How to draw a Russian folk costume step by step. Russian national costume

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Elena Chuvilina

Theme: "Russian folk costume".

Tasks: to acquaint children with the history of men's and women's clothing, with Russian folk costume; develop visual perception; to cultivate accuracy and perseverance, to cultivate interest in the origins of Russian folk culture.

Materials. Illustrations of folk Russian costumes, pictures of men's and women's clothing, samples of various clothes. Coloring pages of folk Russian costumes, felt-tip pens.

The teacher introduces children to the history of men's and women's clothing. In museums there are a lot of samples of rich clothes of Russian tsars and boyars. Clothing was very expensive, so it was passed on only by inheritance. For ordinary people, men and women, the main part of the clothing was a shirt, or shirt. The shirt was wide and long. Her sleeves were longer than her arms. The shirt had a special cut collar. The shirt had a slit on the side, so it was called a kosovorotka. A white kosovorotka was decorated with embroidery along the hem, collar, bottom of the sleeves. Very often, an insert of a material of a different color was made on the chest. A caftan was also worn over the shirts. Men's trousers were called trousers. These are the things our ancestors had: shirt, pants, caftan and others. Women's clothes were more complex and varied. A shirt was part of the clothing. Over the shirt, women wore a long sundress. It was decorated with ribbons, beads, buttons and so on. Required attribute men's and women's clothing in Rus' has always been a belt. Next, the teacher talks about the Russian folk costume. On the board, illustrative material and the teacher shows everyday and festive clothes. Today we will color the Russian folk costume of a boy and a girl. Under the Russian calm melody, the children get to work. Review of children's work.

Well done! What beautiful costumes you have!

Exhibition of children's works!








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Presentation of the project "Russian folk costume" for the preparatory group Educational and productive project. Participants: children preparatory group, educators, parents of children. Relevance: Russian folk.

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In our kindergarten there is a patriotic corner. There are exhibited things that were previously used in everyday life. These are musical instruments.

Goals:

  1. To acquaint with the history and traditions of Russian folk holidays.
  2. Cultivate respect, develop interest in folk art.
  3. To fix the concept of “ornament”, its types.
  4. Improve visual skills, the ability to work with gouache.

Visibility: images of Russian folk costumes, ornaments, a panel depicting a rural square, an audio recording of “The Ringing of Bells”, patterns of human figures, proverbs on the board:

  1. You can't feed a chicken, and you can't dress up a girl.
  2. The woman's shirts are the same bags: tie up the sleeves, but put whatever you want.
  3. They praise silk on a girl when there is a sense in the girl herself.

I. Organizational moment.

II. Lesson topic announcement

a) conversation

Every nation has holidays. They reveal the soul of a person, his character. In Rus' they loved holidays. They met spring and saw off winter, celebrated the completion of field work, and sometimes just the end of the working day. Holidays have always been fun filled with music, singing, games and dancing. Every evening people different ages they gathered in the evening at someone's hut and sang and danced (danced) there. The song and dance repertoire was very rich and varied. For all seasons, for everything calendar holidays had their own songs, games, dances, fun, nursery rhymes. Often, incantations, jokes, jokes were invented on the spot, on the move - they improvised, especially ditties.

A holiday is not only songs and dances.

How else is this day different from ordinary everyday life? / outfits /

On the eve of the festivities, heavy chests were thrown open. The more they were stuffed, the richer the owner of the house was considered. All festive clothes were necessarily decorated with embroidery elements, beads, sequins, which, as a rule, was not in everyday clothes. By the clothes one could judge the taste and skill of the craftswoman, because the peasant woman herself made the outfit<рисунок 1>.

What a variety of festive outfits!

And what do they have in common? (patterns)

How else can you call it? (ornament)

Any Russian costume in the old days was certainly decorated with ornaments and embroidery.

Let's remember what types of ornament do you know?

/plant and geometric/

Pay attention to the board. Here are the patterns (they can simply be drawn on the board with colored chalk.) Which of them will not be ornaments? Why? /in the ornament, the elements are depicted in a certain order, rhythmically./

The game "Compose a melody to the ornament."

b) STORY about Russian folk costumes.

Let's take a closer look at the outfits.

The basis of any Russian costume was a shirt<рисунок 1и 2>. Shirts with a fastener on the side were called blouses. These were usually worn by men. Also, their outfit included pants that were tucked into boots or onuchi (a piece of fabric), and bast shoes were worn on top of the onuchi.

