How old is Tamara Sinyavskaya now. Tamara Sinyavskaya: “Next to Muslim, I was just a woman

On October 25, 2008, Muslim Magomayev passed away. After three years of seclusion, Tamara Ilyinichna broke her vow of silence and gave herfirst interview.
For a long 34 years, if they said: “Muslim Magomayev”, they would certainly add: “... and Tamara Sinyavskaya”, and vice versa - in the minds of music lovers, this brilliant couple was inseparable and inseparable, their family duet aroused admiration and envy on stage and in life .

A description of their acquaintance could decorate the plot of any love story. In the Baku Philharmonic, which bears the name of Muslim Magomayev's grandfather, the poet Robert Rozhdestvensky called the singer to introduce him to his young companion. "Muslim!" - the man introduced himself, for whom all the women of the country then dried up. Beauty laughed: “And you still call yourself? The whole Soviet Union knows you!”

However, Tamara Sinyavskaya, and it was she, by that time herself was widely known in - what a sin to hide - rather narrow circles of domestic connoisseurs operatic art. Suffice it to say that she, a 20-year-old girl, was accepted into the trainee group Bolshoi Theater even without a higher conservatory education (the rarest case!), and after all, when her name and age were announced in the first round, a chuckle swept through the hall: “Oh, soon from kindergarten will come to the Bolshoi. Nevertheless, just a year later, Tamara was transferred to the main team.

Her velvety, deep mezzo-soprano with contralto capabilities plunged the audience of Montreal, Paris, Osaka, and many other cities and countries into ecstasy; in three years she collected three gold medals at international vocal competitions. By the way, at the most prestigious - the name of Tchaikovsky - it was known in advance that the victory was destined for the then rising star Elena Obraztsova - all Soviet jury members unanimously voted for her candidacy, but the foreign ones just as categorically voted for ... Tamara Sinyavskaya, and under their pressure they divided the first prize .

After this competition, a prominent impresario Zarovich persistently invited the young singer on a six-month tour of America, bombarded the theater and the State Concert with telegrams, and in response received the standard replies: "Busy in the repertoire", although Sinyavskaya at that time sang only Olga in "Eugene Onegin" and a trifle type "meal is served." Apparently, Soviet art critics in civilian clothes were afraid that the beautiful Tamara would fall in love with someone there, across the ocean, and remain - something young, but fate destined her to Muslim and led them towards.

Dmitry Gordon

...Then in Baku, the leadership of the republic decided to show the guests who came to the Decade of Russian Literature and Art in Azerbaijan a wonderful city on stilts called Oil Rocks. The hospitable owners loaded the ferry that was going there with tables with southern dishes, but when it set sail, the first secretary of the republican Central Committee, Heydar Aliyev, to his surprise, found that Magomayev was not on board. “And Sinyavskaya too,” someone prompted him, and everything became clear without words.Shortly after their wedding, Lemeshev called Tamara, and she exclaimed: “There is a person here who has long dreamed of expressing admiration for your talent to you.” The master favorably accepted enthusiastic words from Muslim, and then he caught himself: “Excuse me, but why are you in the same apartment?” Only later did I remember that, driving past the Baku restaurant, I saw a noisy crowd and they explained to him: “Magomayev is getting married there.”
... They turned to each other for a long time on you: maybe that's why Tamara Ilyinichna (catching up?) even in public called her husband playfully Musik, Mitya, Kutya and Tyapa (although she preferred to hear her royal name in full). It happened that they quarreled, and Muslim Magometovich, slamming the door, left for Baku, but then, with oriental splendor, he took the first step towards reconciliation: he gave flowers and performances in her honor.
They were forever united by love and music, and Magomayev, like no one else, could understand how his wife felt when she, a non-party member, was dismantled in absentia at a party meeting for having performed a song on one of the festive television Ogonki: they say, it’s possible and reach the stage! Muslim alone knew that after "Carmen", where Tamara sang and danced for more than three hours, she lost two kilograms, and after other performances - a kilogram ...
Raising a toast at the anniversary of Muslim Magometovich, Mstislav Rostropovich joked: “We are both members of the club of unfortunate husbands of soloists of the Bolshoi Theater” ... I don’t know what the maestro was hinting at, but Tamara Ilyinichna, who was reputed to young years the soul of the company, for the sake of her hermit husband, she fell in love with solitude, and in order to please his Caucasian upbringing, she, a lady with character, publicly condemned emancipation and, moreover, soon after Magomayev ended his career, left the Bolshoi.

