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Nikolai Yakovlevich Shestakov (20. I. (1. II.) 1894, Alatyr - 12. VI. 1974, Moscow) - Russian, Soviet poet and playwright, one of the founders of the repertoire for children's theater in our country.

Nikolai Shestakov was born in a large family of an Alatyr petty official.

His creative activity began with poetry. He began publishing them in 1925. In total, he wrote a dozen books of poems for children.

In 1928, the Moscow Central Children's Theater staged his first play, The Altai Robinsons. And over the years, his connection with the theater intensified. Every year there were two or three premieres based on Shestakov's dramas. He wrote more than 20 plays. Among them are “Two Brothers from Arplat” (1928), “Aul Gidzhe” (1929), “Haunted House” (1929)”, “The Long Way” (1930), “Cracking” (1932), “Brother” ( 1933), "Mick" (1934), "Finist - Bright Falcon" (1939), "Problem No. 375" (1941), "Golden Pen" (1941), "Country Barber" (1941), "At Dawn foggy youth(1942), All's Well That Ends Well (1950), Good Intentions (1955), One Hundred Thousand Dollars, Happy New Year and others.

In 1930, the Kuibyshev Youth Theater was opened with the play "Aul Gidzhe" based on the play by Shestakov, staged by director Boris Smirnov. In 1931, the Tula Youth Theater opened with a performance based on the play by Shestakov "The Far Way". In 1933, the Astrakhan Youth Theater opened with a performance based on Shestakov's play The Long Way.

Shestakov's plays were in the repertoire of the Moscow Theater for Children, the Saratov Youth Theater.

1939 was the most successful year for Shestakov and brought him all-Union fame. The premiere of the play "Finist - the Clear Falcon" was successfully held in Moscow. He still does not leave the stages of many theaters of the country.

The Kiev film studio in 1937 made a film based on his script "Tom Sawyer".

In 1975, based on the fairy tale by Nikolai Shestakov, the film "Finist - the Clear Falcon" was shot.

And finally, he wrote the libretto of the fairy-tale opera "The Giant Boy". Set to music by T. Khrennikov, it became a premiere in the children's musical theater countries. New Opera was a great success. Then Nikolai Yakovlevich was 76 years old. The Sursky region beckoned him with its beauty. From time to time he visited the city of his childhood. He died and was buried in Moscow.

PIECES AND PIECES-TALES

Aul Gidzhe. Play.

Ivan Tsarevich and Gray wolf(together with D. Lipman). The play is a fairy tale.

Mick. The play is a fairy tale.

At the dawn of a misty youth. Play.

Finist-Clear Falcon. The play is a fairy tale.

Golden pen. The play is a fairy tale.

"Green color" - plays that we have in in electronic format. AND x can be downloaded by clicking on the icon next to the title of the play. In the meantime, work is underway to fill the portal, you can leave a request forThis address Email protected from spambots. You must have JavaScript enabled to view. and receive them by email.

"Yellow" - plays that we have in book editions. We ready convert them to electronic form, if yoube able to offer us a rare piece in return from our list. Surely you will find something interesting. In addition, in this group there are several plays that we can send you by asking permission from the author of the play. As a last resort, you can obtain the text of the play in electronic form by paying us compensation for the costs of digitization, although this is less desirable. The funds received from you will go to the search and purchase of new plays. And yet, for us, it is preferable to "barter in kind" - a piece for a piece.

"Red color" - plays, which, unfortunately, we do not have and which we are looking for. If you have these pieces, then we are ready to exchange those pieces that we have for them.

RSFSR

Nikolay Yakovlevich Shestakov(1894, Baryshskaya Sloboda, Alatyrsky district - 1974) - Soviet writer and playwright

Biography

Nikolai Shestakov was born in the village of Baryshskaya Sloboda, Alatyrsky district (now the Sursky district of the Ulyanovsk region) in January 20 (February 1) ( 18940201 ) of the year .

