Weimar period of creativity. Bach's life - from Weimar to Leipzig What works did Bach write in ketene

Johann Sebastian Bach is a German composer and musician of the Baroque era, who collected and combined in his work the traditions and the most significant achievements of European musical art, and also enriched all this with a virtuoso use of counterpoint and a subtle sense of perfect harmony. Bach is greatest classic, who left a huge legacy that has become the golden fund of world culture. This is a universal musician, in his work he covered almost all famous genres. Creating immortal masterpieces, he turned each measure of his compositions into small works, then combining them into priceless creations of exceptional beauty and expressiveness, perfect in form, which vividly displayed the diverse spiritual world person.

Brief biography of Johann Sebastian Bach and many interesting facts read about the composer on our page.

Brief biography of Bach

Johann Sebastian Bach was born in the German town of Eisenach in the fifth generation of a family of musicians on March 21, 1685. It should be noted that musical dynasties were quite common at that time in Germany, and talented parents sought to develop appropriate talents in their children. The boy's father, Johann Ambrosius, was an organist in the Eisenach church and court accompanist. Obviously, it was he who gave the first lessons in playing the violin And harpsichord little son.


From the biography of Bach, we learn that at the age of 10 the boy lost his parents, but was not left without a roof over his head, because he was the eighth and youngest child in the family. Ohrdruf's respected organist Johann Christoph Bach, Johann Sebastian's older brother, took care of the little orphan. Among his other students, Johann Christoph taught his brother to play the clavier, but the manuscripts contemporary composers a strict teacher securely hidden under lock and key so as not to spoil the taste young performers. However, the castle did not prevent little Bach from getting acquainted with forbidden works.


Lüneburg

At the age of 15, Bach entered the prestigious Lüneburg school of church choristers, which was located at the church of St. Michael, and at the same time, thanks to his beautiful voice, young Bach was able to earn some money in the church choir. In addition, in Lüneburg, the young man met Georg Böhm, a famous organist, communication with whom had an impact on early work composer. And also repeatedly traveled to Hamburg to listen to the game the largest representative German organ school A. Reinken. The first works by Bach for clavier and organ belong to the same period. After successfully completing school, Johann Sebastian receives the right to enter the university, but due to a lack Money he was unable to continue his education.

Weimar and Arnstadt


My labor activity Johann began in Weimar, where he was accepted into the court chapel of Duke Johann Ernst of Saxony as a violinist. However, this did not last long, as such work did not satisfy the creative impulses of the young musician. Bach in 1703, without hesitation, agrees to move to the city of Arnstadt, where he was in the church of St. Boniface was initially offered the post of superintendent of the organ, and later the post of organist. Good pay, only three days a week, nice upgraded tool set to latest system, all this created conditions for the expansion creative possibilities musician not only as a performer, but also as a composer.

During this period, he created a large number of organ works, as well as capriccios, cantatas and suites. Here Johann becomes a true organ expert and a brilliant virtuoso, whose playing aroused unbridled delight among the listeners. It is in Arnstadt that his gift for improvisation is revealed, which the church leadership did not like very much. Bach always strived for perfection and did not miss the opportunity to get acquainted with famous musicians, for example, with the organist Dietrich Buxtehude, who served in the city of Lübeck. After receiving a four-week vacation, Bach went to listen to the great musician, whose playing impressed Johann so much that, forgetting about his duties, he stayed in Lübeck for four months. Upon returning to Arndstadt, the indignant leadership gave Bach a humiliating trial, after which he had to leave the city and look for a new job.

Mühlhausen

The next city on life path Bach was Mühlhausen. Here in 1706 he won a competition for the position of organist in the church of St. Vlasia. He was accepted with a good salary, but also with a certain condition: musical accompaniment chorales should be strict, without any kind of "decorations". The city authorities later treated the new organist with respect: they approved the plan for the reconstruction of the church organ, and also paid a good reward for the festive cantata “The Lord is my Tsar” composed by Bach, which was dedicated to the inauguration ceremony of the new consul. Bach's stay in Mühlhausen was marked by happy event: He married his beloved cousin Maria Barbara, who subsequently gave him seven children.


Weimar


In 1708, Duke Ernst of Saxe-Weimar heard the magnificent game of the Mühlhausen organist. Impressed by what he heard, the noble nobleman immediately offered Bach the positions of court musician and city organist with a salary much higher than before. Johann Sebastian began Weimar period, which is characterized as one of the most fruitful in creative life composer. At this time, he created a large number of compositions for clavier and organ, including a collection of choral preludes, Passacaglia in c-moll, the famous " Toccata and Fugue in d-moll ”, “Fantasy and Fugue C-dur” and many others greatest works. It should also be noted that the composition of more than two dozen spiritual cantatas also belongs to this period. Such effectiveness in Bach's composing work was associated with his appointment in 1714 as vice-kapellmeister, whose duties included regular monthly updating of church music.

At the same time, Johann Sebastian's contemporaries admired him more performing arts, and he constantly heard remarks of admiration for his game. The fame of Bach as a virtuoso musician quickly spread not only in Weimar, but also beyond. Once the Dresden royal Kapellmeister invited him to compete with the famous French musician L. Marchand. However, the musical competition did not work out, since the Frenchman, having heard Bach play at a preliminary audition, secretly, without warning, left Dresden. In 1717, the Weimar period in Bach's life came to an end. Johann Sebastian dreamed of getting the place of bandmaster, but when this place became vacant, the duke offered him to another, very young and inexperienced musician. Bach, considering this an insult, asked for his immediate resignation, and for this he was arrested for four weeks.


