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Zakharova Svetlana: biography, personal life and ballet. The height of the famous ballerina

Svetlana Zakharova is a ballerina who gained popularity on the St. Petersburg stage. She was born on June 10, 1979 in Lutsk, in the family of a military man and a teacher in a children's creative studio.

short biography

Today Svetlana lives and works in Moscow, being a prima ballerina at the Bolshoi Theatre. Zakharova Svetlana is politically active, being a deputy of the State Duma and a member of the United Russia faction. She takes an active part in the State Duma Committee on Culture. In the opening ceremony of the Olympics in Sochi, Svetlana played the role of Natasha Rostova.

Career

From the age of six, the future celebrity was engaged in folk dancing, and already at ten she entered the Kiev Choreographic School and connected her life with ballet. In many ways, the choice of this path was prompted to the girl by her mother, who wanted to see a ballerina in her daughter and was able to persuade her to enter the school in time. Already a student of Zakharov, Svetlana successfully built a career as a ballerina, dancing Masha in The Nutcracker, the Dying Swan, the Lady of the Triads in Don Quixote. And not only on stage. Mariinsky Theater... The troupe of this theater accepted Svetlana into their ranks at the age of 17, immediately after graduating from the academy, and literally a year later she already received the status of a ballerina. Actively helped Svetlana in creative development experienced mentor Olga Moiseeva, thanks to which the young ballerina quickly began to receive many major theater roles. In 2003, Svetlana moved to Moscow and went to work at the Bolshoi Theater, where she received the status of prima ballerina. Debut on new stage as a soloist took place in October 2003 in the ballet "Giselle", although she had already danced this part three times at the Bolshoi Theater before the transition. The rapid development of a career accompanied Svetlana's participation in ballet companies world class as a guest celebrity. Svetlana Zakharova is a ballerina with unusually high merit: her repertoire includes dozens of brilliant parts that she performs on the world's leading stages.

Repertoire

Her best performances are often called the part of Medora from Corsair, Juliet in Shakespeare's tragedy, Aurora in Sleeping Beauty and Kitri in Don Quixote. This is the most famous Russian ballerina in the world. Svetlana danced with Vladimir Malakhov, Nikolai Tsiskaridze, Jose Manuel Careño and many other eminent ballet dancers.

Awards and titles

The first serious confirmation of Svetlana's talent can be considered the second place in international competition among young dancers in 1995 in St. Petersburg. Successful participation in this competition helped the ballerina enter the third year of the Vaganova Academy in St. Petersburg and study in the class of Elena Evteeva. In 1999, Svetlana in the award " golden mask» became the winner for the best female role in ballet. The current status of prima ballerina Zakharova Svetlana received in 2003 at the Bolshoi Theater, where her teacher is the famous graduate of the Vaganova Academy and former ballerina Mariinsky Theatre. In 2005, Svetlana received the title of Honored Artist of the Russian Federation, and literally three years later - People's Artist. In 2005, the ballerina was awarded the International Union of Choreographers for her performance in the ballet Dream in midsummer night"-" Benois de la danse. In 2008, Svetlana was recognized as the star of the La Scala theater in Milan.

Ballerina's personal life

Zakharova Svetlana is married to a violinist with whom she was once brought together by a New Year's concert. The ballerina says that she was simply amazed at Vadim's talented performance and after the performance approached him for an autograph. future husband Zakharova Svetlana next met her only a year later. Officially, the couple does not talk about the date of the wedding, but it is known for certain that Svetlana and Vadim are married.

In 2011, a daughter, Anna, appeared in a star family. After giving birth, the ballerina again took the stage three months later, but she never ceases to pay the necessary attention to the child, and even sometimes takes her daughter with her on tour. Svetlana often admits that the birth of a child significantly changed her views on the world, transformed her judgments and thoughts. Motherhood made it possible to perceive and feel even movement in ballet in a new way. Svetlana Zakharova is a ballerina of the highest level, but there is no doubt that her dizzying career does not prevent her from being a wonderful wife and caring mother.