He spent his childhood years in the city of Alatyr, a relative of Bishop Simon (Shleev). He entered the Simbirsk gymnasium, but was expelled due to his passion for the stage. He passed the course of the gymnasium as an external student in 1913. In 1914-18 he was a student of the Faculty of History and Philology of Kazan University. Since the autumn of 1918, he was a proofreader, then a technician-secretary of the Nasha Gazeta editorial office in Omsk [under Kolchak]. After the establishment of Soviet power in Siberia, he worked in the field of out-of-school education in the city of Novonikolaevsk (now Novosibirsk), since 1921 as a proofreader and journalist in Moscow.

He was buried at the 16th section of the Vagankovsky cemetery.

Literary activity

His creative activity began with poetry. The first publication was in the almanac "Provincial Muse" (Kazan, 1919). He wrote his first play for the children's theater in 1928.

Author of plays for the children's theater "Two Brothers from Arplat", "Altai Robinsons" (first staged in 1928 on the stage of the Central Children's Theater), "Cracking", "Brother", "Mik", "The Far Way", "Aul Gidzhe" , "At the dawn of a foggy youth" and others.

Shestakov's plays were in the repertoire of the Moscow Theater for Children, the Saratov Youth Theater.

In 1975, based on the fairy tale by Nikolai Shestakov, the film Finist - the Clear Falcon was filmed. Wife - lexicographer Nadezhda Vladimirovna Glen-Shestakova (nee von Glen, b. 06/21/1896 in Kazan -?).

Proceedings

1. Shestakov, N. Ya. Two grandchildren and sugar science / N. Ya. Shestakov; drawings by D. Moshchevitin. - Moscow: Edition of G.F. Mirimanova, 1925. - 12 p.
2. Shestakov, N. Ya. About cars on rubber tires / N. Ya. Shestakov; artistic D. Bulanov. - L.-M. : Rainbow, 1926. - 9 p.
3. Shestakov, N. The Far Way: a play in 3 acts: [a game performance for schoolchildren of the first stage: from the repertoire of the Moscow Theater young viewer] / N. Shestkov. – M.-L. : State. from the artist lit., 1931. - 64 p.
4. Shestakov, N. Ya. Two hundred lines about book pains / N. Ya. Shestakov; drawings by D. Moshchevitin. - Moscow: Edition of G.F. Mirimanova, 1925. - 13 p.
5. Shestakov, N. Ya. Grandfather Durov's corner / V. Vatagin painted from life in the corner of Durov's grandfather; text to drawings by N. Shestakov. - Moscow: Edition of G. F. Miromanov, 1926. - 12 p.
6. Shestakov N. Bazaar / Fig. B. Pokrovsky. M .: Peasant newspaper, 1928. - 12 p. - 35000 copies. - 6 k.
7. Shestakov N. The whole flock, except for the tram / Fig. A. Efimova. L.; M.: Raduga, 1926. - 12 p. - 8000 copies. - 85 k.
8. Shestakov N. The whole flock, except for the tram / Fig. A. Mirolyubova. M.: Giz, 1929. - 11 p. - 15000 copies. - 22 k.
9. Shestakov N. Two grandchildren and sugar science: A fairy tale / Fig. D. Moshchevitina. M.: G. F. Mirimanov, 1925. - p. - 10000 copies. - 45 k.
10. Shestakov N. About machines on rubber tires / Fig. D. Bulanova. L.; M.: Raduga, 1926. - 9 p. - 20000 copies. - 35 k. - Before the header. author: N. Shestakov and D. Bulanov.
11. Shestakov N. Train / Fig. B. Pokrovsky. M .: Peasant newspaper, 1928. - 12 p. - 35000 copies. - 6 k.
12. Shestakov N. Adventures of Petukhov Grishka, or How books are made / Fig. V. Vasiliev. M.: Giz, 1925. - 24 p. - (New children's library). - 15000 copies. - 30 k.
13. Shestakov N. About the fifth chick / Fig. N. Leman. M.: Giz, 1928. - 12 p. - 20000 copies. - 22 k.
14. Shestakov N. About the daring Kolka Sokolov / Fig. N. Leman. M.: Giz, 1928. - 12 p. - 10000 copies. - 22 k.
15. Shestakov N. Stronger than copper: Stories and poems. M.; L.: ZIF, 1926. - 32 p. - 15000 copies.
16. Shestakov N. River / Fig. A. Petrova. M.: Giz, 1929. - 20 p. - 25000 copies. - 15 k.
17. Shestakov N. Steel hands / Fig. G. Echeistova. M.: Giz, 1930. - 15 p. - 75000 copies. - 12 k.
18. Shestakov N. Two hundred lines about book pains / Fig. D. Moshchevitina. M.: G. F. Mirimanov, 1925. - 13 p. - 10000 copies. - 45 k.
19. Shestakov N. Grandfather Durov's Corner / Fig. V. Vatagin. M.: G. F. Mirimanov, 1926. - 12 p. - 10000 copies. - 60 k.
20. Shestakov N. Grandfather Durov's Corner / Fig. V. Vatagin. M.: G. F. Mirimanov, 1927. - 12 p. - 15000 copies. - 60 k.
21. Shestakov N. Chicken. M.: G. F. Mirimanov, 1925. - 13 p. - 10000 copies. - 50 k.