She sang the last performance in 2002, at an age when other prima donnas still do not think of leaving the stage, and since 2007, the spouses have not given concerts either. They did not advertise that Muslim Magometovich felt very unwell, underwent vascular surgery, but his caring wife was there until his last breath ...Tales about such couples usually end with the words: "They lived happily ever after and died on the same day", but in reality this does not happen. Having been widowed, Sinyavskaya was inconsolable for a long time, but gathered her will into a fist so that no one would see traces of shed tears on her face. She still has a lot to do: hold the second Magomayev vocal competition, write a book ... All this is necessary so that their love remains in people's memory not just for a long time - forever.

I confess, Tamara Ilyinichna: I have long wanted to talk with you publicly, especially since there are unfairly few of you both on the screen and in the press ...
- Dima, is it possible, as Boris Sanych Pokrovsky said, I will immediately act as a perpendicular to you? There are not a few of me on the screen, there are not enough of me now, and this, by the way, is not the fault of television and not someone's omission, but my wish. I didn’t want to be on public display, and this is my first public appearance after a long pause ...
- Thank you…
- Plus, today is the 25th, and for me this day is difficult. Three years ago, I was left alone, however, having weighed everything very well, I decided that it was time to break the silence.

- You have an amazing timbre, but have you ever tried to understand why it is so unique?
- Where, I don’t know, I just remember that my mother had a beautiful conversational voice. When she was gone, I dreamed about her for a very long time: as if I called her and heard in response: “Tamara!” - it was as if she put her voice on my cords, on my ear, on my heart, and I shuddered when I heard her in a dream.
Did your mother sing?
- In the church, on the kliros. She had an alto - a low voice, but she never performed professionally, because her fate was not at all artistic, very difficult. All my life, in general, my mother gave me.
- Are you a Muscovite?
- Yes, and the root.
- It is often difficult for Muscovites to compete with the provincials, who pave, even cut their way with their elbows. Was it hard for you to stay at the Bolshoi Theatre?
- I don’t even understand what you are talking about, because I didn’t think about this topic at all. I was born, opened my mouth, sang ...
- ... and that's all? ..
- ... and never thought how my life would turn out. She dreamed of being an artist, a teacher, a doctor, but not a singer - she sang with the feeling that it was necessary, that everyone sang.

With Maria Callas in Moscow.

- Could you become a dramatic actress?
- It's probably better to ask the directors who worked with me in the opera and saw me on stage ... Some invited me to act in films.
You have amazing eyes...
- Thank you, you just envelop me with compliments.
- I sit, you know, and admire, and what specific roles were offered to you in the cinema?
- Desiree Artaud, for example, in the film "Tchaikovsky" - remember, there was such Opera singer with whom Pyotr Ilyich was engaged? Then Maya Mikhailovna Plisetskaya played it (I don’t know for what reasons, apparently, the material was so compositionally reorganized, although I was not even interested in the reasons), and Vladimir Gorikker, who at one time shot the film-opera The Stone Guest, first recorded mine party without seeing me.
Under my voice, Lyalya Trembovelskaya, a characteristic dancer of the Bolshoi Theater, was invited to play the role of Laura (all the time the ballerina was with me, so to speak, in a pair), and when the director, after the shooting had begun, met with me, he exclaimed in surprise: “Lord where have you been before? I could have done it myself." But then I was generally small - this is the 66th year.

