Enterprising theater in the system of art business. The meaning of the word entreprise
The word "entreprise" is surprising to many. What is this? What is an enterprise? Let's explore this concept in more detail!
The well-known Wikipedia site says that enterprise is a special form of organizing theatrical business, in which the organizer (the organizer is called the "entrepreneur") invites actors from various theaters to participate in the performance. By the way, the word "entreprise" itself comes from the French entreprise, which is derived from entreprendre - an entrepreneur, and conditionally the word "entreprise" can be interpreted as a spectacular enterprise, which is not so far from the truth.
Historically, many actors wanted to bring their art to a wider audience, and these actors were not always from the same theatre. There were many reasons - each theater has its own rules, customs and practices. And this state of affairs did not always allow the actors to fully realize themselves. As a result, many actors began to unite in groups to stage a particular performance. This is the essence of the entreprise movement - the unification of different actors for the performance.
It is believed that the entreprise has its own characteristics, for example, this type of theater usually does not have a permanent cast of actors. Actually this is not true. After all, the staging of performances largely depends not only on the talent of the actors, but also on the coherence of their actions, their organization, the actions of the director, rehearsals and much more. Therefore myself cast usually more or less constant. Feature entreprise in another.
In the entreprise, unlike the usual theater, the actors are given complete freedom of action, where they can realize all their wildest plans and desires, reveal their creative potential. There is no ban on improvisation, and therefore each performance is unique.
Another advantage of the entreprise is the opportunity for young and promising actors to show their creativity, the opportunity to work shoulder to shoulder with eminent masters, the opportunity to learn from experience and not be in the rigid framework of classical theater.
This is how we created our theater - the Theater of Antreprise Afanasyeva. The performances performed in the so-called non-repertory genre are intended, to a greater extent, to entertain the viewer. Even everyday problems shown in performances are presented in such a way that they cause a storm of delight and laughter in the audience. The best praise for an actor is the joy of the viewer. And we are very pleased that at almost every performance our actors see a standing ovation in the auditorium.
Each performance is unique and individual. Each production is full of creativity and energy, which we charge our viewers with! We are always glad to see you at our performances!
ENTERPRISE ENTERPRISE (French entreprise, from entreprendre - entrepreneur), a spectacular enterprise created and led by a private entrepreneur - an entrepreneur (manager, impresario, producer). Enterprises have existed since the emergence of professional troupes (theatrical, circus, etc.). Many European theatrical groups were entreprises, headed both by entrepreneurs and famous actors- Moliere, D. Garrick, E. Rossi, E. Duse, etc. In Russia, among the well-known entreprises are N.N. Solovtsova, N.N. Sinelnikova, S.P. Diaghilev, F.A. Korsha.
Modern Encyclopedia. 2000 .
Synonyms:See what "ENTERPRISE" is in other dictionaries:
Enterprise and activities of the entrepreneur. Dictionary foreign words included in the Russian language. Chudinov A.N., 1910. ENTERPRISE enterprise of an entrepreneur. Complete dictionary foreign words that have come into use in the Russian language. Popov M., 1907 ... Dictionary of foreign words of the Russian language
enterprise- well. enterprise f. 1. Enterprise, action (of a military or political nature). Sl. 18. Have troops from Finland and allow the Swedes to make a landing .. This enterprise of the Swedish side can be carried out very much to their advantage. AK 1 344. However ... ... Historical dictionary gallicisms of the Russian language
A. Risky business, enterprise. B. Private concert hall, theater, circus, etc. Dictionary of business terms. Akademik.ru. 2001 ... Glossary of business terms
ENTERPRISE, entreprises, for women. (French entreprise) (theatre). Exploitation of a private theatrical entertainment enterprise. Keep the entreprise. Dictionary Ushakov. D.N. Ushakov. 1935 1940 ... Explanatory Dictionary of Ushakov
Exist., number of synonyms: 1 enterprise (52) ASIS synonym dictionary. V.N. Trishin. 2013 ... Synonym dictionary
Entreprise- (French entreprise, from entreprendre entrepreneur), a spectacular enterprise created and led by a private entrepreneur entrepreneur (manager, impresario, producer). Entreprises have existed since the inception ... ... Illustrated Encyclopedic Dictionary
G. Private entertainment enterprise (theater, circus, etc.), a small (of 3 5 actors) troupe, usually created for some time and performing with a minimum of scenery. Explanatory Dictionary of Ephraim. T. F. Efremova. 2000... Modern explanatory dictionary of the Russian language Efremova
Enterprise, enterprise, enterprise, enterprise, enterprise, enterprise, enterprise, enterprise, enterprise, enterprise, enterprise, enterprise, enterprise (Source: “Full accentuated paradigm according to A. A. Zaliznyak”) ... Forms of words
- (French entreprise enterprise) a form of organization of theatrical business, in which a private entrepreneur (entrepreneur) gathers actors to participate in a performance (in contrast to the form of a repertory theater with permanent troupe). An example of modern ... ... Wikipedia
enterprise- entrepre iza, s ... Russian spelling dictionary
Books
- "Restless!" , Rudolf Furmanov. The heroes of the novel are the great theatrical personalities of Russia in the second half of the 20th century. The book contains photographs and materials family archive author and archive of the St. Petersburg Theater ...
- Paris. An invitation to travel, Smirnova Natalia Vyacheslavovna. Paris is often called the best city Europe, the jewel in the crown of France. All the tourists of the world aspire to this city. Some people come to Paris for its many sights,…
The section is very easy to use. In the proposed field, just enter the desired word, and we will give you a list of its meanings. It should be noted that our site provides data from different sources- encyclopedic, explanatory, derivational dictionaries. Here you can also get acquainted with examples of the use of the word you entered.
The meaning of the word entreprise
entreprise in the crossword dictionary
Explanatory dictionary of the Russian language. D.N. Ushakov
enterprise
entreprises, (fr. entreprise) (theatre). Exploitation of a private theatrical entertainment enterprise. Keep the entreprise.
New explanatory and derivational dictionary of the Russian language, T. F. Efremova.
enterprise
and. Private entertainment enterprise (theater, circus, etc.).
Wikipedia
Entreprise
Entreprise- a form of organization of theatrical business, in which the organizer (entrepreneur) invites actors from various theaters to participate in the performance (as opposed to the form of a repertory theater with a permanent troupe).
An example of modern theater company, working on a non-repertory basis, is "Art Partner XXI" and "Theatrical Association 814". In modern theater world, many European and world theatrical groups are switching to a system of self-organization, which is not necessarily a sign of the commercial dominance of their activities. The growth of independent entreprise groups in the world was facilitated by the reform in the financing of cultural institutions and the possibility of obtaining grants and subsidies from the state both for individual directors, producers, actors or performers, and for organizations involved in the creation and distribution of entreprise performances.
Examples of the use of the word entreprise in the literature.
Colonel Madritov, an officer of the general staff, two years before the war, acted on the forest concessions near the Yalu River as the chief representative of the Russian Timber and Mining Trading Society on Far East, as Bezobrazovskaya was then called enterprise.
Opening of the festival Subscription 39 Evening piano music Played by Naum Shtarkman Program: Beethoven Entreprise MSM Evening - 18.
Program: Alyabyev, Bulakhov, Varlamov, Dubuc, Vielgorsky Oval Hall Enterprises MSM 18.
Entreprise MSM Evening guitar music Program: Giuliani, Aguado, Kost, Vinitsky, Osipov Performed by laureate of the International and All-Russian competitions Anastasia Bardina Big hall Polytechnic Museum Concert old romance and Russian song In the program: N.
Schumann, Liszt Entreprise MSM Piano Music Evening Program: Schumann, Schubert, Liszt Performed by laureate of the International Competition Alexander Ghindin memorial museum A.
Program: Schnittke, Farkas, Freitag, Ravel, Enescu, Stravinsky Moscow House of Composers Concert of Young Composers Entreprise MSM Evening - 18.
To the 10th anniversary International Foundation Slavic writing and Culture Gala Evening Concert Entreprise MSM Evening - 18.
Season ticket 40 An evening of piano music Played by Tatiana Pikaizen Program: Chopin, Liszt Entreprise MSM Evening - 18.
Clerambault, Du Mage Entreprise MSM Evening of guitar music Program: Weiss, Bach, Giuliani, Belyaev, Raka, Koshkin, Domeniconi Performed by the laureate of international competitions Evgeny Finkelstein Hall of the Central House of Scientists Day - 15.
