Bazarov's behavior before death. "Trial by Death"

Evgeny Bazarov preferred to defend the ideas of nihilism. The main character of the novel I.S. Turgenev's "Fathers and Sons" is a young nihilist Yevgeny Bazarov. In the course of reading, we learn the ideas of this trend.

Our hero followed in the footsteps of his father, a county doctor. But living in the middle of the nineteenth century, he was a supporter, like all youth, of the ideas of nihilism. He adheres to the belief that a person needs to know only the sciences that bring sense. For example, exact sciences: mathematics, chemistry. He defends his point of view that a decent mathematician or chemist is more useful than some poet! And poetry is the entertainment and fantasy of rich loafers. It clearly shows the denial of love for living objects of nature. And he is increasingly moving away from his family and good friends.

He believes that there are physiological processes driven by the behavior of all people. Ideas flourish in his mind that

He is persistent in his work, constantly working, giving himself to the sick. When he performs his work duties, he experiences a feeling of joy. Among the people who encountered him in the hospital, he enjoyed prestige and respect. He liked the surrounding, sick children.

And then comes the tragic moment - the death of Bazarov. There is a huge meaning of the event here. Cause fatality is a blood infection. And now, remaining completely alone, he begins to experience anxiety. He is tormented by internal conflicting feelings towards negative ideas. And he began to understand the importance of parental support and participation. That they are getting old and they need the help and love of their son.

He boldly looked death in the face. He developed a strong self-confidence. He felt both fear and lack of human attention. Scientific discoveries, his knowledge of medicine did not help him. Natural viruses and their incurable progression took over his life.

A good person who helps people has taken on the disease. He is tormented by doubts that he has not fulfilled everything on earth. IN this work he heroically fights for his life. Excellent doctor and kind person.

I like this character. Before his death, he reconsiders his attitude to nature, family, loved one. He realizes that he is still unmarried. Odintsova comes to him, and he confesses his love for her. He asks for forgiveness from his parents, begins to think about God. He does not want to die, he believes that he could still serve Russia. But, alas, his ideal - medicine is powerless.

Composition Death of Bazarov analysis of the episode

The main character of the novel by I. S. Turgenev "Fathers and Sons" is a young and educated Yevgeny Bazarov. The guy considers himself a nihilist, he denies the existence of God and any human feelings. Bazarov studied the natural sciences, he believed that people should devote more time to such sciences as physics, chemistry and mathematics, and in poets he saw only lazy and uninteresting people.

Evgeny Vasilyevich Bazarov was born into a family where his father worked all his life as a county doctor. Bazarov believes that a person has unlimited power, so he believed that he was able to reject all the previous experience of mankind and live according to his own understanding. Bazarov considered the main purpose of the nihilists to destroy all the delusions of their ancestors. Without any doubt, it is clear that Bazarov is smart enough, and has great potential, according to the author himself, the hero’s beliefs are incorrect and even dangerous, they contradict the laws of life.

Over time, Bazarov begins to be convinced that for a long time wrong in his beliefs. The first blow for him was suddenly flared up feelings for the young and beautiful Anna Sergeevna, at first the guy simply admired the beauty of the girl, and then he caught himself thinking that he had some feelings for her. The hero was frightened of the inexplicable, he did not understand what was happening to him, because the convinced nihilist rejected the existence of love. Love made him rethink his faith, he was disappointed in himself, he realized that he was a simple person who can be controlled by feelings. This discovery knocked Bazarov down, he did not know how to continue to live, the guy leaves home to try to forget the girl.

IN parental home, a fateful event occurs to him. Bazarov did an autopsy on a patient who died from a terrible disease called typhus, and later he becomes infected himself. Lying in bed, Bazarov realized that he had a few days left. Before his death, the guy completely convinces himself that, after all, he was wrong in everything, that it is love that brings great meaning to a person’s life. He understands that in his entire life he has not done anything useful for Russia, and an ordinary hard worker, butcher, shoemaker or baker has brought more benefits to the country. Eugene asks Anna to come to say goodbye. Despite the dangerous illness, the girl immediately goes to her beloved.

Bazarov is a smart, strong and gifted person who strove to live and work for the good of the country. However, with his wrong beliefs, belief in nihilism, he renounced all the main values ​​of humanity, thereby destroying himself.