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Literature

1. Krasnov, A. Pirĕn entesh - pallă writer / A. Krasnov // Tantăsh. - 1997. - Ută 31. – P. 8.
2. Golovchenko, N. P. Shestakov Nikolai Yakovlevich / N. P. Golovchenko // Chuvash encyclopedia. - Cheboksary, 2011. - T. 4: C-Y. - S. 622.
3. Krasnov, А. - 1997. - July 19-26 (No. 29). – P. 7.
4. Mozharov, G. G. N. Ya. Shestakov (1894-1974) // Mozharov, G. G. Memorable places and sights of the city of Cheboksary and the Chuvash ASSR / G. G. Mozharov, A. S. Nikitin. - Cheboksary, 1987. - S. 96.
5. Novikov, Yu. At the origins of the children's theater / Yu. Novikov // Council. Chuvashia. - 1982. - June 22.

Notes

Links

An excerpt characterizing Shestakov, Nikolai Yakovlevich

A tall, beautiful lady with a huge plait and very bare, white, full shoulders and neck, on which there was a double string of large pearls, entered the neighboring benoir, and sat down for a long time, rustling her thick silk dress.
Natasha involuntarily peered into this neck, shoulders, pearls, hairstyle and admired the beauty of the shoulders and pearls. While Natasha was already peering at her for the second time, the lady looked around and, meeting her eyes with Count Ilya Andreich, nodded her head and smiled at him. It was Countess Bezukhova, Pierre's wife. Ilya Andreich, who knew everyone in the world, leaned over and spoke to her.
“Long time ago, Countess?” he spoke. - I'll come, I'll come, I'll kiss your hand. But I came here on business and brought my girls with me. They say Semyonova plays incomparably,” said Ilya Andreevich. - Count Pyotr Kirillovich never forgot us. He is here?
“Yes, he wanted to come in,” Helen said and looked at Natasha carefully.
Count Ilya Andreich again sat down in his place.
- Is it good? he whispered to Natasha.
- Miracle! - said Natasha, - you can fall in love! At this time, the last chords of the overture sounded and the bandmaster's stick rattled. In the parterre, belated men went to their places and the curtain rose.
As soon as the curtain rose, everything fell silent in the boxes and stalls, and all the men, old and young, in uniforms and tailcoats, all the women in precious stones on their naked bodies, with greedy curiosity directed all their attention to the stage. Natasha also began to look.

