home › Chassis › Thunderstorm problem of hypocrisy. Composition “The problem of human dignity in the drama “Thunderstorm

Thunderstorm problem of hypocrisy. Composition “The problem of human dignity in the drama “Thunderstorm

Throughout his career, A. N. Ostrovsky created a number of realistic works in which he depicted contemporary reality and the life of the Russian provinces. One of them is the play "Thunderstorm". In this drama, the author showed a wild, deaf society county town Kalinova, who lives according to the laws of Domostroy, and contrasted him with the image of a freedom-loving girl who did not want to come to terms with Kalinov's norms of life and behavior. One of the most important issues raised in the work is the problem human dignity, especially relevant in mid-nineteenth century, during the crisis that prevailed then in the province of obsolete, obsolete orders.
The merchant society shown in the play lives in an atmosphere of lies, deceit, hypocrisy, duplicity; within the walls of their estates, representatives of the older generation scold and teach the household, and behind the fence they portray courtesy and benevolence, putting on cute, smiling masks. N. A. Dobrolyubov in the article “A ray of light in dark kingdom”applies the division of the heroes of this world into tyrants and “downtrodden personalities”. Tyrants - merchant Kabanova, Dikoy - domineering, cruel, who consider themselves entitled to insult and humiliate those who depend on them, constantly torment their household with reprimands and quarrels. For them, there is no concept of human dignity: in general, they do not consider subordinates to be people.
Constantly humiliated, some representatives younger generation lost their self-respect, became slavishly submissive, never arguing, never objecting, having no own opinion. For example, Tikhon is a typical “downtrodden personality”, a person whose mother, Kabanikha, crushed her already not very lively attempts to demonstrate character from childhood. Tikhon is pitiful and insignificant: he can hardly be called a person; drunkenness replaces all the joys of life for him, he is not capable of strong, deep feelings, the concept of human dignity is unknown and inaccessible to him.
Less "downtrodden" personalities - Varvara and Boris, they have a greater degree of freedom. The boar does not forbid Varvara to walk (“Walk while your time it didn’t come, you’ll still sit up”), but even if reproaches begin, Varvara has enough self-control and cunning not to react; she does not let herself be offended. But then again, in my opinion, she is driven more by pride than by self-esteem. Dikoy publicly scolds Boris, insulting him, but in doing so, in my opinion, he belittles himself in the eyes of others: a person who makes family squabbles and quarrels on public display is unworthy of respect.
But Dikoy himself and the population of the city of Kalinov have a different point of view: Dikoy scolds his nephew, which means that the nephew depends on him, which means that Dikoy has a certain power, which means that he is worthy of respect.
Kabanikha and Dikoy are unworthy people, petty tyrants, corrupted by the unlimitedness of their power at home, spiritually callous, blind, insensitive, and their life is dull, gray, filled with endless teachings and reprimands at home. They do not have human dignity, because the person who possesses it knows the value of himself and others and always strives for peace, peace of mind; tyrants, on the other hand, are always trying to assert their power over people who are often mentally richer than themselves, provoke them to quarrels and exhaust them with useless discussions. Such people are not loved and not respected, they are only feared and hated.
This world is opposed by the image of Katerina - a girl from a merchant family who grew up in an atmosphere of religiosity, spiritual harmony and freedom. Having married Tikhon, she finds herself in the Kabanovs' house, in an environment unusual for herself, where lies are the main means to achieve something, and duplicity is in the order of things. Kabanova begins to humiliate and insult Katerina, making her life impossible. Katerina is a mentally vulnerable, fragile person; Kabanikha's cruelty and heartlessness hurt her painfully, but she endures, not responding to insults, and Kabanova provokes her into a quarrel, piercing and humiliating her dignity with every remark. This constant bullying is unbearable. Even the husband is not able to stand up for the girl. Katerina's freedom is sharply limited. “Everything here is somehow out of bondage,” she says to Varvara, and her protest against the insult to human dignity translates into her love for Boris - a man who, in principle, simply took advantage of her love and then ran away, and Katerina, who could not stand it further humiliation, committed suicide.
None of the representatives of Kalinov's society knows the feeling of human dignity, and no one can understand and appreciate it in another person, especially if she is a woman, according to Domostroev standards - a housewife who obeys her husband in everything, who can beat her in extreme cases. Not noticing this in Katerina moral value The world of the city of Kalinov tried to humiliate her to its level, make her a part of her, draw her into a web of lies and hypocrisy, but human dignity belongs to the number of innate and ineradicable qualities, it cannot be taken away, which is why Katerina cannot become like these people and, Seeing no other way out, she throws herself into the river, finally finding in heaven, where she has been striving all her life, the long-awaited peace and tranquility.
The tragedy of the play "Thunderstorm" is in the insolubility of the conflict between a person who has a sense of his own dignity, and a society in which no one has an idea about human dignity. The Thunderstorm is one of Ostrovsky's greatest realistic works, in which the playwright showed the immorality, hypocrisy and narrow-mindedness that reigned in provincial society in the middle of the 19th century.

