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Veronica Dzhioeva biography children. Veronika Dzhioeva: biography of the Russian star of the world opera

, South Ossetian Autonomous Okrug, USSR

Veronika Romanovna Dzhioeva(Oset. Jiota Romana chyzg Veronica , January 29, Tskhinvali, South Ossetian Autonomous Okrug, USSR) - Russian Opera singer(soprano). People's Artist Republic of North Ossetia-Alania (). People's Artist of South Ossetia ().

Biography

parties

At the Bolshoi Theater:

Mimi (La Boheme by G. Puccini)
Donna Elvira (Don Juan by W. A. Mozart)
Gorislav (Ruslan and Lyudmila by M. Glinka)
Liu (Turandot by G. Puccini)
Elizabeth ("Don Carlos" G. Verdi)

In other theaters:

Leonora (Force of Destiny by G. Verdi)
Musetta (La Boheme by G. Puccini)
Fiordiligi (“Everybody Do It” by W. A. Mozart)
The Countess (The Marriage of Figaro by W. A. Mozart)
Urusova (Boyar Morozova by R. Shchedrin)
Zemfira (Aleko by S. Rachmaninov)
Tatyana (Eugene Onegin by P. Tchaikovsky)
Violetta (La Traviata by G. Verdi)
Michaela (Carmen by G. Bizet)
Elizabeth (Don Carlos by G. Verdi)
Lady Macbeth (Macbeth by G. Verdi)
Thais (Thais by J. Massenet)
Martha (" royal bride"N. Rimsky-Korsakov)

She sang soprano parts in Verdi and Mozart's Requiems, Mahler's Second Symphony, Beethoven's Ninth Symphony, Mozart's Grand Mass, Rachmaninov's poem The Bells.

Family

Awards

People's Artist of North Ossetia-Alania (2014)
Honored Artist of North Ossetia-Alania (2009)
Honored Artist of South Ossetia
Diploma of the Golden Mask Festival (2008)
Winner of the competition "Big Opera"

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An excerpt characterizing Dzhioeva, Veronika Romanovna

- Whose company? - Prince Bagration asked the fireworks, standing by the boxes.
He asked: whose company? but in essence he was asking: are you not timid here? And the fireworker figured it out.
“Captain Tushin, Your Excellency,” shouted a red-haired fireworker with a freckled face, stretching out in a cheerful voice.
- So, so, - said Bagration, thinking something, and drove past the limbers to the extreme gun.
While he was driving up, a shot rang out from this cannon, deafening him and his retinue, and in the smoke that suddenly surrounded the cannon, artillerymen were visible, grabbing the cannon and, hastily straining, rolling it back to its original place. A broad-shouldered, huge soldier of the 1st with a banner, legs wide apart, jumped back to the wheel. The 2nd, with a trembling hand, put a charge into the muzzle. A small, round-shouldered man, officer Tushin, stumbled on his trunk and ran forward without noticing the general and looking out from under his small hand.
“Add two more lines, that’s exactly what will happen,” he shouted in a thin voice, to which he tried to give a youthfulness that did not suit his figure. - Second! he squeaked. - Crush, Medvedev!
Bagration called out to the officer, and Tushin, with a timid and awkward movement, not at all like the military salute, but like the priests bless, putting three fingers to the visor, approached the general. Although Tushin's guns were assigned to bombard the hollow, he fired fire-brandskugels at the village of Shengraben, which was visible ahead, in front of which large masses of the French advanced.
No one ordered Tushin where and with what to shoot, and he, after consulting with his sergeant major Zakharchenko, for whom he had great respect, decided that it would be good to set fire to the village. "Fine!" Bagration said to the report of the officer and began to look around the entire battlefield that opened before him, as if thinking something. On the right side, the French came closest. Below the height on which the Kiev regiment stood, in the hollow of the river, the erratic rumble of guns was heard, and much to the right, behind the dragoons, the retinue officer pointed out to the prince at the French column that was bypassing our flank. To the left the horizon was limited to a close forest. Prince Bagration ordered two battalions from the center to go for reinforcements to the right. The retinue officer dared to remark to the prince that after the departure of these battalions, the guns would be left without cover. Prince Bagration turned to the retinue officer and looked at him with dull eyes in silence. It seemed to Prince Andrei that the remark of the retinue officer was just and that there really was nothing to say. But at this time an adjutant galloped up from the regimental commander, who was in the hollow, with the news that huge masses of the French were coming down, that the regiment was upset and was retreating to the Kyiv grenadiers. Prince Bagration bowed his head in agreement and approval. He walked at a pace to the right and sent an adjutant to the dragoons with orders to attack the French. But the adjutant sent there arrived half an hour later with the news that the dragoon regimental commander had already retreated beyond the ravine, for strong fire had been directed against him, and he was wasting people in vain and therefore hurried shooters into the forest.
- Fine! Bagration said.
While he was driving away from the battery, shots were also heard to the left in the forest, and since it was too far to the left flank to have time to arrive on time himself, Prince Bagration sent Zherkov there to tell the senior general, the same one who represented the regiment to Kutuzov in Braunau, so that he retreats as quickly as possible behind the ravine, because the right flank will probably not be able to hold the enemy for a long time. About Tushin, and the battalion that covered him, was forgotten. Prince Andrei carefully listened to the conversations of Prince Bagration with the chiefs and to the orders he gave, and noticed to his surprise that no orders were given, and that Prince Bagration only tried to pretend that everything that was done out of necessity, chance and the will of private chiefs, that all this was done, if not by his order, but according to his intentions. Thanks to the tact shown by Prince Bagration, Prince Andrei noticed that, despite this randomness of events and their independence from the will of the chief, his presence did an extremely great deal. The commanders, who drove up to Prince Bagration with upset faces, became calm, the soldiers and officers greeted him cheerfully and became livelier in his presence and, apparently, flaunted their courage in front of him.