On the stage there were even boards in the middle, painted pictures depicting trees stood on the sides, and a canvas on boards was stretched behind. In the middle of the stage were girls in red corsages and white skirts. One, very fat, in a white silk dress, was sitting especially on a low stool, to which a green cardboard was pasted at the back. They all sang something. When they finished their song, the girl in white went up to the prompter's booth, and a man in tight-fitting silk pantaloons on thick legs, with a feather and a dagger, came up to her and began to sing and spread his arms.
The man in tight trousers sang alone, then she sang. Then they both fell silent, the music began to play, and the man began to run his fingers over the hand of the girl in the white dress, obviously waiting for the beat again to begin his part with her. They sang together, and everyone in the theater began to clap and shout, and the man and woman on the stage, who portrayed lovers, began to bow, smiling and spreading their arms.
After the village, and in the serious mood in which Natasha was, all this was wild and surprising to her. She could not follow the progress of the opera, could not even hear the music: she saw only painted cardboard and strangely dressed men and women moving, talking and singing strangely in the bright light; she knew what all this was supposed to represent, but it was all so pretentiously false and unnatural that she felt ashamed of the actors, then laughed at them. She looked around her, at the faces of the spectators, looking for in them the same sense of mockery and bewilderment that was in her; but all the faces were attentive to what was happening on the stage and expressed feigned, as it seemed to Natasha, admiration. "It must be so necessary!" thought Natasha. She alternately looked either at these rows of pomaded heads in the stalls, or at the naked women in the boxes, especially at her neighbor Helen, who, completely undressed, with a quiet and calm smile, without taking her eyes off the stage, feeling the bright light spilled throughout the hall and the warm, crowd-warmed air. Natasha, little by little, began to come into a state of intoxication she had not experienced for a long time. She did not remember what she was and where she was and what was happening before her. She looked and thought, and the strangest thoughts suddenly, without connection, flashed through her head. Now she had the idea of ​​jumping up on the ramp and singing the aria that the actress sang, then she wanted to hook the old man who was sitting not far from her with a fan, then bend over to Helen and tickle her.
At one of the minutes, when everything was quiet on the stage, waiting for the beginning of the aria, the Entrance door the parterre, on the side where the Rostovs' box was, and the steps of a belated man sounded. "Here he is Kuragin!" whispered Shinshin. Countess Bezukhova, smiling, turned to the incoming person. Natasha looked in the direction of Countess Bezukhova's eyes and saw an unusually handsome adjutant, with a self-confident and at the same time courteous look, approaching their box. It was Anatole Kuragin, whom she had long seen and noticed at the St. Petersburg ball. He was now in the uniform of an aide-de-camp, with one epaulette and an exelbane. He walked with a restrained, valiant gait, which would have been ridiculous if he were not so good-looking and if there were not such an expression of good-natured contentment and merriment on his beautiful face. Despite the fact that the action was going on, he, slowly, slightly jingling his spurs and saber, smoothly and high, carrying his perfumed beautiful head, walked along the carpet of the corridor. Glancing at Natasha, he went up to his sister, put his gloved hand on the edge of her box, shook her head and leaned over to ask something, pointing to Natasha.
Mais charmante! [Very nice!] - he said, obviously about Natasha, as she not only heard, but understood from the movement of his lips. Then he went into the first row and sat down beside Dolokhov, friendly and casually elbowing that Dolokhov, whom others treated so ingratiatingly. He winked merrily, smiled at him and put his foot on the ramp.
How similar brother and sister are! the count said. And how good both are!
Shinshin in an undertone began to tell the count some story of Kuragin's intrigue in Moscow, to which Natasha listened precisely because he said charmante about her.
The first act ended, everyone in the stalls got up, got mixed up and began to walk and go out.
Boris came to the Rostovs' box, accepted congratulations very simply, and, raising his eyebrows, with an absent-minded smile, conveyed to Natasha and Sonya the request of his bride to be at her wedding, and left. Natasha, with a cheerful and coquettish smile, talked to him and congratulated on his marriage the same Boris with whom she had been in love before. In the state of intoxication in which she was, everything seemed simple and natural.
Naked Helen sat beside her and smiled the same way at everyone; and Natasha smiled at Boris in exactly the same way.
Helen's box was filled and surrounded on the side of the stalls by the most noble and intelligent men, who seemed to vied with each other to show everyone that they knew her.
Kuragin stood all this intermission with Dolokhov in front of the ramp, looking at the Rostov box. Natasha knew that he was talking about her, and it gave her pleasure. She even turned so that he could see her profile, in her opinion, in the most advantageous position. Before the start of the second act, the figure of Pierre appeared in the stalls, whom the Rostovs had not seen since their arrival. His face was sad, and he had grown even fatter since his last time saw Natasha. He, not noticing anyone, went to the front rows. Anatole went up to him and began to say something to him, looking and pointing to the Rostov box. Pierre, seeing Natasha, perked up and hurriedly, along the rows, went to their bed. Going up to them, he leaned on his elbows and, smiling, talked for a long time with Natasha. During her conversation with Pierre, Natasha heard in the box of Countess Bezukhova male voice and for some reason I found out that it was Kuragin. She looked back and met his eyes. He looked almost smiling straight into her eyes with such an admiring, affectionate look that it seemed strange to be so close to him, to look at him like that, to be so sure that he liked you, and not to be acquainted with him.