The merchant society shown in the play lives in an atmosphere of lies, deceit, hypocrisy, duplicity; within the walls of their estates, representatives of the older generation scold and teach the household, and behind the fence they portray courtesy and benevolence, putting on cute, smiling masks. N. A. Dobrolyubov in the article "A Ray of Light in the Dark Kingdom" uses the division of the heroes of this world into petty tyrants and "downtrodden personalities." Tyrants - merchant Kabanova, Dikoy - domineering, cruel, who consider themselves entitled to insult and humiliate those who depend on them, constantly torment their household with reprimands and quarrels. For them, there is no concept of human dignity: in general, they do not consider subordinates to be people.

Constantly humiliated, some members of the younger generation lost their self-respect, became slavishly submissive, never arguing, never objecting, having no opinion of their own. For example, Tikhon is a typical "downtrodden personality", a man whose mother, Kabanikha, crushed her already not very lively attempts to demonstrate character from childhood. Tikhon is pitiful and insignificant: he can hardly be called a person; drunkenness replaces all the joys of life for him, he is not capable of strong, deep feelings, the concept of human dignity is unknown and inaccessible to him.

Less "downtrodden" personalities - Varvara and Boris, they have a greater degree of freedom. The boar does not forbid Varvara to go for a walk ("Walk before your time has come - you will still sit up"), but even if reproaches begin, Varvara has enough self-control and cunning not to react; she does not let herself be offended. But then again, in my opinion, she is driven more by pride than by self-esteem. Dikoy publicly scolds Boris, insulting him, but in doing so, in my opinion, he belittles himself in the eyes of others: a person who makes family squabbles and quarrels on public display is unworthy of respect.

But Dikoy himself and the population of the city of Kalinov have a different point of view: Dikoy scolds his nephew, which means that the nephew depends on him, which means that Dikoy has a certain power, which means that he is worthy of respect.

Kabanikha and Dikoy are unworthy people, petty tyrants, corrupted by the unlimitedness of their power at home, spiritually callous, blind, insensitive, and their life is dull, gray, filled with endless teachings and reprimands at home. They do not have human dignity, because the person who possesses it knows the value of himself and others and always strives for peace, peace of mind; tyrants, on the other hand, are always trying to assert their power over people who are often mentally richer than themselves, provoke them to quarrels and exhaust them with useless discussions. The person who gives them knows the value of himself and others and always strives for peace, peace of mind; tyrants, on the other hand, are always trying to assert their power over people who are often mentally richer than themselves, provoke them to quarrels and exhaust them with useless discussions. Such people are not loved and not respected, they are only feared and hated.

None of the representatives of the Kalinov society knows the feeling of human dignity, and no one can understand and appreciate it in another person, especially if it is a woman, according to Domostroev standards --- housewife, in everything obeying her husband, who can, in extreme cases, beat her. Not noticing this moral value in Katerina, the Mir of the city of Kalinov tried to humiliate her to his level, make her a part of her, draw her into a web of lies and hypocrisy, but human dignity belongs to the number of innate and ineradicable qualities, it cannot be taken away, which is why Katerina does not can become like these people and, seeing no other way out, throws herself into the river, finally finding in heaven, where she has been striving all her life, the long-awaited peace and tranquility.

The tragedy of the play "Thunderstorm" is in the insolubility of the conflict between a person who has a sense of his own dignity, and a society in which no one has an idea about human dignity. The Thunderstorm is one of Ostrovsky's greatest realistic works, in which the playwright showed the immorality, hypocrisy and narrow-mindedness that reigned in provincial society in the middle of the 19th century.

Like A.N. Ostrovsky reveals the problems of human dignity in the drama "Thunderstorm"?

