal Aeolian Harp, which included romances and piano works, his own and other authors.

After 1845, the musician lived in St. Petersburg, where he moved in the hope of getting a job as a teacher in the Court Chapel, but for various reasons this plan did not materialize. He was a member of St. Petersburg literary and artistic circles; he became close friends with A.S. Dargomyzhsky and A.A. Grigoriev (two poems by this poet and a critic are dedicated to Varlamov). Varlamov's romances were performed in salons, and the famous Pauline Viardot (1821–1910) sang them in her concerts.

Varlamov died in St. Petersburg on October 15 (27), 1848. Gurilev's romance Memories of Varlamov, collective piano variations on the theme of his romance by the Nightingale the Stray (among the authors A.G. Rubinstein, A. Genselt), as well as the Musical a collection in memory of A.E. Varlamov, which included, along with the works of the late composer, romances by the most prominent Russian composers. In total, Varlamov created about two hundred romances and songs based on texts by more than 40 poets, a collection of arrangements of folk songs Russian singer (1846), two ballets, music for at least two dozen performances (most of them are lost).

Russian composer, singer (tenor) and vocal teacher. Born in Moscow on November 15 (27), 1801 in the family of an official. At the age of nine he was sent to St. Petersburg, where he studied music at the Court Singing Chapel, was a choir singer, and later the author of a number of spiritual compositions. At the age of 18 he was sent to Holland as a teacher of choristers of the Russian embassy church in The Hague. From 1823 he lived in St. Petersburg, where he taught at a theater school and for some time served as a chorister and teacher in the Chapel. During this period, he became close to M. I. Glinka, took part in the performance of his works, performed in public concerts as a conductor and singer.

The heyday of creativity falls on the Moscow period of Varlamov's life (1832-1844). A successful composer's debut in the play by A. A. Shakhovsky Roslavlev (1832) and work in theatrical genres contributed to Varlamov getting the position of assistant bandmaster (1832), and then "composer of music" with the orchestra of the Imperial Moscow Theaters. Varlamov wrote music for Shakespeare's Hamlet commissioned by the famous actor P.S. In the early 1830s, the first romances and songs of Varlamov appeared; in total, he created more than 100 works of this genre, and among them are "Red Sundress", "What has become foggy, clear dawn", "Do not make noise, violent winds" (published in 1835-1837). Varlamov successfully performed as a singer, was a popular vocal teacher (he taught at the Theater School, Orphanage, gave private lessons), in 1849 he published his "Complete School of Singing"; in 1834–1835 he published the journal Aeolian Harp, which included romances and piano works, his own and other authors.

After 1845, the musician lived in St. Petersburg, where he moved in the hope of getting a job as a teacher in the Court Chapel, but for various reasons this plan did not materialize. He was a member of St. Petersburg literary and artistic circles; he became close friends with A. S. Dargomyzhsky and A. A. Grigoriev (two poems by this poet and a critic are dedicated to Varlamov). Varlamov's romances were performed in salons, and the famous Pauline Viardot (1821–1910) sang them in her concerts.

Varlamov died in St. Petersburg on October 15 (27), 1848. His memory was dedicated to Gurilev's romance "Memories of Varlamov", collective piano variations on the theme of his romance "The Stray Nightingale" (among the authors A. G. Rubinshtein, A. Genselt), as well as The Music Collection in Memory of A. E. Varlamov, published in 1851, included, along with the works of the late composer, romances by the most prominent Russian composers. In total, Varlamov created about two hundred romances and songs based on texts by more than 40 poets, a collection of arrangements of folk songs "Russian Singer" (1846), two ballets, music for at least two dozen performances (most of them are lost).

Encyclopedia Around the World

1. famous romance

Varlamov's romances were used big love the Moscow public and instantly scattered throughout the city. A close friend of Varlamov, soloist of the Bolshoi Theater Bantyshev for a long time begged the composer to write a romance for him.
- What do you like?
- Whatever you want, Alexander Yegorovich ...
- Fine. Come back in a week. Varlamov wrote very lightly, but, being an extremely unassembled person, he was going to get to work for a very long time.
A week later, Bantyshev comes - there is no romance.
“There was no time,” Varlamov throws up his hands. - Come tomorrow.
Tomorrow is the same. But the singer was a stubborn man and began to come to Varlamov every morning, when the composer was still asleep.
- What are you, really, - once Varlamov was indignant. - The man is sleeping, and you appear, one might say, at dawn! I'll write you a romance. I said, I'll write, and I'll write!
- Tomorrow? - Bantyshev asks caustically.
- Tomorrow, tomorrow!
In the morning the singer, as always, is. Varlamov is sleeping.
“This is for you, Mr. Bantyshev,” the servant says and hands over to the early guest a new romance, which was destined to become famous throughout Russia.
The romance was called "At dawn, you don't wake her!"

2. bird

Varlamov was a kind and unconceited man. Expelled from the Bolshoi Theater, he was left without a job and without a penny of money. Being the father of a large family that had to be supported and fed somehow, the composer and favorite of the Moscow public, not without difficulty, took a very modest position as a singing teacher in an orphanage.
- Is it your business? After all, you are the first celebrity in Moscow. You don't remember yourself at all! - his friend, the tragic poet Mochalov, reprimanded Varlamov.
“Ah, Pasha, there is a lot of pride in you,” the composer replied. - I sing like a bird. sang in Bolshoi Theater- Fine. Now I will sing with orphans - is it bad? ...

3. Evil tongues claim...

What famous opera Alexei Verstovsky "Askold's Grave" was actually written by Varlamov. But, being a careless and frivolous person, he lost it at cards to Verstovsky.
Verstovsky staged "Askold's Grave" under his own name at the Bolshoi Theater and became famous. When close friend Varlamov, the poet Apollon Grigoriev, said to him reproachfully: "Ah, Alexander Egorovich, what have you done! Don't you feel sorry for your opera?" it's easy!"