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Theaters of England. Royal Exchange Theater

Royal Shakespeare Theatre, 2011. North facade, tower.

First Shakespeare Memorial Theater Complex, 1890s

Story

The Royal Shakespeare Theater was founded in 1932 on the grounds of the old Shakespeare Memorial Theater (opened April 19, 1879), which was destroyed by fire on March 6, 1926. New theater named the same as the old one. The architect for the project was Elizabeth Scott. The theater was the first important architectural project in England, realized under the direction of a woman. In 1961, one year after the establishment of the Royal Shakespeare Company, the theater was renamed the Royal Shakespeare Theatre.

The theater building, designed by E. Scott, had an Italian box stage, and the capacity of the auditorium was 1,400 seats, located in three tiers (ground floor, mezzanine and balcony). Two tiers were later added on the sides, the stage was extended beyond the proscenium with the help of an additional platform. The seats on the balcony could only be reached by a special additional staircase. Several Art Deco elements can be seen in the architecture of the theatre, such as the staircases and corridors on either side of the auditorium. The theater building is listed as a Grade II building ( historical Buildings special interest).

The Royal Shakespeare Theater and the Swan Theater are located on the west bank of the River Avon at Bancroft Gardens, overlooking scenic view to the river. The rooftop restaurant and bar overlooks the river and Bancroft Gardens.

Reconstruction

Reconstruction of the Royal Shakespeare Theater cost the Royal Shakespeare Company $112.8 million. The renovation project included the creation of a new auditorium with 1040 seats, a stage extended into the auditorium that allows viewers to be more involved in theatrical action, the distance to the last place decreased from 27 to 15 meters. The reconstruction project also planned to improve the Swan Theater, create whole line new public venues, including a new riverside cafe and rooftop restaurant, a 36-metre-tall observation tower, and improved backstage facilities for actors and staff. The new theater has also become more accessible to people with disabilities.

This is a "one-room" theater, which allows actors and spectators to be in the same space, as was the case during the first productions of Shakespeare's plays. The stage is extended into the hall, so that the audience is located on three sides of the stage. This feature of the theater creates a more traditional environment for watching Shakespeare's plays, and allows the audience to become closer to the actors and be more involved in the theatrical action.

The sources of funding for the project were various organizations, including Arts Council England, and regional development agency Advantage West Midlands, as well as successful public campaigns to collect Money. The redevelopment project also included the creation of a temporary backyard theater for home theater performances in Stratford-upon-Avon while the Royal Shakespeare Theater and the Swan Theater were closed, as well as the creation of new offices on Chapel Lane and kindergarten, and refurbishment of the rehearsal rooms on Arden Street. The project cost around £100 million and was also supported financially by the Royal Shakespeare Company of America and its board of directors.

Plans for the renovation of the theater were finalized and extensive renovation work began in 2007 and was scheduled to be completed in 2010. From the Royal Shakespeare Company, a special team took part in the project, headed by project director Peter Wilson MBE. Other team members: companies Bennetts Associates(architects), Buro Happold (transport engineers and consultants), Charcoal blue(theater consultants), Mace(construction managers), Acoustic Dimensions(Acoustic consultants) Drivers Jonas Deloitte(project management and consulting on strategic planning) And Gardiner and Theobald(budgeting and project supervision).

In the meantime, performances were held at the temporary courtyard theatre, which was a full-size working prototype of the Royal Shakespeare Theatre, built on the grounds of the Royal Shakespeare Company's studio theater.

The new theater opened after reconstruction in November 2010. The theater began screening Shakespeare's plays from the Royal Shakespeare Company's repertoire in February 2011; The first new productions based on works written specifically for the Royal Shakespeare Theater stage began in April 2011, together with the performance of Macbeth by Michael Boyd, as part of the celebration of the 50th anniversary of the Royal Shakespeare Company, which ran from April to December 2011.

The Royal Shakespeare Theater was officially opened on 4 March 2011 by Queen Elizabeth II of Great Britain and Prince Philip, who took part in the performance and performed the balcony scene from Romeo and Juliet.

