Test house tree man decoding. Test: "House

Psychological test: House-Tree-Man. How to decrypt it correctly?

Psychological test is a tool that helps specialists understand the state of the psyche of an adult or a child. The simplest testing method is considered to be an ordinary drawing. If you know how to decipher it correctly, you can find out about all the fears and problems of the one who drew it.

Psychological test according to drawings - house, tree, person: transcript with interpretation for children

Psychological test for drawings for children

• If you want to know what your baby really feels, then ask him to draw a house, a tree, a person, and then carefully examine the drawing, paying attention to everything, even the smallest details. The first thing you should pay attention to is how hard your baby presses on the pencil when creating his masterpiece. If the lines are weakly expressed and barely noticeable, then this indicates that you are growing a timid and somewhere passive person who tries to be invisible.
• Also a bad signal is that the child very often uses an elastic band. This indicates insecurity and excessive anxiety. If a son or daughter draws with strong pressure, then this indicates that they are quite tense. In addition, be sure to pay attention to what colors the picture is made of. The ideal option is to use pastel colors.
• As a rule, this indicates that you have been able to grow a person who lives in harmony with his environment. But still remember that the moral state of the children will continue to remain so, it is extremely important for them to feel your love, and it will be better if you show it tactilely. To do this, it will be enough to hug and kiss your child a couple of times a day.

Deciphering the colors of the picture

Deciphering the colors of the picture:

• Red. Such a color scheme should not alert you in the way that open and restless children most often use it. Yes, sometimes they may not obey or even be naughty, but this speaks more about individual characteristics, and not about mental disorders.
• Blue. Most often this color scheme prefer calm, balanced children who sometimes like to be alone with themselves.
• Green. Such a color scheme should alert young parents as it indicates that your baby lacks attention. If you do not try to correct this state of affairs, then with a high probability we can say that your child will grow up closed and will be afraid to trust people.
• Yellow. The predominance of such a color scheme indicates that a dreamy personality is growing in your home who looks at the world through rose-colored glasses.
• dark shades(black, brown, grey). The use of such a color scheme indicates that your child has quite serious psychological problems that, without proper correction, can turn into a rather severe depressive state.

Deciphering the location of the house

• Another criterion that you must definitely pay attention to is the placement of the house, tree and person in the picture. If the child drew the figures you suggested are very large and bulky, this indicates that your crumbs have quite high anxiety, and he cannot relax even when he knows for sure that he is not in danger. True, in this case there is one exception to the rule. If your house grows hyperactive child, then such an arrangement of figures on a sheet can be considered quite normal.
• If the house, tree and person are located at the very top of the leaf (as a rule, the lower part remains completely clean), then this indicates that you raised a baby with very high self-esteem. In the future, such a child may have problems at home, in kindergarten or at school. Due to the fact that the son will consider himself better than everyone else, he will not be able to find true friends for himself and, worst of all, will not be able to fit into the children's team normally.
• A negative signal is very small figures located at the bottom of the sheet. Most often, children who have psychological problems draw like this. It is likely that your child has depression or very low self-esteem. Ideally, all the details of the picture should be drawn as proportionally as possible and in no case should they run into each other.

• Well and on last step do a general analysis of what your child has drawn. Be sure to pay attention to how he portrayed a person and where he placed him. If a person came out very sad and very small compared to other objects, then this indicates that your child is very lonely and feels unnecessary to anyone. It is likely that you just spend little time with your child and the opinion has settled in his subconscious that he is not so important to you.
• Also a bad signal is complete absence human facial expressions. This suggests that your crumbs have a rather poor emotional state, indicating a terrible moral state of health. As for the house, it should also be as realistic as possible. Of course, Small child he is unlikely to be able to draw an ideal home, but still, because he does this, you can understand how comfortable he feels in the family. So, if the house turned out to be very small and placed as if far away, then it is likely that your baby feels rejected or a stranger.
• If the house is of normal size and placed in the picture proportionally, then this indicates family harmony and openness of your crumbs. Also a good signal is the presence of doors and windows near the painted dwelling. The reason to be wary is a tree that seems to be hiding behind the house. Most often, children of very strict and dominant parents, who are trying to control every step of their child, have vegetation in this way.

Psychological test according to drawings - house, tree, person: transcript with interpretation for adults

Psychological test for drawings for adults

As you probably already understood, a drawing can tell a lot about a person. True, in the case of adults, more attention should be paid to the small details of the resulting picture. Unlike children, they can already control their emotions and very often try to deceive the specialist by using the right color scheme or drawing with the right pressure. Therefore, the first thing you should pay attention to is whether there is a trickle of smoke above the house.

If a very thin stream comes out of the chimney, then this shows that the person is emotionally exhausted and does not feel warmth and care from his loved ones. Too thick smoke coming from the chimney indicates that the person is in a very strong moral stress. And the thicker and darker the smoke coming out, the worse the internal state of the person passing the test.

House decoding

Deciphering the drawing of the house

• If a person has drawn a beautiful proportional house, which has all the windows and doors, then this indicates that he is in harmony with himself and with those around him. If the building is depicted without windows and doors, this is a sign of a person's closeness, which is most often provoked by rather strong problems at work. In this way, he is trying to show that he is not going to let anyone into his life. Also a bad signal is the presence of steps or stairs, which are not located at the door or window, but simply against a blank wall. As a rule, this is how a long-standing conflict manifests itself, which requires an immediate solution.

• Also pay attention to how the walls of the dwelling are drawn. If they are clear and clearly visible, then the person has no special problems. But if the lines denoting the outline of the house are very thin, almost transparent, then a person feels some kind of danger and is afraid that he will not be able to defend himself from it. open doors houses indicate that a person has no problems either at home or at work, and is always happy to have guests. But if the doors are too large and occupy most of the wall, then this indicates that the man or woman has problems with self-esteem and at the moment they are trying to show their importance and irreplaceability.

• Another negative signal is the lock on the door, especially if it is very large. As a rule, in this way the subconscious of a person shows his hostility, closeness and aggressiveness. Windows can also tell a lot about a person. If they are of normal size and there are flowers on them, then this indicates that a person does not have any psychological clamps that interfere with his life. If the windows are almost completely covered with curtains, then it is difficult for a person to interact with the outside world, and he tries to fence himself off from it a little.

Deciphering a drawing of a person

Deciphering a drawing of a person

• Most often, the presence of problems in men and women is indicated by the size of the person they depicted in the figure. The smaller and more noticeable it is, the more insecure the one who is being tested feels. In this case, proportions are also very important. After all, if, for example, the depicted little man has a very large head, then this indicates a desire to dominate others. A too small head shows that a person has problems with intellectual development, and he is very worried about this. If a man or woman does not like criticism and tries to distance themselves from unpleasant words, then the picture will show a person without ears.

• The size of the neck can also tell about internal psychological problems. A wide, but at the same time short neck suggests that males and females have character traits that they do not like, but they are trying to get rid of them. Too long and thin neck, as a rule, is drawn by people prone to aggressive behavior, unable to keep their emotions under control. And, of course, do not forget to pay attention to the hands and feet of a person. If they are drawn as clearly as possible, with bright lines, then this indicates that there is a man or woman in front of you, standing firmly on the ground and not afraid of any difficulties.

• As for the eyes, they also play a huge role in deciphering the picture. If a person draws very small eyes, this indicates that he is too immersed in his internal problems. The presence of too large eyes indicates the rudeness and assertiveness of the test. But beautiful and fluffy eyelashes give out a flirtatious person who loves the attention of the opposite sex.

Deciphering the tree pattern

Deciphering the tree pattern

• The more symmetrical and beautiful the tree in the picture is, the more harmonious the person feels. If somehow a part of the tree is larger or smaller than necessary, then this indicates the presence of psychological problems. For example, if a person draws a small tree and very massive roots, then this is a sure sign that he has some problems that he is trying to hide from outsiders.

• Very often in the picture you can see a tree whose leaves are poorly traced, but the trunk is very brightly painted over. This state of affairs indicates that the test-taker is not afraid to face difficulties. The branches lowered down seem to tell us that a person has given up and is not even trying to deal with the problems that arise on his life path.

• Pay special attention to what lines the tree is drawn with. If all the lines are clear, smooth and are not interrupted anywhere, then we can definitely say that you have an individual in front of you who is not afraid of life's difficulties and always goes towards the goals set. If the lines are crooked and periodically interrupted, then this is evidence of indecision, cowardice and lethargy.

Description of the drawing according to the method of house, tree, person: how to draw and draw correctly?

Test Recommendations

• If you decide to conduct a similar psychological test for your child or just one of the adult family members, remember that in order to get the most accurate result, you need to give the person complete freedom of thought. You do not have the right to tell him how to draw this or that part of the picture. It is also strictly forbidden to push the test-taker to choose a particular color. All the time while a person will cope with the task, you will have to sit silently on the sidelines. And it will be even better if you leave the room for a while. Thus, you allow the person to be alone with you.

• Also be sure to take care of the place where the test will take place. You must create conditions in which a person will be as comfortable as possible. This means that on the table on which he will draw there should not be objects that distract attention. Ideally, only a piece of paper, pencils and an eraser should lie on the table. If a child is going to be tested, then in addition to the above things, you can also place felt-tip pens and paints on the table.

• With their help, the baby will be able to reveal his inner world as well as possible. As for drawing, there are no clear rules. You just have to give the person a task, and he himself must decide where he will start creating the drawing. All that will be required of you in this situation is to silently observe and patiently wait for him to finish.

Drawing of an adult

child drawing

While the person is being tested, you will need to record:

1. His reaction to the task
2. How quickly did he figure out what was required of him?
3. How quickly the test person determines the color
4. How long did it take for the person to complete the task?

After the drawing is ready, you can ask the child or adult questions that will help you get the most accurate result. But remember, you must do this in the most relaxed manner. Conversation with the baby, in general, is best done in a playful way. After all, the more he is relaxed, the more reliable information his subconscious will give out.

Test questions:

• Who did you draw in the picture of a boy or a girl (man or woman)?
• Is it you or your relative?
• Do you like what you drew?
• What tree did you draw?
• Why do you like it so much?
• Is this your house?
• What is your home made of?

In principle, questions can be different, the main thing is that they are related to the picture. For example, during a post-drawing survey, you can ask the test-taker why some significant details are missing from his drawing (leaves on a tree, windows and doors on a house, or ears on his head). You should also be interested in the not quite correct arrangement of the elements of the picture.

For example, obliquely growing trees or very skewed walls of the house. A person must definitely try to explain why he sees his world in a slightly distorted form. After you find out all the details that interest you, you can proceed to the final analysis of what the person has drawn.

Video: Psychoriunok. An example of the analysis of the drawing test "House Tree Man"

The test can be taken by both adults and children, perhaps a group examination. The subject is asked to draw a house, a tree and a person (DDCH). Further, a survey is built according to the location of the elements and their characteristics. R. Berne, when using the DCF test, suggests drawing a house, a tree and a person in one drawing, occurring in one scene. The scientist believes that the interaction between these objects is a visual metaphor. If you put the whole drawing into action, then it is quite possible to notice what is really happening in our lives.

Material: pencil or pen, a sheet of standard size paper (A4).

Instruction. Draw a picture on a piece of paper that includes 3 objects - a house, a tree and a person.

Interpretation of features

A special way of interpretation may be the order in which the drawing of the house, the tree, and the person is done. If a tree is drawn first, then the main thing for a person is Vital energy. If the house is drawn first, then in the first place is safety, success, or, conversely, the neglect of these concepts. Now let's look at each component individually.

"House "

The house is old and dilapidated. Sometimes the subject in this way can express an attitude towards himself.
Home away - feeling rejected (rejected)
House near - openness, accessibility and (or) a feeling of warmth and hospitality.
Plan of the house (projection from above) instead of the house itself - a serious conflict
Miscellaneous buildings - aggression directed against the actual owner of the house or rebellion against what the subject considers artificial and cultural standards.
The shutters are closed. The subject is able to adapt to interpersonal relationships.
Steps leading to a blank wall (without doors) are a reflection of a conflict situation that harms a correct assessment of reality, the inaccessibility of the subject (although he himself may desire free heartfelt communication).

Walls

The back wall, located unusually, is a conscious attempt at self-control, an adaptation to conventions, but at the same time there are strong hostile tendencies.
The outline of the back wall is significantly thicker (brighter) than the other details. The subject seeks to maintain (not lose) contact with reality.
The wall, the absence of its base is a weak contact with reality (if the drawing is placed below).
Wall with an accentuated outline of the base. The subject tries to force out conflicting tendencies, experiences difficulties, anxiety.
A wall with an accentuated horizontal dimension is a poor orientation in time (the dominance of the past or the future). Perhaps the subject is very sensitive to environmental pressure.
A wall with a side contour that is too thin and inadequate is a premonition (threat) of disaster.
Against the wall, the contours of the line are too accentuated - a conscious desire to maintain control.
Wall in 1D perspective - only one side is shown. If it is a side wall, there are serious tendencies towards alienation and opposition.
Transparent walls - unconscious attraction, the need to influence (own, organize) the situation as much as possible.
A wall with an accentuated vertical dimension - the subject seeks pleasure primarily in fantasies and has less contact with reality than is desirable.

doors

Their absence - the subject has difficulty in trying to open up to others (especially in the home circle).
Doors (one or more) rear or side - retreat, detachment, avoidance.
The doors are open - the first sign of frankness, reachability.
The doors are open. If the house is residential - this is a strong need for warmth from the outside or the desire to demonstrate accessibility (frankness).
Side doors (one or more) - alienation, solitude, rejection of reality. Significant inaccessibility.
The doors are very large - excessive dependence on others or the desire to surprise with their social sociability.
The doors are very small - unwillingness to let in your Self. Feelings of inadequacy, inadequacy and indecision in social situations.
Doors with a huge lock - hostility, suspiciousness, secrecy, protective tendencies.

Smoke

The smoke is very thick - significant internal stress (intensity according to the density of the smoke).
Smoke in a thin stream - a feeling of lack of emotional warmth at home.

Window

Windows - the first floor is drawn at the end - disgust for interpersonal relationships. Tendency to isolate from reality.
The windows are very open. The subject behaves somewhat cheekily and straightforwardly. A lot of windows show a readiness for contacts, and the absence of curtains shows a lack of desire to hide their feelings.
Windows heavily closed (curtained) - preoccupation with interaction with the environment (if this is significant for the subject).
Windows without glass - hostility, alienation. The lack of windows on the ground floor - hostility, alienation.
There are no windows on the lower floor, but there are on the upper floor - the gulf between real life and life in fantasy.

Roof

The roof is a realm of fantasy. The roof and chimney torn off by the wind is a symbolic expression of the subject's feelings that they are commanded regardless of their own willpower.
The roof, a thick outline, not characteristic of the whole drawing, is a fixation on fantasies as a source of pleasure, usually accompanied by anxiety.
The roof, the thin contour of the edge - the experience of weakening control over fantasy.
Roof, thick outline of the edge - excessive concern for control over fantasy (curbing it).
A roof that does not fit well with the lower floor is a bad personal organization.
The roof cornice, its accentuation with a bright outline or extension beyond the walls, is a highly protective (usually suspicious) installation.

Room

Associations may arise in connection with:
1) the person living in the room;
2) interpersonal relationships in the room;
3) the purpose of this room (real or attributed to it). Associations can have a positive or negative emotional connotation.
The room that did not fit on the sheet is the unwillingness of the subject to depict certain rooms due to unpleasant associations with them or with their tenant.
Room. Subject selects nearest room - suspiciousness.
The bath has a sanitary function. If the manner in which the bathtub is depicted is significant, these functions may be impaired.

Pipe

The absence of a pipe. The subject feels a lack of psychological warmth at home.
The pipe is almost invisible (hidden) - unwillingness to deal with emotional influences.
The pipe is drawn obliquely with respect to the roof - the norm for a child; significant regression if found in adults.
Drainpipes - enhanced protection and usually suspiciousness.
Water pipes (or drainpipes from the roof) are reinforced protective installations (and usually increased suspiciousness).

Add-ons

Transparent, glass box. It symbolizes the experience, exposing oneself to everyone on display. He is accompanied by a desire to demonstrate himself, limited only to visual contact.
Trees. They often symbolize different faces. If they seem to hide the house, there may be a strong need for dependence under parental dominance.
bushes. Sometimes they symbolize people. If they dough surround the house, may take place desire protect yourself with protective barriers.
Bushes randomly scattered across space or located on both sides of the path indicate a slight anxiety within reality and a conscious desire to control it.
Path (good proportions, freely drawn) - shows that the individual in contacts with others reveals tact and self-control.
The path is very long - reduced availability, often accompanied by a need for more adequate socialization.
The path is very wide at the beginning and narrows sharply near the house - an attempt to mask the desire to be alone, combined with superficial friendliness.
Sun. Symbol of an authority figure. Often perceived as a source of warmth and strength.
Weather (what kind of weather is shown). Reflects the experiences of the subject as a whole related to the environment. Most likely, the worse, more unpleasant the weather is depicted, the more likely that the subject perceives the environment as hostile, fettering.

Color

Color, its usual use. Green for the roof, brown for the walls. Yellow, if used only to depict the light inside the house, thereby representing the night or its approach, expresses the feelings of the subject, namely:
1) the environment is hostile to him;
2) his actions must be hidden from prying eyes.
The number of colors used. A well-adapted, shy and emotionally insecure subject usually uses no less than 2 or no more than 5 colors. A subject who paints a house with 7-8 colors, in best case is very labile, using only 1 color is afraid of emotional arousal.

Color selection

The longer, more uncertain, harder the subject selects colors, the greater the likelihood of personality disorders.
Color black - shyness, fearfulness.
Color green - the need to have a sense of security, protect yourself from danger. This position is not so important when using green for the branches of a tree or the roof of a house.
The color orange is a combination of sensitivity and hostility.
The color purple is a strong need for power.
The color red is the most sensitive. Demand for heat from the environment.
Color shading 3/4 of the sheet - lack of control over the expression of emotions.
Hatching that goes beyond the pattern is a tendency to an impulsive response to additional stimulation.
The color yellow is a strong sign of hostility.

General form

Placing a drawing on the edge of a sheet is the main feeling of uncertainty, danger. Often associated with a specific time value:
a) the right side is the future, the left side is the past;
b) related to the purpose of the room or its permanent occupant;
c) indicating the specifics of experiences: the left side is emotional, the right side is intellectual.

perspective

Perspective "above the subject" (looking from the bottom up) - the feeling that the subject is rejected, removed, not recognized at home, or the subject feels the need for a home, which he considers inaccessible, unattainable.
Perspective, the drawing is depicted in the distance - the desire to move away from conventional society. Feelings of isolation, rejection. A clear tendency to separate from the environment. The desire to reject, not to recognize this drawing or what it symbolizes. Perspective, signs of loss of perspective (individual correctly draws one end of the house, but in the other draws vertical line roofs and walls - does not know how to depict depth) signal the beginning of integration difficulties, fear of the future (if the vertical side line is on the right) or the desire to forget the past (line on the left).
Triple perspective (three-dimensional, the subject draws at least 4 separate walls, on which there are not even 2 in the same plan) - excessive concern with the opinions of others about themselves. The desire to keep in mind (to know) all connections, even insignificant ones, all features.

Placement of the picture

Placing the picture above the center of the sheet. How more drawing above the center, the more likely it is that:
1) the subject feels the severity of the struggle and the relative unattainability of the goal;
2) the subject prefers to seek satisfaction in fantasies (internal tension);
3) the subject tends to stay away. Placing the picture exactly in the center of the sheet - insecurity and rigidity (straightness). The need for careful control in order to maintain mental balance.
Resetting the pattern below the center of the sheet. The lower the picture is in relation to the center of the sheet, the more it looks like:
1) the subject feels unsafe and uncomfortable, and this creates a depressive mood in him;
2) the subject feels limited, constrained by reality.
Placing a picture on the left side of the sheet is an emphasis on the past. Impulsiveness.
Placing a picture in the upper left corner of the sheet is a tendency to avoid new experiences. Desire to go into the past or delve into fantasies.
Placement of the drawing on the right half of the sheet is the tendency of the subject to seek pleasure in the intellectual spheres. controlled behavior. Emphasis on the future.
The drawing extends off the left edge of the sheet. Fixation on the past and fear of the future. Excessive preoccupation with free, frank emotional experiences.
Going beyond the right edge of the sheet is the desire to “escape” into the future in order to get rid of the past. Fear of open free experiences. The desire to maintain tight control.
Going beyond the top edge of the sheet - fixation on thinking and fantasy as sources of pleasure that the subject does not experience in real life.
The contours are very straight - rigidity.
The contour is sketchy, used constantly - at best, pettiness, striving for accuracy, at worst - an indication of the inability to take a clear position.

"Human"

Head

The head is the sphere of intellect (control). Realm of imagination.
A big head is an unconscious underlining of the belief about the importance of thinking in human activity.
The head is small - the experience of intellectual inadequacy.
Fuzzy head - shyness, timidity.
The image of the head at the very end is an interpersonal conflict.
A large head of a figure of the opposite sex is an imaginary superiority of the opposite sex and its higher social authority.
The neck is an organ that symbolizes the connection between the sphere of control (head) and the sphere of drives (body). Thus, this is their coordinating feature.
Emphasized neck - the need for intellectual protective control.
Excessively large neck - awareness of bodily impulses, an effort to control them.
Long thin neck - inhibition, regression.
Thick short neck - concessions to one's weaknesses and desires, an expression of an unsuppressed impulse.
Shoulders, their size is a sign of physical strength or a need for power.
Shoulders excessively large - a feeling of great strength or excessive concern for strength and power.
Small shoulders - a feeling of little value, insignificance.
Shoulders too angular - a sign of excessive caution, protection.
Sloping shoulders - despondency, despair, guilt, lack of vitality.
Broad shoulders - strong bodily impulses.
The trunk is masculinity.
The body is angular or square - masculinity.
The body is too large - the presence of unsatisfied needs, acutely realized by the subject.
The torso is abnormally small - a feeling of humiliation, low value.

Face

Facial features include eyes, ears, mouth, nose. These are receptors for external stimuli - sensory contact with reality.
Emphasized face - strong preoccupation with relationships with others, as well as one's own appearance.
Too emphasized chin - the need to dominate.
The chin is too large - compensation for perceived weakness and indecision.
Ears are too emphasized - auditory hallucinations are possible.
Occurs in those who are especially sensitive to criticism.
Small ears - the desire not to accept any criticism, to drown it out.
Eyes closed or hidden under the brim of a hat - a strong desire to avoid unpleasant visual influences.
The depiction of the eyes as empty eye sockets is a significant tendency to avoid visual stimuli. Hostility.
Bulging eyes - rudeness, callousness.
Small eyes - self-absorption.
Lined eyes - rudeness, callousness.
Long eyelashes - coquettishness, a tendency to seduce, seduce, show off.
Full lips on the face of a man - femininity.
Clown's mouth - forced friendliness, inadequate feelings.
A hollow mouth is a passive significance.
The nose is wide, prominent, with a hump - contemptuous attitudes, a tendency to think in ironic social stereotypes.
Nostrils - primitive aggression.
Clearly drawn teeth - aggressiveness.
The face is unclear, dull - fearfulness, shyness.
Facial expression obsequious - insecurity.
A face that looks like a mask - caution, secrecy, feelings of depersonalization and alienation are possible.
Eyebrows sparse, short - contempt, sophistication.
Hair is a sign of masculinity (courage, strength, maturity and striving for it).
Heavily shaded hair - anxiety associated with thinking or imagination.
Unshaded hair, unpainted hair framing the head - subject is ruled by hostile feelings.

limbs

Hands are tools for a more perfect and sensitive adaptation to the environment, mainly in interpersonal relationships.
Wide arms (arm span) - an intense desire for action.
Hands wider at the palm or at the shoulder - insufficient control of actions and impulsiveness.
Hands, depicted not merged with the body, separately, extended to the sides. The subject sometimes catches himself in actions or deeds that are out of his control.
Arms crossed on the chest - a hostile-suspicious attitude.
Hands behind the back - unwillingness to concede, to compromise (even with friends). The tendency to control the manifestation of aggressive, hostile drives.
The arms are long and muscular. The subject needs physical strength, agility, courage as compensation. Arms too long - overly ambitious aspirations.
Hands relaxed and flexible - good adaptability in interpersonal relationships.
Hands tense and pressed to the body - sluggishness, rigidity.
The arms are very short - lack of aspirations along with a feeling of inadequacy.
Hands too large - a strong need for better adaptability in social relations with a sense of inadequacy and a tendency to impulsive behavior.
Lack of hands - a feeling of inadequacy with high intelligence.
Deformation or emphasis of the arm or leg on the left side is a social-role conflict. Hands are depicted close to the body - tension.
Large hands and feet in a man - rudeness, callousness.
Tapered arms and legs - femininity.
Long arms - the desire to achieve something, to take possession of something.
Hands are long and weak - dependence, the need for guardianship.
Hands turned to the sides, reaching for something - dependence, desire for love, affection.
Hands outstretched at the sides - difficulties in social contacts, fear of aggressive impulses.
Strong hands - aggressiveness, energy.
Hands are thin, weak - a feeling of insufficiency of what has been achieved.
A hand like a boxing glove is repressed aggression.
Hands behind your back or in your pockets - guilt, self-doubt.
Poorly defined hands - lack of self-confidence in activities and social relationships.
The absence of arms in the female figure. The mother figure is perceived as unloving, rejecting, unsupportive.
Separated (chopped off) fingers - repressed aggression, isolation.
Thumbs - rudeness, callousness, aggression.
More than 5 fingers - aggressiveness, ambition.
Fingers without palms - rudeness, callousness, aggression.
Less than 5 fingers - dependence, impotence.
Long fingers - hidden aggression.
Fingers clenched into fists - rebellion, protest.
Fists pressed to the body - a repressed protest.
Fists away from the body - an open protest.
Fingers are large, similar to nails (thorns) - hostility.
The fingers are one-dimensional, looped - conscious efforts against aggressive feelings.
Legs disproportionately long - a strong need for independence and the desire for it.
Legs are too short - a feeling of physical or psychological awkwardness.
The drawing that began with the feet is timidity.
Lack of feet - isolation.
Legs wide apart - outright neglect (insubordination, ignoring or insecurity).
Legs of unequal sizes - ambivalence in the pursuit of independence.
Lack of legs - timidity, isolation.
Accentuated legs - rudeness, callousness.
Feet are a sign of mobility (physiological or psychological) in interpersonal relationships.
Feet disproportionately long - the need for security. The need to demonstrate masculinity.
Feet disproportionately small - stiffness, dependence.

Pose
The image of the face so that the back of the head is visible is a tendency towards isolation.
Head in profile, body full face - anxiety caused by the social environment and the need for communication.
A person sitting on the edge of a chair - a strong desire to find a way out of the situation, fear of loneliness, suspicion.
The person depicted as running is the desire to run away, hide from someone.
A person with visible violations of proportions in relation to the right or left sides - lack of personal balance.
A person without certain parts of the body - indicates rejection, non-recognition of a person as a whole or his missing parts (actually or symbolically depicted).
A person is in a blind flight - panic fears are possible.
A person in a smooth light step - good adaptability.
Man - absolute profile - serious detachment, isolation and oppositional tendencies.
The profile is ambivalent. Certain parts of the body are depicted on the other side in relation to the rest, looking in different directions - a particularly strong frustration with the desire to get rid of an unpleasant situation.
Unbalanced standing figure - tension.
Dolls - compliance, the experience of dominance of the environment.
A robot instead of a male figure is depersonalization, a feeling of external controlling forces.
The figure of sticks can mean evasion and negativism.
The figure of the Baba Yaga is open hostility towards women.
A clown, a caricature - an experience of inferiority and rejection characteristic of adolescents. Hostility, self-contempt.

Background. Environment

Clouds - fearful anxiety, fears, depression.
Fence for support, contour of the earth - insecurity.
The figure of a man in the wind is the need for love, affection, caring warmth.
Base line (earth) - insecurity. Represents the necessary reference point (support) for constructing the integrity of the picture. Gives him stability. The meaning of this line sometimes depends on the quality attached to it by the subject. For example, a boy rides thin ice. The base is often drawn under a house or a tree, less often under a person.
The weapon is aggression.

Multidimensional Criteria

Line breaks, erased details, omissions, accentuation, shading - the sphere of conflict.
Buttons, belt buckle, accentuated vertical axis of the figure, pockets - dependency.

Contour, pressure, hatching, location

Few curved lines, many sharp corners - aggressiveness, poor adaptation.
Rounded (rounded) lines - femininity.
A combination of confident, bright and light contours - rudeness, callousness.
The contour is dim, unclear - timidity, timidity.
Energetic, confident strokes - perseverance, security.
Lines of unequal brightness - voltage.
Thin extended lines - tension.
A non-cutting, underlined contour framing the figure is isolation.
Sketchy outline - anxiety, timidity.
Breaking the contour is the sphere of conflicts.
The underlined line is anxiety, insecurity. sphere of conflict. Regression (especially in relation to the underlined detail).
Jagged, jagged lines - impudence, hostility.
Confident solid lines - ambition, zeal.
The bright line is rudeness.
Strong pressure - energy, perseverance. Great tension.
Light lines - lack of energy. Light pressure - low energy resources, stiffness.
Lines with pressure - aggressiveness, perseverance.
Uneven, unequal pressure - cyclothymic, impulsiveness, instability, anxiety, insecurity.
Changeable pressure - emotional instability, labile moods.

Stroke length

If the patient is excitable, the strokes are shortened; if not, they are lengthened.
Direct strokes - stubbornness, perseverance, perseverance.
Short strokes - impulsive behavior.
Rhythmic shading - sensitivity, sympathy, looseness.
Short, sketchy strokes - anxiety, uncertainty.
The strokes are angular, constrained - tension, isolation.
Horizontal strokes - emphasizing the imagination, femininity, weakness.
Vague, varied, changeable touches - insecurity, lack of perseverance, perseverance.
Vertical strokes - stubbornness, perseverance, determination, hyperactivity.
Hatching from right to left - introversion, isolation.
Hatching from left to right - the presence of motivation.
Hatching from oneself - aggression, extraversion.

Erasures

Erasures - anxiety, apprehension.
Frequent erasures - indecision, dissatisfaction with oneself. Erasing on redraw (if the redraw is more perfect) is a good sign.
Erasure with subsequent damage (deterioration) of the drawing - the presence of a strong emotional reaction to the drawn object or to what it symbolizes for the subject.
Erase without trying to redraw (i.e. correct) - internal conflict or a conflict with this detail itself (or with what it symbolizes).
Large drawing - expansiveness, a tendency to vanity, arrogance.
Small figures - anxiety, emotional dependence, a feeling of discomfort and stiffness.
A very small figure with a thin contour - stiffness, a feeling of low value and insignificance.
The lack of symmetry is insecurity.
The drawing at the very edge of the sheet is dependence, self-doubt.
Drawing on the whole sheet is a compensatory exaltation of oneself in the imagination.

Details

What is important here is their knowledge, the ability to operate with them and the ability to adapt to specific practical conditions of life. The researcher must notice the degree of the subject's interest in such things, the degree of realism with which he perceives them; the relative importance he attaches to them; the way these parts are connected together.
The details are significant. The absence of significant detail in a drawing of a subject known to be of average or higher intelligence now or in the recent past more often indicates intellectual degradation or severe emotional disturbance.
Too many details. “The inevitability of corporality” (the inability to limit oneself) indicates a forced need to improve the whole situation, an excessive concern for the environment. The nature of the details (essential, non-essential or strange) can serve to more exact definition sensitivity specificity.
Excessive duplication of details - the subject most likely does not know how to enter into tactful and plastic contacts with people.
Insufficient detail - a tendency to isolation.
Particularly scrupulous detail - stiffness, pedantry.

Job Orientation

The ability to critically evaluate a drawing when asked to criticize it is the criteria for non-lost contact with reality.
Accepting a task with minimal protest is a good start, followed by fatigue and interruption in drawing.
Apologizing because of the drawing is a lack of confidence.
In the course of drawing, a decrease in pace and productivity is a rapid exhaustion.
The name of the drawing is extraversion, need and support. Pettiness.
The left half of the figure is underlined - identification with the female gender.
Persistent drawing, despite the difficulties, is a good forecast, energy.
Resistance, refusal to draw - hiding problems, unwillingness to reveal oneself.

"Tree"

The interpretation according to K. Koch comes from the provisions of K. Jung (a tree is a symbol of a standing person).
The roots are the collective, the unconscious.
Trunk - impulses, instincts, primitive stages.
Branches - passivity or opposition to life.
The interpretation of a tree drawing always contains a core (roots, trunk, branches) and decoration elements (foliage, fruits, landscape). As already noted, the interpretation of K. Koch was aimed mainly at identifying pathological signs and features of mental development. In our opinion, there are a number of contradictions in the interpretation, as well as the use of concepts that are difficult to concretize. For example, in the interpretation of the signs “rounded crown”, “lack of energy”, “drowsiness”, “nodding” and then “the gift of observation”, “strong imagination”, “frequent inventor” or “insufficient concentration” - what? What is the reality behind this concept? Remains unknown. In addition, the interpretation of signs contains an excessive use of everyday definitions. For example, “emptiness”, “pomp”, “pomp”, “flat”, “vulgar”, “small”, “not far off”, “pretense”, “pretense”, “primness”, “pretentiousness”, “falseness” and right there - "the gift of constructiveness", "ability for systematics", "technical talent"; or a combination of "self-discipline", "self-control", "education" - "pomp", "swagger", "indifference", "indifference".
We would like to draw attention to the fact that when communicating with normal people in the process of psychological counseling, it is hardly permissible to pronounce such epithets addressed to them.
Raising the earth to the right edge of the sheet - enthusiasm, enthusiasm.
Lowering the earth to the right edge of the sheet - a breakdown, lack of aspirations.

Roots

The roots are smaller than the trunk - the desire to see hidden, closed.
The roots are equal to the trunk - a stronger curiosity, already presenting a problem.
Roots larger than the trunk - intense curiosity, can cause anxiety.
The roots are indicated by a line - childish behavior in relation to what is kept secret.
Roots in the form of two lines - the ability to distinguish and prudence in assessing the real; various shape of these roots may be associated with the desire to live, suppress or express certain tendencies in an unfamiliar circle or close environment.
Symmetry is the desire to appear in harmony with the outside world. A marked tendency to restrain aggressiveness. Hesitation in choosing a position in relation to feelings, ambivalence, moral problems. The arrangement on the sheet is dual - the attitude to the past, to what the drawing depicts, that is, to one's act. Double desire for independence and protection within the environment. The central position is the desire to find agreement, balance with others. Indicates the need for a rigid and rigorous systematization based on habits.
Location from left to right - an increase in focus on the outside world, on the future. The need to rely on authority; seeking agreement with the outside world; ambition, the desire to impose oneself on others, a feeling of abandonment; possible fluctuations in behavior.

foliage shape

Round crown - exaltation, emotionality.
Circles in the foliage - the search for soothing and rewarding sensations, a feeling of abandonment and disappointment.
Lowered branches - loss of courage, abandonment of efforts.
Branches up - enthusiasm, impulse, desire for power.
Branches in different directions - the search for self-affirmation, contacts, self-dispersion, fussiness, sensitivity to the environment, does not oppose it.
Foliage-mesh, more or less dense - more or less dexterity in avoiding problem situations.
Foliage of curved lines - susceptibility, open acceptance of the environment.
Open and closed foliage in one picture - the search for objectivity.
Closed foliage - protecting your inner world in a childish way.
Closed dense foliage - unmanifested aggressiveness.
Foliage details that are not connected with the whole are judgments that take insignificant details as a description of the phenomenon as a whole.
The exit of branches from one area on the trunk is a children's search for protection, the norm for a child of 7 years old.
The branches drawn in one line are an escape from the troubles of reality, its transformation and embellishment.
Thick branches are a good distinction of reality.
Loop leaves are the preferred use of their charm.
Palm tree - the desire to change places.
Foliage-mesh - avoiding unpleasant sensations.
Pattern-like foliage - femininity, friendliness, charm.
Weeping willow - lack of energy and enthusiasm, the desire for a solid support and the search for positive contacts; return to the past and childhood experience; difficulties in making decisions.
Blackening, shading - tension, anxiety.

Trunk

Shaded trunk - internal anxiety, suspicion, fear of being abandoned; covert aggressiveness.
The trunk in the form of a broken dome - the desire to be like a mother, to do everything like her, or the desire to be like her father, to measure strength with him, a reflection of failures.
A trunk from one line - a refusal to really look at things.
The trunk, drawn in thin lines, the crown - thick - the possibility of self-affirmation and free action. Foliage depicted in thin lines - subtle sensitivity, suggestibility.
The trunk, depicted by lines with pressure, is decisiveness, activity, productivity.
Trunk lines are straight - dexterity, resourcefulness, does not linger on disturbing facts.
The lines of the trunk are crooked - activity, inhibited by anxiety and thoughts about the insurmountability of obstacles.
"Vermicelli" - a tendency to stealth for the sake of abuse, unforeseen attacks, hidden rage.
Branches that are not connected with the trunk are a departure from reality that does not correspond to desires, an attempt to escape from it into dreams and games.
The trunk, open and connected with foliage, is a good intellect, normal development, the desire to preserve one's inner world.
A trunk torn off the ground is a lack of contact with the outside world; everyday life and spiritual life are unrelated.
The trunk, limited from below, is a feeling of unhappiness; seeking support.
The trunk, expanding downwards, is the search for a reliable position in its circle.
The trunk, tapering downwards, is a sense of security in a circle that does not provide the desired support; isolation and the desire to strengthen one's Self in a troubled world.
The overall height - the bottom quarter of the sheet - dependence, lack of faith in oneself, compensatory dreams of power.
Using the lower half of the sheet means less dependency and timidity.
Using 3/4 sheet is a good adaptation to the medium.
The sheet, used in its entirety, wants to be noticed, count on others, assert itself. Sheet height (the page is divided into 8 parts):
1/8 - lack of reflection and control. The norm for a child of 4 years;
1/4 - the ability to comprehend one's experience and slow down one's actions;
3/8 - good control and reflection;
1/2 - internalization, hopes, compensatory dreams;
5/8 - intense spiritual life;
6/8 - the height of foliage is directly dependent on intellectual development and spiritual interests;
7/8 - foliage takes up almost the entire page - flight into dreams.

Image manner

Sharp Top:
1) protection from danger, real or imaginary, perceived as a personal attack;
2) the desire to act on others, to attack or defend, difficulties in contacts;
3) the desire to compensate for the feeling of inferiority, the desire for power;
4) search for a safe haven due to feelings of abandonment, for a firm position, the need for tenderness.
The multiplicity of trees (several trees on one leaf) is childish behavior, the subject does not follow this instruction.
Two trees can symbolize oneself and another loved one(see position on the sheet and other points of interpretation).
Adding various objects to the tree is interpreted depending on specific objects.
Landscape means sentimentality.
Turning the leaf - independence, a sign of intelligence, prudence.

Earth

The earth, depicted with one line, is focus on the goal, the adoption of some order.
Earth, depicted in several different ways - actions in accordance with their own rules, the need for an ideal. Several joint lines depicting the earth are shown in aggregate and touch the edge of the sheet - spontaneous contact, sudden removal, impulsiveness, capriciousness.

Your task is to draw a house, a tree, a person on separate sheets.

Interpretation of results

To begin with, it is important to note in what order the drawings were made.

1. The house is drawn first - safety, coziness, and comfort are of paramount importance to you.

2. The tree is drawn first - the main thing for you is vitality, professional and creative growth.

3. The first person is drawn - your main needs (or problems) lie in the sphere of relations with yourself.

1. The figure at the bottom of the sheet indicates that you often experience a feeling of insecurity, sometimes a tendency to depression.

2. The drawing is located at the top of the sheet - you are most likely an optimist. It gives you great pleasure to fantasize.

If the drawing goes beyond the top edge of the sheet, what surrounds you is not enough for you to realize your ideas. Perhaps you are experiencing a strong annoyance about this.

3. The drawing is located above the center of the sheet - dreaminess, thoughtfulness, expressed the stronger, the higher the drawing is above the center.

4. The drawing is located below the center of the sheet - you are very careful and sometimes you see danger even where there is none.

5. The drawing is located exactly in the center of the sheet - frankness, straightforwardness.

6. The drawing is located on the left side of the sheet - you live in the past. Your feelings prevail over the mind, and female character traits over male ones.

If the drawing is placed in the upper left corner of the sheet, then you are deliberately "driving yourself into a corner", avoiding new friends, impressions, events.

The drawing goes beyond the left edge of the sheet - you constantly turn to your past and are afraid to look into the future. Your behavior is often driven by emotions.

7. The drawing is located on the right side of the sheet - your mind prevails over feelings. You are able to restrain your emotions, look to the future without fear. Your character is dominated by masculine traits.

The exit of the drawing beyond the right edge of the sheet is the desire to forget about the past, to hide from it in the future. You are afraid to show your feelings.

8. Turning the sheet - you are upset or angry about something.

An old, dilapidated, frightening house, ruins - this is your attitude towards yourself or the reality around you.

The house standing in the distance is dissatisfaction with the situation in your house. The goal you are currently striving for is not yet available.

The house standing nearby is openness, hospitality, contact.

Extensions - the desire for something new, unusual. Non-standard problem solving.

The presence of a pipe indicates your emotional maturity, readiness for a serious relationship.

If the tube is missing, then you are not getting the support you need at home. There may be difficulties in communicating with the opposite sex.

The pipe is almost invisible - you carefully hide your emotions from others.

Too big a pipe - you really want to demonstrate your sexuality to others.

The pipe is drawn obliquely in relation to the roof - an indicator of low intelligence in an adult (for a child - the norm).

Water or drainpipes indicate that you are very sensitive to the opinions of others.

Doors depict your ability to communicate, make contact, build relationships with people.

Lack of doors - it is difficult for you to open up to other people (especially close ones), although you want to.

One or more side or rear doors - you prefer not to take risks, not to conflict, often retreat in front of difficulties, love solitude.

One or more front doors - you are open and frank with others (sometimes even too much).

Very large doors - dependence on others, the desire for approval.

Very small doors - a tendency to hide some traits of one's character from others. Indecision.

Padlock on the door - isolation, secrecy, distrust of people.

Fireplace or stove - the desire to create a warm and cozy atmosphere in the house.

The plan (scheme) of the house instead of the house itself is a serious conflict with loved ones.

The roof is a realm of fantasy.

A roof torn off by the wind - your behavior is often controlled by circumstances beyond your control.

A roof drawn more carefully than the rest of the drawing - you get great pleasure from fantasizing.

The thick contour of the edge of the roof - you strive to control your fantasies.

The thin contour of the edge of the roof - you are worried that you do not control your fantasies effectively enough.

Roof too big - fantasy attracts you much more than reality.

Instead of a house, a roof and a fence are depicted - your assessment of the world around you may be erroneous.

Transparent walls - the need for constant control over the situation. Inadequate assessment of the surrounding reality. Demonstrativeness.

The absence of a wall foundation - often your actions are based not on facts, but on your conjectures, prejudices.

If the base line of the wall is very thick, you most likely have increased anxiety.

The contour lines of the wall are boldly circled - the desire to control the situation.

Only one side wall is drawn - you often oppose yourself to those around you.

Only one front wall is drawn - you strive to maintain the appearance of friendly relations with others, even in a difficult situation.

The height of the walls is greater than their width - a developed fantasy, isolation is possible.

The width of the walls is greater than their height - dependence on the opinions of others. Poor timing.

Steps resting against a blank wall - external coldness and an internal need for communication. It may be difficult for you to look at yourself from the outside.

Transparent, glass house - you strive to demonstrate yourself or worry about the fact that your personal life is in full view.

A window or windows is a sign of accessibility, openness, contact.

Lack of windows - alienation, isolation, secrecy.

There are no windows on the lower floor, but there are on the upper floor - there is a huge difference between how you behave in life and your fantasies.

Closed shutters or curtains on the windows, windows with locks - you are closed and secretive. Often treat others with hostility.

Lack of curtains - you do not hide your feelings from others.

Open shutters or curtains on the windows - there is tension, distrust in communication. Sometimes you feel like you are not understood.

Wide open windows - straightforwardness, reaching in its extreme manifestation to swagger and rudeness.

Many windows - sociability, readiness for contacts.

Window unusual shape- the desire to attract attention, the originality of the manner of communication.

A large number of optional details accompanying the drawing speaks of your desire to equip your environment (this applies not only to your home) to your liking. The closer the parts are to each other, and the more successfully they are combined with each other, the better you succeed. But if there are too many details, this indicates your insecurity, which you are trying to disguise, and a lack of attention to yourself.

A path, easily and proportionally drawn - when communicating with people, you show tact and restraint.

The path is very long - limited accessibility, the desire to keep others at a distance.

Bushes closely surrounding the house - you seek to protect, protect yourself from the aggression of the outside world.

Bushes scattered on both sides of the path - you are anxious, but you try to control this trait in yourself.

Smoke goes either to the right or to the left - a contradictory attitude towards the surrounding reality.

Smoke goes to the left - a pessimistic view of the future.

Smoke goes to the right - an optimistic view of the future.

The smoke is very thick - you are very tense. The thicker the smoke, the higher the degree of tension.

Smoke comes in a thin stream - a lack of emotional warmth at home.

The number of colors used. A harmoniously developed, not shy person, as a rule, paints his drawing with 2-5 colors.

If you used 7-8 colors in the drawing, you are very emotional and most likely inconsistent in your actions. If you used only 1 color (having others available), then you have an inherent fear of openly expressing your feelings.

Tree

Several trees - inattention, you do not follow the proposed instructions.

A dead tree is an experience of physical inferiority, feelings of guilt, emptiness.

Tree contour (keyhole) - hostility or unwillingness to perform the test.

The dimensions of the tree symbolize the real or desired position of a person in society.

A small tree is a feeling of inferiority, a desire to withdraw into oneself.

The tree is large, does not fit on a leaf - energy, activity, activity.

The tree is tilted to the left - attachment to the past and fear of the future. impulsive behavior. Emotions prevail over reason.

The tree is tilted to the right - fear of openly expressing emotions. Reason prevails over feelings.

Apple tree - dependence on parents. She is often depicted as pregnant women and women who want children.

The trunk is a person's understanding of his capabilities.

A trunk wide at the base, sharply tapering towards the top - the immaturity of the personality, increased emotionality.

The trunk tapers at the base - you are in a fight with something that is stronger than you.

Small trunk - the existing order of things in the world sometimes seems wrong and ridiculous to you.

A very large trunk is the desire to break out of the framework established by society. Aggression expressed in behavior, speech or thoughts.

A large trunk with small foliage - what is important to you is not available to you now. It disturbs your mental balance.

The thin contour of the trunk is indecision.

The trunk is broken, the top touches the ground - you are now led by some external forces that you cannot control.

An elegant trunk with a very large crown - an excessive desire for pleasure.

The bark is slightly drawn - balance in relations with others.

The bark is drawn very carefully - a strong concern for relationships with others.

Damage on a tree is a traumatic experience in the past.

The tree occupies only the lower quarter of the leaf - dependence, lack of faith in oneself, dreams of power.

The tree occupies the lower half of the leaf - dependence on others at some points, timidity.

The tree occupies 3/4 of the leaf - good adaptability to the environment.

The tree occupies the entire leaf - the desire for self-affirmation and popularity.

The crown occupies 1/8 of the sheet - lack of self-control.

1/4 sheet - the ability to draw conclusions from past experience and not repeat your mistakes.

3/8 sheet - you are able to control yourself and know exactly what you want.

1/2 sheet - you absorb information like a sponge. If in real life something does not stick, you plunge into dreams.

5/8 sheet - a rich spiritual life.

6/8 sheet - you attach great importance to your intellectual and spiritual development.

7/8 sheet - almost the entire page is occupied by foliage - you often seek salvation from the real world in dreams.

A sharp peak is an attempt to protect oneself from dangers (often imaginary), difficulties in contacts, a need for tenderness.

Branches - their size, number, degree of flexibility and interlacing reflect a person's adaptability to life and the ability to enjoy it.

Completely asymmetrically located branches - inconstancy, frequent changes of opinion and mood.

Broken, tilted, inanimate branches - physical or mental trauma in the past.

The branches are drawn quite easily - your relationships with others are rather superficial.

The branches are depicted as thin lines - lack of sociability, isolation.

Thickened branches that look like fingers or sticks are hostility.

Strong branches with dense foliage - the ability to easily find a common language with people.

Branches turned to the left (or clearer on the left side) - the desire for sensual pleasures.

Branches facing to the right (or clearer on the right side) - getting pleasure from mental work, avoiding sensual pleasures.

Branches in the form of needles (thorns) - masochistic inclinations.

Narrow and long branches - you are very sociable, so you are constantly expanding your social contacts.

The leaves are too large for branches - it is difficult for you to find your place in life, but you skillfully hide it.

Pronounced roots that go deep into the ground - you will never give up what you used to consider right.

Thin, threadlike roots - you disagree with facts if they contradict your opinion about them.

The contour of the earth in the form of a mountain is the need for support, care, maternal care.

An animal living in the hollow of a tree - there is a trait in your character that is difficult for you to control.

The sun, the rays of which fall on the tree, is the desire to dominate.

A cloud between a tree and the sun - your relationship with others does not suit you. You often worry about this.

Setting sun - you are temporarily depressed.

Big sun - a difficult relationship with some significant person for you.

Wind - sometimes you experience feelings that are difficult to describe and control.

Human

A person is drawn in profile - avoiding communication, isolation.

The disproportion of the right and left sides is imbalance.

A person consisting of sticks - it is a burden for you to communicate with other people.

A running person is a desire to run away from something or a desire for something.

Walking person - good adaptability, resourcefulness, activity.

The head is the realm of intelligence, decision-making, self-control, and imagination.

Big head - in your opinion, thinking is very important for a person.

A small head - in your opinion, making deliberate and balanced decisions is very boring. You are attracted to everything that gives you pleasure. Recognize the primacy of feelings over the mind.

Head turned back - unwillingness to make contact, alienation.

Much attention is paid to the image of the face - it is important for you to keep a good relationship with others, you care about your appearance.

Some facial features are masculine, some are feminine. Your character is dominated by either masculine or feminine qualities.

Big eyes with long eyelashes - demonstrativeness, a desire to attract the attention of others.

Eyes closed, hidden under dark glasses or a visor - the desire not to see what gives unpleasant sensations.

Empty eye sockets - detachment from the unpleasant aspects of life.

The nose is strongly emphasized - an increased interest in the topic of sex.

Large mouth, full lips - sensuality.

Large and / or sharp teeth - you are often sharp and rude to others.

The chin is strongly emphasized - you need to occupy high position in society.

The chin is not clearly drawn - it is difficult for you to build relationships with other people.

Large ears - sensitivity to criticism. The need for information.

Small ears - rejection of criticism.

Beard, mustache - the desire to dominate.

The neck is the organ that connects the head (the sphere of control) with the body (the sphere of drives).

The neck is missing - you are often captured by bodily desires and it is difficult for you to control them.

Long and thin neck - deepening into oneself, interest in the topic of bodily desires is weakly expressed.

The torso is the focus of our basic needs and drives.

The torso is absent - the denial of bodily desires.

The torso is long and narrow - you do not show increased interest in the topic of bodily attraction.

The torso is too large - you have accumulated a significant amount of unmet, acutely aware needs.

The torso is too small - a denial of bodily desires or a feeling of humiliation, of one's own insignificance.

Shoulders are a sign of physical strength or a need for power.

Narrow shoulders - a feeling of low value, insignificance.

Broad shoulders - you have or want to have physical strength and power over others.

Shoulders are unequal - the presence of internal conflict.

Shoulders too angular - excessive caution.

The shoulders are rounded - an expression of even, plastic, rather well balanced strength.

Excessive emphasis on the chest - emotional immaturity, dependence on the mother.

Muscles are very actively drawn - you pay too much attention to appearance. There may be a tendency to be selfish.

Hands are an instrument of struggle, control, changing the environment, as well as the best adaptation to it.

Hands protect hips - fear of manifestation of one's own sexuality.

Hands in pockets - closeness in communication, avoidance of personal topics in conversation.

Arms crossed on the chest - suspiciousness.

Hands behind the back - unwillingness to concede, to compromise. The tendency to control the manifestation of aggression.

Hands pressed to the body - sluggishness, lethargy, conservatism.

The arms are not merged with the body or extended to the sides across the back - sometimes actions are out of your control.

Wide arm span - you are energetic and action-oriented.

Wide arms at the palm or at the shoulder - impulsiveness, lack of control over the situation.

Thin hands - worries due to weakness and futility of efforts.

Too short arms - lack of specific aspirations.

Hands relaxed and flexible - good adaptability in relationships with others.

The arms are long and muscular - you lack physical strength, dexterity, courage.

Arms too long - excessive ambition.

The hands are too large - the need for more effective adaptation to the social environment.

Wing-like hands - deepening into oneself, weak contact with reality, daydreaming.

Lack of legs - stiffness.

Legs wide apart - neglect, insubordination, ignoring or insecurity.

Legs crossed - unwillingness to close contacts.

The legs are strongly shifted and tense - tension, insufficient looseness.

Legs different sizes- inconsistency. Striving for independence.

The legs are disproportionately long - the desire for independence, independence.

Legs too short - physical or psychological awkwardness.

Feet are a sign of mobility in interpersonal relationships.

The feet are too long - a need for security or a demonstration of masculinity.

Feet too small - stiffness, dependence.

Feet turned in different directions - strong conflicting feelings.

The fingers are large, pointed at the ends - hostility.

The deformation of any part of the body most often reflects similar deformations in humans.

Lines often break - anxiety, insecurity.

A person signs the drawing with his name - selfishness, narcissism, selfishness.

Mask - caution, secrecy, incredulity.

Tie - masculinity, emphasis on sexuality.

Pocket - dependence on others, in particular on the mother.

The weapon is aggression.

The contour of the earth is insecurity.

| |

Current page: 3 (total book has 9 pages) [accessible reading excerpt: 7 pages]

Test "House - tree - man"

This method, proposed by J. Book in 1948, is one of the most popular used for individual assessment of personality and identifying the degree of its adaptation.

The test "House - tree - man" is intended for both adults and children. The image of these three objects gives a person greater freedom to express himself through the drawing, and also reveals his own attitude to life and to the world as a whole. A house, a tree and a person are what children most often draw. In adults, this test reveals many different emotions.

It is believed that the interaction between a house, a tree and a person, reflected in the drawing, represents what is really happening in our lives.

Exercise

Provide the subject with a sheet of paper, plain, soft pencil and a box of colored pencils and ask them to draw (and optionally color) a house, a tree, and a person. After the drawing is ready, conduct a survey on the completed task and only then interpret the drawing.

An important role in the interpretation of the picture is played by the order of the task. For example: if a tree is drawn first, it means that vital energy is of great importance for a person. And if the house is drawn first, then the main thing in the life of the author of the drawing is his personal safety, family relationships, success. True, sometimes it means radically opposite concepts.

Test scores

(indicator of psychomotor tone)

Pressure

Weak pressure - passivity, depression. Strong pressure - impulsiveness. Very strong pressure - hyperactivity, sometimes aggressiveness.

Placement in the figure

In the center of the sheet - straightness and insecurity.

Above the center of the sheet - the unattainability of the goal, satisfaction in fantasies.

Below the center of the sheet - depression and anxiety.

Placing a picture on the left side of the sheet is an emphasis on the past.

Placing a picture on the right side of the sheet is an emphasis on the future.

Placing a picture on the edge of a sheet is a feeling of uncertainty, danger.

House

house image perspective

The house, in perspective, the view from above is a denial of the domestic situation.

The house, in perspective, the view from below - the need for a home, in some cases the desired seems unattainable.

Home away - a feeling of rejection.

House near - openness, a sense of warmth and hospitality.

The house is located in the upper left corner of the sheet - a tendency to avoid new experiences, insecurity.

The house is located in the upper right corner of the sheet - the tendency to avoid unpleasant feelings associated with a reassessment of the future.

The house is, as it were, suspended in space - a tendency to reject the earthly aspects of life.

General form

It is considered normal if the image of the house has at least one door, one window, one wall, roof and chimney.

The house is very small (compared to the tree and the person in the picture) - home furnishings, and sometimes marriage does not meet the requirements of a person.

The house is very large (compared to the tree and the person in the picture) - nostalgia.

Destroyed house - loss of home environment, rejection of the house.

A house drawn with an end face is a reluctance to communicate, a desire for isolation.

The house is transparent, similar to an aquarium - the desire to demonstrate oneself, limited only by visual contact.

Instead of a house, other buildings are drawn - aggression directed against the actual owner.

Instead of a house, its plan is drawn (usually a top view) - a serious conflict.

Walls

The wall in a one-dimensional perspective (only one side is shown) is a tendency towards alienation and opposition.

The location of the back wall of the house is unusual - conscious attempts at self-control, sometimes strong hostile tendencies.

The contour of the back wall is much thicker (brighter) than the other details - the desire not to lose contact with reality.

Transparent walls - unconscious attraction, sometimes the need to control the situation as much as possible.

doors

The doors are very large - excessive dependence on others, in some cases the desire to surprise with your sociability.

The doors are very small - unwillingness to open and let them into their inner space.

Open doors (if the house is residential) - a strong need for heat from the outside, sometimes a demonstration of one's openness.

The doors are closed, with a huge lock - secrecy, protection, in some cases hostility and suspiciousness.

Side doors - the desire for solitude, alienation, rejection of reality.

There are no doors - isolation, difficulties in communication.

Window

Open windows - the need for heat, straightness.

The windows are open, without curtains - openness in one's feelings.

The windows are closed, with curtains - the significance of interaction with the environment, isolation.

Many windows - readiness for contacts.

Windows without glass - hostility, alienation.

Roof

The roof means the sphere of fantasy, respectively: a very large roof - the desire to find satisfaction in fantasies, a flat roof indicates an underdevelopment of the imagination.

flue pipe

The absence of a pipe is the absence or lack of warmth in the mental sphere.

The pipe is hidden, almost invisible - unwillingness to deal with emotional influences.

The oblique arrangement of the pipe in relation to the roof is considered the norm for a child; for adults means significant regression.

Additional details and parts of the house

Steps leading to a blank wall (without doors) - inaccessibility, a reflection of a conflict situation.

Closed shutters - protection.

Drainpipe - enhanced protection, sometimes suspiciousness and suspicion.

Additions to the drawing of the house

Various additions indicate a felt need for additional ordering of their surrounding space.

The sun is the source of heat and power.

Trees, bushes surrounding the house - the desire to protect yourself with protective barriers. Sometimes trees, bushes symbolize different people.

Bushes randomly located near the house are anxiety.

A fence around the house is a need for emotional protection.

The path leading to the house is very long - accessibility restrictions.

The path near the house is narrow, but wide at the other end - superficial friendliness.

The smoke from the chimney is thick - significant internal stress.

Smoke drawn with a thin line is a feeling of lack of heat at home.

Color

After the drawing of the house is drawn with a simple pencil, the subject can color it with colored pencils at will. It is considered normal if at least two and no more than five colors are used. If the subject paints the house with seven or eight colors, he is at best labile, and if he uses only one color, he experiences fear of emotional arousal. The longer and more uncertain the client selects colors, the greater the likelihood of personality disorders.

Below is a list of the colors most commonly used in home painting.

Red - great sensitivity, the need for warmth from the environment.

Orange - sensitivity and hostility.

Yellow - strong hostility.

Green - the desire to protect yourself from danger.

Purple - the need for gaining power.

Black - fearfulness, in some cases shyness.

Tree

Image location

If the drawn tree is on the right side of the sheet, this means that the person has a strong need to rely on someone else's authority.

The location of the tree on the left side of the sheet indicates attachment to the mother and the past.

A tree drawn strictly in the center speaks of the need to systematize one's life experience, and also indicates something especially significant for this person.

Drawing dimensions

A small image of a tree indicates that a person cannot express himself in life.

The image of a large tree indicates the inner freedom of a person.

Characteristic details of the drawing

The presence of fruits on a tree is indicative of people striving for productive activity and achieving a goal.

If instead of a tree a person draws a stump, then this speaks of his contradictory nature.

A broken tree is an experienced shock.

If the top of the tree is not completed, the person has big unfinished plans.

A tree forked from the trunk is a sign of very strong family ties with sisters and brothers, which are most often broken or lost. The twins draw the same trees.

A branch instead of a tree indicates human infantilism.

Lowered branches - low vitality and unwillingness to make any efforts to overcome adverse life situations.

Branches going up indicate an optimistic attitude and enthusiasm, sometimes a desire for power.

Branches drawn in different directions mean a search in expanding contacts and self-affirmation of oneself.

A trunk without branches is evidence of difficulties in establishing contacts.

foliage image

Leaves symbolize the ability to establish contacts with the outside world, as well as the psychological security of a person in these contacts.

If the foliage of a tree is depicted as a wide fan, then this indicates good human interaction with the outside world and contact.

On the contrary, sparse and stunted foliage indicates that contact with the outside world is very weak.

Leaves of an acute form mean a person's desire to protect himself from danger.

Empty closed foliage, similar to an empty circle, speaks of unmanifest aggressiveness.

Drawn falling or fallen leaves indicate disappointment in life, a feeling of loneliness.

Leaves pointing upwards mean the desire for leadership and the presence of a goal.

Leaves in large numbers, carefully traced, indicate pedantry, but at the same time, sensitivity and aesthetic need of a person.

Circles in the foliage - a feeling of disappointment, loneliness, a desire to find peace.

Foliage, traced in curved lines, is an open acceptance of the world around us and receptivity.

Foliage in the form of a pattern - charm, friendliness, goodwill.

Foliage-grid - the desire to get away from problems.

Tree trunk

Cut off from the ground - lack of contact with the outside world.

Expanding downwards - the search for a stable and stable position.

Tapering down - isolation and the desire to strengthen one's self.

The traced bark on the trunk indicates caution and the need for protection.

A trunk drawn from one line is an unwillingness to really look at things.

The trunk, connected with branches and foliage, speaks of a desire to preserve one's inner world and a good intellect.

Trunk tilted to the left - a person gives in to aggression.

Trunk tilted to the right - a person is looking for support.

The trunk, as it were, grows out of a circle - the painter feels protected only in his environment.

The image on the trunk of the hollow speaks of a disease or injury.

Roots

The roots of the tree indicate the environment from which the person came out and testifies to his curiosity.

The roots are smaller than the trunk - the desire to see what interests or is hidden.

Roots equal in size to the size of the trunk are a stronger curiosity than just seeing what is of interest.

Very long roots speak of excessive curiosity.

Human

Pose, angle

Walking or running - creative orientation, in some cases the desire to hide from anyone.

Engaged in some kind of work - high activity.

Sits or lies - passivity.

From the back - conflict, sometimes negativism.

The absolute profile is detachment and isolation.

Head in profile, body full face - anxiety, sometimes the need for communication.

Image

Sometimes it is not some abstract person or the author of the drawing himself who is depicted (as is often the case with children who draw themselves), but some character. Some approximate interpretations of such images can be given.

The military in some cases expresses aggressiveness.

Clown, jester indicates low self-esteem.

The king, the prince talk about a high level of claims.

Baba Yaga is a sign of open hostility towards women.

An old man, an old woman, a beggar means depression.

Alien, robot talk about the feeling of loneliness.

Head

Big head - high importance of intelligence.

A small head means low intelligence.

The head is absent - hyperactivity, impulsivity.

Eyes

Small eyes - self-absorption.

Bulging eyes - rudeness, sometimes callousness.

Closed eyes - the desire to avoid unpleasant visual contact.

Empty eyes - asthenia, impulsiveness, sometimes fears.

Blackened, shaded eyes - fears.

Lined eyes, with eyelashes - demonstrativeness.

The absence of eyes is evidence of hyperactivity, high impulsivity.

The nose is prominent, with a hump - contempt, irony. The nose is especially large - dissatisfaction with their appearance.

Well-drawn nostrils express aggression.

The mouth is absent or very small - asthenia, negativism.

A hollow mouth is passivity.

The mouth is skewed - negativism, sometimes a negative attitude towards testing.

Very large lips, boldly circled - the significance of the sexual sphere.

A mouth with well-drawn teeth - aggression.

The ears are very large - suspicion.

Small ears - the desire not to hear and not perceive criticism.

Hair

Hair heavily shaded - anxiety.

Both the hair and the hairstyle are carefully drawn - demonstrative.

Figure

Very complete - in some cases, dissatisfaction with their appearance.

Long, thin - asthenia, sometimes introversion.

Ugly - negativism, impulsiveness.

The figure is naked or shines through clothes - an increased interest in the sexual sphere.

A figure bent by the wind is a need for love and care.

A figure with wounds and scars - a neurotic state.

A figure with a tattoo - negativism.

Hands

Lack of hands - impulsiveness, impaired communication.

Hands close to the body - tension, introversion.

Behind the back, crossed on the chest, in pockets, rested on the sides - unwillingness to communicate, in some cases hostility.

Hands covering the genital area - a tendency to control one's sexual impulses.

Hands apart - sociability.

The arms are long and muscular - the desire for physical strength, courage.

Hands are long and weak - dependence, need for guardianship.

Hands are very short - lack of aspirations, a feeling of inadequacy.

The hands are absent or very shortened - lack of communication.

Very large brushes - the need for communication.

The hands are blackened - conflict.

Big fist, sharp nails - aggressiveness.

Thumbs - rudeness, aggression.

Long fingers - hidden aggression.

Legs

Legs are widely spaced - the need for support.

Legs tightly shifted - introversion.

The feet are absent - passivity.

The feet are very small - ineptness in social relations.

The feet are very large - the need for support.

Additional details to the drawing of a person

In the hands of a person, a flag, a toy, etc. - infantilism (in the drawings of children - the norm).

In the hands of a person a weapon, a spear, a knife, an ax, a stick - aggressiveness.

In the hands of a person a cigarette, a bottle of vodka, a glass, etc. - negativism, in some cases asociality.

Detailed clothing (pockets, hat, shoes, jewelry, trim, etc.) is demonstrative.

Numerous buttons - rigidity, in some cases closeness.

Analysis of drawings for the test "House - tree - man"

Nikita, 6 years old

Six-year-old Nikita was brought for a consultation by his grandmother due to sleep disorders and fear of the dark. The boy is very friendly, soft, physically well developed.

Nikita used bright colors, and therefore his drawing (Fig. 17) makes a favorable impression. But if you take a closer look, you can see some features of the boy’s not entirely favorable psychological state, which are reflected in the drawing.

Rice. 17

So, a house without a pipe shows that there is no heat in the house and the boy lacks it. The closed door and curtained windows indicate Nikita's secretive nature. Bent to the right, towards the house, the tree means that the boy is looking for warmth from his relatives and needs support. The trunk of a tree, expanding downward, indicates the search for a stable position in life. A tree with bare branches, placed on the left side of the sheet, indicates the boy's attachment to the past and his mother (Nikita's mother died two years ago). Nikita painted himself very similar, though without ears, which indicates an unwillingness to hear anything. Widely spaced legs symbolize the need for support.

Of course, this is far from all that Nikita's drawing told, but in general terms, a lot was still revealed about him. We learned about his mental and psychological state, about his character. It is clear that the boy, having survived such a severe, mental trauma, is now in great need of support and support from people close to him.

Olga, 28 years old

Olga came to the consultation in a state of deep stress. She broke up with a man she really liked. I felt lost because of my large weight (125 kg). At the request to make a drawing "House - tree - man" Olga rather quickly sketched a drawing (Fig. 18), which indicates the impulsiveness and instability of her character. A house without doors, windows with curtains testify to the isolation of a person, the absence of a pipe indicates a lack of heat in the house. Olga painted herself with long eyelashes, thereby demonstrating her importance, but with her hands hidden behind her back, which means her unwillingness to contact the outside world. All this only emphasized the degree of her stressful state. After the consultation, Olga made a firm decision to lose weight and change her appearance, to start a new life.

Rice. 18

Vladimir, 24 years old

Vladimir is a handsome, tall, strong guy. Already long time was in a deep depression. For some time now he has been plagued by personal failures. I dreamed of meeting a girl, but no luck. In the behavior of Vladimir, in his speech, one could feel uncertainty and depression, although he tried to cheer up. After being asked to make a drawing on a given topic, I thought for a while.

Rice. 19

The house in Vladimir's drawing (Fig. 19) turned out to be with a transparent, large roof, and since the roof is the sphere of our fantasies, it is clear that the young man is looking for satisfaction in them. The chimney is drawn in the depths of the roof, as if looking out from behind the back wall of the house, which only emphasizes Vladimir's unwillingness to deal with emotional influences. Smoke in a thin stream characterizes the lack of home warmth, and the closed door indicates a desire for protection, as well as some secrecy of character. The porch of the house emphasizes the generosity of character. In addition, the house is located in the upper left corner of the sheet, and this indicates insecurity and a desire to avoid any experiences. The tree is without branches and is drawn on the right side of the sheet, which means that he is experiencing certain difficulties in contacts, looking for support.

The eyes of a person are empty, without pupils, indicate certain fears, and small feet characterize ineptitude in social contacts.

Maria, 45 years old

Maria is married. Has a good figure. Recently, she has experienced dissatisfaction at work and aggression towards her boss. Home conditions also did not bring her satisfaction: for many years a large family lived in a small apartment. Such a life was very burdensome for Mary, the woman was often in a state of depression and some kind of internal aggression in relation to the whole world.

Rice. 20

The man depicted by Mary (fig. 20) is walking towards the house in a helmet and with a gun. Do you need any comments for this drawing? It is clear that negative feelings overwhelm the woman, which was conveyed in the drawing.

Natalia, 13 years old

The girl lives with her grandmother, but is unhappy with this. Grandmother complains that Natasha does not listen to her, strives to spend as much time as possible at the mirror and with her friends. She does not want to live with either her grandmother or her parents. Natalya drew herself walking along the path from her grandmother's house, which just reflects her mood. She is very capricious about the things that they buy her, tends to wear fashionable things.

Rice. 21

From the figure (Fig. 21) this is clearly visible. A fashionable blouse, long eyelashes speak of a desire to please not only yourself, but also those around you. In addition, large, plump lips emphasize her aggressive stance. A house with a closed door, smoke comes out of the chimney - a reflection of the heat created by the grandmother in the house and rejected by the girl. In the picture we see the sun, but also the clouds - this means that the girl's mood is constantly overshadowed by sad thoughts. Several trees with lush foliage at once testify to the strong desire for social contacts of the author of the drawing.

Let's explore ourselves today. This quiz will help you get to know your inner world and what is most important to you right now. I will not overload you with classical interpretations of what you depict, but I will describe what I consider the most significant in my understanding. I recommend getting creative with the test! No one knows you better than you. I will try to give some clues, but you should try to hear your personal feelings!

So.
You need to take a sheet of paper and draw a house, a tree and a person. Try not to think about how to draw. Draw spontaneously! Let your hand draw objects however you want and in any order. Let the drawing be a surprise for you. There is no concept of "right" and "wrong". Only you will see it.

1. We analyze our emotions

What do you feel when you look at the picture? What emotions does the result evoke in you?
Here you can see how much you accept yourself in the creative process. How much you allow yourself to be yourself. If you like your drawing no matter how it turns out, you are friendly to yourself. If you have self-condemnation, you want to fix something - you do not accept a part of yourself, you do not want to hear your inner voice.

If you were asked to show the picture to another person, does your attitude towards the picture change?
Here you can track the fear of condemnation, criticism. who said beautiful picture suddenly seems to no one interesting and not worthy of attention. This indicates low self-esteem, the dependence of the ability to express oneself on the opinions of others. Or maybe on the contrary, it seems to you that others will support you and you want to show your picture to everyone? (desire to be visible, to stand out, to be significant) Or do you care if others see your work or not? (Is it really indifferent, or are you hiding true emotions behind indifference?)

2. Analyze paper space

The figure is placed at the top of the sheet: the stronger it is pressed against the upper border of the sheet, the stronger the internal stress. There are certain situations in life that seem to force a person out of his life. This desire to escape from situations, for example, into a fantasy world.

The picture is placed at the bottom of the sheet.: the stronger the drawing is pressed to the lower border, the more internal depression and depressive states are felt. These are limitations, constraint, insecurity.

Figure is centered: insecurity and straightforwardness, seeking caring control for a sense of security and mental balance.

Placing a pattern on the left: your subconscious says that you focus on the past, impulsiveness is possible. Left-upper corner: the tendency to avoid new experiences.

Placing a picture on the right: focus on the future, controlled behavior.

If the picture pops up over the left border of the sheet - you are afraid of the future, and hiding in the past. If the drawing jumps out of the right edge - you do not want to have to do with the past and rush into the future in order to get away from unresolved problems, you want to control everything. If the drawing jumps out of the upper border, you are hiding in fantasies.

3. Meaning of objects

Each depicted object on the sheet means a certain part of yourself and your perception of the surrounding space. What is the general mood of the picture? Is it positivity/joy or sadness/sadness?

House

IN classical literature I did not find an exact definition of what home means. Therefore, I rely on my inner feeling. For me, a house is a system of human values, its base, its outer shell, a system of interaction with the outside world. This is the person you are trying to introduce yourself to the people around you. Based on this description, analyze your drawing! I think you can figure out a lot on your own.

Describe your home in a few words. What is he? Your house is simple, complex, busy, incomprehensible, solid, detailed, unrealistic, old, new, correct, symmetrical… Do you like it? Would you like to live in it? What do you want to fix in it yourself? How do you think others would like to fix it? would you let them mend your house?

According to my personal feelings: if you focus on the foundation of the house, build steps to enter the house, then the material component of life is important for you, it is important for you to achieve something in life in order to consider yourself “worthy” of yourself.

The walls of the house are your personal boundaries. The wall separates the outside from the inside. From your perception of the wall, you can draw a conclusion about how you interact with society and the outside world. Are the walls doing their job well (do you feel protected)? Or did you depict a house without walls on pillars (and you are in unity with the surrounding space, allowing anyone to enter it)? If the house is depicted sideways, showing only one wall, this indicates closeness, oppositional views, alienation (I will only show what I consider necessary and you will not know what my house really looks like). If the lines of the walls are thin and uncertain in comparison with the rest of the lines of the picture, you foresee a possible catastrophe.

Windows are contacts. The presence of windows in general indicates a willingness to interact. open windows- cheeky behavior, straightforwardness, talkativeness. More windows - a tendency to a large amount of communication. Curtained windows - the desire to hide your feelings. Objects on the window (flowers, cats, etc.) - the desire to draw attention to communication about yourself with the help of third-party persons / situations / topics, shyness. Window size: harmonious with the house - there are enough contacts in a person's life, too large - there are empty conversations, very small - a feeling of closeness and uninteresting. Different windows on different floors - the difference between reality and fantasy, between words and deeds.

Doors - the desire to let people into your inner world. If they are not there or they are not visible to the direct eye - you are closed, an introvert, you let people in extremely selectively, it is not so easy to get through to you. If the door is visible, you are reachable, open to contact, intimacy, understanding. If the door is open - the desire to show their availability. Too big a door - the desire to surprise and dependence on the presence of the environment. Too small - indecision, inconsistency of the situation, not doing to let in your Self. Locked doors - hostility, closeness, suspicion.

Smoke is a manifestation of emotions. Thick - the thicker, the stronger the internal tension, indignation. Smoke in a thin stream - a feeling of lack of emotional warmth at home. There is no pipe - the lack of warmth at home (and my personal perception - I interpret the absence of a pipe as an unwillingness to share my emotions, a tendency to experience them in myself). The pipe is inconspicuous, imperceptible - unwillingness to deal with emotions, denial of one's emotions.

The roof symbolizes fantasy. A simple roof - no need for fantasy, realism. A complex roof is a rich imagination with a tendency to stick in fantasies. Thick lines - fixation on fantasies as a source of pleasure, control over fantasies. The thin lines of the roof, compared to the rest of the drawing, are an uncontrolled fantasy.

Tree

The image of a tree shows the individual characteristics of a person. In my opinion, a tree is character traits, the inner content of a person.

tree type
Spruce with sharp needles draw people prone to dominance, active, with organizational skills.
schematic tree in the form of a common crown and trunk, people draw for whom details are not important. They are interested in questions general order. Philosophical inclinations.
detailed tree speaks of pedantry and accuracy. It occurs in people working as accountants, economists, for whom details matter.
aesthetic tree drawing people of art. Such a tree can be concise, but very peculiar.
Palma draw those who want to stand out, extravagant, romantic personalities. Not seated.
Second tree can mean a second loved one. One has to ask oneself with whom it is associated.
Story productions and flying birds, blowing wind and other attributes are drawn by people prone to inventing scenarios.
Weeping willow- lack of energy, the desire for a solid support and the search for positive contacts; return to the past and childhood experience; difficulties in making decisions.

Roots are a connection with the family. How strong and complex the root system is, how strongly you are connected with your clan, family, base your perception on the patterns that the generic program gives. Great emphasis on the root system - a great desire to know the secret, unhealthy interest and curiosity. I interpret the absence of roots with the general stability of the tree as independence from generic programs or the absence of their influence on a person’s character. But if the tree is unstable and tends to fall, this indicates a conflict within the genus, an exception from generic system, powerlessness, deprivation of patronage and support.

Trunk - inner rod . Too thin a trunk can indicate vulnerability. A thin but flexible rod is about the ability to withstand external pressure. Thick trunk - inflexibility, stability, concreteness. Detailed heavy trunk, hollow - complication, too many unfinished plans. The lines of the trunk are straight - dexterity, resourcefulness. The lines are crooked, wavy - anxiety, insurmountable obstacles. The trunk is wider below - the search for a reliable position in the environment, the trunk narrows downward - isolation and the desire to strengthen one's "I". The bifurcation of the trunk indicates the presence of a close relationship with someone of the family - a twin, sister / brother.

Krona is an emotional sphere. Round crown - emotionality. Round circles in the crown - the search for soothing and rewarding sensations. The branches are lowered - loss of faith in oneself, lowering hands. Branches up - the desire for power, enthusiasm. The branches stick out in different directions - the search for self-affirmation, spraying, fussiness. Foliage of curved lines - susceptibility. Dense closed foliage - hidden aggressiveness. The branches are drawn in one line - an escape from the troubles of reality, its transformation and embellishment. Foliage as a pattern - femininity, friendliness, charm. Blackening, shading - tension, anxiety.

Presence of fruits on the tree- focus on achieving goals, performance
Presence of nests and animals the importance of connection with nature and environment, love to care for animals.
detailed landscape- sentimentality
Strong shading on wood usually indicates a person's internal tension, emotional arousal, a state of anxiety.
Too large image sizes- inner looseness, freedom.

Human

Analyze your relationship with the person. Who is he? What is its gender? What is his mood? What is he thinking about? What is he trying to do? Where is?
In my understanding, in the image of a person, you can understand what situations you are currently living in. Something but that is worth paying attention to.

Head
Sphere of intellect (control). Realm of imagination. A big head is an unconscious underlining of the belief about the importance of thinking in human activity. The head is small - the experience of intellectual inadequacy. Fuzzy head - shyness, timidity. The head is depicted at the very end - interpersonal conflict. A large head of a figure of the opposite sex is an imaginary superiority of the opposite sex and its higher social authority.

Neck It symbolizes the connection between the sphere of control (head) and the sphere of desires (body). Thus, this is their coordinating feature. The neck is emphasized - the need for protective intellectual control. Excessively large neck - awareness of bodily impulses, an effort to control them. Long thin neck - inhibition, regression. A thick short neck is a concession to one's weaknesses and desires, an expression of an unsuppressed impulse.

Shoulders, their sizes A sign of physical strength or a need for power. Shoulders excessively large - feeling of great strength or excessive preoccupation with strength and power. Small shoulders - a feeling of little value, insignificance. Shoulders too angular - a sign of excessive caution, protection. Sloping shoulders - despondency, despair, guilt, lack of vitality. Broad shoulders - strong bodily impulses.

torso Symbolizes courage. The body is angular or square - masculinity. The body is too large - the presence of unsatisfied, acutely aware of the subject's needs. The torso is abnormally small - a feeling of humiliation, low value.

Face Facial features include eyes, ears, mouth, nose. It is sensory contact with reality. The face is emphasized - a strong preoccupation with relationships with others, with one's appearance. The chin is too emphasized - the need to dominate. The chin is too large - compensation for perceived weakness and indecision.

Ears overemphasized - possible auditory hallucinations. Occurs in those who are especially sensitive to criticism. Small ears - the desire not to accept any criticism, to drown it out.

Eyes closed or hidden under the brim of a hat - a strong desire to avoid unpleasant visual influences. The eyes are depicted as empty eye sockets, a significant desire to avoid visual stimuli. Hostility. Eyes bulging - rudeness, callousness. Small eyes - self-absorption. Lined eyes - rudeness, callousness. Long eyelashes - coquettishness, a tendency to seduce, seduce, show off.

Full lips on the face of a man - femininity. Clown's mouth - forced friendliness, inadequate feelings. A hollow mouth is a passive significance.

Nose wide, prominent, with a hump - contemptuous attitudes, a tendency to think in ironic social stereotypes. Nostrils - primitive aggression.

Teeth clearly drawn - aggressiveness. The face is unclear, dull - fearfulness, shyness. Facial expression obsequious - insecurity. A face that looks like a mask - caution, secrecy, feelings of depersonalization and alienation are possible. Eyebrows sparse, short - contempt, sophistication.

Hair A sign of masculinity (courage, strength, maturity and the desire for it). Hair heavily shaded - anxiety associated with thinking or imagination. Hair is not shaded, not painted over, framing the head - the subject is controlled by hostile feelings.

Hands- tools for a more perfect and sensitive adaptation to the environment, mainly in interpersonal relationships.
Wide arms (arm span) - an intense desire for action. Hands wider at the palm or at the shoulder - insufficient control of actions and impulsiveness. Hands depicted not merged with the body, but separately, extended to the sides - the subject sometimes catches himself in actions or deeds that are out of his control. Arms crossed over chest - hostile-suspicious attitude. Hands behind the back - unwillingness to concede, to compromise (even with friends). The tendency to control the manifestation of aggressive, hostile drives. The arms are long and muscular - the subject needs physical strength, dexterity, courage as compensation. Arms too long - overly ambitious aspirations. Hands relaxed and flexible - good adaptability in interpersonal relationships.

Hands tense and pressed to the body - sluggishness, rigidity. The arms are very short - lack of aspirations along with a feeling of inadequacy. Hands too large - a strong need for better adaptability in social relationships with a sense of inadequacy and a tendency to impulsive behavior. Lack of hands - a feeling of inadequacy with high intelligence. Deformation or emphasis of the arm or leg on the left side is a social-role conflict.

Hands are depicted close to the body - tension. Large hands and feet in a man - rudeness, callousness. Tapered arms and legs - femininity. Long arms - the desire to achieve something, to take possession of something. Hands are long and weak - dependence, indecision, the need for guardianship. Hands turned to the sides, reaching for something - addiction, desire for love, affection.

Arms outstretched at the sides - difficulties in social contacts, fear of aggressive impulses. Strong hands - aggressiveness, energy. Hands are thin, weak - a feeling of insufficiency of what has been achieved. Hand like a boxing glove - repressed aggression. Hands behind your back or in your pockets - guilt, self-doubt. Arms vaguely defined - lack of self-confidence in activities and social relations. Large hands - compensation for perceived weakness and guilt. Hands are missing female figure- the mother figure is perceived as unloving, rejecting, unsupportive.

Fingers separated (chopped off) - repressed aggression, isolation. Thumbs - rudeness, callousness, aggression. More than five fingers - aggressiveness, ambition. Fingers without palms - rudeness, callousness, aggression. Less than five fingers - dependence, impotence. Long fingers - hidden aggression. Fingers clenched into fists - rebellion, protest. Fists pressed to the body - a repressed protest. Fists away from the body - an open protest. Fingers are large, like nails (thorns) - hostility. The fingers are one-dimensional, looped - conscious efforts against aggressive feelings.

Legs disproportionately long - a strong need for independence and the desire for it. Legs are too short - a feeling of physical or psychological awkwardness. The drawing began with the feet and legs - timidity. The feet are not shown - isolation, timidity. Legs wide apart - outright neglect (insubordination, ignoring or insecurity). Legs of unequal sizes - ambivalence in the pursuit of independence. Legs are absent - timidity, isolation. The legs are accentuated - rudeness, callousness.

Feet- a sign of mobility (physiological or psychological) in interpersonal relationships. Feet disproportionately long - the need for security. The need to demonstrate masculinity. Feet disproportionately small - stiffness, dependence.

Pose The face is depicted in such a way that the back of the head is visible - a tendency towards isolation. Head in profile, body full face - anxiety caused by the social environment and the need for communication. A person sitting on the edge of a chair - a strong desire to find a way out of the situation, fear, loneliness, suspicion. The person depicted as running is the desire to run away, hide from someone. A person with visible violations of proportions in relation to the right and left sides - lack of personal balance.

A person without certain parts of the body indicates rejection, non-recognition of the person as a whole or his missing parts (actually or symbolically depicted). A person is in a blind flight - panic fears are possible. A person in a smooth light step - good adaptability. Man - absolute profile - serious detachment, isolation and oppositional tendencies.

The profile is ambivalent - certain parts of the body are depicted on the other side in relation to the rest, looking in different directions - especially strong frustration with the desire to get rid of an unpleasant situation.

Unbalanced standing figure - tension. Dolls - compliance, the experience of dominance of the environment. A robot instead of a male figure is depersonalization, a feeling of external controlling forces. The figure of the sticks - can mean evasion and negativism. The figure of Baba Yaga is open hostility towards women. Clown, caricature - a feeling of inferiority inherent in adolescents. Hostility, contempt itself.

Other details

Track, good proportions, easily drawn - tact and self-control in communicating with other people. The path is very long - reduced availability, often accompanied by a need for more adequate socialization. The path is very wide at the beginning and narrows very much towards the house - an attempt to mask the desire to be alone, combined with superficial friendliness.

Weather (what weather is shown)- reflects the experiences associated with the environment as a whole. Most likely, the worse, more unpleasant the weather is depicted, the more likely that you perceive the environment as hostile, fettering.

conclusions

When analyzing your drawing, rely on your inner feelings! No one understands you better than you. Trust your instincts and then you will be able to discover something new and interesting about yourself.