Belly dance training, individual lessons, dance staging, performances, participation in festivals, show program. Oriental wind and keyboard instruments Video: tabla music

Many may ask, why should dancers study musical instruments? Yes, and what instruments - Arabic! In fact, there is an answer, and it is quite simple. It is unlikely that anyone will be able to dance without music, but in order to get a dance to music, you must be able to feel and understand it. After all, it is precisely by feeling it, like the Arab musical instruments, you can express all your emotions in the process of dancing.

Oriental music is peculiar and really exciting. If there is knowledge about what instruments it is produced with, it will be possible to understand how to beat it in the process of dancing.

Types of Arabic musical instruments

In Egypt and other countries of the East, the most common instrument is the Tabla. This is a drum that in many ways resembles a doomback.

Tabla, which is used specifically in Egypt, is often made of ceramic and covered with hand-painted. As for the size of the tool, they can be different. The length of the tabla can vary in size from 30 to 40 cm, and in diameter from 20 to 35 cm. Different skins are also used, if the drum is expensive, then fish skin is used, if the drum is cheap, then goat skin is used.

It is necessary to emphasize that only natural tabla is made of ceramics. As for fakes, such as darbuka, it is often made of metal and has a plastic membrane for better sound.

The instrument is played with two types of strokes. The first blow is doom, it is the heaviest and is applied in the center of the instrument. The second hit is tech, it's softer and comes at the rim.

All songs in which belly dance is performed are played using the tabla, since it has the ability to set the rhythm. It should be noted that some experienced dancers often perform a solo called "tablo-solo", which is performed only to the drum. In addition to the fact that in this performance, Arabic musical instruments set the rhythm, they can also correctly fill the melody with accents, depending on the movements of the dancer.

Frame drums, DEF and RIK are also popular in Egypt.

1. DEF is a frame drum that is used to sound bass when creating a melody.
2. RICK is not big drum, which is somewhat similar to a tambourine. By the way, in oriental music it is used quite often, both in classical sound and in modern styles. It is also often used as an accessory for belly dancing. It is often a drum with a diameter of 17 cm and a rim depth of 5 cm. This rim contains cymbals, 5 pieces, which create an interesting additional sound. Because of these plates, the instrument can be quite heavy.

DOHOL is another instrument often used in Egypt. This is a drum, like all the predecessors described above. It is a hollow body meter in diameter and 30 cm in height. The cylinder is covered on both sides with leather, which is stretched almost to the limit. The instrument is played in two ways. Or with the help of hands, or with the help of two sticks. One such stick looks like a cane, the other looks like a rod.

SAGATS are small little cymbals that make sounds when they are put on the fingers. The instrument is often used when the dancer shows his solo dance and independently accompanies himself in order to surprise the audience. Only two pairs of sagata are used, which are made of brass. Put them on the middle and thumb. For sagata dancers have minimum size, for musicians, they are created a little large.

In general, sagats are probably one of the instruments that was created quite a long time ago and has a whole history. In general, I would like to note that in almost every country there are analogues of the instrument.

But still, the sagats appeared much earlier, the dancers accompanied themselves with them during the reign of the Ghazi. Concerning modern world, then the instrument is only used in classic playbacks.

Despite the fact that a truly large number of musical instruments have already been named, the East is so diverse that it is almost impossible to mention everything. After all, in addition to such unusual instruments that belong only to this part of the world, musical instruments often use the instruments familiar to us:

• guitar,
• saxophone and even violin.

If we delve even more deeply into the existence and history of Arabic music, it should be noted that there is also an oriental wind instrument, but it is used quite rarely.

TAR is stringed instrument who is held in high esteem. It has 6 strings and is made of wood, while the more qualitatively the wood is dried, the better the sound is.

Video: tabla music

Dutar. Du - two. Tar - string. An instrument with forged frets and two vein strings. Do you think the fewer strings the easier it is to play?

Well, then listen to one of the the best craftsmen playing the dutar - Abdurakhim Khaita, Uighur from Xinjiang, China.
There is also a Turkmen dutar. The strings and frets of the Turkmen dutar are metal, the body is hollowed out of a single piece of wood, the sound is very bright, sonorous. The Turkmen dutar has been one of my favorite instruments over the past three years, and the dutar shown in the photo was brought to me from Tashkent quite recently. Amazing tool!

Azerbaijani saz. The nine strings are divided into three groups, each of which is tuned in unison. A similar instrument in Turkey is called baglama.