Services

The theater has a new rooftop restaurant and bar overlooking the River Avon, a cafe and a riverside terrace, a Colonnade linking the Royal Shakespeare Theater and the Swan Theatre, showroom PACCAR, as well as a tower with a height of 36 meters with an observation deck located at a level of 32 meters, which offers a view of the city and its surroundings. There is also a promenade that runs from Bancroft Gardens, past the theater, to Holy Trinity Church.

Now for the first time, the entire building is accessible to visitors, artists and employees with disabilities. In the new auditorium The Royal Shakespeare Theater has three times more wheelchair spaces than the previous hall, new elevators (before the renovation there were no public elevators in the building), toilets on all floors of the theater, and on the embankment, which was previously multi-level, removed steps.

The Royal Shakespeare Theater was founded in 1932 on the site of the old Shakespeare Memorial Theater (opened April 19, 1879), which was destroyed by fire on March 6, 1926. The new theater had the same name as the old one. The architect for the project was Elizabeth Scott. The theater was the first important architectural project in England, realized under the direction of a woman. In 1961, a year after the establishment of the Royal Shakespeare Company, the theater was renamed the Royal Shakespeare Theatre. The theater building, designed by E. Scott, had an Italian box stage, and the capacity of the auditorium was 1,400 seats, located in three tiers (ground floor, mezzanine and balcony). Two tiers were later added on the sides, the stage was extended beyond the proscenium with the help of an additional platform. The seats on the balcony could only be reached by a special additional staircase. Several Art Deco elements can be seen in the architecture of the theatre, such as the staircases and corridors on both sides of the auditorium. The theater building is listed as a Grade II (Historic Building of Special Interest) building. The Royal Shakespeare Theater and the Swan Theater are located on the west bank of the River Avon at Bancroft Gardens, with spectacular views of the river. The rooftop restaurant and bar overlooks the river and Bancroft Gardens.

Reconstruction

The renovation of the Royal Shakespeare Theater cost the Royal Shakespeare Company $112.8 million. The renovation project included the creation of a new auditorium with 1040+ seats, a stage extended into the auditorium that allows the audience to be more involved in the theatrical action, the distance to the very last seat was reduced from 27 to 15 meters. The redevelopment project also included improvements to the Swan Theatre, the creation of a range of new public spaces, including a new riverside cafe and rooftop restaurant, a 36-metre-tall observation tower, and improved backstage facilities for actors and staff. The new theater has also become more accessible to people with disabilities. This is a "one-room" theater, which allows the actors and the audience to be in the same space, as was the case during the first productions of Shakespeare's plays. The stage is extended into the hall, so that the audience is located on three sides of the stage. This feature of the theater creates a more traditional environment for watching Shakespeare's plays, and allows the audience to get closer to the actors ...

Opera House was built in 1912 by architects Farquharson, Richardson and Gill. In fact, the status of the opera house received only in 1920. He did not have a permanent acting troupe, and on his stage, as a rule, performances were staged by touring groups. In 1979, the building was converted into a gaming hall, but, fortunately, this erroneous decision was canceled five years later. Since then, Opera House has delighted audiences with new productions of opera and ballet performances, musicals, children's performances.

The building of the Opera House is made in classical style: the facade is divided by Ionic columns into peculiar niches, on the pediment there is a semicircular relief depicting an ancient horse-drawn chariot. On the lower part of the pediment there is an ornamental strip made of carved stone.

The auditorium of the theater has an unusual opera houses semicircular shape - it is somewhat elongated, and two spacious cantilever balconies hang over the stalls. On both sides of the stage in three tiers are magnificently decorated lodges. The decoration of the hall is dominated by gold, greenery of the walls and red velvet of armchairs. It can accommodate 1920 spectators, and it must be said that almost all theater performances are sold out.

City theater

One of the main attractions of Manchester is the City Theatre, located on Oxford Street. It was originally called "Grand Old Lady" Grand opening took place on May 18, 1891. The building work was valued at £40,000. In the first years of its activity, the institution worked at a loss, as it did not gain popularity among the broad masses. Soon the theater expanded the range of its performances, programs were added to ballet performances. famous performers and soon became a huge success. At the beginning of the 20th century, such famous people like Danny Kaye, Gracie Fields, Charles Lawton and Judy Garland.