An evening of romantic piano music Played by Tigran Alikhanov Program: Schubert, Schumann, Chopin, Liszt Entreprise MSM Evening - 18.
Piano Music Evening Vladimir Ovchinnikov Rachmaninov's program Oval Hall Enterprises MSM Evening - 18.
Yuri Bashmet Oval Hall Enterprises MSM Laureates international competitions, students of the Higher School of Music
Grigoriev, when the latter returned to Tambov from his trips to small towns, which he loved more than a solid enterprise in Tambov.
Then if he saves some money, he opens a boxing enterprise and soon he was drinking water without a hitch - to death or to ruin.
enterprise
The word "entreprise" is surprising to many. What is this? What is an enterprise? Let's explore this concept in more detail!
The well-known Wikipedia site says that enterprise is a special form of organizing theatrical business, in which the organizer (the organizer is called the "entrepreneur") invites actors from various theaters to participate in the performance. By the way, the word "entreprise" itself comes from the French entreprise, which is derived from entreprendre - an entrepreneur, and conventionally the word "entreprise" can be interpreted as a spectacular enterprise, which is not so far from the truth.
Historically, many actors wanted to bring their art to a wider audience, and these actors were not always from the same theatre. There were many reasons - each theater has its own rules, customs and practices. And this state of affairs did not always allow the actors to fully realize themselves. As a result, many actors began to unite in groups to stage a particular performance. This is the essence of the entreprise movement - the unification of different actors for the performance.
It is believed that the entreprise has its own characteristics, for example, this type of theater usually does not have a permanent cast of actors.
What is a reprise? The meaning and interpretation of the word repriz, the definition of the term
Actually this is not true. After all, the staging of performances largely depends not only on the talent of the actors, but also on the coherence of their actions, their organization, the actions of the director, rehearsals and much more. Therefore, the cast itself is usually more or less constant. Feature entreprise in another.
In the entreprise, unlike the usual theater, the actors are given complete freedom of action, where they can realize all their wildest plans and desires, reveal their creative potential. There is no ban on improvisation, and therefore each performance is unique.
Another advantage of the entreprise is the opportunity for young and promising actors to show their creativity, the opportunity to work shoulder to shoulder with eminent masters, the opportunity to learn from experience and not be in the rigid framework of classical theater.
This is how we created our theater - the Afanasyeva Entreprise Theater. The performances performed in the so-called non-repertory genre are intended, to a greater extent, to entertain the viewer. Even everyday problems shown in performances are presented in such a way that they cause a storm of delight and laughter in the audience. The best praise for an actor is the joy of the audience. And we are very pleased that at almost every performance our actors see a standing ovation in the auditorium.
Each performance is unique and individual. Each production is full of creativity and energy, which we charge our viewers with! We are always glad to see you at our performances!
The word "entreprise" is surprising to many. What is this? What is an enterprise? Let's explore this concept in more detail!
The well-known Wikipedia site says that enterprise is a special form of organizing theatrical business, in which the organizer (the organizer is called the "entrepreneur") invites actors from various theaters to participate in the performance. By the way, the word "entreprise" itself comes from the French entreprise, which is derived from entreprendre - an entrepreneur, and conventionally the word "entreprise" can be interpreted as a spectacular enterprise, which is not so far from the truth.
Historically, many actors wanted to bring their art to a wider audience, and these actors were not always from the same theatre.
CHAPTER 5
There were many reasons - each theater has its own rules, customs and practices. And this state of affairs did not always allow the actors to fully realize themselves. As a result, many actors began to unite in groups to stage a particular performance. This is the essence of the entreprise movement - the unification of different actors for the performance.
It is believed that the entreprise has its own characteristics, for example, this type of theater usually does not have a permanent cast of actors. Actually this is not true. After all, the staging of performances largely depends not only on the talent of the actors, but also on the coherence of their actions, their organization, the actions of the director, rehearsals and much more. Therefore, the cast itself is usually more or less constant. Feature entreprise in another.
In the entreprise, unlike the usual theater, the actors are given complete freedom of action, where they can realize all their wildest plans and desires, reveal their creative potential. There is no ban on improvisation, and therefore each performance is unique.
Another advantage of the entreprise is the opportunity for young and promising actors to show their creativity, the opportunity to work shoulder to shoulder with eminent masters, the opportunity to learn from experience and not be in the rigid framework of classical theater.
This is how we created our theater - the Afanasyeva Entreprise Theater. The performances performed in the so-called non-repertory genre are intended, to a greater extent, to entertain the viewer. Even everyday problems shown in performances are presented in such a way that they cause a storm of delight and laughter in the audience. The best praise for an actor is the joy of the audience. And we are very pleased that at almost every performance our actors see a standing ovation in the auditorium.
Each performance is unique and individual. Each production is full of creativity and energy, which we charge our viewers with! We are always glad to see you at our performances!
Entreprise
The executive director who counts hours at the end of the month does not answer the work phone and also does not answer letters to the official mail, my immediate supervisor of the workshop (to whom the assistant manager sent me for calculation) has never done this and calculation is not included in her duties. As a result, the labor is lost, the calculation is not paid, the employees are completely confident in their impunity! And I am not the first person who is treated very ugly in this theater if he refuses to be a slave. Wages are often calculated not by the hour, but by the thin. The manager crosses out the amount and puts by hand as much as he sees fit. I contacted the labor inspectorate and the Rostrud, but so far to no avail. There are audio recordings of conversations and screenshots of correspondence with a person authorized by personnel. There 18+, solid obscenities and personal insults.
Documentation
theater Russian entreprise named after Andrey Mironov
Address: Russia St. Petersburg
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Theater types. Drama Theater. Comedy theatre. Opera and Ballet Theatre. Puppet show.
Slide 8 from the presentation "Puppet show". The size of the archive with the presentation is 4849 KB.
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MHK grade 9
"Puppet theater" - In the view of the peoples living there, such a theater. What is a scene? I will study the literature I will make a plan I will use Internet resources. Lightweight cane doll, controlled by threads attached to a special "yoke". Used in street performances. Neophytes, i.e. converted to faith, endowed such dolls with divine properties. Work goals. Riding puppets above the screen. The fate of wandering puppeteers in the Middle Ages was unenviable. Dolls-machines. GLOVE Controlled by the puppeteer's hand. Theater types. Version two: The gods wanted to breathe life into the inanimate.
"Architecture XVII" - In the icons of S. Ushakov, realistic tendencies were most clearly manifested. The building is decorated with two belts of azure tiles. The mansions of the palace were covered with different coatings (tented, cubic). Painting. "Trinity" 1971 p. Ushakov is very different from the eponymous A. Rublev. In the center - the image of Our Lady of Vladimir, the defender of Moscow. However, the resemblance to the European baroque was purely external. The purpose of the lesson: For work in the armory was elevated to the rank of nobility.
"Baroque Architecture" - Baroque architecture in Russia (first half of the 18th century). Be interested in world culture! Characteristic details of the Baroque - telamon (atlas), caryatid, mascaron. Peter in Rome. There are often deployed large-scale colonnades, an abundance of sculptures on facades and in interiors, volutes, big number rake-outs, arched facades with a rake-out in the middle, rusticated columns and pilasters. Baroque in architecture.
"Architecture styles of the 20th century" - Hotel "Marioto" San Francisco. Constructivism. Aeronautical Museum, Los Angeles. Modern. Yatskov Yury 9 ,b”. Art culture XX century. Hotel "Grand Hotel Europe Emerald Postmodern. Postmodern building in Toronto. Casino "Notre Dame", Montreal. F.L. Wright house over the waterfall. Architecture. Church in Ronchon, France Le Corbusier. Ammermann (Kronstadt) st., 44 Residential House Organics Library of the Academy of Sciences Postmodern.
ART REPRISE CABARET THEATER
"Tyumen theater of puppets and masks" - mou sosh No. 36. Completed: student of the 9th grade Smolnikova Alena Vladimirovna. History of the Tyumen State Puppet and Mask Theatre. About the theatre. Lead Artist since 1991 - Sergey Mikhailovich Perepelkin. As of January 1, 2004, there were 17 actors on the staff of the theater. Tyumen - 2009.