Diploma of the competition golden mask”, winner of the Bolshaya Opera competition, Honored Artist of South Ossetia ... but this singer prefers to be announced simply - Veronika Dzhioeva, because her name is famous enough to tell the public more than any honorary titles. Future opera star was born in Tskhinvali. Her father possessed an excellent tenor, but during his youth musical career was not considered prestigious for a man, and he became a professional athlete. Having seen his daughter's talent in time, he wanted her to become a singer, instilled in her a love of music. Veronica had a beautiful voice already in childhood, together with her sister Inga she performed at competitions. True, on his first solo concert she performed at the age of thirteen not as a singer, but as a folk dancer.

Veronika Dzhioeva received her musical education in Tskhinvali music school, then at the Vladikavkaz School of Arts with Nelly Hestanova. Upon completion of this educational institution she went to St. Petersburg to enter the conservatory. Before the entrance exam, an unexpected difficulty arose - her voice disappeared, but the mentor accompanying her told her: “Come out, tear your ligaments, but sing!” And Veronica sang - as it seemed to her, she sang well, as never before. She became a student at the conservatory, where she studied with Tamara Novichenko. The singer calls her mentor a "teacher with a capital letter" - not only because her graduates sing all over the world, but also for her reverent attitude towards students.

Even before graduating from the conservatory - in 2004 - Veronika Dzhioeva made her debut, performing in opera studio conservatory party Mimi. After two years, the young performer makes herself known in the capital: on the stage of the Moscow International House of Music, she plays the role of Fiordiligi in "". Conducted this performance. In the same year in Russian capital the premiere of the work took place - the opera "Boyar Morozova", and the role of Princess Urusova was performed by Dzhioeva. A year later, the work was presented in Italy - and again with her participation.

Since that time, the singer has been going from success to success: performing as Zemfira in "" under the direction of, performing the same part at the Mariinsky Theater, in Baden-Baden, Mikaela in "" in Seoul. Subsequently, the artist performed this part more than once. Michaela may not seem like the most in an interesting way- especially when compared to main character- but Veronika Dzhioeva has a special attitude towards her. In her interpretation, Michaela does not look like a "naive blonde", but a strong girl, despite her rustic simplicity, able to fight for her own happiness. There was a case in the singer's career when the audience applauded her Mikaela so much that the performer of Escamillo's part refused to bow.

Whatever parties Dzhioeva performed, wherever she sang: Yaroslavna in Hamburg, the title role in Sister Angelica in Madrid, Mary Stuart in Palermo, Elvira in "" at the Houston Opera. At the Bolshoi Theater, her first party was the same role with which her path in the opera began - Mimi, then there were Elizabeth in "", Gorislava in "". The singer's voice is surprisingly deep and rich, her range even includes low, "chest" notes, which are more associated with a mezzo-soprano than a soprano. There is both passion and tenderness in her voice. He has such power that in the West it is sometimes difficult to find a composition for such a "big" voice. The singer embodies and lyrical images(Martha in "", Tatyana), and dramatic (Lady Macbeth). The Italian opera, Giacomo Puccini, is especially close to the artist, and she calls "" her favorite opera. She does not see herself as a cruel princess, but she enjoys playing the role of Liu.