Köthen

According to Bach's biography, in 1717 he left Weimar to get a job in Köthen as a court bandmaster to Prince Leopold Anhalt of Köthen. In Köthen, Bach had to write secular music, since, as a result of the reforms, only psalms were performed in the church. Here Bach occupied an exceptional position: as a court conductor he was well paid, the prince treated him like a friend, and the composer repaid this with excellent compositions. In Köthen, the musician had many students, and for their education he compiled “ Well-Tempered Clavier". These are the 48 preludes and fugues that made Bach famous as a master clavier music. When the prince married, the young princess showed dislike for both Bach and his music. Johann Sebastian had to look for another job.

Leipzig

In Leipzig, where Bach moved in 1723, he reached the pinnacle of his career ladder: he was appointed cantor in the church of St. Thomas and musical director of all churches in the city. Bach was engaged in the education and preparation of church choir performers, the selection of music, the organization and holding of concerts in the main temples of the city. Heading the Music College since 1729, Bach began to arrange 8 two-hour concerts secular music a month in a Zimmerman's coffee shop, adapted for orchestral performances. Having received an appointment as court composer, Bach handed over the leadership of the College of Music to his former student Karl Gerlach in 1737. In recent years, Bach often reworked his early works. In 1749 he graduated from the High Mass in B minor, some parts of which were written by him 25 years ago. The composer died in 1750 while working on The Art of Fugue.



Interesting facts about Bach

  • Bach was a recognized organ specialist. He was invited to check and tune instruments in various temples in Weimar, where he lived for quite some time. Each time impressing clients with the amazing improvisations he played to hear what the instrument in need of his work sounded like.
  • Johann was bored during the service to perform monotonous chorales, and without restraining his creative impulse, he impromptu inserted into the established church music their small decorating variations, which caused great dissatisfaction with the authorities.
  • Better known for his religious works, Bach also excelled in composing secular music, as evidenced by his Coffee Cantata. Bach presented this work full of humor as a small comic opera. Originally titled "Schweigt stille, plaudert nicht" ("Shut up, stop talking"), it describes the lyrical hero's addiction to coffee, and, not coincidentally, this cantata was first performed in the Leipzig coffee house.
  • At the age of 18, Bach really wanted to get a place as an organist in Lübeck, which at that time belonged to the famous Dietrich Buxtehude. Another contender for this position was G. Handel. The main condition for taking this position was marriage to one of Buxtehude's daughters, but neither Bach nor Handel dared to sacrifice themselves like that.
  • Johann Sebastian Bach really liked to dress up as a poor teacher and in this form visit small churches, where he asked the local organist to play the organ a little. Some parishioners, hearing an unusually beautiful performance for them, frightenedly left the service, thinking that they had in the temple in the form strange person the devil himself appeared.


  • The Russian envoy in Saxony, Hermann von Keyserling, asked Bach to write a piece to which he could quickly fall into a sound sleep. This is how the Goldberg Variations appeared, for which the composer received a golden cube filled with a hundred louis. These variations are still one of the best "sleeping pills" to this day.
  • Johann Sebastian was known to his contemporaries not only as outstanding composer and a virtuoso performer, as well as a person of a very difficult character, intolerant of the mistakes of others. There is a case when a bassoonist, publicly insulted by Bach for an imperfect performance, attacked Johann. A real duel took place, as both were armed with daggers.
  • Bach, who was fond of numerology, liked to weave the numbers 14 and 41 into his musical works, because these numbers corresponded to the first letters of the composer's name. By the way, Bach also liked to play with his surname in his compositions: the musical decoding of the word “Bach” forms a drawing of a cross. It is this symbol that is the most important for Bach, who considers non-random similar coincidences.

  • Thanks to Johann Sebastian Bach, not only men sing in church choirs today. The first woman who sang in the temple was the wife of the composer Anna Magdalena, who has a beautiful voice.
  • In the middle of the 19th century, German musicologists founded the first Bach Society, whose main task was to publish the composer's works. At the beginning of the twentieth century, the society dissolved itself and the complete works of Bach were published only in the second half of the twentieth century at the initiative of the Bach Institute, established in 1950. In the world today there are a total of two hundred and twenty-two Bach societies, Bach orchestras and Bach choirs.
  • Researchers of Bach's work suggest that the great maestro composed 11,200 works, although the legacy known to posterity includes only 1,200 compositions.
  • To date, there are more than fifty-three thousand books and various publications about Bach on different languages, published about seven thousand complete biographies of the composer.
  • In 1950, W. Schmider compiled a numbered catalog of Bach's works (BWV– Bach Werke Verzeichnis). This catalog has been updated several times as the data on the authorship of certain works has been clarified, and, unlike the traditional chronological principles for classifying the works of other famous composers, this catalog is built on the thematic principle. Works with close numbers belong to the same genre, and were not written at all in the same years.
  • Bach's works: "Brandenburg Concerto No. 2", "Gavotte in the form of a rondo" and "HTK" were recorded on the Golden Record and launched from Earth in 1977, attached to the Voyager spacecraft.


  • Everyone knows that Beethoven suffered from hearing loss, but few people know that Bach went blind in his later years. Actually, the unsuccessful operation on the eyes, performed by the charlatan surgeon John Taylor, caused the death of the composer in 1750.
  • Johann Sebastian Bach was buried near the Church of St. Thomas. Some time later, a road was laid through the territory of the cemetery and the grave was lost. At the end of the 19th century, during the reconstruction of the church, the remains of the composer were found and reburied. After World War II, in 1949, Bach's relics were transferred to the church building. However, due to the fact that the grave changed its place several times, skeptics doubt that the ashes of Johann Sebastian are in the burial.
  • To date, 150 postage stamps, dedicated to Johann Sebastian Bach, 90 of them published in Germany.
  • Johann Sebastian Bach, the great musical genius, is treated with great reverence all over the world, monuments to him are erected in many countries, only in Germany there are 12 monuments. One of them is located in Dornheim near Arnstadt and is dedicated to the wedding of Johann Sebastian and Maria Barbara.