Doctor technical sciences, Professor, Professor of the Department of Thermal Power Engineering and Thermal Engineering.
Academician of the Academy of Invention,
Academician of the International Academy of Sciences of Ecology and Life Safety.

Born on January 2, 1952 in the village of Filino, Totemsky District Vologda region. From September 1967 to January 1985 he lived in Vologda with a break for service in Soviet army: May 1977 - October 1978

In 1971, he graduated with honors from the Vologda Engineering College with a degree in metal cutting, after which he worked at the State Bearing Plant No. 23.

In 1976 he graduated with honors from the Vologda Polytechnic Institute (VPI) with a degree in Automation and Integrated Mechanization of Mechanical Engineering, after which he worked as an employee and teacher at the same institute.

From January 1985 to the present he lives in Cherepovets. Worked as a senior researcher at the Central Research Institute of Ferrous Metallurgy. I.P. Bardina, head. Department of Higher Mathematics at the Cherepovets Higher Military Engineering School of Radio Electronics.

In April 1987, he moved to work at the Cherepovets branch of the Vologda Polytechnic Institute (ChF VPI). When the Cherepovets State Industrial Institute (ChGII) was created on the basis of the Black Sea Fleet VPI (in 1993), he was appointed Vice-Rector for Research. At the same time, he formed and headed the Department of Thermal Engineering and Hydraulics (currently the Department of Thermal Power Engineering and Thermal Engineering).

In 1996, after the creation of Cherepovets state university on the basis of the ChGII and the Cherepovets State Pedagogical Institute, he was again appointed vice-rector for scientific work (he held the position until April 2009), as well as the head of the Department of Thermal Power Engineering and Heat Engineering (headed the department with a break until June 2017)

In 1982, at the Moscow Institute of Steel and Alloys, Shestakov N.I. In 1993 he defended his Ph.D. thesis in the specialty "Metallurgy of ferrous metals", and in 1993 he defended his doctoral dissertation in the same specialty. In 1994 he was awarded the academic title "Professor".

He is the chairman of the dissertation council for the award of the degree of doctor and candidate of technical sciences in 2 scientific specialties, editor-in-chief scientific journal"Vestnik ChGU", for a number of years was a member of the expert council of the Higher Attestation Commission of the Russian Federation, as well as a member of the expert scientific council of the Vologda region.

Published over 400 scientific works, including more than 20 monographs and teaching aids, created more than 100 inventions protected by copyright certificates and patents, prepared 16 candidates and 4 doctors of science.

In 1999, Shestakov N.I. was awarded the Certificate of Honor of the Presidium of the Higher Attestation Commission of the Russian Federation "For great merits in the work on attestation of scientific and scientific-pedagogical personnel", in 2001 - a Letter of Appreciation from the Mayor of Cherepovets, in 2005 - a Certificate of Honor from the Governor of the Vologda Region. In 2004, by the Decree of the Governor for the work "Development and implementation of high-performance melting furnaces for hardware production" he was awarded the State Prize of the Vologda Region in Science and Technology.

In 2006, by order of the Minister of Education and Science of the Russian Federation, Shestakov N.I. was awarded the badge "Honorary Worker of the Higher vocational education RF”, and in 2010, by the Decree of the President of the Russian Federation, he was awarded the honorary title “Honored Worker of the Higher School of the Russian Federation”.