Dignity is something internal, not material in a person, rushing towards another person, for example, in love, towards the world, in good deeds and taken away or violated in cases of anger, aggression. Dignity, as a manifestation of all rights and freedoms, is not always understood and perceived. This is due to the fact that there are two types of dignity: personal and human. Personal dignity is achieved by noble conduct, good deeds and is lost when we commit meanness. Dignity is a manifestation of self-awareness and self-control, on which a person's exactingness towards himself is built. It is closely connected with conscience, honor, responsibility. Having dignity, a person, in the name of self-respect, does not deviate from his promises, maintains courage in difficult life situations. The concept of human dignity is linked to the very essence of humanity. People are different from each other, but the concept of human dignity is connected with the fact that each of us is unique. There was not and will not be exactly the same person, with the same thoughts. Human. who cannot make his claims, in a sense, is devoid of dignity. Physical abuse, oppression, revolts him. Personal dignity - human dignity, in the fullest sense of these words.

In the play "Thunderstorm" A.N. Ostrovsky, in my opinion, showed the wild, deaf society of the county town of Kalinov, living according to the laws of Kalinov, and opposed him with the image of a freedom-loving girl who did not want to come to terms with Kalinov's norms of life and behavior. One of the most important issues raised in the work is the problem of human dignity. The society shown in the play lives in an atmosphere of lies, deceit, duplicity; in their estates, the older generation scolds the household, and behind the fence they depict courtesy, respect. All people in the "Thunderstorm", according to N.A. Dobrolyubov, are divided into tyrants and "downtrodden people". Tyrants - merchant Kabanova and Dikoy - domineering, cruel, who consider themselves entitled to insult and humiliate people who depend on them, constantly torment them with domestic reprimands. For them, there is no concept of human dignity: they do not consider subordinates to be people. Kabanikha and Dikoy are unworthy people, unlimited in their power at home, mentally callous people, and their life is dull, filled with endless reprimands. They do not have human dignity, because the person who possesses it knows the value of himself and others, always strives for peace, peace of mind; petty tyrants, on the other hand, are always trying to assert their power, they are not loved and respected, they are only admired and hated.

Constantly humiliated, some young people have lost their self-respect, become slavishly submissive, never arguing, never objecting, having no opinion of their own. These include Tikhon, whose mother's character was suppressed from childhood. Tikhon is pitiful and insignificant: he cannot be called a person; drunkenness noticed to him all the joys of life, he is not capable of strong, deep feelings, the concept of human dignity is alien to him.

Varvara and Boris are less oppressed by selfish force, they have more freedom. The boar does not forbid Varvara to go for a walk ("Walk until your time has come - you'll still sit still"), but even if reproaches begin, Varvara has enough self-control and cunning not to react; she will not let herself be offended. Wild publicly scolds and insults Boris, forcing the people to respect him.

This world is opposed by the image of Katerina - a girl from a merchant family, who grew up in religiosity, spiritual harmony and freedom. Having married, she finds herself in an environment that is unusual for herself, where lies are the main means to achieve something. Kabanova humiliates and insults Katerina, making her life unbearable. Katerina is a mentally vulnerable girl. the cruelty of the Kabanikhs hurts her painfully, humiliating her dignity, but she endures without responding to insults. The freedom of the girl is sharply limited ("Here everything is somehow from under bondage").

None of the representatives of the Kalinovsky society knows the feeling of human dignity. No one can understand and appreciate it in another person. The world of the city of Kalinov is trying to humiliate her, to make her a part, but human dignity is a born and ineradicable quality, it cannot be taken away. Katerina cannot become like these people and, seeing no other way out, throws herself into the river, having found the long-awaited peace and tranquility in heaven.

The tragedy of the play "Thunderstorm" lies in the insolubility of the conflict between a person who has a sense of his own dignity, and a society in which no one has an idea of human dignity.

Dignity is how a person feels internally in relation to others. It is inextricably linked with conscience, honor and responsibility. A person who has self-esteem does not throw words to the wind, remains true to himself in difficult situations. And a person who cannot keep his promises, in a sense, does not have dignity.

In the play "Thunderstorm" A. N. Ostrovsky, in my opinion, portrayed the evil society of the county town of Kalinov, which lives according to its own laws, and contrasted it with the image of a girl who did not want to put up with the norms of life and behavior of the townspeople. The main problem raised in the work, I think the problem of human dignity. People from Kalinov live according to the laws of deceit and hypocrisy. Older generation behaves arbitrarily in relation to relatives, and with strangers they are kind and respectful. Kabanova and Dikoy are imperious and ruthless, they know nothing about human dignity: they do not consider subordinates to be people. Yes, and they themselves completely lack human dignity, as they constantly try to assert themselves at the expense of others, they are not valued and respected, but only feared and hated.