The shirt was wide and was decorated along the hem, along the collar, along the edge of the sleeves with embroidery. And be sure to tie it with a sash.<рисунок 2>.

Belts performed many functions: they spoke about the well-being of a person, and were also an award and a gift, and were inherited. Festive shirts were embroidered with silk colored threads. Preference was given to red (as a talisman).

Particular importance was attached to the location of the picture. For example:

  • chest patterns - protected the heart and lungs,
  • shoulder - guarded hands,
  • bottom - did not allow evil forces to get through from below.

In the central and northern regions of Russia, women wore a sundress for the holidays.<рисунок 3>.

The smooth lines of the sundress seemed to flow, making the woman look like a swan. No wonder in songs and fairy tales they are called swans.

The festive attire also included the so-called dushegrey - epanechki or shorts - short blouses with straps, similar to sarafans<рисунок 4>.

And in the southern regions of Russia, women of fashion dressed in a pony complex<рисунок 5>.

Poneva - skirt. She always dressed over a shirt, then came an apron, and then a top.

The apron was generously decorated with embroidery<рисунок 6>.

Red prevailed. This is the color of fire, the sun, magical, beautiful, a symbol of salvation and a sign of an obstacle to evil forces. This color was supposed to scare away demons and spirits that have a human appearance, store and protect the owner from various misfortunes.

The top is an outer garment worn in autumn or spring. The tip was not girded<рисунок 7>.

And finally, hats.

They were clearly divided into girls' and married women's dresses:

Kokoshniks, ribbons, wreaths /girlish/.

Koruna, magpie, kichka /female/.

In the names of headdresses, one can hear kinship with a bird: kokoshnik, kichka, magpie. And this is no coincidence. Remember fairy tales: a swan, a white swan, like a peacock.

c) Work with proverbs.

III. Practical work – creation of a collective panel on the theme “Holiday in the village”.

Students are given figurines depicting people and need to make them festive clothes.

Task differentiated:

1 group: colorize ready-made figurines, already “dressed” - a task for slow-moving children and those who have difficulty with self-image. Design your own ornament.

2 group: “Dress” paper figurine, i.e. design and draw your own festive outfit.

Group 3 (children who draw well): portray figure of a man in a festive costume.

The main condition is the presence of an ornament in clothes.

Finished works are glued onto a pre-prepared panel depicting a rural square with a cathedral and peasant houses. /Audio recording “Ringing bells” - people gather in the cathedral square./

IV. Outcome.

Everything in life changes, but the holiday remains. And although he can cope in different ways, the main thing remains - joy, special excitement, fun, elegant clothes, gifts, songs and dances, which are now sometimes mysterious to us. However, these traditions are unusual and special. They need to be remembered and known.

Did you remember?

This is what we are going to check now.

Children are given cards-arrows with the words-names of Russian folk clothes:

- shirt - epanechka - kokoshnik
- sash - short - coruna
- kosovorotka - poneva - magpie
- onuchi - apron - kitsch.
- sundress - tip

It is necessary to connect the arrow cards with the items of clothing in the pictures so that they match the names.

V. Evaluation of works.

Russian national outfits are a combination of rich colors and a large number of details that create a complete image. Several centuries ago, just by one suit, it was possible to understand from which province or village its wearer came. In addition, Russian craftswomen created solemn outfits that were different from each other for each special event. You will learn about the history of the national costume and the details that create it in this article.

Features of the national costume

Russian traditional outfits have always been divided into everyday and festive ones. Our ancestors very clearly separated the simpler clothes made of coarse fabrics with a minimum of decorative elements from the more colorful dresses for special events. Red clothes were considered the most luxurious.

Initially, in Rus', all costumes were created by skillful female hands from dense homespun materials. It also made the outfits more special. The main materials for tailoring outfits were cloth, linen and silk. The role of the lining was played by kindyak, a special lining fabric.

The fabric base was complemented by a large number of details, as well as accessories and shoes, which together formed a harmonious image.

These images differed significantly from each other depending on the regions. So, for example, people from northern regions Russians dressed in more outerwear. It was both open and cape, and in some cases these two types of outfits were combined. The cape was worn over the head, while the swing was fastened with buttons or hook-and-loop fasteners.

Clothing for the nobility also deserves special attention. She, of course, was more expensive and luxurious. Outfits for the nobility were embroidered with gold or silver threads, decorated with pearls and other decorative elements. Such an expensive outfit was worn for more than one year. As a rule, it was passed down from generation to generation, keeping it in its proper form.