Style and character

The natural data of this woman are great for ballet. The standard figure for a ballerina can be called exactly the one that Svetlana Zakharova has. Svetlana's height is 168 cm, weight is 48 kg. She does not like repetitions and patterns in clothes and always carefully selects a costume that will be as different as possible from those who performed the part before her. According to the sign of the Zodiac, Svetlana is Gemini, so she is characterized by some mood swings and special energy. The star does not believe in signs and does not support superstition, always believing in her luck. The prima ballerina loves to relax mainly in the mountains, preferring them to hot sunny beaches.

Public and political activities

As mentioned above, Zakharova is a deputy of the State Duma of the fifth convocation and a member of the culture committee. The ballerina takes this circumstance quite responsibly and cannot stand aside where support is needed - in 2011 she became the founder and president of a charitable foundation, which aims to:

preservation and development of the best traditions of choreography and culture;
providing the opportunity to practice ballet a wide range wishing;
support and promotion of the Russian school of ballet;
creation of a favorable environment for the existence of a sufficient number ballet studios, special schools for children in the area;
maintaining professionalism in ballet;
helping young dancers;
and the necessary rehabilitation of ballet veterans.

Svetlana Zakharova helped establish a special scholarship for several of the best students of the Saratov College of Arts, finding it extremely necessary, and now she is not going to stop there. In the near future, the woman plans to organize the first in Russia creative children's holiday- ballet festival. The star openly admits that it is often very difficult to combine the activities of a deputy of the State Duma of the Russian Federation with ballet, because in order to achieve success in one thing, extreme concentration on the subject and the application of many efforts are necessary. The big problem of the current choreography, which hinders its development, Svetlana considers almost complete absence competent modern choreographers, which makes Russia borrow too much in ballet from the West.

Celebrity personal website

The official website of Svetlana Zakharova is located at: svetlana-zakharova.com. Visiting the resource helps to get the most systematized and fresh data about the ballerina. The star's website is of value to fans, because on it you can always find the most reliable information about what Svetlana Zakharova is doing. Biography, photo gallery, list of roles in the repertoire - this is only part of the useful data on the site.

Text: Nastya Volchek

Photo: ITAR-TASS, Starface.ru, Fotobank

34 year old prima ballerina Bolshoi Theater Svetlana Zakharova said in an interview with OK! about how marriage and the birth of a daughter changed her life and helped her look at many things easier.

In early July, ballerina Svetlana Zakharova refused to participate in the premiere of the ballet "Onegin" because of her disagreement with the directors on the issue of casts. However, the editor-in-chief of OK! Vadim Vernik decided not to ask Svetlana about the reasons for her decision, just as he did not discuss the scandals that occurred over Lately at the Bolshoi Theatre. In an interview, the ballerina spoke about more pleasant things - marriage and the birth of a daughter.

Svetlana Zakharova met her husband, violinist Vadim Repin, at a New Year's concert. Zakharova saw her future husband on stage and "was amazed", and after the performance she came up to get an autograph. The next time they met was only a year later. Zakharova does not talk about the details of the affair with Repin, but does not hide the fact that the marriage and birth of her daughter Anna in 2011 completely changed her life.

“Before, day and night, all thoughts were only about ballet. And after the birth of her daughter, the whole world turned upside down. No wonder they say that motherhood changes a woman, decorates her. I realized that I need to look at some things easier, be wiser, not get annoyed and not get hung up on just one profession, ”Zakharova shared in an interview with OK! magazine.

Svetlana admitted that she was not at all worried about her career when she found out that she was pregnant. She left the stage, rested, went on tour with her husband and felt like "a woman who just lives and enjoys." After the birth of her daughter, Zakharova was on stage three months later. Now the ballerina is trying not to part with 2-year-old Anna for a long time, and if the tour lasts more than five days, she takes her with her.

In August, Svetlana Zakharova and Vadim Repin will perform together in Switzerland at the San Pre Classic festival, which is attended by people who are connected by friendship or family ties. For the first time, the couple were invited to the festival a few years ago, when they found out that they were now together. But because of busy schedule and Svetlana's maternity leave, the performance has not yet taken place.