Being under the power of his mother, Tikhon seems miserable: only drunkenness gives him pleasure, he cannot sincerely feel and does not know what human dignity is. Varvara is less overwhelmed by her mother's strength: Kabanikha does not forbid her daughter anything, but even if it comes to reproaches, Varvara has enough restraint not to pay attention.

This society is opposed by the image of Katerina - a religious girl from a good family who grew up in peace and freedom. After marriage, she finds herself in an unfamiliar atmosphere where deceit is the main weapon to achieve goals. Kabanova offends Katerina, turning her life into a real nightmare. The cruelty of Kabanikha humiliates her dignity, but the girl endures all insults.

The whole tragedy of the play, it seems to me, lies in the insoluble conflict between the inhabitants of Kalinovo and Katerina. Kalinovsky society is unfamiliar with the concept of human dignity. Katerina cannot become like them, because this feeling has been inherent in her since birth. As a result, seeing no way out, she throws herself into the river and only in this way does she find peace of mind.

Option 2

Dignity determines inner man, it cannot be compensated wealth. Such people can direct love, peace and various good deeds towards other people. This quality is violated when evil deeds occur, as well as the infringement of rights and freedoms that may not be accepted and not fully perceived.

This feeling is closely interconnected with conscience and honor. A person who has dignity can save face even in difficult situations, get out of them courageously. Although loves may differ from each other in character and outlook, they share a common view of how a person who has dignity should behave.

A.N. Ostrovsky in the play "Thunderstorm" talks about what a wild, rather deaf society looks like, living in a small county town. Everyone lives according to the rules established in Kalinov, while the author contrasts the huge city with one girl who does not want to live according to the established rules.

In the center of events is the girl Katerina, who looks at things with completely different eyes. The main problem that Ostrovsky raises in his work is society itself, which is full of deceit and hypocrisy.

The whole society described by Ostrovsky is divided into tyrants who are ready to establish their own power and fight for it, and downtrodden people who are afraid to contradict the tyrants exercising power.

For the Merchant and Diky there is no such thing as human dignity, they are not ready to make concessions, therefore they always defend their opinion and go to the last.

And the youth, whom they constantly humiliate, are deprived of human dignity. Tikhon belongs to one of them, his mother always made all the decisions for him, she actually did not give him the opportunity to make decisions.

A society that is devoid of human dignity is opposed by Katerina, who, despite the fact that she was brought up in merchant family and in this society, had a certain dignity. She wanted to fight for her own opinions and the feelings she had.

But the current events show that none of the heroes of the work "Thunderstorm", written by Ostrovsky, except for Catherine. All members of society try to completely humiliate her and show that no one needs her dignity in this world. She couldn't fight to the end. But at the same time, it has sufficient human dignity.

The merchant society shown in the play lives in an atmosphere of lies, deceit, hypocrisy, duplicity; within the walls of their estates, representatives of the older generation scold and teach the household, and behind the fence they portray courtesy and benevolence, putting on cute, smiling masks. N. A. Dobrolyubov in the article “A Ray of Light in the Dark Kingdom” uses the division of the heroes of this world into tyrants and “downtrodden personalities”. Tyrants - merchant Kabanova, Dikoy - domineering, cruel, who consider themselves entitled to insult and humiliate those who depend on them, constantly torment their household with reprimands and quarrels. For them, there is no concept of human dignity: in general, they do not consider subordinates to be people.

Constantly humiliated, some members of the younger generation lost their self-respect, became slavishly submissive, never arguing, never objecting, having no opinion of their own. For example, Tikhon is a typical “downtrodden personality”, a person whose mother, Kabanikha, crushed her already not very lively attempts to demonstrate character from childhood. Tikhon is pitiful and insignificant: he can hardly be called a person; drunkenness replaces all the joys of life for him, he is not capable of strong, deep feelings, the concept of human dignity is unknown and inaccessible to him.

Less "downtrodden" personalities - Varvara and Boris, they have a greater degree of freedom. The boar does not forbid Varvara to go for a walk (“Walk before your time has come - you will still sit up”), but even if reproaches begin, Varvara has enough self-control and cunning not to react; she does not let herself be offended. But then again, in my opinion, she is driven more by pride than by self-esteem. Dikoy publicly scolds Boris, insulting him, but in doing so, in my opinion, he belittles himself in the eyes of others: a person who makes family squabbles and quarrels on public display is unworthy of respect.