The concert repertoire of the singer is no less rich than the opera. She participated in the performance of Requiems and, The Bells, Ludwig van Beethoven and. Dzhioeva attaches special importance to the performance of romances, considering this genre as a kind of “test” for belonging to the Russian world. She began with romances, Bulakhov and Varlamov, then works appeared in her chamber repertoire, and she considers the latter the most difficult. According to Veronika Dzhioeva, work on romances helps in work on opera parts.

Veronika Dzhioeva does not like the diktat of directors at the opera house - and not only because it is insulting when the name of the director is written on the poster in large letters, and the names of the singers are barely noticeable. The artist is worried about thoughtless "innovation" that has nothing to do with art. For example, the singer experienced great irritation when girls in the image of ... appeared on the stage in the play "" in Hamburg. Pussy Riot, and then the same thing happened in "" in Madrid. Dzhioeva herself prefers classical productions, which give the opportunity to feel like a person of a different era.

Music Seasons

She sang the part of Fiordiligi in the opera “Everyone does it this way” at the Moscow International House of Music (2006), the soprano part in Verdi’s Requiem and Mahler’s Second Symphony ( Big hall Moscow Conservatory, 2007).
In 2006 she sang the soprano part in Mozart's Grand Mass (conductor Yuri Bashmet, BZK). In the same year, she sang the part of Princess Urusova at the premiere of Rodion Shchedrin's opera Boyarynya Morozova (BZK). IN next year participated in the performance of this opera in Italy.
In 2007 she performed the part of Zemfira in the BZK (Russian National Orchestra, conductor Mikhail Pletnev) and in San Sebastian (Spain).
In 2007 and 2009 took part in the performance of Boris Tishchenko's "Run of Time" at the St. Petersburg Philharmonic.
In 2008 she performed the part of Mimi in the BZK and took part in the performance of Verdi's Requiem in St. Petersburg.
In 2009 she sang the title role in the opera Tais in Estonia and the role of Mikaela in G. Bizet's Carmen in Seoul.
In 2010 she performed "Four latest songs» R. Strauss at the Novosibirsk Philharmonic (conductor Alim Shakhmametyev).

On the stage Mariinsky Theater sang the roles of Mikaela, Violetta, Elizaveta and Zemfira.

Is a guest soloist Bolshoi Theater Geneva, Theater La Monnaie in Brussels, Prague Opera, Finnish national opera. Performs at the Opera House in Bari, the Teatro Comunale in Bologna, the Teatro Massimo in Palermo (Italy), the Teatro Real (Madrid), the Hamburg State Opera.

Collaborates with outstanding musicians, among them: Maris Jansons, Valery Gergiev, Trevor Pinnock, Vladimir Fedoseev, Yuri Bashmet, Hartmut Henchen, Simona Young, Vladimir Spivakov and many others.

In 2010 she sang the title role in Donizetti's Mary Stuart at the Teatro Massimo (Palermo).
In 2011 she sang the part of Tatyana in concert performances of the opera Eugene Onegin in Munich and Lucerne ( Symphony Orchestra Bavarian Radio, conductor Mariss Jansons).
In 2012 she performed the part of Yaroslavna (Prince Igor by A. Borodin) at the Hamburg State Opera. In the same year she sang the title roles in the operas Iolanthe by P. Tchaikovsky and Sister Angelica by G. Puccini at the Teatro Real (Madrid).
In 2013, the singer sang the part of Violetta (La Traviata by G. Verdi) at the Hamburg State Opera and made her debut at the Houston Opera as Donna Elvira (Don Giovanni by W. A. Mozart).
In the same year she took part in the performance of Verdi's Requiem in the Paris concert hall Pleyel ( National Orchestra Lille, conductor Jean-Claude Casadesus).

Participated in the festival many times contemporary art"Territory" in Moscow.
She has given concerts in Great Britain, Spain, Italy, France, Switzerland, Germany, Austria, Czech Republic, Sweden, Estonia, Lithuania, Japan, China, South Korea and USA.

She recorded the album "Opera arias" (conductor - Alim Shakhmametiev).

The voice of Veronika Dzhioeva sounds in the television films "Monte Cristo", "Vasilyevsky Island", etc.
The television film "Winter Wave Solo" (directed by Pavel Golovkin, 2010) is dedicated to the singer's work.

In 2011, Veronika Dzhioeva won the TV competition "Big Opera" on the TV channel "Culture".