History of Russian costume

During its existence, the national Russian costume practically did not change. The concept of fashion was less changeable than it is now, so the same style could be worn by several generations of the same family.

Less common outfits in the traditional Russian style began in the early eighteenth century. Then the ancient Russian costume was banned by Peter the Great, who wanted to make Russia more modern. The national attire was replaced by costumes in the Hungarian style, and later in German and French. In order for the innovations to take root, the ruler introduced a duty on wearing traditional Russian dresses in the city.

Female

Dresses for women have always been more interesting and varied than men's. They were real examples of the art of talented Russian women. From the time of Ancient Rus' women's costume consisted of a shirt (a simple shirt on the floor), a sundress and an apron. Often, for additional warmth, another thick shirt was worn under the shirt.

Embroidery has always been an integral part of any traditional outfit. In each province, it differed in colors and patterns. The hem and sleeves were decorated with embroidery.

Noteworthy are the dresses worn by women in Rus'. During the time of Ivan the Terrible, girls who dressed up in just one dress were considered obscene. It was customary to wear three dresses, one on top of the other. Such a suit turned out to be very heavy and massive.

Male

For men from a simple class, suits were sewn practical and comfortable. Russian culture has always been inseparable from nature and the earth. This was reflected in simple peasant clothes, which were sewn from natural fabrics and decorated with floral patterns.

The men's costume consisted of a simple shirt, trousers and a belt. The head was covered with a sinner from felted wool. Of the shoes, bast shoes were the most common. Light and comfortable, they protected the legs well while working in the field, but were not suitable for winter. With the advent of cold weather, the traditional Russian costume was supplemented with felt boots, and on holidays - with leather boots.

For children

Children in Ancient Rus' wore simpler clothes. As a rule, these were simple loose shirts. For the children of the nobility, outfits were created more refined. Sometimes they almost completely copied the adult costume. But young girls, unlike adult women, did not wear headdresses before marriage.

Features and meaning of details

As already mentioned, the details in the national Russian costume played a very important role.

Details of a man's suit

The basis of the national men's suit It was a simple shirt. In the outfits of ordinary peasants, she was the basis of the costume, while the nobility wore her as underwear. It was sewn from linen or silk. From the inside, the front and back of the shirt were complemented by a lining, which was called the underlay. The wide sleeves of the shirt narrowed to the wrist.

Appearance the gate was different. It could be rounded, square, or completely absent. If there was a collar, then it was supplemented with ties or buttons.

Also, the costume was supplemented with such details as zipun, opashen and okhaben. All these things are varieties of caftans. Over a shirt and a caftan a scroll, a casing or a kermyaga was put on. For more solemn occasions, a ceremonial cloak (korzno) or a single row of woolen fabric was used.

Fur coats were also popular. Peasants wore simpler products made of dense sheepskin or hare fur. Representatives of the upper class allowed themselves to flaunt in outfits made of silver fox, sable or marten.

In order to keep warm inside, fur coats were sewn with fur inside. Outside, they were covered with thick cloth. Outfits for the nobility were embroidered with brocade or velvet. A wide fur collar gave luxury to a fur coat.

Traditional Russian-style fur coats were floor-length. The sleeves were also very long, and the hands were threaded not only into them, but also into special slots located in front. They were worn not only in winter, but also in summer, to create a solemn image.

Another one important detail men's Russian costume - a headdress in the national style. There were several types of hats: tafya, klobuk, murmolka and triukha.

Tafya was a small round hat that fit snugly to the head. A simple hat was often worn over it. Simple people they chose options from felt, richer options from velvet.

Murmolki called hats, high and expanding to the top. Throat caps were created according to a similar principle. Only they were additionally decorated with furs coming from the very throat. Fox, sable or hare fur both decorated the hat and warmed the head.

Details of women's costume

The basis of the women's national costume was also a shirt. It was decorated with embroidery or exquisite edging. Noble Russian ladies, over a simple undershirt, also put on a maid, sewn from bright silk. The most elegant option is a scarlet maid shirt.

Over the shirts of a woman they put on an summer coat. An old floor-length outfit was created from silk and complemented with clasps at the very throat. Noble women wore a flyer decorated with gold embroidery or pearls, and a necklace adorned their collar.

A warmer alternative to summer in the national women's suit was a coat. A long fur coat with decorative sleeves was a sign of luxury, since it was not particularly practical. Hands were either passed through special slots under the sleeves, or into the sleeves themselves, which were rolled up for convenience. It was possible to warm the palms in a muff, which was not only decorated with a fur edge, but also stitched with fur from the inside.