Be sure to listen to how this instrument sounds in the hands of a master. If you have little time, then watch at least starting at 2:30.
From saz and baglama came the Greek instrument bouzouki and its Irish version.

Oud or al-ud, if you call this instrument in Arabic. It is from the Arabic name of this instrument that the name of the European lute originated. Al-ud - lute, lute - do you hear? The usual oud has no frets - the frets on this specimen from my collection appeared on my initiative.

Listen to how a master from Morocco plays the oud.

From the Chinese two-stringed erhu violin with a simple resonator body and a small leather membrane, the Central Asian gidjak originated, which in the Caucasus and Turkey was called kemancha.

Listen to how the kemancha sounds when Imamyar Khasanov plays it.

The rubab has five strings. The first four of them are doubled, each pair is tuned in unison, and the bass string is one. The long neck has frets in accordance with the chromatic scale for almost two octaves and a small resonator with a leather membrane. What do you think the downward curved horns coming from the neck towards the instrument mean? Does its shape remind you of a sheep's head? But okay form - what a sound! You should have heard the sound of this instrument! It vibrates and trembles even with its massive neck, it fills all the space around with its sound.

Listen to the sound of the Kashgar rubab. But my rubab sounds better, honestly.

The Iranian tar has a double hollowed-out body made from a single piece of wood and a membrane made from fine fish skin. Six paired strings: two steel strings, followed by a combination of steel and thin copper, and the next pair is tuned to an octave - a thick copper string is tuned an octave below the thin steel. The Iranian tar has forced frets made of veins.

Listen to how the Iranian tar sounds.
The Iranian tar is the ancestor of several instruments. One of them is an Indian setar (se - three, tar - string), and I will talk about the other two below.

Azerbaijani tar has not six, but eleven strings. Six of the same as the Iranian tar, an additional bass string and four unplayed strings that resonate when played, adding echoes to the sound and making the sound last longer. Tar and kemancha are perhaps the two main instruments of Azerbaijani music.

Listen for a few minutes, starting at 10:30 or at least starting at 13:50. You have never heard such a thing and could not imagine that such a performance is possible on this instrument. This is played by the brother of Imamyar Khasanov - Rufat.

There is a hypothesis that the tar is the ancestor of the modern European guitar.

Recently, when I talked about the electric cauldron, they reproached me - they say, I take out the soul from the cauldron. Probably, about the same thing was said to a person who, 90 years ago, guessed to put a pickup on an acoustic guitar. About thirty years later, the best examples of electric guitars were created, which remain the standard until today. A decade later, the Beatles appeared, Rolling Stones followed by Pink Floyd.
And all this progress did not interfere with the manufacturers. acoustic guitars and classical guitar players.

But musical instruments did not always spread from east to west. For example, the accordion has become unusually popular instrument in Azerbaijan in the 19th century, when the first German settlers appeared there.

My accordion was made by the same master who made instruments for Aftandil Israfilov. Hear what this instrument sounds like.

The world of oriental musical instruments is large and diverse. I haven't even shown you a part of my collection, which is far from complete. But I must tell you about two more instruments.
A pipe with a bell at the top is called a zurna. And the instrument under it is called duduk or balaban.

Celebrations and weddings begin with the sounds of the zurna in the Caucasus, Turkey and Iran.

Here is what a similar instrument looks like in Uzbekistan.

In Uzbekistan and Tajikistan, zurna is called surnay. IN Central Asia and Iran, the lingering sounds of another instrument, the karnay, are necessarily added to the sounds of the surnah and tambourines. Karnay-surnay is a stable phrase denoting the beginning of the holiday.

Interestingly, an instrument related to karnay exists in the Carpathians, and its name is familiar to many - trembita.

And the second pipe, shown in my photo, is called balaban or duduk. In Turkey and Iran, this instrument is also called mey.

Listen to how Alikhan Samedov plays the balaban.

We will return to the balaban, but for now I want to talk about what I saw in Beijing.
As far as you understand, I collect musical instruments. And as soon as I had a free moment during my trip to Beijing, I immediately went to the musical instrument store. What I bought myself in this store, I will tell you another time. And now that I did not buy and what I regret terribly.
In the window there was a pipe with a bell, the design exactly resembling a zurna.
- How does is called? I asked through an interpreter.
- Sona, - they answered me.
- How similar to "sorna - surnay - zurna" - I thought aloud. And the translator confirmed my guess:
- The Chinese do not pronounce the letter r in the middle of a word.