Family of Johann Sebastian Bach

Johann Sebastian belonged to the largest German musical dynasty, whose pedigree is usually counted from Veit Bach, a simple baker, but very fond of music and perfectly performing folk melodies on his favorite instrument - the zither. This passion from the founder of the family was passed on to his descendants, many of them became professional musicians: composers, cantors, bandmasters, as well as a variety of instrumentalists. They settled not only in Germany, some even went abroad. Within two hundred years, there were so many Bach musicians that any person whose occupation was connected with music began to be named after them. The most famous ancestors of Johann Sebastian whose works have come down to us were: Johannes, Heinrich, Johann Christoph, Johann Bernhard, Johann Michael and Johann Nikolaus. Johann Sebastian's father, Johann Ambrosius Bach, was also a musician and served as organist in Eisenach, the city where Bach was born.


Johann Sebastian himself was the father of a large family: from two wives he had twenty children. He first married his beloved cousin Maria Barbara, daughter of Johann Michael Bach, in 1707. Maria bore Johann Sebastian seven children, three of whom died in infancy. Maria herself also lived not long life, she died at the age of 36, leaving Bach four young children. Bach was very upset by the loss of his wife, but a year later he again fell in love with the young girl Anna Magdalena Wilken, whom he met at the court of the Duke of Anhalt-Keten and proposed to her. Despite the big difference in age, the girl agreed and it is obvious that this marriage was very successful, since Anna Magdalena gave Bach thirteen children. The girl did an excellent job with the housework, cared for the children, sincerely rejoiced at the success of her husband and provided great assistance in the work, rewriting his scores. The family for Bach was a great joy, he devoted a lot of time to raising children, making music with them and composing special exercises. In the evenings, the family very often arranged impromptu concerts, which brought joy to everyone. Bach's children had excellent natural gifts, but four of them had exceptional musical talent - these are Johann Christoph Friedrich, Carl Philipp Emanuel, Wilhelm Friedemann and Johann Christian. They also became composers and left their mark on the history of music, but none of them could surpass their father either in writing or in the art of performing.

Works of Johann Sebastian Bach


Johann Sebastian Bach was one of the most prolific composers, his heritage in the treasury of world musical culture includes about 1200 immortal masterpieces. There was only one inspirer in Bach's work - this is the Creator. Johann Sebastian dedicated almost all his works to him and at the end of the scores he always signed letters that were an abbreviation of the words: “In the name of Jesus”, “Jesus help”, “Glory to God alone”. To create for God was the main goal in the life of the composer, and therefore his musical works absorbed all the wisdom of the "Holy Scripture". Bach was very faithful to his religious outlook and never betrayed it. According to the composer, even the smallest instrumental piece should indicate the wisdom of the Creator.

Johann Sebastian Bach wrote his works in virtually all, except opera, known at that time musical genres. The compiled catalog of his compositions includes: 247 works for organ, 526 vocal works, 271 pieces for harpsichord, 19 solo pieces for various tools, 31 concertos and suites for orchestra, 24 duets for harpsichord with any other instrument, 7 canons and other works.

Musicians around the world perform Bach's music and begin to get acquainted with many of his works from childhood. For example, every little pianist studying at a music school must have in his repertoire pieces from « Notebook for Anna Magdalena Bach » . Then little preludes and fugues are studied, followed by inventions, and finally « Well-Tempered Clavier » but this is high school.

TO famous works Johann Sebastian also include " Matthew Passion”, “Mass in B Minor”, ​​“Christmas Oratorio”, “John Passion” and, undoubtedly, “ Toccata and Fugue in D Minor". And the cantata "The Lord is my King" and at the present time sounds at festive services in churches in different corners peace.

Films about Bach


The great composer, being the largest figure in the world musical culture, has always attracted close attention, therefore, a lot of books have been written on the biography of Bach and about his work, as well as feature films and documentaries. There are quite a lot of them, but the most significant of them are:

  • "The Vain Journey of Johann Sebastian Bach to Fame" (1980, East Germany) - biopic tells about difficult fate a composer who traveled all his life in search of "his" place under the sun.
  • "Bach: The Fight for Freedom" (1995, Czech Republic, Canada) - Feature Film, telling about the intrigues in the palace of the old duke, which began around the rivalry between Bach and the best organist of the orchestra.
  • "Dinner with Four Hands" (1999, Russia) is a feature film that shows the meeting of two composers, Handel and Bach, which never took place in reality, but is so desired.
  • "My name is Bach" (2003) - the film takes the audience to 1747, at the time when Johann Sebastian Bach arrived at the court of the Prussian King Frederick II.
  • The Chronicle of Anna Magdalena Bach (1968) and Johann Bach and Anna Magdalena (2003) - the films show Bach's relationship with his second wife, an able student of her husband.
  • “Anton Ivanovich is angry” is a musical comedy in which there is an episode: Bach appears to the main character in a dream and says that he was terribly bored writing countless choruses, and he always dreamed of writing a cheerful operetta.
  • "Silence before Bach" (2007) is a musical film that helps to immerse yourself in the world of Bach's music, which turned the Europeans' understanding of harmony that existed before him.

From documentaries about the famous composer, it is necessary to note such films as: “Johann Sebastian Bach: life and work, in two parts” (1985, USSR); "Johann Sebastian Bach" (series "German Composers" 2004, Germany); "Johann Sebastian Bach" (series "Famous Composers" 2005, USA); "Johann Sebastian Bach - composer and theologian" (2016, Russia).