In September 1940, the theater was badly damaged by German bombing. The building gradually fell into disrepair, as there were not enough funds for the restoration. In 1970, the theater was in danger of closing. In 1980, a major restoration of the building was carried out on the initiative and at the expense of the local Art Council.

Currently, the theater hosts musicals, opera and ballet performances with the participation of world famous artists. Initially, the capacity of the theater was 3675 spectators, currently it has been reduced to 1955.

Royal Exchange Theater

Much of Manchester's history is linked to textile production during the Industrial Revolution. As a dumb witness of the former "cotton" greatness of the city, the building remained Royal Exchange. At one time, it was here that about 80% of all cotton in the world was sold.

Manchester in the Victorian era was often referred to as the "Cotton Capital" and the "Warehouse City". In Australia, New Zealand and South Africa the term "Manchester" is still used to refer to bed linen: sheets, pillowcases, towels. The exchange building was built 1867-1874, then it was reconstructed several times, as a result of which the operating room became the largest in England. The Royal Exchange was seriously damaged during the Second World War, but trading on it did not stop until 1968.

Since 1976 it has housed the Royal Exchange Theatre. Its auditorium is interesting in that the round stage is located in the middle, and seats for spectators rise up from it, which is very reminiscent of a theater. Ancient Greece. Part of the building is occupied trade pavilions and numerous cafes.

York Theater Royal

One of the most important landmarks in York is Royal Theater. The building was built in 1744 on the site of the medieval hospital of St. Leonard. IN late XIX century the theater was renovated in victorian style. The new Gothic façade is adorned with sculptures of Elizabeth I and characters from Shakespeare's plays.

The sumptuous foyer was renovated in modernist style in 1967, during the last large-scale reconstruction. Two front staircases connect it with a two-level auditorium, accommodating 847 spectators. The repertoire of the theater is very diverse, concerts are held here classical music, theatrical performances, jazz and folklore festivals, various recreational activities with British and foreign performers. In addition, annual competitions for young talents are held here, including theater, dance, music, and poetry. All interesting and original ideas are supported by famous figures art.

A cozy restaurant and cafe located on the second floor of the building are at the service of visitors. The Royal Theater is historical monument architecture popular with local residents and tourists.

Royal Theater

The Royal Theatre, in existence for over 200 years, is one of the most significant theaters in England. It was opened in 1805. Accommodates an audience of 900 people. The theater offers a year-round program of high-class productions of opera, dance, and comedy. Currently part of the Royal Theater is the Theater young viewer"Egg".

Theater Royal is located in the center of Bath. The building is a prime example Georgian architecture. Inside, the rooms are skillfully decorated with stucco, red and gilded details, majesty and some mystery are given to it by huge chandeliers and high ceilings of the auditorium.

During its history, the theater has been reconstructed several times, but its original splendor has been carefully preserved to this day. Inaugurated in 2005, the Youth Theater is adjacent to the Royal Theater and presents a rich program of professional performances and cultural events for children and young people aged 1 to 18.

Royal Theater

One of the many attractions of Manchester is an old building located in the city center. It is prominent representative buildings of the Victorian era. It was originally here trading exchange selling cotton. During the Second World War, the building was badly damaged, it took several years to restore it. As a result, shopping room became much smaller, and the tiers of the clock tower - much simpler. When trading on the stock exchange was suspended in 1968, the building was in danger of being demolished. It was empty until 1973, when a theater company rented it.

In 1976, the Royal Theater was formed in the building. The entrance to the theater is represented by a semicircular arch with Corinthian columns and pilasters; marble statue William Shakespeare. In the interior of the building, richly decorated ceilings fascinate with their beauty.

Dramatic Theater Liverpool

Drama Theater Liverpool has come a long way from concert hall and music hall to contemporary theater with a rich and sometimes non-trivial repertoire. Its history began in 1866 as the Star Music Hall, the design of the building belongs to Edward Davis. The forerunner of the music hall was the Star Concert Hall, which was demolished for a new building. In 1895 the theater changed its focus and was renamed the Star Variety Theatre.