An important role was played by such a detail of the costume as a headdress. All married women in Rus', they always covered their hair, even while at home. In everyday life, the head was covered with a volosnik or a warrior, tying an elegant colorful scarf on top.

Corollas (wide bandages, complemented by long colorful ribbons), which were worn in summer, looked more elegant. In winter they were replaced fur hats. But the traditional Russian costume is still often associated with us with a kokoshnik - an elegant headdress in the form of a fan. If possible, he was richly decorated and became the main addition to the outfit.

National motifs in modern fashion or ethnic style

Although the traditional costume is now only part of the rich Russian history, many designers use its details to create modern outfits. Ethnic style is now in trend, so every fashionista should pay attention to such clothes.

Dresses in the Russian style should be restrained, because vulgarity, short skirts and too deep necklines are simply out of place here. One of the main values ​​of our ancestors was chastity. Girls were required to dress modestly and discreetly, without flaunting their bodies. Modern outfits in the Russian ethnic style are created according to the same principle.

Women's urban costume in folk style: jacket, apron
Russia. Late 19th century
Cotton, linen threads; weaving, cross-stitch, multi-pair weaving.


Outerwear of a peasant woman
Tula province. Early 20th century
Woolen fabric; length 90 cm


Outerwear of a peasant woman: "fur coat"

Cloth, chintz; machine line. Length 115 cm


Women's outerwear "Clothes"
Nizhny Novgorod province. 19th century


Women's folk costume. Sundress, shirt, apron
Nizhny Novgorod province. 19th century
Burgundy satin, red silk and striped satin;


Women's costume: paneva, shirt, apron, "magpie" headdress, necklace, belt

Woolen fabric, linen, chintz, braid, woolen, silk and metal threads, beads; weaving, embroidery, weaving.


Women's suit: paneva, shirt, apron, scarf
Oryol province. Second half of the 19th century
Woolen fabric and thread, braid, linen, cotton thread, satin, silk; weaving, embroidery, patterned weaving.


Women's costume: paneva, shirt, shushpan, chain, apron, headdress "magpie"
Ryazan province. Second half of the 19th century
Woolen fabric, linen, cotton fabric, metallic, cotton threads, beads; weaving, embroidery, weaving.


Women's suit: sundress, belt, shirt, headband, necklace

Heel on canvas, kumach, linen, silk ribbon, colored thread, galloon, amber; sewing, stuffing, cutting.


Festive Cossack costume: sundress, "sleeves", belt, scarf
Ural, Uralsk. Late 19th - early 20th centuries
Satin, silk, calico, galloon, gilded thread, beat, crystal, silver, silver thread; embroidery.


Costume of a peasant woman, urban type: sundress, jacket, kokoshnik, scarf
Arkhangelsk province. Early 20th century
Silk, satin, calico, galloon, fringe, braid, imitation pearls, metal thread; embroidery


Peasant costume: sundress, apron, belt, shirt, scarf
Kursk province. Late 19th - early 20th centuries
Woolen, linen, silk fabric, galloon, velvet, brocade, red cloth, braid; weaving


Peasant costume: sundress, shirt, apron, headdress "collection"
Vologda province. Late 19th century
Cotton fabric, canvas, silk ribbons, lace; weaving, embroidery, weaving


Peasant costume: sundress, shirt, belt
Smolensk province. Late 19th century
Cloth, chintz, cotton fabric, woolen, cotton threads; embroidery, weaving.


Belts for folk costume
Russia. Late 19th - early 20th centuries
Woolen, linen, silk threads; weaving, knitting, weaving. 272x3.2 cm, 200x3.6 cm


Girl's costume: paneva, shirt, "top", belt, gaitan, "bundle"
Tula province. Late 19th - early 20th century
Woolen, linen fabric, linen, calico, chintz, galloon, fringe, woolen thread; weaving, embroidery, weaving.


Breast decoration: chain
Southern provinces. Second half of the 19th century Beads, linen thread; weaving.


Festive girl's costume: sundress, shirt
northern provinces. Early 19th century
Taffeta, muslin, silver, metal thread; embroidery.


Costume "mother": sundress, shower warmer, beads
Saint Petersburg. Late 19th - early 20th centuries
Silk, metallic thread, fringe, agramant, imitation pearls;


Festive girl's costume: sundress, "sleeves", headband, necklace
Upper Volga. Second half of the 18th century
Damask, chintz, brocade, mother-of-pearl, pearls, galloon, braided lace; embroidery, threading.