You can read more about the Chinese variety of zurna
But, you know, zurna and balaban go hand in hand. Their design has a lot in common - maybe that's why. And what do you think? Next to the sona instrument was another instrument - the guan or guanji. Here's what it looked like:

Here's what it looks like. Guys, comrades, gentlemen, but this is the duduk!
And when did he get there? In the eighth century. Therefore, it can be assumed that it came from China - the timing and geography coincide.
So far, it is only documented that this tool spread to the east from Xinjiang. Well, how do they play this instrument in modern Xinjiang?

Watch and listen from the 18th second! Just listen to what a luxurious sound the Uighur balaman has - yes, here it is called exactly the same as in the Azerbaijani language (there is such a pronunciation of the name).

And let's eat Additional information in independent sources, for example, in the Iranian encyclopedia:
BALABAN
CH. ALBRIGHT
a cylindrical-bore, double-reed wind instrument about 35 cm long with seven finger holes and one thumb hole, played in eastern Azerbaijan in Iran and in the Republic of Azerbaijan.

Or does Iranika sympathize with the Azerbaijanis? Well, the TSB also says that the word duduk is of Turkic origin.
Azerbaijanis and Uzbeks bribed the compilers?
Well, well, you definitely won’t suspect the Bulgarians of sympathy for the Turks!
on a very serious Bulgarian site for the word duduk:
duduk, dudyuk; duduk, dudyuk (from the Turkish düdük), squeaker, svorche, glasnik, additional - Naroden darven is a musical instrument of the aerophonite type, half-closing pipes.
Again they point to the Turkish origin of the word and call it their folk instrument.
This tool is widespread, as it turned out, mainly among the Turkic peoples, or among the peoples who had contact with the Turks. And every nation reasonably considers it to be its folk, national instrument. But only one takes credit for its creation.

After all, only the lazy did not hear that "duduk is an ancient armenian instrument". At the same time, they hint that the duduk was created three thousand years ago - that is, in an unprovable past. But the facts and elementary logic show that this is not so.

Go back to the beginning of this article and take another look at musical instruments. Almost all of these instruments are played in Armenia too. But it is quite clear that all these tools appeared in much more numerous nations with a clear and understandable history, among which the Armenians lived. Imagine a small people living in dispersion among other peoples with their own states and empires. Will such a people create a complete set of musical instruments for an entire orchestra?
Frankly, I also thought: “Okay, those were big and complex instruments, let’s leave them aside. But at least the Armenians could come up with a pipe?” And it turns out that no, they didn't. If they came up with it, then this pipe would have a purely Armenian name, and not the poetic and metaphorical tsiranopokh (the soul of an apricot tree), but something simpler, more popular, with one root, or completely onomatopoeic. So far, all sources point to the Turkic etymology of the name of this musical instrument, and the geography and dates of distribution show that the duduk began its distribution from Central Asia.
Well, let's make one more assumption and say that the duduk came to Xinjiang from ancient Armenia. But how? Who brought him there? What peoples migrated from the Caucasus to Central Asia at the turn of the first millennium? There are no such nations! But the Turks were constantly moving from Central Asia to the west. They could well spread this tool in the Caucasus, and on the territory of modern Turkey and even in Bulgaria, as the documents indicate.

I foresee one more argument of the defenders of the version of the Armenian origin of the duduk. Like, a real duduk is made only from an apricot tree, which in Latin is called Prúnus armeniáca. But, firstly, apricots in Central Asia are no less common than in the Caucasus. The Latin name does not indicate that this tree has spread throughout the world from the area bearing geographical name Armenia. Just from there it penetrated into Europe and was described by botanists about three hundred years ago. On the contrary, there is a version that the apricot spread from the Tien Shan, part of which is in China, and part in Central Asia. Secondly, the experience of very talented peoples shows that this instrument can even be made from bamboo. And my favorite balaban is made from mulberry and sounds much better than apricot ones, which I also have and are made just in Armenia.

Listen to how I learned to play this instrument in a couple of years. Participated in the recording National artist Turkmen Gasan Mammadov (violin) and People's Artist of Ukraine, my countryman from Fergana, Enver Izmailov (guitar).

With all this, I want to pay tribute to the great Armenian duduk performer Jivan Gasparyan. It was this man who made the duduk an instrument known throughout the world, thanks to his work a wonderful school of playing the duduk arose in Armenia.
But talkin' Armenian duduk" is valid only about specific instruments if they are made in Armenia, or about the type of music that arose thanks to J. Gasparyan. Indicate Armenian origin duduk can only those people who allow themselves unsubstantiated assertions.