Option 3

Fathers and Sons is a novel that was published in 1861. It was a rather difficult time for Russia. Changes took place in the country, and the people were divided into two halves. Democrats on one side and liberals on the other. But, regardless of the idea of ​​each side, they understood that Russia requires changes in any case.

This work of Turgenev has a sad ending, dies main character. In this work, the author felt new features in people, but he could not understand one thing, how these characters would act. The protagonist Bazarov meets death still quite early. young age. Bazarov is a direct person and always knows how to put a certain amount of sarcasm into his speech. But when the hero felt that he was dying, he changed. He became kind, he became polite, he completely contradicted his convictions.

It becomes noticeable that Bazarov is very sympathetic to the author of the work. This becomes especially obvious when the time comes for Bazarov to die. During the death of the hero, his essence becomes visible, his true character. Bazarov is in love with Odintsova, but this does not affect him in any way before his death. He is still brave, selfless, the hero is not afraid of death. Bazarov knows that he will soon leave for another world and has no worries about the people who will remain. He doesn't worry about unfinished business or questions. Why does the author show the reader the death of the hero? The main thing for Turgenev was to show that Bazarov was a non-standard person.

The main idea of ​​the author is love and fearlessness before the moment of death. Also, Turgenev did not miss the topic of respect for sons for their parents. The main thing is that Bazarov is on the verge of breaking, but he is not defeated. It is interesting that even after his death, the main character has not changed some of his principles. He is dead and still cannot perceive religion in any way, it is not acceptable to him.

The moment of Bazarov's farewell to Odintsova is built very clearly and in contrast. The author emphasizes a living woman and a man who is dying. Turgenev emphasizes the sharpness of the scene. Anna is young, beautiful, bright, and Bazarov is like a half-crushed worm.

The ending is truly tragic. After all, there is no other way to call it, a very young man dies, besides, he is in love. It is sad, of course, that death cannot be deceived or escaped from it; nothing at all depends on the person himself. It is rather heavy on the soul when you read the final scene of Turgenev's work.

Composition Bazarov in the face of death Grade 10

Ivan Sergeevich Turgenev - classic domestic literature and a true master of the pen. In terms of beauty and picturesque descriptions, only Nabokov and Tolstoy can be compared with him. The work of Turgenev's whole life is the novel "Fathers and Sons", the main character of which Bazarov Evgeny is a reflection of a new, only emerging type of people in Russian Empire. The protagonist of the novel dies at the end of the work. Why? I will answer this question in my essay.

So, Bazarov is a nihilist (a person who does not recognize authorities and denies everything old, traditional). He studies at the university at the Faculty of Natural Sciences, to study the world around him. Bazarov denies everything: art, love, God, the aristocracy of the Kirsanov family and the foundations that have developed in society.

The storyline of the work confronts Bazarov with Pavel Petrovich Kirsanov - a man of truly liberal views, this was not done by chance: this is how Turgenev shows political struggle revolutionary democracy (represented by Bazarov) and the liberal camp (represented by the Kirsanov family).

Then Bazarov meets Anna Sergeevna Odintsova, a very well-read and well-versed girl in matters not only of fashion, but also of science, and also with a strong character. This strikes Bazarov, he falls in love. And after she refuses him, he leaves for his parents on the estate and dies there from blood poisoning. It would seem that, ordinary story, but this is still classical Russian literature, and Bazarov's death is quite understandable. Bazarov, a man who denied everything, including love, finds himself in such a position that he himself loves another person: he is tormented by contradictions, he begins to see reality as it really is.

It was the destruction of the main principle of Bazarov - the denial of love that killed Bazarov. A person who literally breathed nihilism can no longer live in his illusion, having met such a strong feeling. The destruction of the principles of Bazarov and his sudden death needed by Turgenev in order to show the uselessness of Bazarov in this society.

In conclusion, I would like to say that the destruction of Bazarov’s principles by Turgenev can be perceived in two ways: on the one hand, this is a reflection of reality as Turgenev saw it, on the other hand, it is Turgenev’s political nature, because Turgenev himself was a liberal and drawing such a line that the liberal Arkady lives happily, and the revolutionary democrat Bazarov died, this suggests that Turgenev, by contrast, expressed his political position calling himself right. What was the purpose of killing Bazarov, only history knows the answer to this question ...