Women's festive costume: sundress, shirt, kokoshnik, scarf
Upper Volga. 19th century
Silk, brocade, muslin, metal and cotton threads, galloon, beads; weaving, embroidery.


Women's festive costume: sundress, body warmer, kokoshnik "head", scarf
Tver province Second half of the 19th century
Damask, silk, brocade, velvet, fringe, metal thread, mother-of-pearl, beads; weaving, embroidery


Girl's headdress: crown
Arkhangelsk province. Second half of the 19th century
Canvas, glass beads, beads, galloon, cord, metal; embroidery. 35x24 cm


Girl's headdress "Lenka"
Russia. 19th century Fabric, gold thread;; embroidery.


Girl's headdress: crown
Kostroma province Early 19th century
Canvas, cord, copper, foil, mother-of-pearl, glass, sequins, linen thread; weaving, embroidery. 28x33 cm


Girl's headdress: crown
Northwest region. First half of the 19th century
Canvas, cord, rhinestones, river pearls; embroidery. 13x52 cm


Girl's headdress: Koruna
Vologda province. Second half of the 19th century
Canvas, galloon, cord, foil, beads, rigmarole, satin, red lace, heel; embroidery. 36x15 cm



Arkhangelsk province. Second half of the 19th century
Galloon, calico, silver thread, fringe, imitation pearls; embroidery. 92x21.5 cm


Girl's headdress: headband
Upper Volga. First half of the 19th century
Brocade, foil, pearls, turquoise, glass; embroidery, threading. 28x97.5 cm



Upper Volga region. 19th century.
Velvet, chintz, braid, metal thread; embroidery. 14x24 cm


Women's headdress: kokoshnik
Central provinces. 19th century
Brocade, galloon, mother-of-pearl, imitation pearls, glass; embroidery. 40x40 cm


Women's headdress: kokoshnik
Kostroma province. Late 18th - early 19th century
Velvet, canvas, cotton fabric, galloon, pearls, glass, metal thread; embroidery. 32x17x12 cm


Women's headdress: kokoshnik
Pskov province. Second half of the 19th century
Brocade, white beads, canvas; embroidery. 27x26 cm


Women's headdress: kokoshnik "head"
Tver province. 19th century
Velvet, mother-of-pearl, beads, metal thread; weaving, embroidery. 15x20 cm


Women's headdress: warrior
Ryazan province. Early 20th century
Chintz, canvas, metallic sequins, beads; embroidery. 20x22 cm


Women's headdress: nape
Southern provinces. 19th century
Kumach, canvas, cotton fabric, metal thread, beads, threads; embroidery, threading. 31.5x52 cm


Women's headdress: a collection
northern provinces. Second half of the 19th century
Canvas, calico, chintz, gilded metal thread, glass, beads; embroidery. 23x17.7 cm


Women's headdress: magpie
Voronezh province. Late 19th - early 20th centuries
Canvas, velvet, satin, chintz, woolen, metallic threads, sequins, galloon; embroidery.



Silk, metal thread, beat; embroidery. 160x77 cm


Scarf "head"
Nizhny Novgorod province. Second half of the 19th century
Taffeta, metallic thread, cotton fabric; embroidery. 133x66 cm


Wallet. Late 18th century
Silk, metallic thread, heel; embroidery. 11x8 cm


Purse in the shape of a jug
Russia. Second third of the 19th century
Silk, cotton thread, beads, copper; Crochet. 12x6.7 cm


Necklace
Russia. Second half of the 19th century
Beads, glass beads, linen thread, silk braid; weaving. 52x2 cm


Earrings. Russia. Second half of the 19th century
Pearls, glass, copper, horsehair; weaving, cutting, stamping. 7.8x4.1 cm


Earrings and necklace. Russia. Late 18th - early 19th centuries
Linen thread, mother of pearl, glass beads, pearls, copper; weaving


Breast decoration: "mushroom"
Voronezh province. Late 19th - early 20th centuries
Woolen, metal threads, sequins, glass beads; lowering. Length 130 cm


Apron for women's festive costume
Tula province. Second half of the 19th century
Linen, lace, linen and cotton threads; embroidery, weaving. 121x105 cm


head scarf
Russia. Second half of the 19th century silk thread; weaving. 100x100 cm


Head scarf Russia. 19th century Chintz; seal. 131x123 cm


Shawl Moscow province Russia. 1860 -1880s
Silk; weaving. 170x170 cm


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