Please note that I myself do not indicate either the exact place or the exact time of the appearance of the duduk. Probably, it is already impossible to establish and the prototype of the duduk is older than any of the living peoples. But I am building my hypothesis about the spread of the duduk, based on facts and elementary logic. If someone wishes to object to me, then I want to ask in advance: please, when building hypotheses, in the same way, rely on provable and verified facts from independent sources, do not shy away from logic and try to find another intelligible explanation for the facts listed.

In the Arabic orchestra, percussion instruments are responsible for the rhythm, and the melody and additional ornament are at the mercy of strings, wind and keyboard instruments. Stringed instruments include the udd, qanun, and rebab.

UDD - string plucked instrument, which is the Arabic version of the lute.

Oud. consists of three parts: a pear-shaped body, usually made of pear, walnut or sandal wood, a fretless neck and a head with pegs for tuning the strings. The material of the strings is silk threads, lamb intestines or a special nylon.
The number of strings can vary from 2 to 6, but the 4-string version is considered a classic. The 6th bass string for udd was added already in the 20th century, and we owe this to the Syrian composer Farid al Atrash. Udd is also characterized by the presence of paired strings.
To play the udd, it is placed horizontally with the body on the right knee. The right hand presses the udd to the chest and plays the strings with the help of the pektr. The left hand at this moment holds the udd by the neck.

Kanun is a stringed plucked instrument, a relative of the harp. Kanun is a trapezoidal box on which the strings are stretched. The material of the box is hardwood. The upper part of the kanun is wooden and the rest is covered with fish skin.
The leather-covered part contains 3 resonator holes and 4 string rests. The strings are attached at one end to the holes on the body of the instrument, pass over the stands, and at their other end are fixed to the shelves. At the shelves under the strings are "lings" (iron levers), with the help of which the pitch changes by half a tone. On the eve there are 26 silk strings or strings from mutton intestine.
To perform kanun horizontally and play the strings with metal tips worn on the fingers

REBAB is an Egyptian string bowed instrument with one or two, and the Turkish version with three strings. The body of the rebab is almost completely round and has a round resonant hole on the soundboard. There are also flat cases, heart-shaped or trapezoidal. The tool has a long round and pointed neck with 2 long transverse pegs. At the bottom of the case is a metal leg. In the past, horsehair was used as a material for strings, but later metal strings began to be used.
When playing, the instrument rests on the left knee and the sound is extracted with an arcuate bow, on which a lamb intestine is stretched, but sometimes it was also played with the help of plucks

You may, of course, ask why we should study arabic musical instruments, if we are not musicians, but dancers, but it's better not to ask :) Because music has the most direct relation to us - after all, we dance to the music, and it is this that we must feel and express with our dance. Theoretical knowledge about the instruments that are used in oriental melodies will help us to perceive what we hear even more deeply, and to beat it with movements more competently and interestingly.

Egypt also has frame drums RIC (tambourine) and DEF.

RIC - a small frame drum that looks like a tambourine. It can be heard in classical, pop and dance oriental music. Also used as a As a rule, the rik is 17 cm in diameter, and the depth of the rim is 5 cm. The outer side of the rim is inlaid with mother-of-pearl, just like in the classical Egyptian tabla. Five pairs of copper plates are installed in the rim, creating an additional ringing. Therefore, ricks are often quite heavy in weight.

DEF – a large-diameter frame drum without metal cymbals on the rim, used for bass rhythmic accompaniment.

There is also a big drum DOHOL - a percussion musical instrument consisting of a hollow cylindrical body, about 1 m in diameter and 25-30 cm high. Both ends of the cylinder are covered with highly stretched skin. On dohol they extract the sound either, or with two sticks, one of which looks like a cane, and the other looks like a thin rod.

Sometimes you can see how belly dancer during the performance, she accompanies herself with small metal cymbals, dressed on her fingers - this SAGATS. These are two pairs of plates, usually made of brass, worn on the middle and thumb of each hand, for dancers - small, for musicians - more.
Sagata - this is a very ancient musical instrument that has analogues in many countries (Russia - spoons, Spain - castanets). IN Arabic dances they were often part of musical accompaniment dancers since the Gavezi. Now in oriental dances sagats used in folklore and classical performance (rax sharki, beledi).

SISTR - a musical instrument from the category of percussion (castanets); Ancient Egyptian temple rattle. It consists of a metal plate in the form of an oblong horseshoe or bracket, to the narrower part of which a handle is attached. Through small holes made on the sides of this horseshoe, metal rods of various sizes were threaded, the ends of which were bent with a hook. Plates or bells put on hooks of metal rods tinkled or rattled when shaken.