- They say that for some time you tried to imitate Lolita Torres ...
- Yes, all my life I not only tried to imitate her, but was in love with her. Now it’s a little funny, but then ... Muslim, by the way, got hold of her film “The Age of Love” and gave it to me on my 33rd birthday, because I just buzzed him ...
- ... all ears ...
- ... all the ears how I would like to see the picture again at this age. The fact is that I fell in love with her in the seventh grade, when the entire Soviet Union was crazy about Lolita (I watched this film 18 times, I knew it by heart). Lord, Soviet children wrote letters to her - I remember that a letter from a 12-year-old boy was published in some newspaper: “I want to marry Lolita Torres” ... That's why I asked Muslim to find an old tape - I wanted to check if the taste had changed over the years, But I liked her even then.
- Now you tried to see her again?
- I tried, but ... At one time, Lolita Torres was voiced by Victoria Chaeva, an artist, in my opinion, a radio - she, if you remember the old dubbing, had a beautiful conversational voice, and I may even imitate her a little unconsciously. ( in a low voice): "Soledat Reales goes on tour ... Anna-Maria Rosales ...". She spoke, and immediately Lolita Torres began to sing, and it turned out like this ...
- …organically?
- Very, and suddenly a few years ago on NTV they again showed the “Age of Love”. I leaned close to the screen, but when Torres opened her mouth, everything inside me faded - as a result of dubbing, the unforgettable timbre disappeared.

As Helen Bezukhova in "War and Peace"

I don’t know which actress voiced this role - maybe she, if she hears these words, will even be offended, it’s just that her voice did not match the volume of the singing voice, it hit somewhere on the wall. The magic of the way the heroine spoke disappeared - her voice, if you remember, was a little “on the chest”. We have a large film library at home, and when this picture catches my eye, I think: I wonder how Lolita Torres looks now (laughs)?

- Tamara Ilyinichna, is it true that the great Maria Callas listened to you and even praised you?
- True - I just know about the conversation that took place, as they say, behind the scenes of the Tchaikovsky Competition. I had a friend of a translator (she went with me to Belgium, where I also received the Grand Prix), and she was also invited to the IV Tchaikovsky Competition to translate for guests - he was crazy with us in 1970.
As honorary members of the jury, Maria Callas was present there, and Tito Gobbi, and what a clip of singers from Soviet Union then I exhibited! .. Well, judge for yourself: Kolya Ogrenich (God rest his kingdom!) and Zhenya Nesterenko shared the first place among the boys, the second place was taken, in my opinion, by Zurab Sotkilava and Vladik Piavko, and the amazing baritone Vitya Trishin took the third place (later I haven't heard much about him.) In women, Dusya Kolesnik from Ukraine took the third place, the second was not awarded, and the first went to Elena Vasilievna Obraztsova and I - you see, I remember everything ...
As they translated to me, Kallas exclaimed: “I really like this girl (sorry, these are not my words. — T.S.) - she has a magnificent voice and only a third of her talent has been used! Well, she also added that she - that is, I have - a great future: in this, in general, she expressed herself. At the gala concert held in Great Hall Conservatory already at the end of the competition, I sang "Seguidilla" from "Carmen". Kallas was sitting in the sixth row in the aisle, can you imagine? - and since I had a decent, one might even say, 200 percent vision, I saw that she articulated with me, so we sang together.

Good day everyone! I am an ardent admirer of Tamara Sinyavskaya's work and deeply admire her talent. If you have never heard of this amazing woman, have not heard her charming voice, you have lost a lot and this mistake needs to be corrected urgently. In my article I will try to tell in detail about who Tamara Sinyavskaya is and about her unique talent.

About childhood and creative way

Future Russian diva opera stage Tamara Sinyavskaya was born in Moscow on July 6, 1943. Tamara grew up during the years of war and hunger, and only her mother took care of her. Nothing is known about the singer's father, and she herself did not mention him in any interview, but she always and willingly, with ardent love, spoke of her mother. It was her mother who at one time brought Tamarochka to the House of Pioneers, where the girl began to study vocals, while simultaneously performing in the Song and Dance Ensemble.

The artistic directors of the ensemble drew attention to the girl's unusual talent and recommended that she enter the school at the Moscow Conservatory after school. Tamara followed the advice. Learning vocal already professionally, Sinyavskaya begins to sing in the choir of the Maly Theater, and at the same time learn the basics of acting and opera skills.