The modern building of the theater bears traces of numerous improvements and restorations. Global changes began in 1898, when Harry Percival made a new auditorium and a luxurious lobby. But already in 1911, the theater had new owners who reworked the auditorium and the basement lobby and renamed the theater again into Liverpool. repertory theater. Finally, last wave global alterations, accessible to the modern visitor, overtook the theater in 1968, when a large extension was made to it from the northern part to organize new foyers, bars and changing rooms.

Now the Dramatic Theater is managed by Liverpool City Council and is merged into a trust with the Everyman Theatre. The theater offers audiences original and sometimes daring productions of large plays in the three-level main building, as well as miniature, intimate plays in the small 70-seat Studio.

Dancehouse theater

One of the main cultural attractions of Manchester is the Dancehouse, located on Oxford Road. It has a beautiful stage equipped with the latest lighting and sound devices, as well as an ultra-modern hall, the visual seats of which are arranged in the form of three cascades falling at a fairly large angle.

The interior decoration of the institution is made in pastel colors with a predominance of peach and gently Pink colour. The lighting in the hall depends on the nature of the performance, if a fast fiery dance is shown on the stage, all lamps and chandeliers are turned on, and if a touching love scene is shown on the stage, twilight reigns in the hall. The total capacity of the institution is about 700 people, including balconies.

The infrastructure of the Dancehouse includes a buffet located on the ground floor and a large spacious hall with full-length mirrors. Basically, everyone goes here. dance events cities, it is not uncommon to meet world-famous stars in the Dancehouse. By being here, you will get a lot positive emotions and significantly increase your cultural level.

Royal Shakespeare Theater

The Royal Shakespeare Theater puts on plays by William Shakespeare and also hosts annual festivals dedicated to the great playwright. The theater is distinguished by strong dramaturgy, as well as acting high level which makes it more professional and visited.

The theater opened to the public in 1879. The theater was designed by a female architect, Elizabeth Scott. Until 1961 it was called the Shakespeare Memorial Theatre. IN different years directors worked in the theater: Benson, Payne, Quayle, Nunn, Richardson and others. The theater is now operated by the Royal Shakespeare Company.

After restoration in 2010, the theater became even more comfortable and beautiful. It lies opposite the River Avon and is surrounded by gardens. On its roof there is an observation deck with a restaurant and a bar.

Mayflower theater

One of Southampton's attractions is the Mayflower Theatre, located in the city center and opened in 1928. This is one of major theaters south coast of England. In 1995, a complete reconstruction and modernization of the theater was carried out, as a result of which the auditorium was significantly expanded. The interior of the theater, which is more in line with the American style, is dominated by a combination of white and blue flowers. The luxurious foyer is decorated in the style of an ocean liner and lined with marble. Several grand staircases connect it with a three-level auditorium designed for 2,300 seats.

The theater is a unique cultural complex that hosts classical music concerts, theatrical performances, jazz and folklore concerts and various entertainment events with the participation of British and foreign performers. The foyer of the theater sometimes hosts free concerts of chamber ensembles, folk and jazz music, poets and dramatic actors at a good professional level. The doors of the cozy restaurant and cafe are always open for visitors on the second floor of the building. The Mayflower Theater is undoubtedly one of the best provincial theaters in the UK.

Aylesbury Waterside Theater

One of the significant sights of Aylesbury is the Aylesbury Waterside Theatre. It was founded in 2010 as a result of the transformation entertainment center Civic Hall. The theater building is a modern building with an elegant design. In the interior of the theater there are mainly elements of the Georgian style. Massive wooden columns and panels of the building are decorated with intricate carvings.

The main hall of the theater consists of three levels and is designed for 1200 spectators. It uses a modern electro-acoustic system that regulates the sound quality for symphonic and choral performances. The theater hosts tours of British and international artists, including theatrical performances, opera, ballet, musicals, and other musical events. Children's shows are very popular here, taking young viewers into the world of fairy tales and adventures.

They were opened after reconstruction in November 2010. The stage of the theater has been extended into the auditorium, designed for 1040+ seats

Story

The Royal Shakespeare Theater and the Swan Theater are located on the west bank of the River Avon at Bancroft Gardens, with spectacular views of the river. The rooftop restaurant and bar overlooks the river and Bancroft Gardens.

Reconstruction

This is a "one-room" theater, which allows the actors and the audience to be in the same space, as was the case during the first productions of Shakespeare's plays. The stage is extended into the hall, so that the audience is located on three sides of the stage. This feature of the theater creates a more traditional environment for watching Shakespeare's plays, and allows the audience to become closer to the actors and be more involved in the theatrical action.

Funding for the project came from various organisations, including the Arts Council of England and a regional development agency. Advantage West Midlands, as well as successful public fundraising campaigns. The redevelopment project also included the creation of a temporary backyard theater for home theater performances in Stratford-upon-Avon while the Royal Shakespeare Theater and the Swan Theater were closed, as well as the creation of new offices on Chapel Lane and a kindergarten, and refurbishment of rehearsal rooms at Arden Street. The project cost around £100 million and was also supported financially by the Royal Shakespeare Company of America and its board of directors.

Plans for the renovation of the theater were finalized and extensive renovation work began in 2007 and was scheduled to be completed in 2010. From the Royal Shakespeare Company, a special team took part in the project, headed by project director Peter Wilson MBE. Other team members: companies Bennetts Associates(architects), Buro Happold (transport engineers and consultants), Charcoal blue(theater consultants), Mace(construction managers), Acoustic Dimensions(Acoustic consultants) Drivers Jonas Deloitte(project management and strategic planning advice) and Gardiner and Theobald(budgeting and project supervision).

In the meantime, performances were held at the temporary Court Theatre, which was a full-size working prototype of the Royal Shakespeare Theatre, built on the grounds of the Royal Shakespeare Company's studio theater.

The Royal Shakespeare Theater was officially opened on March 4, 2011 by Queen Elizabeth II and Prince Philip of Great Britain, who took part in the performance and played the balcony scene from Romeo and Juliet.

Services

The theater has a new rooftop restaurant and bar overlooking the River Avon, a café and a riverfront terrace, a Colonnade linking the Royal Shakespeare Theater and the Swan Theatre, a PACCAR Exhibition Hall, and a 36m high observation tower platform, located at the level of 32 meters, which offers a view of the city and its surroundings. There is also a promenade that runs from Bancroft Gardens, past the theater, to Holy Trinity Church.

Now for the first time, the entire building is accessible to visitors, artists and employees with disabilities. The new auditorium of the Royal Shakespeare Theater has three times more wheelchair spaces than the previous auditorium, new elevators (before the renovation, the building did not have public elevators), toilets on all floors of the theater, and on the embankment, which previously it was multi-level, the steps were removed.