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The question of why Turgenev killed his hero of the novel "Fathers and Sons" - Yevgeny Bazarov, was of interest to many. Herzen said on this occasion that the author of the novel wanted to kill his hero with "lead", that is, with a bullet, but he killed him with typhus, because he did not accept much in him. Is it so? Maybe the reason lies much deeper? So why did Bazarov die?

Why Turgenev killed Bazarov

And the answer lies in life itself, in the political and social situation of that time. Opportunities in order to implement the aspirations of raznochintsy for democratic reforms, the social conditions of Russia in those years did not give. In addition, they remained cut off from the people they were drawn to and fought for. They were not able to carry out the titanic task that they set for themselves. They could fight, but they could not win. They were stamped with doom. It turns out that Eugene was doomed to death and defeat, to the fact that his deeds would not come true. Turgenev was sure that the Bazarovs had come, but their time had not yet come.

The death of the protagonist of "Fathers and Sons"

Answering the question of what Bazarov died from, we can say that the cause was blood poisoning. He injured his finger while opening up the corpse of a typhus patient he was treating. But most likely, the reasons lie much deeper. How did the hero accept his death, how did he treat it? How did Bazarov die?

At first, Bazarov tried to fight the disease by asking his father for a hellish stone. Realizing that he is dying, he ceases to cling to life and gives himself into the hands of death rather passively. It is clear to him that to comfort both himself and others with the hope of healing is a vain thing. Now the main thing is to die with dignity. And this means not to relax, not to whimper, not to give in to despair, not to panic and do everything to alleviate the suffering of old parents. Such concern for loved ones before death elevates Bazarov.

He himself has no fear of death, he is not afraid to part with life. During these hours, he is very courageous, which is confirmed by his words that he will not wag his tail anyway. But his resentment does not leave him because his heroic forces are perishing in vain. He demonstrates his power. Raising a chair by the leg, weakened and dying out, he says, “The power, the power is still here, but you have to die!”. He overcomes his semi-forgetfulness and at the same time speaks of his titanism.

The way Bazarov died looks random and ridiculous. He is young, he is a doctor and an anatomist. Therefore, his death looks symbolic. Medicine and natural sciences, which Bazarov hoped so much for, turn out to be insufficient for life. His philanthropy turned out to be misunderstood, because he dies just because of an ordinary peasant. His nihilism is also inexplicable, because now life denies him.

We chose Turgenev's novel "Fathers and Sons", and in it the scene of Bazarov's death.

In order to do this job, you need to define what an episode is. According to explanatory dictionary Russian language by S. I. Ozhegov and N. Yu. Shvedova, episode - "part literary work, possessing relative independence and completeness. "The scene of Bazarov's death fully meets this criterion. We will also refer to the corresponding article of the literary encyclopedic dictionary, who interprets the term "episode" as "a relatively independent unit of action" of the work, "fixing what happened in the easily visible boundaries of space and time."
Since this article divides the actions into work of art into "external" and "internal", then the proposed episode can be considered as an independent unit of internal action, when "the hero's mentality is more subject to change" than his behavior. In the selected episode, it develops and ends final stage storyline associated with the main character - the illness and death of Bazarov. The time frame of the selected episode is three days (the last stage of Bazarov's illness), the scene is Bazarov's room in his father's house. Thus, the passage we have chosen about the death of Bazarov is quite suitable for the analysis of the episode.

This episode begins with the words: "The doctor, the same county doctor who did not have a hellish stone, came and, having examined the patient, advised to adhere to the methods of waiting and immediately said a few words about the possibility of recovery," and ends with the words: "And that's enough! - he said and sank down on the pillow. - Now ... darkness ... ". We defined the boundaries of the episode in this way, because the text limited to these phrases is completely devoted to the fading of Bazarov: from the moment when he began to take possession of unconsciousness to last word spoken in the mind.

We chose several phrases that, in our opinion, reflect the deep feelings of the hero, his state of mind.

Bazarov "suddenly grabbed the leg of a heavy table that stood near the sofa, shook it and moved it from its place." Bazarov realizes his powerlessness before death, is indignant that in the prime of life and full physical strength, he is forced to resign himself to the inevitability and recognize a more powerful force that "denies" himself - death.

"I don't want to rave," he whispered, clenching his fists, "what nonsense!" Bazarov is still struggling, trying to resist the disease.

"He asked Arina Vlasyevna to comb his hair, kissed her hand ....." It is no coincidence that Bazarov shows uncharacteristic tenderness for his mother: inwardly he has already realized the inevitability of death and, in the face of eternal parting, does not want to hide his true feelings for his mother - love, respect.