After graduating from college, Tamara comes as an intern at the Bolshoi Theater. She sings before the commission, and its members are so amazed by the young performer's singing abilities that they take her, turning a blind eye to the lack of a conservatory education. Over the year, Tamara achieves amazing success - she is taken to the main team. The debutante is on the same stage with such stars as Galina Vishnevskaya, Alexander Ognivtsev, Irina Arkhipova.

Recognition came to Tamara Sinyavskaya after the performance of the part of Olga in the opera Eugene Onegin. The girl got the role by chance - the main troupe was on tour, and there was no time to look for a soloist. Tamara was invited, and she entered so brilliantly that she was recognized the best performer the role of Olga of all time.

The first success did not become a reason for Tamara Sinyavskaya to become a star. She worked tirelessly every day to improve her talent and expand her repertoire possibilities. In the first few years of performances at the Bolshoi Theater alone, Sinyavskaya performed a dozen different parts, which are recognized as the best in the history of Russian and world opera. Tamara Sinyavskaya will work at the Bolshoi Theater for almost 40 years and will perform the best opera parts in a variety of productions. Photos in which Tamara is captured in different roles, you can see below.

Personal life

With the love of her life, Muslim Magomayev, Tamara Sinyavskaya met during a trip to Baku. Both Muslim and Tamara were not free during the first meeting, so they did not give vent to the flared feelings. Tamara immediately after returning from Baku left for Italy and thought that her sudden sympathy would fade away and not destroy her marriage. But Muslim was persistent: he called, discussed with his beloved creative plans, new music. And the fortress fell: returning from Italy, Tamara divorced her husband and entered into new marriage with Magomaev.

Sinyavskaya and Magomayev rarely parted, often organizing joint performances and tours. Their marriage was strong and happy, but, alas, in 2007 Magomayev died. Tamara Sinyavskaya was inconsolable, because she loved her husband immensely. For almost three years she lived as a hermit, avoiding society and not wanting to talk to anyone. Time did not heal the wound, but still allowed to find an outlet - Tamara decided to take up teaching and also established a competition for young performers named after her late husband. Here's a life story the brightest star Russian opera stage Tamara Sinyavskaya.

famous Soviet and Russian singer Tamara Sinyavskaya is a native of Moscow. She was born on July 6, 1943. When the future singer was little, she wanted to become a doctor. In the house where she lived with her mother, there was a clinic. Tamara loved watching people in white coats work.

Tamara's mother was a very talented woman. She had a beautiful voice, but for some reason she could not become a singer. The daughter began to sing after her mother, she repeated the compositions she heard.

At the age of three, Tamara began to feel like a real performer. The girl loved to sing in the entrances, where there was excellent acoustics. Subsequently, Tamara was sent to the House of Pioneers, where good teachers worked with her.

After that, the young singer began to sing songs with teachers in the yard, where she gathered all the neighbors. Soon the girl enrolled in the children's team of Vladimir Loktev.

When the girl was ten years old, she was transferred to the choir. There she received stage experience.

IN Last year School Tamara, on the advice of her mentor, Vladimir Loktev, decided to enter the Tchaikovsky Conservatory.

In this educational institution, she met the best teachers who were able to bring her talent to perfection. During her studies, the girl worked part-time on the stage of the Maly Theater. Then the soloists of the choir were paid five rubles each for their performance.

After some time, Tamara was advised to become an intern at the Bolshoi Theater.

A year later, the girl was taken into the main troupe, but she knew that she could not stop there. Soon Tamara entered GITIS, where she met the teacher Dora Belyavskaya. It was she who made a real diamond out of a diamond.

Once the main part of the troupe went to perform in Milan. Tamara did an excellent job with her role and from that moment she began to feel like a real mistress of the stage. After that I heard good review from Sergey Lemeshev.

It is known that Tamara Sinyavskaya was married twice. Her first husband was a ballet dancer, who helped her survive the death of her mother. Everything would be fine if it were not for the tour in Baku, where Tamara met Muslim Magomayev, with whom millions of women were in love. Both of them were in official relations, but the passion turned out to be stronger.

In the fall of 1974, the couple legalized the relationship. They lived together for thirty-four years. They did not have children, so Tamara gave all her love and care to her husband. After he died, the woman did not go on stage for three years.

Now Tamara Sinyavskaya teaches at GITIS, where she holds the position of head of the vocal department.

Tamara Sinyavskaya is also invited to the stage and offered the best vocal parts in the opera

Sinyavskaya Tamara Ilyinichna

Singer (mezzo-soprano).
Honored Artist of the RSFSR (07/24/1973).
People's Artist of the RSFSR (05/25/1976).
People's Artist of the USSR (04/30/1982).
People's Artist of Azerbaijan (2002).

She began to study singing in the Song and Dance Ensemble of the Moscow City Palace of Pioneers under the direction of V. Loktev.
In 1964 she graduated from the Musical College at the Moscow Conservatory named after P. I. Tchaikovsky, in 1970 - GITIS, singing class with D. B. Belyavskaya.
In 1964-2003 she was a soloist of the Bolshoi Theatre.
In 1973-1974 she trained at the La Scala Theater (Milan).

In 1972 she took part in the performance of the Moscow State Academic Chamber musical theater under the direction of B. A. Pokrovsky “Not only love” by R. K. Shchedrin (Varvara Vasilievna’s part). Participant music festival"Varna Summer" (Bulgaria).
Performed in performances opera houses France, Spain, Italy, Belgium, USA, Australia and other countries of the world. Toured with concerts in Japan and South Korea. Some parts from Sinyavskaya's extensive repertoire were first performed abroad: Lel in Rimsky-Korsakov's The Snow Maiden (Paris, concert performance); Azucena (Il trovatore) and Ulrika (Un ballo in maschera) in G. Verdi's operas, as well as Carmen in Turkey. In Germany and France, she sang the works of R. Wagner with great success, at the Vienna State Opera she was a participant in the production of the opera "War and Peace" by S. S. Prokofiev (Akhrosimova's part).

Leads an extensive concert activity, with solo concerts performed in the largest concert halls in Russia and abroad, including the Great Hall of the Moscow Conservatory, Concert hall named after P. I. Tchaikovsky, Concertgebouw (Amsterdam). In the concert repertoire of the singer the most complex works S. S. Prokofiev, P. I. Tchaikovsky, "Spanish Cycle" by M. de Falla and other composers, opera arias, romances, works of old masters, accompanied by an organ. Interestingly performed in the genre vocal duet(with her husband Muslim Magomayev). She fruitfully collaborated with E. F. Svetlanov, performed with many outstanding conductors, including Riccardo Chailly and Valery Gergiev.

He teaches at the Faculty of Musical Theater in RATI - GITIS.

Deputy of the Supreme Soviet of the USSR of the 11th convocation (1984-1989).
Name of Sinyavskaya - 4981 Sinyavskaya - named one of the minor planets solar system, known to astronomers under the code 1974 VS.
Honored Worker musical art(International Union musical figures, 2016) - for special personal merits in the study, preservation, development and popularization of the Russian artistic culture and art.

Wife People's Artist USSR Muslim Magomayev (1942-2008).

theatrical work

Page (Rigoletto by G. Verdi)
Dunyasha, Lyubasha (" royal bride» N. Rimsky-Korsakov)
Olga (Eugene Onegin by P. Tchaikovsky)
Flora (La Traviata by G. Verdi)
Natasha, Countess (October by V. Muradeli)
Gypsy Matryosha, Mavra Kuzminichna, Sonya, Helen Bezukhova (War and Peace by S. Prokofiev)
Ratmir (Ruslan and Lyudmila by M. Glinka)
Oberon ("Dream in midsummer night» B. Britten)
Konchakovna (Prince Igor by A. Borodin)
Pauline (" Queen of Spades» P. Tchaikovsky)
Alkonost (The Tale of the Invisible City of Kitezh and the Maiden Fevronia by N. Rimsky-Korsakov)
Kat (Cio-Cio-san by G. Puccini)
Fedor (Boris Godunov by M. Mussorgsky)
Vanya (Ivan Susanin by M. Glinka)
Commissioner's wife ("Unknown Soldier" by K. Molchanov)
Commissar ("Optimistic Tragedy" by A. Kholminov)
Frosya (Semyon Kotko by S. Prokofiev)
Nadezhda (The Maid of Pskov by N. Rimsky-Korsakov)
Lyubava (Sadko by N. Rimsky-Korsakov)
Marina Mnishek (Mussorgsky's Boris Godunov)
Mademoiselle Blanche ("Player" by S. Prokofiev) - the first performer in Russia
Zhenya Komelkova (The Dawns Here Are Quiet by K. Molchanov)
Princess (Mermaid by A. Dargomyzhsky)
Laura (The Stone Guest by A. Dargomyzhsky)
Carmen (Carmen by G. Bizet)
Ulrika (Un ballo in masquerade by G. Verdi)
Marfa ("Khovanshchina" by M. Mussorgsky)
Azucena ("Troubadour" by G. Verdi)
Claudia (The Tale of a Real Man by S. Prokofiev)
Morena (Mlada by N. Rimsky-Korsakov)
Lyubasha (The Tsar's Bride by N. Rimsky-Korsakov)

prizes and awards

Order "For Merit to the Fatherland" IV degree (February 15, 2006).
Order of the Red Banner of Labor (1971).
Order of the Badge of Honor (1980).
Order of Honor (March 22, 2001).
Order of Glory (Azerbaijan, July 5, 2003).
Order of Lomonosov, 1st class (ABOP, 2004).
Order of the Badge of Honor of Peter the Great (2005).
Order "Friendship" (Azerbaijan, July 6, 2013).
1st Prize IX International Festival youth and students in Sofia (1968).
Grand Prix and Special Prize for best performance Romance at the XII International Vocal Competition in Verviers (Belgium, 1969)
I Prize IV International Competition named after P.I. Tchaikovsky. (1970).
Prize of the Moscow Komsomol (1970).
Prize Lenin Komsomol (1980).
Prize of the Irina Arkhipova Foundation (2004).
Government Prize Russian Federation 2013 in the field of culture (2013) - for the creation of the Muslim Magomayev Cultural and Musical Heritage Fund.
Order of Honor (Azerbaijan, 2018) - for many years of fruitful activity in strengthening Russian-Azerbaijani cultural ties.

Tamara Sinyavskaya was born in the difficult war years, in the summer of July 6, 1943, in Moscow. Her singing talent was discovered early, at the age of three. She happily sang along with her mother when she, working around the house, sang amazing songs.

The girl's talent was obvious, and Tamara's parents were advised to take the baby to the nearest Palace of Pioneers, where they were just recruiting for a song and dance ensemble, led by the talented Vladimir Loktev. Later, when young Tamara was 10 years old, she was transferred from the ensemble to academic choir.

The children's group performed at the largest, including government, concerts. Here, for eight years, Tamara Sinyavskaya has been gaining vocal and stage experience. But, despite the bright vocal abilities, the girl’s dream was not at all the profession of an artist, but a doctor. But talent took over and Tamara Sinyavskaya, after graduating from school, nevertheless made a choice in favor of music and decided to receive an appropriate education. In the year 64 of the twentieth century, she graduated School of Music named after P.I.

From 1964 to 2003, Tamara Sinyavskaya was a soloist of the Bolshoi Theater, where she shone all these years.

During this period, in the mid-19070s, Tamara Sinyavskaya underwent an internship in Italy and whole year sang, learned from the best artists theater "La Scala".

From 2005 to this moment Tamara Ilyinichna Sinyavskaya works in the glorious GITIS, teaching young talents the art of vocals. She bears the title of professor, is in charge of the vocal cafe. You can tell she did brilliant career in his field.