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Soon after this, it was no longer the former rhetorician who came to the dark temple for Pierre, but the guarantor Villarsky, whom he recognized by his voice. To new questions about the firmness of his intentions, Pierre answered: “Yes, yes, I agree,” and with a beaming childish smile, with an open, fat chest, unevenly and timidly stepping with one bare and one shod foot, he went forward with Villarsky put to his bare chest with a sword. From the room he was led along the corridors, turning back and forth, and finally led to the doors of the box. Villarsky coughed, they answered him with Masonic knocks of hammers, the door opened before them. Someone's bass voice (Pierre's eyes were all blindfolded) asked him questions about who he was, where, when was he born? etc. Then they again led him somewhere, without untying his eyes, and as he walked, allegories spoke to him about the labors of his journey, about sacred friendship, about the eternal Builder of the world, about the courage with which he must endure labors and dangers . During this journey, Pierre noticed that he was called either seeking, then suffering, then demanding, and at the same time they knocked with hammers and swords in different ways. While he was led to some subject, he noticed that there was confusion and confusion between his leaders. He heard how the surrounding people argued among themselves in a whisper and how one insisted that he be led along some kind of carpet. After that, they took his right hand, put it on something, and with the left they ordered him to put the compass to his left chest, and forced him, repeating the words that the other had read, to read the oath of allegiance to the laws of the order. Then they put out the candles, lit alcohol, as Pierre heard it by smell, and said that he would see a small light. The bandage was removed from him, and Pierre, as in a dream, saw, in the faint light of an alcohol fire, several people who, in the same aprons as the rhetorician, stood against him and held swords aimed at his chest. Between them stood a man in a bloody white shirt. Seeing this, Pierre moved his sword forward with his chest, wanting them to pierce him. But the swords moved away from him and he was immediately bandaged again. “Now you have seen a small light,” a voice told him. Then the candles were lit again, they said that he needed to see the full light, and again they took off the bandage and suddenly more than ten voices said: sic transit gloria mundi. [this is how worldly glory passes.]
Pierre gradually began to come to his senses and look around the room where he was and the people in it. Around a long table, covered with black, sat about twelve people, all in the same robes as those whom he had seen before. Some Pierre knew from Petersburg society. An unfamiliar young man was sitting in the chairman's seat, wearing a special cross around his neck. On the right hand sat the Italian abbot, whom Pierre had seen two years ago at Anna Pavlovna's. There was also a very important dignitary and a Swiss tutor who had previously lived with the Kuragins. Everyone was solemnly silent, listening to the words of the chairman, who held a hammer in his hand. A burning star was embedded in the wall; on one side of the table was a small carpet with various images, on the other hand, there was something like an altar with the Gospel and a skull. Around the table were 7 large, in the sort of church, candlesticks. Two of the brothers led Pierre to the altar, put his feet in a rectangular position and ordered him to lie down, saying that he was throwing himself at the gates of the temple.
“He must first get a shovel,” one of the brothers said in a whisper.
- A! Please, please,” said another.
Pierre, with bewildered, short-sighted eyes, disobeying, looked around him, and suddenly doubt came over him. "Where I am? What am I doing? Are they laughing at me? Wouldn't I be ashamed to remember this?" But this doubt lasted only for a moment. Pierre looked around at the serious faces of the people around him, remembered everything that he had already passed, and realized that it was impossible to stop halfway. He was horrified by his doubt and, trying to evoke in himself the former feeling of compunction, he threw himself at the gates of the temple. And indeed a feeling of compunction, even stronger than before, came over him. When he had lain down for some time, they told him to get up and put on him the same white leather apron that the others had on, gave him a shovel and three pairs of gloves, and then Great master turned to him. He told him to be careful not to stain the whiteness of this apron, representing strength and purity; then he said of an unidentified shovel that he should work with it to cleanse his heart of vices and condescendingly smooth over the heart of his neighbor with it. Then about the first men's gloves he said that he could not know their meaning, but he must keep them, about other men's gloves he said that he should wear them in meetings, and finally about the third women's gloves he said: the essence is defined. Give them to the woman you will honor the most. With this gift, assure the purity of your heart to the one you choose for yourself as a worthy stonemason. And after a pause for a while, he added: “But observe, dear brother, that the gloves of these unclean hands do not adorn.” While the great master was saying these last words It seemed to Pierre that the chairman was embarrassed. Pierre became even more embarrassed, blushed to tears, as children blush, began to look around uneasily, and there was an awkward silence.
This silence was broken by one of the brothers, who, having brought Pierre to the carpet, began to read to him from the notebook an explanation of all the figures depicted on it: the sun, the moon, the hammer. a plumb line, a shovel, a wild and cubic stone, a pillar, three windows, etc. Then Pierre was assigned his place, showed him the signs of the box, said the input word, and finally allowed to sit down. The great master began to read the charter. The charter was very long, and Pierre, from joy, excitement and shame, was not able to understand what they were reading. He listened only to the last words of the charter, which he remembered.
“In our temples, we do not know other degrees,” the great master read, “except those that are between virtue and vice. Beware of making any distinction that might violate equality. Fly to the aid of your brother, whoever he may be, instruct the erring one, lift the falling one, and never bear malice or enmity against your brother. Be kind and welcoming. Kindle the fire of virtue in all hearts. Share happiness with your neighbor, and may the envy of this pure pleasure never be disturbed. Forgive your enemy, do not take revenge on him, except by doing good to him. Having fulfilled the highest law in this way, you will find traces of the ancient majesty you lost.
He finished and, rising, embraced Pierre and kissed him. Pierre, with tears of joy in his eyes, looked around him, not knowing how to respond to the congratulations and renewal of acquaintances with which he was surrounded. He did not recognize any acquaintances; in all these people he saw only brothers with whom he burned with impatience to set to work.
The great master banged his hammer, everyone sat down, and one read a lesson on the need for humility.
The great master offered to perform the last duty, and an important dignitary, who bore the title of alms-gatherer, began to bypass the brothers. Pierre wanted to write down all the money that he had on the alms sheet, but he was afraid to show pride in this, and wrote down as much as others wrote down.
The meeting was over, and upon returning home, it seemed to Pierre that he had come from some kind of distant journey, where he had spent decades, completely changed and lagged behind the former order and habits of life.