This world is opposed by the image of Katerina - a girl from a merchant family who grew up in an atmosphere of religiosity, spiritual harmony and freedom. Having married Tikhon, she finds herself in the Kabanovs' house, in an environment unusual for herself, where lies are the main means to achieve something, and duplicity is in the order of things. Kabanova begins to humiliate and insult Katerina, making her life impossible. Katerina is a mentally vulnerable, fragile person; Kabanikha's cruelty and heartlessness hurt her painfully, but she endures, not responding to insults, and Kabanova provokes her into a quarrel, piercing and humiliating her dignity with every remark. This constant bullying is unbearable. Even the husband is not able to stand up for the girl. Katerina's freedom is sharply limited. “Everything here is somehow out of captivity,” she says to Varvara, and her protest against the insult to human dignity translates into her love for Boris - a man who, in principle, simply took advantage of her love and then ran away, and Katerina, who could not stand it further humiliation, committed suicide. None of the representatives of Kalinov society knows the feeling of human dignity, and no one can understand and appreciate it in another person, especially if it is a woman, according to Domostroev standards - a housewife, in everything obeying her husband, who can last resort and beat. Not noticing this moral value in Katerina, the Mir of the city of Kalinov tried to humiliate her to his level, make her a part of her, draw her into a web of lies and hypocrisy, but human dignity belongs to the number of innate and ineradicable qualities, it cannot be taken away, which is why Katerina does not can become like these people and, seeing no other way out, throws herself into the river, finally finding in heaven, where she has been striving all her life, the long-awaited peace and tranquility.

The tragedy of the play "Thunderstorm" lies in the insolubility of the conflict between a person who has a sense of his own dignity, and a society in which no one has any idea about human dignity. The Thunderstorm is one of Ostrovsky's greatest realistic works, in which the playwright showed the immorality, hypocrisy and narrow-mindedness that reigned in provincial society in the middle of the 19th century.

Thunderstorm is, without a doubt, the most decisive work Ostrovsky; the mutual relations of tyranny and voicelessness are brought in it to the most tragic consequences ... There is even something refreshing and encouraging in The Thunderstorm. N. A. Dobrolyubov

A. N. Ostrovsky received literary recognition after the appearance of his first major play. Ostrovsky's dramaturgy became an indispensable element of the culture of his time; he retained his position best playwright era, the head of the Russian drama school, despite the fact that A. V. Sukhovo-Kobylin, M. E. Saltykov-Shchedrin, A. F. Pisemsky, A. K. Tolstoy and L. N. Tolstoy worked in this genre at the same time. The most popular critics considered his works as a true and deep reflection of modern reality. Meanwhile, Ostrovsky, going his own way in a creative way, often baffled both critics and readers.

So, the play "Thunderstorm" came as a surprise to many. LN Tolstoy did not accept the play. The tragedy of this work forced critics to reconsider their views on Ostrovsky's dramaturgy. Ap. Grigoriev noted that in "Thunderstorm" there is a protest against the "existing", which is terrible for its adherents. Dobrolyubov in the article "A Ray of Light in the Dark Kingdom" argued. that from the image of Katerina in "Thunderstorm" "breathes new life on us."

Perhaps for the first time, scenes of family, “private” life, that arbitrariness and lack of rights that were hitherto hidden behind the thick doors of mansions and estates, were shown with such pictorial power. And at the same time, it was not just a household sketch. The author showed the unenviable position of a Russian woman in a merchant family. Immense power the tragedy was given a special truthfulness, skillfulness of the author, as D. I. Pisarev rightly noted: “Thunderstorm” is a picture from nature, that’s why it breathes truth.”

The action of the tragedy takes place in the city of Kalinov, which is spread among the greenery of gardens on the steep bank of the Volga. “For fifty years I have been looking beyond the Volga every day and I can’t see enough of everything. The view is extraordinary! Beauty! The soul rejoices, ”Kuligin admires. It would seem that the life of the people of this city should be beautiful and joyful. However, the life and customs of the wealthy merchants created a "world of prison and grave silence." Savel Dikoy and Marfa Kabanova are the personification of cruelty and tyranny. Orders in merchant's house are based on obsolete religious dogmas of Domostroy. Dobrolyubov says about Kabanikha that she "nibbles her victim ... for a long time and relentlessly." She forces her daughter-in-law Katerina to bow at the feet of her husband when he leaves, scolds her for not “howling” in public when seeing her husband off.

Page 1 ]

Popular in category: