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Cellist Boris Andrianov personal life. This is my city: cellist Boris Andrianov

Boris Andrianov is one of the leading Russian musicians of his generation. He is the ideological inspirer and leader of the Generation of Stars project, within the framework of which concerts of young talented musicians are held in different cities and regions of Russia. At the end of 2009, Boris was awarded the Russian Government Prize in the field of Culture for this project. Also, since the end of 2009, Boris has been teaching at the Moscow State Conservatory.

In 2008, Moscow hosted the first in the history of Russia cello festival, whose art director is Boris Andrianov. In March 2010 the second festival "VIVACELLO", which will bring together such outstanding musicians as Natalia Gutman, Yuri Bashmet, Misha Maisky, David Geringas, Julian Rakhlin and others.
With his participation in 2000 at the Antonio Janigro International Competition in Zagreb (Croatia), where Boris Andrianov was awarded 1 prize and received all special prizes, the cellist confirmed his high reputation, which developed after XI International Competition them. P.I. Tchaikovsky, where he won the 3rd prize and the Bronze medal.
The talent of Boris Andrianov was noted by many famous musicians. Daniil Shafran wrote: "Today Boris Andrianov is one of the most talented cellists. I have no doubts about his great future." And at the VI International M. Rostropovich Cello Competition in Paris (1997), Boris Andrianov became the first representative of Russia to receive the title of laureate in the entire history of the competition.
In September 2007, the disc by Boris Andrianov and pianist Rem Urasin was chosen by the English magazine Gramophone as the best chamber disc of the month. In 2003, Boris Andrianov's album, recorded together with the leading Russian guitarist Dmitry Illarionov, released by the American company DELOS, was included in the preliminary list of Grammy Award nominees.

Raffaele Bellafronte

Dmitry Illarionov - guitar, Boris Andrianov - cello

Boris Andrianov was born in 1976 into a family of musicians. He graduated from the Moscow Musical Lyceum. Gnesins, class of V.M. Birina, then studied at the Moscow State Conservatory, class People's Artist USSR professor N.N. Shakhovskaya, and continued his education at the Higher School of Music. Hans Eisler (Germany) in the class of famous cellist David Geringas.
At the age of 16, he became a laureate of the first International Youth Competition. P.I. Tchaikovsky, and a year later received the first and Grand Prix at a competition in South Africa.
Since 1991, Boris has been a scholarship holder of the "New Names" program, which he presented with concerts in many cities of Russia, as well as in the Vatican - the residence of Pope John Paul II, in Geneva - at the UN office, in London - in St. James Palace. In May 1997, Boris Andrianov, together with pianist A. Goribol, became a laureate of the First International Competition. D.D. Shostakovich "Classica Nova" (Hannover, Germany). In 2003, Boris Andrianov became a laureate of the 1st International Isang Yun Competition (Korea). Boris was a member of many international festivals, among them: the Swedish Royal Festival, the Ludwigsburg Festival, the festival in Cervo (Italy), the festival in Dubrovnik, the Davos Festival, the festival "Crescendo" (Russia). Permanent participant of the festival chamber music"Return" (Moscow).

Boris Andrianov has an extensive concert repertoire, performs with symphony and chamber orchestras, including: Orchestra Mariinsky Theater, National Orchestra of France, Lithuanian Chamber Orchestra, Tchaikovsky Symphony Orchestra, Slovenian Philharmonic Orchestra, Croatian Philharmonic Orchestra, Chamber Orchestra "Zagreb Soloists", Polish Chamber Orchestra, Berlin Chamber Orchestra, Bonn Beethoven Orchestra, Russian National Orchestra, Academic Symphony Orchestra Moscow Philharmonic, Vienna Chamber Orchestra, Orchestra di Padova e del Veneto, jazz orchestra Oleg Lundstrem. He also played with famous conductors such as V. Gergiev, V. Fedoseev, M. Gorenstein, P. Kogan, A. Vedernikov, D. Geringas, R. Kofman. Boris Andrianov, together with the famous Polish composer K. Penderecki, repeatedly performed his Concerto Grosso for three cellos and orchestra. Boris performs a lot of chamber music. His partners were such musicians as Yuri Bashmet, Menachem Pressler, Akiko Suvanai, Jeanine Jansen, Julian Rakhlin.
After the performance of the Boccherini Concerto at the Berlin Philharmonic, the Berliner Tagesspiegel newspaper published an article entitled "Young God": "... the young Russian musician plays like a god: a touching sound, beautiful soft vibration and mastery of the instrument created from the unpretentious Boccherini concerto small miracle..."