The music of Johann Sebastian, filled with philosophical content, and also having a great emotional impact on a person, was often used by directors in the soundtracks for their films, for example:


Music excerpts

Movies

Suite No. 3 for cello

"Payback" (2016)

"Allies" (2016)

Brandenburg Concerto No. 3

Snowden (2016)

"Destruction" (2015)

"Spotlight" (2015)

Jobs: Empire of Seduction (2013)

Partita No. 2 for violin solo

"Anthropoid (2016)

Florence Foster Jenkins (2016)

Goldberg variations

"Altamira" (2016)

"Annie" (2014)

"Hi Carter" (2013)

"Five Dances" (2013)

"Through the Snow" (2013)

"Hannibal Rising"(2007)

"Owl Cry" (2009)

"Sleepless Night" (2011)

"Towards Something Beautiful"(2010)

"Captain Fantastic (2016)

"Passion for John"

"Something Like Hate" (2015)

"Eichmann" (2007)

"Cosmonaut" (2013)

Mass in B minor

"Me and Earl and the Dying Girl" (2015)

"Elena" (2011)

Despite the ups and downs, Johann Sebastian Bach wrote a huge number of amazing compositions. The composer's work was continued by his famous sons, but none of them could surpass his father either in writing or in performing music. The name of the author of passionate and pure, incredibly talented and unforgettable works stands at the top of the world of music, and his recognition as a great composer continues to this day.

Video: watch a film about Johann Sebastian Bach

Johann Sebastian Bach was born on March 21, 1685 in Eisenach. Bach belonged to a branched German family, the vast majority of whose representatives over the course of three centuries were professional musicians who served in different cities of Germany. He received his primary musical education under the guidance of his father (playing the violin and harpsichord). After the death of his father (his mother died earlier), he was taken into the family of his older brother Johann Christoph, who served as a church organist at St. Michaeliskirche in Ohrdruf. In 1700-03. studied at the school of church choristers in Lüneburg. During his studies, he visited Hamburg, Celle and Lübeck to get acquainted with the work of famous musicians of his time, new French music. The first compositional experiments of Bach belong to the same years - works for organ and clavier. Wandering years (1703-08)

After graduation, Bach was busy looking for a job that would provide his daily bread and leave time for creativity. From 1703 to 1708 he served in Weimar, Arnstadt, Mühlhausen. In 1707 (October 17) he marries his cousin Maria Barbara Bach. His creative interests were concentrated then mainly on music for organ and clavier. The most famous work of that time is “Capriccio for the Departure of a Beloved Brother” (1704) (departure of Johann Jacob to Sweden).

Weimar period (1708-17)

Having received in 1708 a place as a court musician from the Duke of Weimar, Bach settled in Weimar, where he spent 9 years. These years were a time of intense creativity, in which the main place belonged to compositions for organ, including numerous choral preludes, organ toccata and fugue in D minor, passacaglia in C minor. The composer wrote music for the clavier, spiritual cantatas (more than 20). Using traditional forms, he brought them to the highest perfection. In Weimar, Bach's sons were born, the future famous composers Wilhelm Friedemann and Carl Philipp Emmanuel.

Service in Köthen (1717-23)

In 1717, Bach accepted an invitation to serve (chapel master of the court choir) Leopold, Duke of Anhalt-Köthen. Life in Keten was at first the happiest time in the life of the composer: the prince, an enlightened person for his time and a good musician, appreciated Bach and did not interfere with his work, invited him on his trips. Three sonatas and three partitas for solo violin, six suites for solo cello, English and French suites for clavier, six Brandenburg concertos for orchestra were written in Koethen. Of particular interest is the collection "The Well-Tempered Clavier" - 24 preludes and fugues, written in all keys and in practice proving the advantages of the tempered musical system, around the approval of which there were heated debates. Subsequently, Bach created the second volume of the Well-Tempered Clavier, also consisting of 24 preludes and fugues in all keys. But the cloudless period of Bach's life was cut short in 1720: his wife dies, leaving four young children. In 1721 Bach married for the second time to Anna Magdalena Wilcken. In 1723, the performance of his "Passion according to John" took place in the church of St. Thomas in Leipzig, and soon Bach received the position of cantor of this church while simultaneously acting as a school teacher at the church (Latin and singing).

In Leipzig (1723-50)

Bach becomes the "music director" of all the churches in the city, overseeing the staff of musicians and singers, observing their training, assigning the pieces necessary for performance, and doing much more. Not knowing how to cheat and skimp and not being able to perform everything conscientiously, the composer repeatedly found himself in conflict situations that darkened his life and distracted him from creativity. By that time, the artist had reached the pinnacle of mastery and created magnificent examples in various genres. First of all, this is sacred music: cantatas (about two hundred survived), "Magnificat" (1723), masses (including the immortal "High Mass" in B minor, 1733), "Matthew Passion" (1729), dozens of secular cantatas (among them - the comic "Coffee" and "Peasant"), works for organ, orchestra, harpsichord (among the latter, it is necessary to highlight the cycle "Aria with 30 variations", the so-called "Goldberg Variations", 1742). In 1747, Bach created a cycle of plays "Musical Offerings", dedicated to the Prussian King Frederick II. Last work was a work called "The Art of the Fugue" (1749-50) - 14 fugues and 4 canons on one topic.

The fate of the creative heritage

In the late 1740s, Bach's health deteriorated, with a sudden loss of sight particularly worrying. Two unsuccessful cataract surgeries resulted in complete blindness. About ten days before his death, Bach suddenly regained his sight, but then he had a stroke that brought him to the grave. The solemn funeral caused a huge gathering of people from different places. The composer was buried near the church of St. Thomas, in which he served for 27 years. However, later a road was laid through the territory of the cemetery, the grave was lost. Only in 1894 the remains of Bach were accidentally found during construction work, then the reburial took place. The fate of his legacy was also difficult. During his lifetime, Bach enjoyed fame. However, after the death of the composer, his name and music began to fall into oblivion. Genuine interest in his work arose only in the 1820s, which began with the performance in 1829 in Berlin of the St. Matthew Passion (organized by F. Mendelssohn-Bartholdy). In 1850, the "Bach Society" was created, striving to identify and publish all the composer's manuscripts (46 volumes were published in half a century).

Bach is the largest figure in world musical culture. His work is one of the pinnacles philosophical thought in music. Freely crossing the features of not only different genres, but also national schools, Bach created immortal masterpieces that stand above time. Being the last (along with G. F. Handel) great composer of the Baroque era, Bach at the same time paved the way for the music of the new time.

Among the followers of Bach's searches are his sons. In total, he had 20 children: seven from his first wife, Maria Barbara Bach (1684 - 1720), and 13 from his second, Anna Magdalena Wilken (1701 - 1760), only nine of them survived their father. Four sons became composers. In addition to those mentioned above - Johann Christian (1735-82), Johann Christoph (1732-95).

Biography of Bach

YEARS

LIFE

CREATION

Was born in Eisenach in the family of a hereditary musician. This profession was traditional for the entire Bach family: almost all of its representatives were musicians for several centuries. Johann Sebastian's first musical mentor was his father. In addition, having a beautiful voice, he sang in the choir.

At 9 years old

He remained an orphan and was taken into the family of his older brother, Johann Christoph, who served as an organist in Ohrdrufe.

At the age of 15, he graduated with honors from the Ordruf Lyceum and moved to Lüneburg, where he entered the choir of "chosen singers" (in Michaelschule). By the age of 17, he owned the harpsichord, violin, viola, and organ.

Within a few next years changes his place of residence several times, serving as a musician (violinist, organist) in small German cities: Weimar (1703),Arnstadt (1704),Mühlhausen(1707). The reason for moving each time is the same - dissatisfaction with working conditions, a dependent position.

The first compositions appear - for organ, clavier ("Capriccio on the Departure of a Beloved Brother"), the first spiritual cantatas.

WEIMAR PERIOD

He entered the service of the Duke of Weimar as court organist and chamber musician in the chapel.

- the years of Bach's first composing maturity, very fruitful in a creative sense. The culmination in organ creativity has been reached - all the best that Bach created for this instrument has appeared: Toccata and Fugue in D Minor, Prelude and Fugue in A Minor, Prelude and Fugue in C Minor, Toccata in C Major, Passacaglia in C Minor, as well as the famous "Organ Book" In parallel with organ works, he works on the genre of cantata, on arrangements for the clavier of Italian violin concertos (most of all by Vivaldi). The Weimar years are also characterized by the first appeal to the genre of solo violin sonata and suite.

KETHEN PERIOD

Becomes the "director of chamber music", that is, the head of the entire court musical life at the court of the Köthen prince.

In an effort to give his sons a university education, he tries to move to a large city.

Since Köthen lacked a good organ and choir chapel, focused on clavier (Volume I "HTK", Chromatic Fantasy and Fugue, French and English Suites) and ensemble music (6 "Brandenburg" concertos, sonatas for solo violin).

LEIPZIG PERIOD

Becomes a cantor (choir leader) at Tomasshul, a school at the church of St. Thomas.

In addition to the huge creative work and services in the church school, took an active part in the activities of the "Music College" of the city. It was a society of music lovers, which organized concerts of secular music for the inhabitants of the city.

- the time of the highest flowering of Bach's genius.

The best works for choir and orchestra were created: the Mass in B minor, the Passion for John and the Passion for Matthew, the Christmas Oratorio, most of the cantatas (about 300 in the first three years).

IN last decade Bach is most focused on music free from any applied purpose. Such are the II volume of "HTK" (1744), as well as the partitas, "Italian Concerto. Organ Mass, Aria with Various Variations” (after Bach's death they were called Goldberg's).

Recent years have been marred by eye disease. After an unsuccessful operation, he went blind, but continued to compose.

Two polyphonic cycles - "The Art of the Fugue" and "Musical Offering".

Weimar is not only a city of Goethe, but also of Bach. A small monument stands directly opposite the High School of Music:
And next to it, practically on the central square, there is a board on the wall:

In Weimar, Bach got a job as a court organist and worked not only as a church composer, but also as a church composer. Counting (after the death of the chief bandmaster) on the best place and having learned that he would not receive it, the great one burst into such an angry letter that he was sent to prison for two weeks (according to other sources, almost a month). Upon his release, he instantly left for Kethen and, probably, remembered Weimar for a long time with an unkind word.
Weimar is also the city of Liszt, where he lived from 1848 to 1861. During this time, under his leadership, more than forty operas were staged, all the symphonies of Beethoven, Schubert, works by Schumann and Berlioz, Glinka and A. Rubinstein were performed. Liszt arranged "musical weeks" entirely dedicated to Berlioz and Wagner. And in general, he raised the entire musical life of the city to an unprecedented level. In the park, not far from the house, there is a monument:
Liszt spent the last years of his life in this house. Pianists from everywhere aspired here, later calling themselves students of the great Liszt:
Now there is a small museum here (we even visited it, about 7 years ago, the original Bechstein stands there).
On the contrary, it seems that the gardener, from whom the big house was "taken away", had to move.

Liszt's name is now borne by the Higher School of Music.

And here Busoni (a student of Liszt) gave his master classes. Only one arch remained from the former palace; it was destroyed at the end of the war. The Bauhaus workshops were also located here.

And Hummel was "unlucky".

The house in which he lived for almost 20 years is in a deplorable state. In place of Hummel, Maria Pavlovna, the Russian princess and Duchess of Saxony-Weimar, who married Duke Karl Friedrich, invited Liszt.

Also living in Weimar were Johann Paul von Westhof, a virtuoso violinist of Bach's time. It was not without his influence that Bach's solo violin sonatas and partitas appeared. In 1948, Wagner appeared in this city, in 1850, the premiere of Lohengrin took place here (Liszt conducted). Paganini performed in this city. Weimar musical history you can’t write here, it’s so simple - a few photos :)

The outstanding German composer, organist and harpsichordist Johann Sebastian Bach was born on March 21, 1685 in Eisenach, Thuringia, Germany. He belonged to a ramified German family, most of whom had been professional musicians in Germany for three centuries. Johann Sebastian received his primary musical education (playing the violin and harpsichord) under the guidance of his father, a court musician.

In 1695, after the death of his father (his mother died earlier), the boy was taken into the family of his older brother Johann Christoph, who served as a church organist at St. Michaelis Church in Ohrdruf.

In the years 1700-1703, Johann Sebastian studied at the school of church singers in Lüneburg. During his studies, he visited Hamburg, Celle and Lübeck to get acquainted with the work of famous musicians of his time, new French music. In the same years he wrote his first works for organ and clavier.

In 1703 Bach worked in Weimar as a court violinist, in 1703-1707 as a church organist in Arnstadt, then from 1707 to 1708 in the Mühlhasen church. His creative interests were then mainly focused on music for organ and clavier.

In 1708-1717, Johann Sebastian Bach served as court musician to the Duke of Weimar in Weimar. During this period, he created numerous choral preludes, an organ toccata and a fugue in D minor, a passacaglia in C minor. The composer wrote music for the clavier, more than 20 spiritual cantatas.

In 1717-1723, Bach served with Leopold, Duke of Anhalt-Köthen, in Köthen. Three sonatas and three partitas for violin solo, six suites for cello solo, English and French suites for clavier, six Brandenburg concertos for orchestra were written here. Of particular interest is the collection "The Well-Tempered Clavier" - 24 preludes and fugues, written in all keys and in practice proving the advantages of a tempered musical system, around the approval of which there were heated debates. Subsequently, Bach created the second volume of the Well-Tempered Clavier, also consisting of 24 preludes and fugues in all keys.

In Köthen, the "Notebook of Anna Magdalena Bach" was started, which includes, along with pieces by various authors, five of the six "French Suites". In the same years, "Little Preludes and Fughettas. English Suites, Chromatic Fantasy and Fugue" and other clavier compositions were created. During this period, the composer wrote a number of secular cantatas, most of them not preserved and received a second life with a new, spiritual text.

In 1723, his "Passion according to John" (a vocal-dramatic work based on gospel texts) was performed at the Church of St. Thomas in Leipzig.

In the same year, Bach received the position of cantor (regent and teacher) in the church of St. Thomas in Leipzig and the school attached to this church.

In 1736, Bach received from the Dresden court the title of Royal Polish and Saxon Electoral Court Composer.

During this period, the composer reached the heights of skill, creating magnificent samples in different genres, - sacred music: cantatas (about 200 have survived), "Magnificat" (1723), masses, including the immortal "High Mass" in B minor (1733), "Matthew Passion" (1729); dozens of secular cantatas (among them - the comic "Coffee" and "Peasant"); works for organ, orchestra, harpsichord, among the latter - "Aria with 30 variations" ("Goldberg Variations", 1742). In 1747, Bach wrote a cycle of plays "Musical Offerings" dedicated to the Prussian King Frederick II. The last work of the composer was the work "The Art of the Fugue" (1749-1750) - 14 fugues and four canons on one theme.

Johann Sebastian Bach is the largest figure in the world musical culture, his work is one of the pinnacles of philosophical thought in music. Freely crossing the features of not only different genres, but also national schools, Bach created immortal masterpieces that stand above time.

In the late 1740s, Bach's health deteriorated, with a sudden loss of sight particularly worrying. Two unsuccessful cataract surgeries resulted in complete blindness.

He spent the last months of his life in a darkened room, where he composed the last chorale "I stand before Thy throne", dictating it to his son-in-law, the organist Altnikol.

On July 28, 1750, Johann Sebastian Bach died in Leipzig. He was buried in the cemetery near the church of St. John. Due to the lack of a monument, his grave was soon lost. In 1894, the remains were found and reburied in a stone sarcophagus in the church of St. John. After the church was destroyed by bombing during World War II, his ashes were preserved and reburied in 1949 in the altar of St. Thomas Church.

During his lifetime, Johann Sebastian Bach enjoyed fame, but after the death of the composer, his name and music were forgotten. Interest in Bach's work arose only at the end of the 1820s, in 1829 the composer Felix Mendelssohn-Bartholdy organized a performance of the St. Matthew Passion in Berlin. In 1850, the Bach Society was created, which sought to identify and publish all the composer's manuscripts - 46 volumes were published in half a century.

With the mediation of Mendelssohn-Bartholdy in 1842 in Leipzig, the first monument to Bach was erected in front of the building of the old school at the Church of St. Thomas.

In 1907, the Bach Museum was opened in Eisenach, where the composer was born, in 1985 - in Leipzig, where he died.

Johann Sebastian Bach was married twice. In 1707 he married his cousin Maria Barbara Bach. After her death in 1720, in 1721 the composer married Anna Magdalena Wilcken. Bach had 20 children, but only nine of them survived their father. Four sons became composers - Wilhelm Friedemann Bach (1710-1784), Carl Philipp Emmanuel Bach (1714-1788), Johann Christian Bach (1735-1782), Johann Christoph Bach (1732-1795).

The material was prepared on the basis of information from RIA Novosti and open sources

From the 19th century to the present day, interest in the works of Johann Sebastian Bach has not subsided. The creativity of an unsurpassed genius is striking in its scale. known all over the world. His name is known not only by professionals and music lovers, but also by listeners who do not show much interest in "serious" art. On the one hand, Bach's work is a kind of result. The composer relied on the experience of his predecessors. He knew very well the choral polyphony of the Renaissance, German organ music, and the peculiarities of the Italian violin style. He carefully got acquainted with new material, developed and generalized the accumulated experience. On the other hand, Bach was an unsurpassed innovator who managed to open up new prospects for the development of world musical culture. The work of Johann Bach had a strong influence on his followers: Brahms, Beethoven, Wagner, Glinka, Taneyev, Honegger, Shostakovich and many other great composers.