In a few weeks, Zakharova will be dancing in San Pre, to the accompaniment of her husband, a number to the music of Arvo Pärt Fratres Plus Minus Zero, which was staged by a young choreographer from St. Petersburg Vladimir Varnava. The ballerina admitted that she was "a little afraid", because if in family life spouses are ready for compromises, then in the profession they are not used to giving in.

Svetlana Zakharova - prima ballerina of the Bolshoi Theater. It's safe to say that she is a self-made person.

Photo: Mikhail Korolev

Sveta, your career has been on the rise for a long time. And how do you feel yourself: smooth road up or sometimes there are still stops, some kind of slippage?

It's hard for me to answer this question. Of course, from the outside it seems that my sharp rise began immediately. At the age of 17, I came to the Mariinsky Theater from the Academy of Russian Ballet, and quite quickly, literally in the first months, they began to give me solo parts.

One Giselle is worth something! Many ballerinas go to this most difficult party for years.

And at that age, I thought that everything was as it should be. Maybe this feeling arose because of childish impudence or naivety. It has gone away over the years.

Surely there was a moment in your life when you felt that you can do more in ballet than others.

No, I have never felt it myself. But I have always been singled out by teachers. Even at school, I had increased attention from them.

You were born in Lutsk, a small Ukrainian town. Tell me, if it were not for the ballet, would you still live there - work, give birth to children? Or was such a scenario impossible for you under any circumstances?

I am grateful to my mother for guiding me on the right path. In Lutsk, my mother worked in choreographic group, danced a lot, went on tour. I was a very active child. was engaged rhythmic gymnastics(then even skidded to the sports one), dancing. In the House of Pioneers dance group- huge, high level. I went to enter the Kiev Choreographic School, already having some experience.

Mom is still surprised: “And how could I send my little 10-year-old daughter alone to study in Kyiv, live in a hostel away from home ?!” It was probably a sign from above.

Apparently, your growing up began in Kyiv.

As soon as you cross the threshold of the choreographic school, childhood ends. For me there was only ballet.

It is probably happiness when at the age of 10 a child already has a goal. After all, for many it does not appear much later.

Exactly! My daughter is growing up, and the whole family is thinking where to give her when the time comes. I want her to be on to something. Then it will not, God forbid ...

...some negative points?

Bad moments, shall we say.

Well, you've probably got away with all the bad things.

Oh, I was naive, very shy. My classmates had everything, but I was not drawn anywhere.

In general, an exemplary girl! Did you fall in love at that time?

Everything that happened to me was left inside so that no one knew anything. There was love, there were disappointments, but work always saved me. When I came to the Mariinsky Theatre, I had a tutor Olga Nikolaevna Moiseeva. She became the closest person to me. Besides mom, of course. And I never had friends in the theater.

Why?

It so happened ... You know, usually friendship is tied up with girls dancing in the corps de ballet. I almost immediately became a soloist and left the common locker room, where basically everyone communicates.

As a rule, ballerinas marry their colleagues. In this sense, you have an atypical situation: you became the wife of Vadim Repin, an outstanding violinist with a worldwide reputation. And how did fate bring you together?

It's a long story. A few years ago, on the eve of the New Year, the Rossiya TV channel planned to film a program with the participation of stars classical music and ballet. For some reason, the shooting was canceled, but the concert still took place. True, without ballet dancers. “There will be an orchestra on the stage, there will be nowhere to dance,” they explained to me. - But we want to invite you to the concert as a spectator. Vladimir Fedoseev will conduct, Vadim Repin and many other musicians and singers will perform. I came. Seeing Vadim on stage, I was amazed by his bright, memorable performance. And after the concert, she went up to Fedoseev and Repin to thank them. And for the first time in my life I asked for an autograph - from Vadim!

Not at all. The next time Vadim and I met only a year later, when he Once again ended up in Moscow.

Ballerinas for the sake of a career often deprive themselves of the joy of motherhood. In any case, that's how it used to be.