When his father invites him to take communion, "...something strange crawled across his son's face, although he continued to lie with his eyes closed." This is "strange", as can be seen from the following phrases, consent to communion. He, who denied religion, has changed so much inwardly that he is ready to accept a religious rite.

"Farewell," he said with sudden force, and his eyes flashed with a last gleam.

The last flash of consciousness revealed the power of his love.

So we see how deep soul feelings and changes occur to the hero in the last moments of his life.

In the episode, the main character himself, Evgeny Bazarov, is the central figure, and although there are others characters novel (parents of Bazarov, Odintsov), they are only the background for the full disclosure of Bazarov's character. In the selected episode, the main character is revealed with a new, unexpected side. In it, he appears as a tragic figure, as Turgenev himself wrote: "The death of Bazarov (...) should, in my opinion, put the last line on his tragic figure."

In order to understand the meaning of this scene, it is important to remember what the image of Bazarov in the novel is. This is a strong, active, purposeful nature, and at first glance, nature is whole. He sees the meaning of his life in the destruction of the old foundations of society, in serving the new society. He denies all the basic foundations of the former society, both social and moral-philosophical, believing that denial is his main task, believing that he has enough strength to carry it out. But in the episode of death, the hero realizes that he is powerless, denial is impossible and meaningless: "Yes, go and try to deny death. It denies you, and that's it!" He thought he was the owner own life and fate, that he can make grandiose plans and strive for their implementation. But now he finds himself in a situation that at once crossed out all his confidence with a simple and indisputable fact: he fell ill and will inevitably die. "And I also thought: I'll break off a lot of things, I won't die, where! There is a task, because I'm a giant! And now the whole task of a giant is how to die decently, although no one cares about this ...." Not only that, his plans not destined to come true main principle life is nonsense, so he also understands how lonely he is and, perhaps, not needed by the new society for which he wanted to work. "Russia needs me... No, apparently, it is not needed. And who is needed? A shoemaker is needed, a tailor is needed, a butcher... he sells meat... a butcher... wait, I'm confused..." The internal split he feels is exposed: somewhere in the depths of his soul, Bazarov has doubts about the usefulness and expediency of his activities for the benefit of society. And immediately the revelations of Bazarov come to mind, which he shares with Arkady: "I hated this last peasant. Well, he will live in a white hut, and burdock will grow out of me (...)". It was to this inner tragedy of his hero, revealed in his dying insights, that Turgenev led the reader throughout the entire novel. The suffering of the nihilist and the destroyer is laid bare in the scene of his death. It is no coincidence that this trait of Bazarov's character was noticed by F.M. Dostoevsky, calling Turgenev's hero "yearning Bazarov".

According to literary encyclopedia, climax - "moment highest voltage actions in the work, when the plot conflict, the goals of the characters, their inner qualities are especially clearly revealed. In the work large form, where several storylines are intertwined, two or more culminations are possible. "Of course, in the novel by I. S. Turgenev" Fathers and Sons "one can distinguish several climaxes. One of them is the duel scene ( story line relations between Bazarov and Pavel Petrovich). The other is the scene of Bazarov's explanation with Odintsova (the storyline of Bazarov's love for Odintsova).

However, in our opinion, in the novel, all these events, one after another, serve another purpose - to reveal the character of the protagonist Bazarov more and more vividly and versatile. And we believe that it is the episode of the death of the protagonist that fully reveals his contradictory nature, being thus the culmination of the development of the image of the protagonist.

The work was done by students of grade 10-1 Mikhail Ignatiev and Igor Khmelev.

The episode of Bazarov's death is one of the most important in the work. Being the denouement of the idea of ​​the work, this episode plays a key role in the novel, being the answer to the question: "Is it possible to live, rejecting all human feelings and recognizing only reason?"

Bazarov returns home to his parents a person different from what he was before. He begins to avoid the loneliness that used to be an integral part of his life and helped him to work.

He is always looking for company: he drinks tea in the living room, walks in the forest with his father, because being alone becomes unbearable for him. Alone, his thoughts are taken over by Odintsova, the woman he loves, who destroyed his unshakable faith in the absence of romantic feelings. Because of this, Bazarov becomes less attentive and less focused on work. And, due to this very inattention, he receives a slight cut, which later became fatal for him.

Bazarov, as an experienced doctor, is well aware that he has little time left to live. Understanding the imminent inevitable death tears off the mask of insensibility from him. He worries about his parents and tries to protect them from worries, hiding the disease from them to the last. When Bazarov’s condition worsens completely, and he stops getting out of bed, it doesn’t even occur to him to complain about the pain. He reflects on life, sometimes inserting his characteristic ironic jokes.

Realizing that he had very little time left, Bazarov asks to send Odintsova to see her in last time before death. She arrives dressed all in black, as if to a funeral. Seeing the dying Bazarov, A.S. finally realizes that he does not love him. Bazarov tells her everything about what is in his soul. He still does not complain, but only talks about life and his role in it. When E. B. asks Odintsova to give him a glass of water, she does not even take off her gloves and timidly breathes in fear of getting infected. This once again proves the lack of romantic feelings in her towards Bazarov. The dying Bazarov still has a small spark of hope for reciprocity of love, and he asks for her kiss. A. S. fulfills his request, but kisses him only on the forehead, that is, in the way that the dead are usually kissed. For her, the death of Bazarov is not important event, and she already mentally said goodbye to him.

Analyzing this episode, we see that illness and the understanding of imminent death finally turns Bazarov from an independent nihilist into ordinary person with your weaknesses. In their last days he no longer harbors any feelings and opens his soul. And he dies strong man without complaining or showing pain. Odintsova's behavior shows her lack of love for Bazarov. Her visit to the dying man is only politeness, but not the desire to see the hero for the last time and say goodbye.

This episode is inextricably linked with others in this work. It is the denouement of the main conflict of the work, logically continuing the whole idea of ​​the novel, and especially chapter 24. In this chapter, a duel takes place between Kirsanov and Bazarov, which is why the latter has to go back home to his parents.

From all of the above, we can conclude that this episode plays one of the key roles in the work. As a denouement, it brings to an end the story of a man who rejected all feelings, and shows that to live, denying human joys and being guided only by reason, it is still impossible.

Death test. This last test Bazarov also has to go through in parallel with his antagonist. Despite the successful outcome of the duel, Pavel Petrovich had long since died spiritually. Parting with Fenechka broke the last thread that tied him to life: “Illuminated by bright daylight, his beautiful emaciated head lay on a white pillow, like the head of a dead man ... Yes, he was a dead man. His opponent also passes away.

Surprisingly persistent in the novel are references to an epidemic that spares no one and from which there is no escape. We learn that Fenechka's mother, Arina, "died of cholera." Immediately upon the arrival of Arkady and Bazarov at the Kirsanov estate, "there came better days a year”, “the weather was beautiful”. “True, cholera was threatening again from afar,” the author remarks meaningfully, “but the inhabitants of *** ... the province managed to get used to her visits.” This time, cholera “pulled out” two peasants from Maryin. The landowner himself was in danger - "Pavel Petrovich had a rather strong seizure." And again, the news does not amaze, does not frighten, does not disturb Bazarov. The only thing that hurts him as a doctor is the refusal to help: “Why didn’t he send for him?” Even when his own father wants to tell "a curious episode of the plague in Bessarabia" - Bazarov decisively interrupts the old man. The hero behaves as if cholera alone does not pose any danger to him. Meanwhile, epidemics have always been considered not only the greatest of earthly adversities, but also an expression of God's will. The favorite fable of the beloved Turgenev fabulist Krylov begins with the words: "The most severe scourge of heaven, nature's horror - the pestilence rages in the forests." But Bazarov is convinced that he is building his own destiny.

“Every person has his own destiny! - thought the writer. - Just as clouds are first formed from the vapors of the earth, rise from its depths, then separate, alienate from it and bring it, finally, grace or death, so around each of us is formed<…>a kind of element, which then has a destructive or saving effect on us<…>. To put it simply: everyone makes his own destiny and she makes everyone ... "Bazarov understood that he was created for a" bitter, tart, bean" life public figure perhaps a revolutionary agitator. He accepted this as his calling: “I want to mess with people, at least scold them, but mess with them”, “Give us others! we need to break others!” But what to do now, when the former ideas have been justifiably questioned, and science has not given an answer to all questions? What to teach, where to call?