The next day after being admitted to the lodge, Pierre sat at home, reading a book and trying to understand the meaning of the square, depicting God on one side, the moral on the other, the physical on the third, and the mixed on the fourth. From time to time he would tear himself away from the book and the square and in his imagination draw up a new plan of life for himself. Yesterday in the box he was told that a rumor about a duel had reached the attention of the sovereign, and that it would be wiser for Pierre to leave Petersburg. Pierre planned to go to his southern estates and take care of his peasants there. He happily thought about it. new life when Prince Vasily suddenly entered the room.
– My friend, what have you done in Moscow? Why did you quarrel with Lelya, mon cher? [my dear?] You are in error, - said Prince Vasily, entering the room. - I found out everything, I can tell you correctly that Helen is innocent before you, like Christ before the Jews. Pierre wanted to answer, but he interrupted him. “And why didn’t you address me directly and simply as a friend?” I know everything, I understand everything,” he said, “you behaved like a man who values his honor; may be too hasty, but we will not judge that. One thing you remember in what position you put her and me in the eyes of the whole society and even the court, ”he added, lowering his voice. – She lives in Moscow, you are here. Remember, my dear,” he pulled him down by the arm, “there is one misunderstanding here; you yourself, I think you feel. Write a letter with me now, and she will come here, everything will be explained, otherwise I will tell you, you can suffer very easily, my dear.

Royal Shakespeare Theatre, 2011. North facade, tower.

First Shakespeare Memorial Theater Complex, 1890s

Story

The Royal Shakespeare Theater was founded in 1932 on the grounds of the old Shakespeare Memorial Theater (opened April 19, 1879), which was destroyed by fire on March 6, 1926. The new theater had the same name as the old one. The architect for the project was Elizabeth Scott. The theater was the first important architectural project in England, realized under the direction of a woman. In 1961, one year after the establishment of the Royal Shakespeare Company, the theater was renamed the Royal Shakespeare Theatre.

Reconstruction

The renovation of the Royal Shakespeare Theater cost the Royal Shakespeare Company $112.8 million. The reconstruction project included the creation of a new auditorium with 1040 seats, a stage extended into the auditorium that allows the audience to be more involved in the theatrical action, the distance to the very last seat was reduced from 27 to 15 meters. The redevelopment project also included improvements to the Swan Theatre, the creation of a range of new public spaces, including a new riverside cafe and rooftop restaurant, a 36-metre-tall observation tower, and improved backstage facilities for actors and staff. The new theater has also become more accessible to people with disabilities.

Plans for the renovation of the theater were finalized and extensive renovation work began in 2007 and was scheduled to be completed in 2010. From the Royal Shakespeare Company, a special team took part in the project, headed by project director Peter Wilson MBE. Other team members: companies Bennetts Associates(architects), Buro Happold (transport engineers and consultants), Charcoal blue(theater consultants), Mace(construction managers), Acoustic Dimensions(Acoustic consultants) Drivers Jonas Deloitte(project management and strategic planning advice) and Gardiner and Theobald(budgeting and project supervision).

Services

The theater has a new rooftop restaurant and bar overlooking the River Avon, a café and a riverside terrace, a Colonnade linking the Royal Shakespeare Theater and the Swan Theatre, a PACCAR Exhibition Hall, and a 36m high observation tower platform, located at the level of 32 meters, which offers a view of the city and its surroundings. There is also a promenade that runs from Bancroft Gardens, past the theater, to Holy Trinity Church.

Now for the first time, the entire building is accessible to visitors, artists and employees with disabilities. The new auditorium of the Royal Shakespeare Theater has three times more wheelchair spaces than the previous auditorium, new elevators (before the renovation there were no public elevators in the building), toilets on all floors of the theater, and on the embankment, which previously it was multi-level, the steps were removed.

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