You know, I watched from the sidelines for my colleagues, leading ballerinas who have experience in motherhood. As a rule, they all recovered very quickly after the birth of a child, and many acquired a much better shape. I left the stage as soon as I realized that I was expecting a baby. Probably at that moment something happened and the body said: “Enough! Do not want anymore!" During the entire period of pregnancy, I rested and felt incredibly happy from this.

I walked, and if I went on tour with my husband, I could see other cities with the eyes of a tourist. In a word, I was ordinary woman who simply lives and enjoys.

And how long did this idyll last?

After Anechka was born, something changed in me again, and three months later I was already on stage. I still remember this feeling of terrible fear before the first appearance on the stage after the break. But my mother and husband supported me. And I knew that the main thing is to take the first step, and then it will go as it should.

Are you taking your daughter on tour?

If they last more than five days, Anya and my mother fly with me. My daughter has been traveling since she was 3 months old. She is accustomed to airplanes and is already very well versed in them. She also has her own passport.

Sveta, we've known each other for a long time. And I always felt that you are an internally strong, strong-willed person with a fighting spirit. You are always like stretched string. And now there is some softness on your face, even peace. Your beauty has become completely different.

Thanks, Vadim! Indeed, earlier, day and night, all thoughts were only about ballet. And after the birth of my daughter, the whole world turned upside down. No wonder they say that motherhood adorns a woman, changes her. Yes, and the priorities have become different, the responsibility is different. You are talking about softness... I realized that it is necessary to look at some things easier, to be wiser, not to get annoyed and not get hung up on just one profession.

And yet, back to the profession. As far as I know, you were invited to the Bolshoi Theater for a long time, but you stubbornly refused. Why? It's every ballerina's dream.

I was brought up in the belief that there is nothing better in the world than the Vaganova Ballet School and the Mariinsky Theater. Therefore, when I got to the Mariinsky, I didn’t even want to look at anything else. And when Vladimir Vasiliev ( in 1995-2000 artistic director and director of the Bolshoi Theatre. - Approx. OK!) invited me to the Big dance main party in my production of Swan Lake, I refused.

I was 17 years old, I looked at the world through rose-colored glasses. Only with time, having danced almost everything I could at the Mariinsky Theater, I suddenly felt that I wanted something else. I was showered with invitations from the Grand Opera, La Scala, the Rome Opera, from Tokyo and America.

And as a result, you ended up in the Bolshoi. What was the decisive argument?

This was already the fourth invitation from the Bolshoi. It was made by Anatoly Iksanov ( General Director of the Bolshoi Theater in 2000–2013 - Approx. OK!). He assured that all conditions would be created for me. And at that moment I wanted to start everything from clean slate, bring back the feeling of novelty of what is happening. So it all came together.

Did you quickly become your own at the Bolshoi Theatre?

I will never forget the first time I came to the ballet hall for the morning class. I thought it would be incorrect if I immediately stand in the center ...

Although the status had the right to do so. After all, you entered the Bolshoi Theater with the rank of prima ballerina.

Yes, but I wanted people to get used to me first, so that I would not interfere with anyone. And suddenly the voice of Mark Peretokin, at that time a soloist of the Bolshoi Theater, was heard: “Come here.” All the artists moved in and he put me in center stage. Maybe Mark doesn’t remember that moment, but for me it was a sign that they were waiting for me in this theater, that my colleagues treat me with respect. Lyudmila Ivanovna Semenyaka immediately took me under her wing ( teacher-tutor. - Approx. OK!). She introduced me to all the performances, told me about the intricacies of this theater. I have some amazing partners. With them I always find mutual language.

Great. I know that you maintain a close relationship with your older brother.

Yes. He is a doctor by training and has worked for a health insurance company for many years. He has a son, Danila, who is five months older than my Anya. I love all of our big family to gather in the country, for me it is best holiday. Especially when the husband does not have a tour and he is with us. The next day after such gatherings, I am a different person.

By the way, you and your husband do not think about joint creative project? You dance, Vadim plays the violin...

We were invited to perform together at the San Pre Classic festival in the Swiss town of San Pre. At this festival, on the same stage, there are people who are connected by something - friendship, family ties. We were first invited there several years ago, as soon as music world found out that Vadim and I were together. We did not refuse the organizers, but tour schedule each of us was very dense. Then I had maternity leave then I recovered...