Has awards:

1. Gratitude of the rector dated 05/05/2010, 03/11/2011.
2. Letter of thanks from the rector dated 12/15/2008, 12/19/2011, 12/25/2013.
3. Diploma of the rector dated 05/31/2011, 05/30/2017.
4. Letter of thanks from the mayor of Cherepovets dated 06/01/2000.
5. Diploma of ChGU dated 12/27/2006, 02/04/2011, 12/20/2016.
6. Laureate Diploma state prize Vologda region on science and technology from 11.07.2005.
7. The title of "Drummer of Communist Labor" from 09/22/1986.
8. Badge "Honorary Worker of Higher Professional Education of the Russian Federation" dated December 25, 2006.
9. Honorary diploma of the Presidium of the Higher Attestation Commission of Russia dated June 11, 1999.
10. Honorary title"Honored Worker of the Higher School of the Russian Federation" dated 11/24/2010.
11. Title "Honored Professor of CSU" with award badge"For Merit" from 30.08. 2017.

He studied at the Moscow School of Painting, Sculpture and Architecture (MUZHVZ). He was close in style to the artists of the Makovets group, namely N. M. Chernyshev, with whom for a long time supported friendly relations. In 1924, together with the former members of the Jack of Diamonds, N. Shestakov joined the Moscow Painters society. Founding members: P.P. Konchalovsky, A.V. Kuprin, A.V. Lentulov, I.I. Mashkov, A.A. Osmerkin, V.V. Rozhdestvensky, R.R. Falk. In 1928 he joined the Society of Moscow Artists (OMH). Members of the OMC - S.V. Gerasimov, I.E. Grabar, A.D. Drevin, A.V. Kuprin, A.A. Lebedev-Shuisky, A.V. Lentulov, A.A. Osmerkin, N.A. Udaltsova, R.R. Falk, A.V. Fonvizin, N.I. Shestakov and others. In June 1917, N. Shestakov, together with P. Konchalovsky, I. Mashkov, A. Lentulov, headed the artistic commission under the Committee of the Women's Union "Help to the Motherland". , portraits in style close to the artists of the "Jack of Diamonds", and especially to V.V. Rozhdestvensky. He taught at VKhUTEMAS together with Osmerkin, Mashkov, Konchalovsky. Among his students were: I. Chekmazov, V. Favorskaya, A. Chirkov, B. Iordansky and others. art museum the works of the masters of the Russian avant-garde were transferred: M. Larionov, N. Goncharova, Rozanova, Nivinsky, N.I. Shestakova and others.

Place of Birth

• Baryshskaya Sloboda [d], Sarsk rural settlement, Sursky district, USSR

Biography

Born in the village of Baryshskaya Sloboda, Alatyrsky district (now the Sursky district of the Ulyanovsk region).

He spent his childhood years in the city of Alatyr, a nephew (by mother) of Bishop Simon (Shleev). He entered the Simbirsk gymnasium, but was expelled due to his passion for the stage. He passed the course of the gymnasium as an external student in 1913. In 1914-18, he was a student first of the medical (taught one course), then the historical and philological faculty of Kazan University. From the autumn of 1918 in white Omsk; referred to as a proofreader, then a technician-secretary and "producer" of the editors of Our Newspaper (Omsk, published since August 1919), the author and editor of its news reports [under Kolchak]. After the establishment of Soviet power in Siberia, he worked in the field of out-of-school education in the city of Novonikolaevsk (now Novosibirsk), since 1921 as a proofreader and journalist in Moscow.

Wife - lexicographer Nadezhda Vladimirovna Glen-Shestakova (nee von Glen, 1896-1981), whose niece is translator Nika Glen (1928-2005).

Daughter - Natalya Nikolaevna Shestakova (1923-2014; she was married to Nikolai Alexandrovich Samoilo (1922-1963), son of the medievalist Alexander Sergeyevich Samoilo (1893-1974)).

Granddaughters - Maria Nikolaevna Shestakova and Elena Nikolaevna Samoilo.