"Singer from God" - this is how the Russian star of the world opera Veronika Dzhioeva is called. Among the images that this amazing woman embodied on stage are Tatiana (“Eugene Onegin”), the Countess (“The Wedding of Figaro”), Yaroslavna (“Prince Igor”), Lady Macbeth (“Macbeth”) and many others! It is about the owner of the divine soprano that will be discussed today.

Biography of Veronika Dzhioeva

Veronika Romanovna was born at the end of January 1979. The birthplace of the opera singer is the city of Tskhinvali in South Ossetia. In an interview, Veronica said that initially her father wanted her to become a gynecologist. True, he changed his mind in time and decided that his daughter should become an opera singer.

By the way, the father of Veronika Dzhioeva has a good tenor. He repeatedly heard that he should study vocals. However, during his youth, singing in Ossetia among men was considered completely unmanly. That is why Roman chose sports for himself. The father of the opera singer became a weightlifter.

Carier start

In 2000, Veronika Dzhioeva graduated from the art school in Vladikavkaz. The girl studied vocals in the class of N. I. Hestanova. After 5 years, she completed her studies at the St. Petersburg Conservatory, where she studied in the class of T. D. Novichenko. It is worth noting that the competition for admission to the conservatory was more than 500 people for one place.

For the first time, the girl appeared on stage in 1998. Then she performed at the Philharmonic. The debut as an opera singer with Veronika Dzhioeva took place in early 2004 - she performed the part of Mimi in Puccini's La bohème.

World recognition

Today, Dzhioeva is one of the most sought-after opera singers, and not only in Russian Federation but also outside of our country. Veronica has performed on the stages of Lithuania and Estonia, Italy and Japan, the United States of America and Spain, Great Britain and Germany. Among the images that Veronika Dzhioeva brought to life are the following:

Thais ("Thais", Massenet).
Countess (The Marriage of Figaro, Mozart).
Elizabeth ("Don Carlos", Verdi).
Martha ("The Passenger", Weinberg).
Tatiana ("Eugene Onegin", Tchaikovsky).
Michaela ("Carmen", Bizet).
Lady Macbeth (Macbeth, Verdi).

It is worth noting that Veronika is the leading soloist of three opera theaters in Russia at once: she performs on the stages of the Novosibirsk, Mariinsky and Bolshoi Theaters.

World recognition came to this opera singer after she performed the part of Fiordiligi in Mozart's Cosi fan tutte. On the capital's stage, Veronika Dzhioeva performed the part of Princess Urusova in Shchedrin's opera Boyarynya Morozova. Conquered the hearts of the audience and Zemfira from "Aleko" Rachmaninov. Veronica performed it at the end of the summer of 2007.

Residents of St. Petersburg remembered Dzhioeva and fell in love with her numerous premieres at the Mariinsky Theater. Pleased with Veronica and opera lovers in Seoul. In 2009, the premiere of "Carmen" by Bizet took place here. And, of course, the performance of Veronika Dzhioeva in La Boheme was a real triumph. Now we are glad to see the singer on our stage Italian theaters in Bologna and Bari. The audience of Munich also applauded the opera diva. Here Veronika performed the part of Tatyana in the opera Eugene Onegin.

Dzhioeva's personal life

The family occupies a special place in the biography of Veronika Dzhioeva. The singer is happily married to Alim Shakhmametyev, who holds the position of chief conductor at the Novosibirsk Philharmonic chamber orchestra, and at the St. Petersburg Conservatory directs the Big Symphony Orchestra.

The couple has two children - daughter Adriana and son Roman. By the way, for the second time, the audience did not even notice the absence of Veronica on stage: the opera singer performed until the eighth month of pregnancy, and just a month after the birth of the baby, she returned to her favorite pastime again. Veronika Dzhioeva calls herself a wrong Ossetian woman. main reason she considers a dislike for cooking. But Veronica is a great wife and mother: order and mutual understanding always reign in her house.

Participation in the TV project "Big Opera"

In 2011, the southern beauty Veronika Dzhioeva became the winner of the Big Opera project. The opera diva entered the television competition at her own request, but against the wishes of her husband, colleagues and relatives.

A few years after the TV project, in an interview, Veronica said that it all started with a rehearsal of a number for New Year's program on the channel "Culture". It was the employees of this channel who told Dzhioeva about the competition.