In Rudin, the astute Lezhnev remarked which idol is most likely to “act on the youth”: “Give her conclusions, results, even if they are incorrect, but results!<…>Try to tell the youth that you cannot give them the full truth because you do not own it yourself.<…>, young people will not listen to you ...>. It's necessary that you yourself<…>believed that you possess the truth ... "But Bazarov no longer believes. He tried to find the truth in a conversation with a peasant, but nothing happened. Too condescendingly, lordly-arrogantly, the nihilist addresses the people with a request "to state their views on life." And the peasant plays along with the master, presenting himself as a stupid, submissive idiot. It turns out that it is not worth sacrificing your life for this. Only in a conversation with a friend does the peasant take his soul away, discussing the “pea jester”: “It is known, master; does he understand?

What remains is work. Help father in a tiny estate of several souls of peasants. One can imagine how small and insignificant all this must seem to him. Bazarov makes a mistake, also petty and insignificant - he forgets to burn a cut on his finger. A wound obtained from dissecting a decomposing corpse of a man. "A democrat to the marrow of his bones," Bazarov invaded the lives of the people boldly and self-confidently<…>, which turned against the "healer" himself. So is it possible to say that Bazarov's death is accidental?

“To die the way Bazarov died is the same as doing a great feat,” D.I. Pisarev. One cannot but agree with this observation. The death of Yevgeny Bazarov, in his bed, surrounded by relatives, is no less majestic and symbolic than the death of Rudin at the barricade. With complete human self-control, in a medically short way, the hero states: “... My case is lousy. I am infected, and in a few days you will bury me…” I had to be convinced of my human vulnerability: “Yes, go and try to deny death. She denies you, and that's it! “It doesn’t matter: I won’t wag my tail,” says Bazarov. Although "no one cares about this", the hero cannot afford to sink - until "he has not yet lost his memory<…>; he was still fighting.

The proximity of death for him does not mean the rejection of cherished ideas. Such as atheistic rejection of God's existence. When the religious Vasily Ivanovich, “down on his knees,” begs his son to make a confession and be cleansed of sins, he outwardly carelessly answers: “There is still nothing to hurry ...” He is afraid of offending his father with a direct refusal and only asks to postpone the ceremony: “After all, they also commune the memoryless … I'll wait". “When he was unctioned,” says Turgenev, “when the holy myrrh touched his chest, one of his eyes opened and, it seemed, at the sight of the priest<…>, censer, candles<…>something like a shudder of horror instantly reflected on the dead face.

It seems like a paradox, but death in many ways frees Bazarov, encourages him not to hide his real feelings anymore. Simply and calmly, he can now express his love for his parents: “Who is crying there? …Mother? Will she feed someone now with her amazing borscht? .. ”Affectionately bantering, he asks the grief-stricken Vasily Ivanovich to be a philosopher in these circumstances. Now you can not hide your love for Anna Sergeevna, ask her to come and take his last breath. It turns out that you can let simple human feelings into your life, but at the same time not “raw up”, but become spiritually stronger.

The dying Bazarov utters romantic words that express true feelings: “Blow on the dying lamp, and let it go out ...” For the hero, this is an expression of only love experiences. But the author sees more in these words. It is worth recalling that such a comparison comes to the lips of Rudin on the verge of death: “... It’s all over, and there is no oil in the lamp, and the lamp itself is broken, and the wick is about to finish smoking ...” Turgenev’s tragically cut short life is likened to a lamp, like in the old poem:

Blazed with a midnight lamp Before the shrine of goodness.

Bazarov, who is dying, is hurt by the thought of his uselessness, uselessness: “I thought: I won’t die, where! There is a task, because I am a giant! ”,“ Russia needs me ... no, apparently not needed! .. A shoemaker is needed, a tailor is needed, a butcher ..." Likening him to Rudin, Turgenev recalls their common literary “ancestor”, the same selfless wanderer Don- Quixote. In his speech “Hamlet and Don Quixote” (1860), the author lists the “generic features” of the Don Quixotes: “Don Quixote is an enthusiast, a servant of the idea, and therefore is covered with its radiance”, “He lives all outside of himself, for his brothers, for the extermination of evil, for counteracting forces hostile to humanity. It is easy to see that these qualities form the basis of Bazarov's character. According to the largest, "don Quixote" account, his life was not lived in vain. Let Don Quixotes seem funny. It is this kind of people, according to the writer, who move humanity forward: “If they are gone, let the book of history be closed forever: there will be nothing to read in it.”