This year we said to ourselves: "That's it, in August we will definitely fulfill the promise to perform together." True, when we agreed, it turned out that I did not have a single number that I could dance to the accompaniment of Vadim - he has a completely different repertoire.

And how did you find a way out?

Recently, a number was staged especially for me to the music of Arvo Pärt Fratres, called “Plus Minus Zero”. It was composed by a young choreographer from St. Petersburg, Vladimir Varnava. I already performed this number at my solo creative evening, now I need to rehearse with Vadim.

What are the expectations?

I'm a little afraid. After all, each of us, as far as the profession is concerned, is a tough person who does not know how to concede.

How to find a compromise?

Let's start rehearsing, then I'll understand. If you want, come to the festival - you will see everything yourself. I think it will be interesting!

Svetlana Zakharova is a famous Ukrainian and Russian ballerina, winner of the Golden Mask awards (1997, 2000) and State Prize RF (2006), Honored and People's Artist of the Russian Federation (2008). Prima ballerina of the Mariinsky Theater (1996-2003), the Bolshoi Theater (since 2003) and Italian theater La Scala (since 2008). For her roles, Svetlana has repeatedly received the Benois of Dance award - a kind of ballet Oscar.

Childhood

Svetlana Zakharova was born on June 10, 1979 in Lutsk, Ukrainian SSR. Her father was in the military and her mother was a teacher at a local dance studio. It was thanks to her mother that the girl fell in love with ballet and learned her first steps in her classes.

At the age of 10, Svetlana managed to enter the Kiev Choreographic School, where she studied for 6 years in the class of Valeria Selugina. After graduation, the girl took part in the prestigious dance competition"Vaganova-Prix" in St. Petersburg and took second place, losing the lead to a more experienced ballerina.

The performance of the gifted girl did not pass by the attention of experts, and after the competition Svetlana received an offer to continue her studies at the A. Ya. Vaganova Academy of Russian Ballet in St. Petersburg, and right from the last year. The following year, in 1996, the young ballerina already performed at the Mariinsky Theater, where Svetlana Moiseeva became her mentor.

Ballerina career

The first serious performance of Zakharova on the stage of the famous St. Petersburg theater was the production of The Fountain of Bakhchisarai (1996), where she reincarnated as the sensual and tender Maria.

Despite the excellent work done by Svetlana, experts are sure that the real success of the ballerina was brought by her role in the play "Giselle" (1997), where she performed the leading part. It is noteworthy that only the most experienced professionals get such roles. Svetlana's performance made a splash, because Mariinsky stage there have never been cases when such a young dancer coped with this most difficult part so easily.

Already at the age of 18, Zakharova became the prima ballerina of the Mariinsky Theatre, which in itself is a unique case. A graceful and fragile girl received key roles in such classical productions, How " Swan Lake"(1998)" Sleeping Beauty "(1999) and" Don Quixote "(2000). A new take-off in the career of a ballerina occurred in 2001, after meeting a teacher from Germany, John Neumeier. Thanks to him, she got the main role in his ballet "Then and now" ("Now and then"). After the performance, Zakharova had no doubts that she was able to master not only the classics, but also modern dances.

After a triumphant season in her homeland, Zakharova also shone during foreign tours. Her dance could be enjoyed in New York, London, Munich, Naples. On the famous stage Paris Opera at the end of 2001, Svetlana danced three times in the ballet La Bayadère, staged by Rudolf Nureyev. In late 2002, Zakharova performed the pas de deux from Giselle in a duet with Bolshoi Theater chief dancer Nikolai Tsiskaridze.

In 2003, the successful young ballerina made a career-changing decision and moved to Moscow to perform with the Bolshoi Theatre. The debut work at the new place of work was the production of "The Pharaoh's Daughter".

In 2008, Zakharova offered to sign a contract famous theater Milana "La Scala" - she became the first Russian ballerina to receive such an honor. During these years, Svetlana also continued to perform on the stage of her native Bolshoi Theater, where she performed in the productions of A Hero of Our Time, The Lady of the Camellias and The Legend of Love.

In 2013, the celebrated ballerina became involved in unpleasant scandal: she refused to dance in the play "Onegin" in the second cast. This conflict with the leadership was associated with the subsequent departure of the director of the Bolshoi Theater Anatoly Iksanov from his post. In 2014, Svetlana was invited to perform at the opening of the Winter Olympic Games in Sochi, she portrayed Natasha Rostova at the first ball.

Social activity

In 2007, in addition to her dancing activities, Zakharova decided to go into politics - she became a State Duma deputy and became a member of the United Russia party. In a government body, she was involved in the development of public projects until 2012, after which she admitted that she only wanted to do ballet.

During her work in government, the ballerina established a special scholarship the best students Saratov College of Arts. She believes it is important to financially support young talents who strive to amaze the world with their grace and beauty. In addition, Zakharova is a co-founder budget fund"Talent and Success" in support of young talents in the field of art.

The ballerina returned to the stage when the child was not yet three months old, and admitted that at first it was very difficult for her to recover. All free time Svetlana dedicates herself to her family and caring for her daughter. In order not to leave Anya for a long time, she often takes her on tour with her and, as her mother once did, initiates her daughter into the mystery of ballet.

Svetlana Zakharova now

Svetlana Zakharova confidently continues her dancing career. In 2017, on the stage of the Bolshoi Theater, the ballerina presented her new solo program under the name "Amore", and in 2018 she continued to participate in productions of the Bolshoi Theater and Milan's La Scala Theatre.

Svetlana Zakharova in the solo program "Amore"

Svetlana Zakharova is a Russian ballet dancer, prima ballerina of the Mariinsky Theatre, the Moscow Bolshoi Theater and the La Scala Theater in Milan. In 2008 Svetlana received honorary title People's Artist of Russia. At the same time, she became involved in politics, joining the United Russia party.

The girl was born in Lutsk, in the family of a soldier Yuri Sergeevich and a teacher Galina Danilovna. Mom is a choreographer of a children's dance studio, instilled in the girl a love of art. Under the guidance of the mother of Light, she mastered the first steps and achieved initial stage results.

At the age of 10, the girl manages to enter the prestigious Kiev Choreographic School, where Zakharova graduated from six classes with the famous teacher Valeria Sulegina. At the age of 16, together with many classmates, Svetlana Zakharova participates in the Vaganova-Prix competition, which was organized in St. Petersburg by the Vaganova Academy of Russian Ballet. The artist managed to take second place, leaving only the graduate of this Academy behind.

Of course, such a promising girl could not be overlooked. Svetlana is immediately offered to move to St. Petersburg and study at the Ballet Academy, and they enrolled a young ballerina, whose height was 168 cm and weight - 48 kg, immediately for the last year. By the way, it was the only case similar "extern" in history educational institution.

Zakharova, who graduated a year later from the St. Petersburg Academy of Russian Ballet in the class of Elena Evteyeva, after graduation was enrolled in the troupe of the Mariinsky Theater, where she began creative biography young dancer.

Ballet

At the Mariinsky artistic director Svetlana Zakharova was Olga Moiseeva, who during the season brought the aspiring artist to the soloists of the theater. The ballerina's debut is considered to be the play "The Fountain of Bakhchisaray", in which the girl danced the part of Mary. But critics call the ballet Giselle, where Svetlana played the main role, the main success at the beginning of Zakharova's career. For modern Russian scene it was a sensation - such young dancers had not performed this complex part for a long time, especially at such a level.

At the age of 18, Svetlana Zakharova is already the prima ballerina of the Mariinsky Theatre, involved in the most important roles in classical ballets"Sleeping Beauty", "Swan Lake", "La Bayadère", "Don Quixote". The next take-off of her career begins after working on the play "Then and Now", where the girl collaborates with choreographer John Neumeier. This director managed to take a fresh look at the Russian ballerina and showed that Svetlana has access to the classics and the ultra-modern vision of dance.

Then Svetlana begins to tour the world. In France, Zakharova becomes the first ballerina from former USSR, which dances on the stage of the Paris Opera after the collapse of the Union. Also, the dancer submits to New York, London, Buenos Aires, Munich, Naples.

In 2003, the ballerina decides to move to a permanent service in the troupe of the Moscow Bolshoi Theater. Work at the Bolshoi began with the premiere of the ballet The Pharaoh's Daughter staged by famous choreographer Pierre Lacotte. By the way, the scandal of 2013 is connected with the name of Zakharova, when the girl, not wanting to dance in the second cast, refused to participate in the premiere of John Cranko's ballet Onegin. This incident is considered the reason for the dismissal of the theater director Anatoly Iksanov.

In 2008, the ballerina signed a contract with Milan's La Scala Theatre, where the dancer was given the status of étoile, that is, the highest status of ballet dancers. In the history of this scene, this happened for the first time - none of the Russian dancers had ever received such an honor before. In the same year, the girl received the title People's Artist RF. In 2010, Svetlana was awarded the Order of Arts and Letters in France.

IN last years the ballerina returned to the Moscow Bolshoi Theater again and appears in the largest performances of "The Hero of Our Time", "The Lady of the Camellias", "The Legend of Love", for which she received the "Ballet Oscar" several times - international award Benois de la Danse. In 2015, the artist received this award for participation in John Neumeier's ballet The Lady of the Camellias, where the ballerina transformed into the heroine Marguerite Gauthier, as well as for her performance as Mekhmene Banu in the ballet The Legend of Love directed by Yuri Grigorovich.

Social activity

Back in 2006, Svetlana Zakharova began helping the country's leadership by joining the Council for Culture and Art under the President of Russia. So next year the artist becomes a deputy of the State Duma from the All-Russian political party "United Russia" and sits in the State Duma until 2012.

How public figure, Svetlana Zakharova established a special scholarship for several of the best students of the Saratov College of Arts, as she considers it very important to financially support gifted children. The main problem contemporary Russian art the star considers the absence of original competent choreographers, which is why there is a complete borrowing of ideas from the West.

As one of the most prominent representatives Russian culture in 2014, Zakharova was awarded the right to participate in the opening ceremony of the Winter olympic games in Sochi. In the production of The First Ball, Svetlana performed the main part and was pleased with the experience, believing that such a chance falls once in a lifetime.

Personal life

On one of New Year's concerts Svetlana Zakharova met the talented violinist Vadim Repin, winner of the Queen Elisabeth Competition in Brussels (1989).

First, Svetlana Zakharova approached him for an autograph, and only a year later they life paths crossed again. Young people began to meet, and soon got married. After some time, it turned out that Svetlana Zakharova was pregnant. The ballerina was delighted with this fact, as she was already tired of working in the theater and wanted changes in her life. In 2011, their daughter Anna was born, whom her parents love madly and try to devote their free time to the child.

For Vadim, the union with Svetlana is already the second marriage. The first wife of the violinist was the daughter of the Georgian composer Nodar Gabunia - Nato. In the first family, Repin's son Leo is growing up.

Already 3 months after giving birth, Svetlana again took the stage, but now the ballerina's thoughts were focused not only on ballet, but also on raising a baby, whom Zakharova often takes with her on tour. As the ballerina says, motherhood made it possible to perceive what is happening in the performances in a new way and opened up new depths of understanding of art.

The artist has an official website, on home page which flaunts a quote from Yves Saint Laurent, said about Svetlana: “There was no such ballerina, no and never will be!". The ballerina posts photos and videos of her own performances on the pages of the site; Zakharova does not have her own Instagram account. The ballerina organized a charitable foundation that deals with helping young ballet dancers and popularizing classical dance art.

Svetlana Zakharova now

In March 2017, with the participation of Svetlana Zakharova, the program “ the main role with TV presenter Yulian Makarov. The program was about new program ballerina "Amore", which the dancer introduced from the stage of the Bolshoi Theater. Svetlana Zakharova's solo program included three one-act ballets.

Now the artist has visited Japan with a performance that took place as part of the "Russian Seasons" in concert hall Tokyo Orchad Hall.