Bach's creative heritage

He created over 1000 works. The genres to which he addressed were the most diverse. Moreover, there are such works, the scale of which was exceptional for that time. Bach's work can be divided into four main genre groups:

  • Organ music.
  • Vocal-instrumental.
  • Music for various instruments (violin, flute, clavier and others).
  • Music for instrumental ensembles.

The works of each of the above groups belong to a certain period. The most outstanding organ compositions were composed in Weimar. The Keten period marks the appearance of a huge number of clavier and orchestral works. In Leipzig, most of the vocal-instrumental songs were written.

Johann Sebastian Bach. Biography and creativity

Was born future composer in 1685 in the small town of Eisenach, in a musical family. For the whole family, this was a traditional profession. Johann's first music teacher was his father. The boy had an excellent voice and sang in the choir. At the age of 9, he turned out to be an orphan. After the death of his parents, he was raised by Johann Christoph (elder brother). At the age of 15, the boy graduated from the Ohrdruf Lyceum with honors and moved to Lüneburg, where he began to sing in the choir of the "chosen". By the age of 17, he learned to play various harpsichords, organ, and violin. Since 1703 he lives in different cities: Arnstadt, Weimar, Mühlhausen. The life and work of Bach during this period were full of certain difficulties. He constantly changes his place of residence, which is connected with the unwillingness to feel dependent on certain employers. He served as a musician (as an organist or violinist). Working conditions also did not suit him constantly. At this time, his first compositions for clavier and organ appeared, as well as spiritual cantatas.

Weimar period

From 1708, Bach began to serve as court organist to the Duke of Weimar. At the same time he works in the chapel as a chamber musician. The life and work of Bach during this period are very fruitful. These are the years of the first composer's maturity. The best organ works appeared. This:

  • Prelude and fugue c-moll, a-moll.
  • Toccata C-dur.
  • Passacaglia c-moll.
  • Toccata and fugue in d-moll.
  • "Organ Book".

At the same time, Johann Sebastian is working on compositions in the cantata genre, on arrangements for the clavier of Italian violin concertos. For the first time he turns to the genre of solo violin suite and sonata.

Keten period

Since 1717, the musician settled in Köthen. Here he holds a high-ranking position of head of chamber music. He, in fact, is the manager of all musical life at court. But he is not satisfied with a too small town. Bach is keen to move to a larger and more promising city in order to give his children the opportunity to go to university and get a good education. There was no quality organ in Keten, and there was also no choir. Therefore, Bach's clavier creativity develops here. The composer also pays much attention to ensemble music. Works written in Köthen:

  • 1 volume "HTK".
  • English suites.
  • Sonatas for solo violin.
  • "Brandenburg Concertos" (six pieces).

Leipzig period and last years of life

Since 1723, the maestro has been living in Leipzig, where he directs the choir (occupies the position of cantor) at the school at the Church of St. Thomas in Thomasschul. He takes an active part in the public circle of music lovers. The "college" of the city constantly arranged concerts of secular music. What masterpieces at that time replenished the work of Bach? Briefly, it is worth pointing out the main works of the Leipzig period, which can rightfully be considered the best. This:

  • "Passion according to John".
  • Mass in h-moll.
  • "Passion according to Matthew".
  • About 300 cantatas.
  • "Christmas Oratorio".

In the last years of his life, the composer focuses on musical compositions. Writes:

  • Volume 2 "HTK".
  • Italian concert.
  • Partitas.
  • "The Art of the Fugue".
  • Aria with various variations.
  • Organ Mass.
  • "Musical offering".

After an unsuccessful operation, Bach went blind, but did not stop composing music until his death.

Style characteristic

Bach's creative style was formed on the basis of various music schools and genres. Johann Sebastian organically wove the best harmonies into his works. In order to understand the musical language of the Italians, he rewrote their compositions. His creations were saturated with texts, rhythms and forms of French and Italian music, North German contrapuntal style, as well as Lutheran liturgy. The synthesis of various styles and genres was harmoniously combined with the deep poignancy of human experiences. His musical thought stood out for its special uniqueness, versatility and a certain cosmic nature. Bach's work belongs to a style that is firmly established in musical art. This is the classicism of the high baroque era. For Bach musical style characteristic is the possession of an extraordinary melodic structure, where the main idea dominates in music. Thanks to the mastery of the technique of counterpoint, several melodies can simultaneously interact at once. was a true master of polyphony. He was characterized by a penchant for improvisation and brilliant virtuosity.

Main genres

Bach's work includes various traditional genres. This:

  • Cantatas and oratorios.
  • Passions and Masses.
  • Preludes and Fugues.
  • Choral arrangements.
  • Dance suites and concerts.

Of course, he borrowed the listed genres from his predecessors. However, he gave them the broadest scope. The maestro skillfully updated them with new musical and expressive means, enriched them with features of other genres. The brightest example is "Chromatic Fantasy in D Minor". The work was created for the clavier, but contains a dramatic recitation of theatrical origin and the expressive properties of large organ improvisations. It is easy to see that Bach's work "bypassed" the opera, which, by the way, was one of the leading genres of its time. However, it is worth noting that many of the composer's secular cantatas are difficult to distinguish from a comedic interlude (at that time in Italy they were reborn as opera buffa). Some of Bach's cantatas, created in the spirit of witty genre scenes, anticipated the German Singspiel.

The ideological content and range of images of Johann Sebastian Bach

The composer's work is rich in its figurative content. From the pen of a real master, both extremely simple and extremely majestic creations come out. Bach's art contains both ingenuous humor and deep sorrow, and philosophical reflection and intense drama. The brilliant Johann Sebastian in his music displayed such significant aspects of his era as religious and philosophical problems. With the help of the amazing world of sounds, he reflects on the eternal and very important issues of human life:

  • On the moral duty of man.
  • About his role in this world and purpose.
  • About life and death.