Facts from personal life

The personal life of Tamara Sinyavskaya is a kind of legend. But let's start from the very beginning. She was married twice. Her first husband seemed to be a completely random person in her life. It was a theater artist, from ballet, little is known about him, only that his name was Sergey, their marriage did not last long, it was concluded in 1971, when the singer was 28 years old, and ended in dissolution in 1974. They did not take place, as husband and wife, they didn’t have a child, in fact, nothing united them, but Tamara Sinyavskaya recalls her first wife with warmth, as he helped her inexpressibly and provided invaluable support to her exactly when she needed her so badly.

It was in that 1974 that Tamara Sinyavskaya married great love all his life - Muslim Magomayev. They lived happily full of love and creativity marriage until 2008. It was in that year, unfortunately, the husband of Tamara Sinyavskaya, also famous singer and an unsurpassed artist, died, which was a tragedy not only for the singer, but for the whole world. Their family was a role model, as infrequently creative environment boasts long-lasting and strong marriages.

creative path

Tamara Sinyavskaya can safely boast that her creative way dotted with stars. To list all her parts, operas where she shone, records on which her voice sounds - it is necessary to write a whole book. But it is worth noting that her magnificent voice, velvety and penetrating mezzo-soprano, sounded in such operas as Boris Godunov, Eugene Onegin, The Tsar's Bride. And this is just a drop in the singer's creative sea.

During the forty-year history of the soloist of the Bolshoi, she managed to sing in almost all operas that were staged at the theater at that time. This is not counting the songs. famous authors for verses no less famous poets, concert activity, filming in films.

How does Tamara Sinyavskaya live now? She is completely immersed in creative activity and life, only on the other hand. She teaches, leads the vocal department at GITIS, works on the fund named after her husband Muslim Magomayev, keeps her finger on the pulse and does not lose touch with the theatrical environment.

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Advice 2: Sinyavskaya Tamara Ilyinichna: biography, career, personal life

Opera lovers have always been impressed a beautiful couple, which was Tamara Sinyavskaya and Muslim Magomayev. Thanks to these wonderful performers, we can enjoy romances, opera arias and songs performed by them. Although opera diva currently leads a closed lifestyle, public interest in the great singer is still high.

The famous opera singer Tamara Ilyinichna Sinyavskaya was born on July 6, in a difficult military summer 1943.

Biography of childhood

Tamara grew up without a father, whose name is unknown. upbringing young talent her mother was engaged, due to difficult life circumstances she did not become famous, but she had unconditional talent and a beautiful voice. This voice was inherited by her daughter.

Little Tamara sang at the age of three, repeating the songs she heard performed by her mother. The first stages of the future opera diva were the entrances of nearby houses. The acoustics in the old Moscow front rooms were such that the arias being performed made one shudder, as if she were singing in a church or on stage. It was one of the inhabitants of such an entrance-scene that advised Tamara's mother to enroll the girl in vocal circle Houses of pioneers, where specialized teachers would have studied with her.

Career and work of the famous singer

However, Tamara Ilyinichna herself dreamed of becoming a doctor as a child, but life turned out differently. As the opera diva herself said, she could well have devoted her life to medicine if she had not begun to sing. I had to quit my favorite skiing because of the fear of losing my voice from the cold. Her whole childhood life was a series of conscious failures and decisions that led her to the stage.

After school, Tamara Ilyinichna graduated from college at the conservatory, worked part-time in the choir. Her debut role on stage was "Page" from the opera Rigaletto, at that moment the singer was only twenty years old. At first, due to her young age, no one took her seriously, but in the same year Tamara Sinyavskaya became the leading singer and received an invitation to the Blue Light, known at that time.

Tamara Ilyinichna devoted more than forty years of her life to the theater, became the prima of the opera, went on tour in Europe, on Far East, America and far away Australia.

Personal life of Tamara Sinyavskaya

Prima married twice. Her first husband was the same creative person, ballet dancer, but their living together was not bright. The second husband was a man of a similar spirit, an opera and pop singer, the well-known Muslim Magomedov. They met in the autumn of 1972 in the southern city of Baku, but at that time Tatyana was still married. But this fact did not stop Magomedov: he courted Tatyana for two long years and came to the goal - on November 23, 1974, Tatyana married him.

Children never appeared in their couple, but the 34 years they lived together were happy and romantic. Their relationship was above fame and fans.