The recording of the Bolshoi Opera program took place on Mondays, when the theater had a day off. Veronica confessed - then she thought that this would never happen in her life, and agreed to participate in the project. The singer's husband was categorically against it and argued that Veronica should not waste herself on trifles. Dissuaded diva and almost all friends. The character of Veronica played a big role in the choice - in spite of everyone, she said “Yes!”.

By the way, the voice of Dzhioeva often sounds in films, including the film "Vasilyevsky Island" and "Monte Cristo". Veronica also recorded an album called Opera arias. And in 2010, Pavel Golovkin's film "Winter Wave Solo" was released. This picture is dedicated to the work of Dzhioeva.

Despite the fact that the birthplace of the singer is Ossetia, Veronika positions herself as an opera singer from Russia. This is what is always indicated on the posters. However, there were also unpleasant situations abroad. For example, when several theatrical magazines and posters called Dzhioeva a "Georgian soprano". The singer was seriously angry, and the organizers had to not only apologize, but also seize all printed copies and publish posters and magazines again.

Veronica explains this very simply - she studied in St. Petersburg with Russian teachers. Georgia has nothing to do with this. influence the position opera diva armed conflicts Georgia and her homeland.

Awards

Veronika Dzhioeva is not only the winner of the Big Opera TV contest. She is a laureate of various competitions and festivals of opera performers. For example, in 2003 she became a laureate International Competition named after Glinka, in 2005 she became the winner of the Maria Gallas Grand Prix. Among the awards of Dzhioeva - theater awards"Paradise", "Golden Soffit" and "Golden Mask". It is worth noting that Veronika is an honored artist of two republics - South and North Ossetia.

Biography of Veronika Dzhioeva

Carier start

World recognition

Today, Dzhioeva is one of the most sought-after opera singers, not only in the Russian Federation, but also outside our country. Veronica has performed on the stages of Lithuania and Estonia, Italy and Japan, the United States of America and Spain, Great Britain and Germany. Among the images that Veronika Dzhioeva brought to life are the following:

Thais ("Thais", Massenet).
Countess (The Marriage of Figaro, Mozart).
Elizabeth ("Don Carlos", Verdi).
Martha ("The Passenger", Weinberg).
Tatiana ("Eugene Onegin", Tchaikovsky).
Michaela ("Carmen", Bizet).
Lady Macbeth (Macbeth, Verdi).

It is worth noting that Veronika is the leading soloist of three opera theaters in Russia at once: she performs on the stages of the Novosibirsk, Mariinsky and Bolshoi Theaters.

Residents of St. Petersburg remembered Dzhioeva and fell in love with her numerous premieres at the Mariinsky Theater. Pleased with Veronica and opera lovers in Seoul. In 2009, the premiere of "Carmen" by Bizet took place here. And, of course, the performance of Veronika Dzhioeva in La Boheme was a real triumph. Now Italian theaters in Bologna and Bari are happy to see the singer on their stage. The audience of Munich also applauded the opera diva. Here Veronika performed the part of Tatyana in the opera Eugene Onegin.

Dzhioeva's personal life

The family occupies a special place in the biography of Veronika Dzhioeva. The singer is happily married to Alim Shakhmametyev, who holds the position of chief conductor of the Chamber Orchestra at the Novosibirsk Philharmonic, and leads the Bolshoi Symphony Orchestra at the St. Petersburg Conservatory.

The couple has two children - daughter Adriana and son Roman. By the way, for the second time, the audience did not even notice the absence of Veronica on stage: the opera singer performed until the eighth month of pregnancy, and just a month after the birth of the baby, she returned to her favorite pastime again. Veronika Dzhioeva calls herself a wrong Ossetian woman. She considers her dislike for cooking to be the main reason. But Veronica is a great wife and mother: order and mutual understanding always reign in her house.

Participation in the TV project "Big Opera"

A few years after the TV project, in an interview, Veronika said that it all started with a rehearsal of a number for the New Year's program on the Kultura channel. It was the employees of this channel who told Dzhioeva about the competition.

Veronica explains this very simply - she studied in St. Petersburg with Russian teachers. Georgia has nothing to do with this. The position of the opera diva was influenced by the armed conflicts of Georgia and her homeland.

Awards

Veronika Dzhioeva is not only the winner of the Big Opera TV contest. She is a laureate of various competitions and festivals of opera performers. For example, in 2003 she became a laureate of the International Glinka Competition, in 2005 she became the winner of the Maria Gallas Grand Prix. Among the awards of Dzhioeva are the theater awards "Paradise", "Golden Soffit" and "Golden Mask". It is worth noting that Veronika is an honored artist of two republics - South and North Ossetia.

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