L. Boccerini - Cello concerto I

L. Boccerini - Cello concerto II

L. Boccerini - Cello concerto III

In September 2006, Boris Andrianov gave concerts in Grozny. These were the first concerts classical music in the Chechen Republic since the outbreak of hostilities.
Since 2005, Boris has been playing on unique instrument works by Domenico Montagnana from the State Collection of Unique musical instruments.

P. Tchaikovsky - Nocturne

Giovanni Sollima - Lamentatio

Richard Galliano

In 2008 Moscow hosted the first cello festival in the history of Russia, the art director of which is Boris Andrianov. In March 2010, the second festival "VIVACELLO" will be held, which will bring together such outstanding musicians as Natalia Gutman, Yuri Bashmet, Misha Maisky, David Geringas, Julian Rakhlin and others.

With his participation in 2000 in the International Antonio Janigro Competition in Zagreb (Croatia), where Boris Andrianov was awarded the 1st prize and received all the special prizes, the cellist confirmed his high reputation, which had developed after the XI International Competition named after. P.I. Tchaikovsky, where he won the 3rd prize and the Bronze medal.

The talent of Boris Andrianov was noted by many famous musicians. Daniil Shafran wrote: Today Boris Andrianov is one of the most talented cellists. I have no doubts about his great future. And at the VI International M. Rostropovich Cello Competition in Paris (1997), Boris Andrianov became the first representative of Russia to receive the title of laureate in the entire history of the competition.

In September 2007, the disc by Boris Andrianov and pianist Rem Urasin was chosen by the English magazine Gramophone as the best chamber disc of the month. In 2003, Boris Andrianov's album, recorded together with the leading Russian guitarist Dmitry Illarionov, released by the American company DELOS, entered the preliminary list of Grammy Award nominees.

At the age of 16, he became a laureate of the first International Youth Competition. P.I. Tchaikovsky, and a year later received the first and Grand Prix at a competition in South Africa.

Since 1991, Boris has been a scholarship holder of the New Names program, which he presented with concerts in many cities of Russia, as well as in the Vatican - the residence of Pope John Paul II, in Geneva - at the UN office, in London - in St. James Palace. In May 1997, Boris Andrianov, together with pianist A. Goribol, became a laureate of the First International Competition. D.D. Shostakovich "Classica Nova" (Hannover, Germany). In 2003, Boris Andrianov became a laureate of the 1st International Isang Yun Competition (Korea). Boris has participated in many international festivals, including: the Swedish Royal Festival, the Ludwigsburg Festival, the Cervo Festival (Italy), the Dubrovnik Festival, the Davos Festival, the Crescendo Festival (Russia). Permanent participant of the chamber music festival "Return" (Moscow).

Boris Andrianov has an extensive concert repertoire, performs with symphony and chamber orchestras, including: the Mariinsky Theater Orchestra, the National Orchestra of France, the Lithuanian Chamber Orchestra, the Tchaikovsky Symphony Orchestra, the Slovenian Philharmonic Orchestra, the Croatian Philharmonic Orchestra, the Zagreb Soloists Chamber Orchestra ”, Polish Chamber Orchestra, Berlin Chamber Orchestra, Bonn Beethoven Orchestra, Russian National Orchestra, Academic Symphony Orchestra of the Moscow Philharmonic, Vienna Chamber Orchestra, Orchestra di Padova e del Veneto, Oleg Lundstrem Jazz Orchestra. He also played with famous conductors such as V. Gergiev, V. Fedoseev, M. Gorenstein, P. Kogan, A. Vedernikov, D. Geringas, R. Kofman. Boris Andrianov, together with the famous Polish composer K. Penderecki, repeatedly performed his Concerto Grosso for three cellos and orchestra. Boris performs a lot of chamber music. His partners were such musicians as Yuri Bashmet, Menachem Pressler, Akiko Suvanai, Jeanine Jansen, Julian Rakhlin.

After the performance of the Boccherini Concerto at the Berlin Philharmonic, the newspaper Berliner Tagesspiegel published an article entitled "A Young God": ... a young Russian musician plays like a god: a touching sound, a beautiful soft vibration and mastery of the instrument created a small Boccherini concerto from an unpretentious miracle...

Boris gives concerts in the best halls Russia, as well as on the most prestigious concert venues Holland, Japan, Germany, Austria, Switzerland, USA, Slovakia, Italy, France, South Africa, Korea, Italy, India, China and other countries.

In September 2006, Boris Andrianov gave concerts in Grozny. These were the first classical music concerts in the Chechen Republic since the outbreak of hostilities.

Since 2005, Boris has been playing an instrument by Domenico Montagnana from the State Collection of Unique Musical Instruments.

Boris Andrianov

Andrianov Boris

Children born into families of talented musicians often suffer from their parents' desire to force them to become musicians as well. Not every child may like long-term playing of a musical instrument, rehearsals and concerts, but Boris Andrianov was not like that. Already at the age of 4, he knew for sure that he wanted to become a professional musician. Parents who never imposed their views on their son helped the boy realize his dream.

Numerous teachers did not tire of repeating that this child has a real gift. If others needed long time rehearse in order to play any work, then Boris could practically reproduce everything exactly the first time. To a large extent this was the result hard work And permanent job above oneself. At the same time, the boy successfully combined musical education with the classic.

Today we can really say that Boris Andrianov is unique in many ways. He achieved everything in his life exclusively by himself. Eminent parents never used their connections so that their son could take part in any concert. From the age of 10, the boy began to actively work for his own name, so that after 15 years his name would become a symbol of true talent.

You can hear Boris Andrianov's performances in many countries of the world, where he plays solo parts or as part of a symphony orchestra. Despite the fact that the cost of tickets can reach astronomical values, it can be very difficult to find a free ticket. In many ways, this love of the public is the result of the talent and ability to read any book in an original way. classic for cello.

Titles and awards

Boris Anatolyevich is the author and leader of the international project "Generation of Stars", which has helped many young and very talented musicians start your own career. Now any young person living in any region Russian Federation has the opportunity to participate in this program.

His first great achievement came in 1992, when he won first place at the International Tchaikovsky Competition for Youth. After 2 years young talent takes place of honor at another music competition held in South Africa. 5 years later still waiting for the next one international recognition- Laureate of the first international music competition in Hannover, Germany. In the same year he was among the winners of the Parisian cello competition.

IN early XXI century, Boris Andrianov becomes the laureate of the music competition in Zagreb, where he received not only the first prize, but also became the undisputed leader in all other categories. In 2003 he goes to the international musical competition V South Korea where it takes first place.

In addition to participating in numerous competitions and music forums, the cellist performs with chamber and symphony orchestras different countries, the name of each of which has long become a household name. Despite the large number of proposals from different countries, the musician prefers chamber music. His favorite orchestra is Krzysztof Penderecki's.

Andrianov Boris at your event

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Photo from the site http://www.borisandrianov.com/

The Eighth VivaCello Festival has begun in Moscow, where well-known and not yet well-known, and sometimes even the newest, cello music is presented by reputable performers. Artistic director cellist Boris ANDRIANOV is a creative person, the author of several projects. One of them takes place in early June, when a team of musicians goes to the outback, in particular, to the Vladimir region, and gives concerts there under open sky. NG correspondent Marina Gaikovich spoke with Boris Andrianov on the eve of the opening concert of VivaCello. The festival will run until November 25th.

The program of the festival is very curious, but this year I did not notice the premiere of a new composition, as is usually the case at VivaСello. Usually a new composition is written for each festival.

We have a Dubunion concerto, which the composer made especially for us in a new version, which we position as a world premiere. The concerto was recorded for cello with a brass band, and it was specially made for us with a symphony. There will be a Russian premiere of Anya Drubich's Kaddish for cello and orchestra.

- Is this the daughter of Sergei Solovyov and Tatyana Drubich? Doesn't mean she writes. Heard her as a pianist.

She composed music for Anna Karenina. And to the film by Anna Melikyan "Star".

Could you introduce the cellists who will perform at the festival, whose names are not so widely known in Russia?

Nicolas Altstedt and Thorleif Tedeen will perform, this is not the first visit to Russia by German and Swedish cellists. Thorleif and I played a lot of chamber music together at various festivals. Wonderful person, experienced. Nicholas is younger, studied with David Geringas, he now has a stormy career, he conducts and plays. Very popular in Europe now.

Jens Peter Mainz and Wolfgang Emanuel Schmidt are already known to our music lovers, they played at the Tchaikovsky competitions. Both are now successful teachers. Andrei Iones is the winner of the last Tchaikovsky Competition. Claudio Borges performs at our festival for the third or fourth time.

- The project "CelloDuello" attracted attention in the poster. Please tell us about him.

These are two such two-meter German guys who studied with Geringas too. Both performed at the Tchaikovsky competitions. Wolfgang played that unfortunate one when no one got anything. And Peter Mainz played in 1998, became the winner of the competition. They have been performing together as a duet for a long time, they have a program with which they performed everywhere except us. It's really, interesting concert, besides, I must say, it is not easy to play a cello duet.

- An ensemble of 12 cellos at the Berlin Philharmonic!

Yes, they are fantastic. They have existed since 1972. By the way, they came to us for the first festival, it was their first visit to Russia. Then the Moscow Philharmonic brought them again.

- Does cello music need propaganda today?

Always needed, of course. Even Coca-Cola, the taste of which everyone knows, is advertised everywhere. And what about our half a percent of the population who know what a cello is ... Let them be at least two percent., It will already be good. If people will discover new tool, then we will consider that our mission is completed. The festival is another reason for us to play music together, a reason for a new composition to appear. Once again, chat and play music. And show what we have beautiful instrument. Bring new musicians so that they can see how good we are, and we can hear how they are. In general, everything is one sheer pleasure.

You hold the position of art director, but organizational work not doing?

I am not only involved in the creative side. You have to do a little of everything. This is my brainchild, I found people who took it all under their wing. We are supported. Thanks to the efforts of foundations, everything exists.

- And the Moscow Philharmonic?

The Philharmonic shares, shares with us part of the concerts, in particular the opening and closing concerts.

What prompted you to project, festival work? It seemed that everything should be fine with you, the winner of the Tchaikovsky Competition.

I just thought why not give it a try. After all, I played at various festivals, including cello ones. I travel a lot and know many musicians who would like to come to Russia. It all started almost from scratch. I have been very lucky with the U-Art Foundation. This is a unique case when the festival is held entirely with private money. It doesn't exist anymore, so it's good example patronage. Culture support. An example for others.

There is the Return festival, which has been going on for 20 years now, it is made by my friends Roma Mints and Dmitry Bulgakov. They are engaged in franchising, collecting money for the festival. I'm lucky that I don't have to do this.

Your project is much more expensive. Concerts with a symphony orchestra, order new essays. At one time, even Penderecki wrote for you.

Certainly. Now U-Art and I are also doing the Vivarte chamber music festival in the Tretyakov Gallery in autumn and spring. I am glad that we have a well-coordinated team. All are very professional. Although a little did not understand at first how to be in this activity. For those who work in the Foundation, the organization of the festival was a novelty. Now everything is very stylish and beautiful - this is about the wrapper, but this is also important.

- Do you feel how your festival is developing? Is there a feedback from the performers, from the listeners?

Everyone wants to come back! The festival is definitely growing. We do not increase the number of concerts, do not become larger. We keep our format, but, for example, this year we have added master classes that were not there before. About 20 hours. Cellists will give lessons within the walls of the Moscow Conservatory, all students are terribly happy. We have received a huge number of applications. We select so that everyone can try. By pull, I first push through all my students, then the rest (laughs). Although some teachers do not allow you to play with others - why, you have me.

Does teaching bring you joy?

Not always.

- Why?

There are different students, the level is uneven. But on this moment I am glad of the situation in the class. When a student has a desire, the desire wakes up in you. The main thing is that the students are adults and understand that they are engaged in a serious business that needs to be given. When this happens, they begin to think for themselves. When they come and you're doing creative work, and not you telling them which note is pure/off-key or like in first grade, give me finger strokes. Then it's nice. I now have only four and I barely have time to study with them, I have only been in Moscow for two weeks since July. Sometimes I take someone on tour, we do concerts together. I recently took one student to the Tver Philharmonic, in Kaliningrad, Vladimir. They also learn at my concerts. It's still a plus that I'm a playing musician. I also studied in this format with David Geringas, who was also always on tour. And he came only on big holidays. But we always lacked his attention.

- There are no thoughts: in our time there was a level, but now ...?

And so it is. Previously, the level was stronger.

- By the way, Geringas will play with the young pianist Philip Kopachevsky. Will this be their first meeting?

Yes! They are delighted with each other. They had already rehearsed in October and were very close to each other. Which makes me unspeakably happy. It could have been different. Knowing the habits of his professor.

- Not too accommodating?

He does not treat all performers favorably. Especially in Beethoven, where he has his own clear idea of how to play. And if a partner does not suit him, especially in such a program, then write wasted.

Please tell us about your other - summer - project "Musical Expedition". I was lucky this year to attend concerts in Vladimir region. Very romantic: a farm, or an old count's ruins...

It was our joint idea with Alisa Biryukova (Deputy Director of the Department of Culture of the Vladimir Region - "NG"). The idea was born during the previous project "Generation of Stars". We came there with Dima Larionov and Count Murzha, played concerts. And on the way we stopped at the Khrapovitsky estate. That's when the idea was born, why not try to play a concert in this estate. So that the regional government pays attention to this dilapidated castle. Gradually, the idea of a “Musical Expedition” came up, when we travel around the region (and now there are several regions), play an open-air concert in the summer for everyone. It's great that so many people are coming. It is clear that this locals for whom everything is definitely new. After all, access to academic music in such places is very limited. Residents of a small village would never even think of turning on the Kultura TV channel; there is no other way to hear the classics. At such festivals we both have a rest and work. This is great fun. I think we have an original idea with " musical expedition". Especially with our color and remoteness, isolation - the village. This year we plan to go to the Vologda region.

- I remember when the first festival was born you wanted to carry the audience with you.

Yes, we wanted to, but we cannot reach the tourist format. Some part of the audience comes from Moscow on their own, 30-40 people. From big cities Vladimir region people come to our concerts

As far as I know, when you play in estates, you are trying to draw the attention of the regional administration to these objects. Restoration of the Khrapovitsky estate are doing?

As far as I know, they are going to start. It's very expensive - it's huge! I know that it was transferred to the category of museums.

- How many projects do you have in total?

Already four.

- Wow, approach Matsuev soon!

With Denis, everything is tied to the name. He has the ability to collect bright stars and take them to the outback. It's easy for him. And it's a big deal that they travel around Russia. We have a different format. We try, after all, every time to make our own format: there is a chamber music festival in Tretyakov Gallery, the cello festival, the traveling festival, and the "Generation of Stars" - educational. Since we live here, in Russia, and have not gone anywhere, it means that we must be useful.

“By the way, why didn’t you leave?”

And I left and came back. I studied in Germany, lived in America.

- So it was a conscious choice?

Yes, my soul was calling. Still, a person should always have a point of return. And somehow, over time, I had all these things that made me spend more time traveling around Russia. Just returned from a tour of the Yamalo-Nenets autonomous region, where he visited places where the musician's foot had not yet set foot. They played in music schools and houses of culture. For 5-6 years we have been traveling with pianist Rem Urasin and accordionist Kolya Sivchuk, giving master classes and playing concerts. Each time in a different city. Yesterday I had a concert in the village of Khanymei. Today I arrived from the city of Noyabrsk. From the plane I went to the rehearsal of the Dubunion concerto. Then he went to rehearse a concert by Brodsky with Smolyaninov at the House of Music. Now I'm going home and talking to you.

In this regard, I cannot but recall Richter, who played concerts in the outback even on bad instruments. What you are doing is very patriotic.

Well in Soviet time there was a system when everyone had to work out from the Mosconcert. There was a good system. Now she is gone. But we have such a huge country and in general, like, now there is no time for music. Take Yamal. Imagine the city of Gubkinsky for 10,000 inhabitants. Children's School of Music looks like a sheikh's palace, the oil workers built. An amazing piano is worth it. But there is no one to set it up! And the last concert there was ours, last year. Why is this room needed then? Of course, it would be wiser to distribute these funds over several years: hold regular master classes, concerts, buy violins and pipes for children, and support them all the time. There people live in difficult conditions. But, despite this, they give children to violins and pipes. A deep bow to the teachers that they are doing music there.

Boris Andrianov was born in 1976 into a family of musicians. He graduated from the Gnessin 10-year school, then studied at the Moscow Conservatory, class of Professor N.N. Shakhovskaya and continued his education at the Hans Eisler Higher School of Music, Germany in the class of the famous cellist David Geringas.

Since 1991, he was a scholarship holder of the New Names program, within which he performed in many cities of Russia, as well as in the Vatican - the residence of Pope John Paul II, in Geneva - at the UN office, in London - at St. James Palace.

At the age of 16, he became a laureate of the first International Youth Competition. P.I. Tchaikovsky, and a year later received the first and Grand Prix at a competition in South Africa.

In May 1997, Boris Andrianov, together with pianist Alexei Goribol, became a laureate of the First International Tchaikovsky Competition. D.D. Shostakovich "Classica Nova" (Hannover, Germany).

At the VI International M. Rostropovich Cello Competition in Paris (1997), Boris Andrianov became the first representative of Russia to receive the title of laureate in the history of the competition. With his participation in 2000 at the International Antonio Janigro Competition in Zagreb (Croatia), where Boris Andrianov was awarded the 1st prize and received all the special prizes, the cellist confirmed his high reputation, which had developed after the 11th International Competition. P.I. Tchaikovsky (1998), where he won the III prize and the Bronze medal.

In 2003, Boris Andrianov became a laureate of the I International Isang Yun Competition (Korea). In the same year, Boris Andrianov's album, recorded together with the leading Russian guitarist Dmitry Illarionov, released by the American company DELOS, was included in the preliminary list of Grammy Award nominees.

Boris Andrianov has an extensive concert repertoire, performs with symphony and chamber orchestras, including the Mariinsky Theater Orchestra, the Russian National Orchestra, the Academic Symphony Orchestra Moscow Philharmonic, P.I. Tchaikovsky, State Chamber Orchestra jazz music named after O. Lundstrem, National Orchestra France, philharmonic orchestras Slovenia and Croatia, chamber orchestras Berlin, Vienna, Zagreb, Poland and Lithuania, Beethoven Orchestra Bonn, Padua Orchestra.

He also played with such famous conductors as Valery Gergiev, Vladimir Fedoseev, Mark Gorenstein, Pavel Kogan, Alexander Vedernikov, David Geringas, Roman Kofman and others. Together with the famous Polish composer and conductor Krzysztof Penderecki, the cellist repeatedly performed his Concerto Grosso for three cellos and orchestra. Boris performs a lot of chamber music, playing in ensembles with such musicians as Yuri Bashmet, Menachem Pressler, Akiko Suvanai, Jeanine Jansen, Julian Rakhlin.

Boris Andrianov gives concerts in the best halls of Russia, as well as at the most prestigious concert venues in Holland, Japan, Germany, Austria, Switzerland, USA, Slovakia, Italy, France, South Africa, Korea, Italy, India, China and other countries. In September 2006, he performed in Grozny. These were the first classical music concerts in the Chechen Republic since the outbreak of hostilities.

He has participated in many international festivals, including: the Swedish Royal Festival, the Ludwigsburg Festival (Germany), festivals in Cervo (Italy), Dubrovnik (Croatia), Davos (Switzerland), the Crescendo festival (Russia). Permanent participant of the chamber music festival "Return" (Moscow).

In September 2007, the disc by Boris Andrianov and pianist Rem Urasin was chosen by the English magazine Gramophone as the best chamber disc of the month.

In 2008 Moscow hosted the first cello festival in the history of Russia, the art director of which is Boris Andrianov.

In March 2010, the second festival was held, and in the fall of 2011, the third festival "VIVACELLO" was held, at which such outstanding musicians, like Natalia Gutman, Yuri Bashmet, Misha Maisky, David Geringas, Stephen Isserlis, Alexander Rudin, Julian Rakhlin, Sergey Nakaryakov and many other artists. For this project in 2009, Boris was awarded the Prize of the Government of the Russian Federation in the field of Culture. In the same year he began teaching at the Moscow Conservatory.

An interesting fact is that since 2005 Boris has been playing a unique instrument made by Domenico Montagnana from the State Collection of Unique Musical Instruments. I used to play this instrument Grand Duke Michael, brother Emperor Alexander I.

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