Literary activity

Creative activity began with poetry. The first publication was in the "Collection of the Student Literary Circle at Kazan University" (1915), poems in Kazan periodicals, in the almanac "Provincial Muse" (Kazan, 1918); actively published in the Kolchak press (including under the pseudonym "Baryba") in Omsk, Perm, Novonikolaevsk; then in the almanac "Arpoepis" (Novonikolaevsk, 1921). Since the mid-1920s, he has been working as children's poet. He wrote his first play for the children's theater in 1928.

Author of plays for the children's theater "Two Brothers from Arplat", "Altai Robinsons" (first staged in 1928 on the stage of the Central Children's Theater), "Cracking", "Brother", "Mik", "The Far Way", "Aul Gidzhe" , "At the dawn of a foggy youth" and others.

Shestakov's plays were in the repertoire of the Moscow Theater for Children, the Saratov Youth Theater.

characteristic feature Shestakov's style as a playwright is an addiction to an adventure story. The author loves a sharpened verbal duel, a verbal game. In almost every play there are stage transformations, dressing up.

Compositions

• Shestakov, N. Ya. Two grandchildren and sugar science / N. Ya. Shestakov; drawings by D. Moshchevitin. - Moscow: Edition of G. F. Mirimanov, 1925. - 12 p.
• Shestakov, N. Ya. About cars on rubber tires / N. Ya. Shestakov; artistic D. Bulanov. - L.-M. : Rainbow, 1926. - 9 p.
• Shestakov, N. The Far Way: a play in 3 acts: [a game performance for schoolchildren of the first stage: from the repertoire of the Moscow Theater for Young Spectators] / N. Shestkov. - M.-L. : State. from the artist lit., 1931. - 64 p.
• Shestakov, N. Ya. Two hundred lines about book pains / N. Ya. Shestakov; drawings by D. Moshchevitin. - Moscow: Edition of G. F. Mirimanov, 1925. - 13 p.
• Shestakov, N. Ya. Grandfather Durov's corner / V. Vatagin painted from life in the corner of Durov's grandfather; text to drawings by N. Shestakov. - Moscow: Edition of G. F. Miromanov, 1926. - 12 p.
• Shestakov N. Bazaar / Fig. B. Pokrovsky. M .: Peasant newspaper, 1928. - 12 p. - 35000 copies. - 6 k.
• Shestakov N. The whole flock, except for the tram / Fig. A. Efimova. L.; M.: Raduga, 1926. - 12 p. - 8000 copies. - 85 k.
• Shestakov N. The whole flock, except for the tram / Fig. A. Mirolyubova. M.: Giz, 1929. - 11 p. - 15000 copies. - 22 k.
• Shestakov N. Two grandchildren and sugar science: A fairy tale / Fig. D. Moshchevitina. M.: G. F. Mirimanov, 1925. - p. - 10000 copies. - 45 k.
• Shestakov N. About machines on rubber tires / Fig. D. Bulanova. L.; M.: Raduga, 1926. - 9 p. - 20000 copies. - 35 k. - Before the header. author: N. Shestakov and D. Bulanov.
• Shestakov N. Train / Fig. B. Pokrovsky. M .: Peasant newspaper, 1928. - 12 p. - 35000 copies. - 6 k.
• Shestakov N. Adventures of Petukhov Grishka, or How books are made / Fig. V. Vasiliev. M.: Giz, 1925. - 24 p. - (New children's library). - 15000 copies. - 30 k.
• Shestakov N. Adventures of a great-grandfather. Tale. Cover by artist D. Bazhanov. - M: State Publishing House, 1928. - 188, 4 p.
• Shestakov N. About the fifth chick / Fig. N. Leman. M.: Giz, 1928. - 12 p. - 20000 copies. - 22 k.
• Shestakov N. About the daring Kolka Sokolov / Fig. N. Leman. M.: Giz, 1928. - 12 p. - 10000 copies. - 22 k.
• Shestakov N. Stronger than copper: Stories and poems. M.; L.: ZIF, 1926. - 32 p. - 15000 copies. (includes some articles by Shestakov, published in the Kolchak press, and in this little book attributed to a fictitious graphomaniac from