These reflections are directly related to religious themes. And this is not surprising. The composer served almost all his life at the church, so he wrote most of the music for her. At the same time, he was a believer, he knew the Holy Scriptures. His reference book was the Bible, written in two languages ​​(Latin and German). He kept fasts, confessed, observed church holidays. A few days before his death, he took communion. The main character of the composer is Jesus Christ. In this ideal image, Bach saw the embodiment best qualities inherent in man: purity of thoughts, fortitude, fidelity to the chosen path. The sacrificial feat of Jesus Christ for the salvation of mankind was the most intimate for Bach. In the composer's work, this theme was the most important.

Symbolism of Bach's works

Musical symbolism appeared in the Baroque era. It is through it that the complex and wonderful world composer. Bach's music was perceived by contemporaries as transparent and understandable speech. This was due to the presence in it of stable melodic turns expressing certain emotions and ideas. Such sound formulas are called musical-rhetorical figures. Some conveyed affect, others imitated the intonations of human speech, and others were pictorial in nature. Here are some of them:

  • anabasis - ascent;
  • circulatio - rotation;
  • catabasis - descent;
  • exclamatio - exclamation, rising sixth;
  • fuga - running;
  • passus duriusculus - a chromatic move used to express suffering or grief;
  • suspiratio - breath;
  • tirata - an arrow.

Gradually musical-rhetorical figures become a kind of "signs" of certain concepts and feelings. So, for example, the descending figure of catabasis was often used to convey sadness, sadness, grief, death, the position in the coffin. Gradual upward movement (anabasis) was used to express ascension, uplifted spirit and other moments. Motives-symbols are observed in all works of the composer. Bach's work was dominated by the Protestant chorale, to which the maestro turned throughout his life. It also has a symbolic meaning. Work with the chorale was carried out in the most various genres- cantatas, passions, preludes. Therefore, it is quite logical that the Protestant chant is an integral part of Bach's musical language. Among the important symbols found in the music of this artist, stable combinations of sounds that have permanent meanings should be noted. Bach's work was dominated by the symbol of the cross. It consists of four multidirectional notes. It is noteworthy that if you decipher the composer's surname (BACH) with notes, then the same graphic drawing. B - si flat, A - la, C - do, H - si. Great contribution to development musical symbols Bach was introduced by such researchers as F. Busoni, A. Schweitzer, M. Yudina, B. Yavorsky and others.

"Second birth"

During his lifetime, the work of Sebastian Bach was not appreciated. Contemporaries knew him more as an organist than a composer. Not a single serious book has been written about him. Of the vast number of his works, only a few were published. After his death, the name of the composer was soon forgotten, and the surviving manuscripts gathered dust in the archives. Perhaps we would never know anything about this brilliant man. But, fortunately, this did not happen. True interest in Bach arose in the 19th century. Once, F. Mendelssohn found in the library the notes of the Matthew Passion, which interested him very much. Under his direction, this work was successfully performed in Leipzig. Many listeners were delighted with the music of the still little-known author. We can say that this was the second birth of Johann Sebastian Bach. In 1850 (on the 100th anniversary of the composer's death) the Bach Society was founded in Leipzig. The purpose of this organization was to publish all Bach manuscripts found in the form complete collection essays. As a result, 46 volumes were collected.

Bach's organ work. Summary

For the organ, the composer created excellent works. This instrument for Bach is a real element. Here he was able to liberate his thoughts, feelings and emotions and convey all this to the listener. Hence the enlargement of the lines, concert quality, virtuosity, dramatic images. The compositions created for the organ are reminiscent of frescoes in painting. All of them are presented mainly close-up. In the preludes, toccatas and fantasies, there is a pathos of musical images in free, improvisational forms. Fugues are characterized by a special virtuosity and unusually powerful development. Bach's organ work conveys the high poetry of his lyrics and the grandiose scope of magnificent improvisations.

Unlike clavier works, organ fugues are much larger in volume and content. Movement musical image and its development proceed with increasing activity. The unfolding of the material is presented as a layering of large layers of music, but there is no particular discreteness and gaps. On the contrary, continuity (continuity of movement) prevails. Each phrase follows from the previous one with increasing tension. So are the climaxes. Emotional uplift eventually intensifies to the highest point. Bach is the first composer who showed the laws of symphonic development in large forms instrumental polyphonic music. Bach's organ work seems to fall into two poles. The first is preludes, toccatas, fugues, fantasies (large musical cycles). The second - one-part They are written mainly in the chamber plan. They reveal mainly lyrical images: intimate and mournful and sublimely contemplative. The best works for organ by Johann Sebastian Bach - and fugue in D minor, prelude and fugue in A minor, and many other compositions.

Works for clavier

When writing compositions, Bach relied on the experience of his predecessors. However, here, too, he showed himself as an innovator. Bach's clavier creativity is characterized by scale, exceptional versatility, and the search for expressive means. He was the first composer to feel the versatility of this instrument. When composing his works, he was not afraid to experiment and implement the most daring ideas and projects. When writing, he was guided by the whole world musical culture. Thanks to him, the clavier has expanded significantly. He enriches the instrument with new virtuoso technique and changes the essence of musical images.

Among his works for organ, the following stand out:

  • Two-part and three-part inventions.
  • "English" and "French" suites.
  • "Chromatic Fantasy and Fugue".
  • "The Well-Tempered Clavier"

Thus, Bach's work is striking in its scope. The composer is widely known all over the world. His works make you think and reflect. Listening to his compositions, you involuntarily immerse yourself in them, thinking about deep meaning underlying them. The genres to which the maestro turned throughout his life were the most diverse. This organ music, vocal-instrumental, music for various instruments (violin, flute, clavier and others) and for instrumental ensembles.


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