Well, now after such loud and percussion instruments let's move on to more melodic :)

EVE - This harp-like stringed musical instrument. It is placed horizontally and played with the help of metal tips put on the fingers. It's pretty hard to play. And when they hear eve in the composition, and as a rule it sounds in a certain part by itself, solo, they use various combinations of shaking in their improvisation.

UDD It is a fretless plucked lute with a short neck, shaped like half a pear. Super popular in Egyptian and Turkish music for many hundreds of years, oud is also common in North Africa, in the Middle East, in Central Asia and the Sahara.

MISMAR - wind musical instrument. It has two reeds and two pipes of the same length. Mizmar belongs to the world folk music and is most commonly heard in Eastern folklore, especially in saidi.

NAY It is a flute that is open on both sides. She happens different sizes and is traditionally made from cane or bamboo. However, nowadays plastic or even metal is used instead of traditional materials. The structure and use of this tool deceives with its simplicity: most often nay has one finger hole at the bottom and six at the top, and the musician simply blows into the tube. Thanks to a special technique, a musician can play within more than three octaves. Basic tone nay depends on the length of the tube.

RABABA - a stringed bowed instrument of Arabic origin, with an almost round body and a small round hole for resonance on the soundboard. It usually has one or two strings. Often used in Gulf music.

"RABABA"

Delving into the world of musical instruments of the Persian Gulf countries, it is also impossible not to talk about TAR - the most important instrument of the classical musical tradition Iran. Tar - a stringed instrument played with a metal plectrum, a mezrab, inserted into a ball of wax. In past Iranian tar had five strings, but six strings are currently made. Most often a resonator (deck) container carved from seasoned mulberry wood. The older and drier the wood gets, the better the instrument will sound. The frets are usually made from some type of sheep intestine, and the neck and head container - walnut. The shape of the instrument's resonator is like two hearts put together, with reverse side he looks like a seated person. The stand for strings, called "donkey", is made from the horn of a mountain goat. Camel bone is used on both sides of the front of the neck.

"TAR"

DUTAR (translated from Persian as "two strings") is an Iranian stringed plucked instrument which, as its name suggests, has two strings. When playing this instrument, they usually use not a plectrum, but a fingernail. Dutar It has a pear-shaped body and a rather long neck (about 60 cm). The pear-shaped part of the dutar is made of black mulberry wood, and its neck is made of apricot wood or walnut wood.

"DUTAR"

Similar to the previous tool, SETAR (from Persian “three strings”) is an Iranian stringed plucked instrument, which is usually played not with a plectrum, but with a fingernail. In past setar had three strings, now it has four (the third and fourth strings are close to each other, they are touched simultaneously when playing, as a result of which they are usually “combined”, called the bass string).

"SETAR"

Having named quite a few arabic musical instruments, I want to say that this is not all :) East large, and in almost every country, every region has its own characteristic national instruments. But with the main ones, with whom we often meet, dancing our favorite Eastern dance, we may have introduced you. Also, in addition to truly oriental instruments, in songs for belly dance we can often hear sounds that are more familiar to us accordion, synthesizer, violin, trumpet, saxophone, guitar and even organ.

Each musical instrument has its own character, its own personality and its own charm. We wish you a pleasant listening and acquaintance with them, and further fruitful creative collaboration in belly dancing :)

We have already talked about stringed and percussion oriental instruments and now we will focus on wind and keyboards:

ACCORDION - reed keyboard-pneumatic musical instrument. On the right keyboard is a full chromatic scale, and on the left bass or chord accompaniment.

In the 19th century, the accordion familiar to us joined the Arabic orchestra. Of course, it had to be finalized, adding the ability to play a quarter tone, familiar to Arabic music. Now an improvisational game in taksim is being performed on the accordion.

Ney is a wind instrument that is a relative of the flute.
It is made from reeds. There are 5 holes on the front side and one on the back, as well as a thin copper tube worn on the head of the instrument.
To play it, the copper head is clamped between the front upper and lower teeth. The air is blown up with the help of the tongue and lips, and the right and left hand The musician adjusted the pitch by opening and closing a hole on the instrument

MISMAR is an Arabic wind instrument from the zurna family. It has a double tongue and a special mouthpiece for lip support. They give a special character and define a sound that is sharper than that of the oboe. There is no direct contact with the reed, so the sound of the instrument is not very flexible.