« British museum"- I. Lenin. Thus the British Library was born. Story. British Museum Kungurtseva Natalia, 9th grade. Masterpieces. In 1814-1815, the Parliament bought priceless masterpieces from the Athenian Parthenon from Lord Elgin. In the 19th century, the British Museum experienced a particularly turbulent period of growth. The creation of the museum was approved by an act of the British Parliament.
In total, there are 26 presentations in the topic "MHK Grade 9"
5class.net > MHK grade 9 > Puppet show > Slide 8
In the theatrical environment, there is a legend, and maybe a fact that took place. When Vladimir Lenin decided to nationalize Russian theaters, Stanislavsky, kneeling before the Minister of Culture Lunacharsky, persuaded him to put in a good word to Ilyich so that this would not happen. As you know, Lenin did not listen to Lunacharsky. Since then, Stanislavsky has practically not appeared at the Moscow Art Theater. And I never went to state theaters ...
In early September, a performance will be held on the stage of the Mayakovsky Theater « The Cherry Orchard»
performed by the actors of La "Teatre. We met with the theater director and producer of one of the first entreprises in the country Vadim Dubrovitsky and talked about theatrical entrepreneurship, the spirituality of the audience, and why the word entreprise acquired a dirty meaning.
How do you personally define entreprise?
Entreprise is the free will of the artists. Unfortunately, in our country the word entreprise is used to swear. How many times have I heard on the radio “Oh yes, it was a performance, not some kind of entreprise”. At the same time, the majority theater critics diligently ignore the fact that private performances in Moscow were staged by Peter Stein,.
In general, entreprise in Russia has richest history. It is enough to remember that creative birth the same Chekhov as a playwright took place precisely thanks to the enterprise: the entrepreneur Fyodor Adamovich Korsh was the first who ordered Chekhov to write a play, and before that Anton Pavlovich had not even thought about dramaturgy. The play "Ivanov" was the beginning of his theater way. Our greatest actresses -, - took part in entreprises. In those days, there were only a few state imperial theaters, which we now call academic. And everything else was entreprise.
What place, in your opinion, does entreprise occupy in today's theatrical space?
Bitter to say, but this place is an outcast. The fact is that for the theatrical functionaries representing the interests of state theaters, the entreprise carries a real threat. It's about not only that the entrepreneurs are taking the audience away from the state theatres. They are worried about something else - sooner or later, the authorities will definitely have a question, “why the state theater stands with outstretched hand year after year, demanding more and more subsidies, and the entreprise, in addition to what exists at its own expense, pays taxes and very substantial fees to everyone participants creative process". In order for this question not to arise, the myth is launched that the enterprise is just a hack theatrical performance. In turn, for the audience, when they watch a high-quality performance, it does not matter whether it was staged by the state theater or a non-repertory one.
photo: La’Teatr
Is there an opinion that an enterprise is a purely commercial event?
The theatre, whether state or private, is always a commercial enterprise, but how could it be otherwise, tickets are sold for money, and salaries are paid in money. And he is always actively fighting for his finances.
I personally don't have great experience works in the state theatre, but the one I purchased shows only one thing: the state theater is an incredibly amorphous structure built on a slow-witted bureaucratic system. But the entreprise is very mobile, everything here is solved quickly, and this, in turn, gives huge savings in material and resources.
Can entreprise be called a small business in the theatrical environment?
It is possible to say so. And how can I not remember the anecdote: What do you need to do to open a small business? Open the big one and wait". Our entrepreneurial business is gradually fading away, since all the conditions have been created and continue to be created so that it does not exist. I would say this: war has been declared on the enterprise in our country.
What do you think it is connected with?
There are several reasons. And they intertwine so bizarrely that it's hard to tell which one is the main one. We live in a country where people like to create myths. Here is one of them: the state theater is our national conquest. And there is a change in concepts. The theater is called not state, but repertory. And to replace one name with another is not entirely correct, since it is impossible to compare the form of ownership and the form of creativity. And the war against the entreprise is nothing more than the struggle of state theaters for their sometimes unjustified subsidies. Although the enterprise can already be erected a monument because in the 90s it saved hundreds of Russian actors from starvation.
Many years ago, the great theater critic Lev Gitelman happened to be in St. Petersburg for a private performance that I staged. That same evening, on the train, on the way to Moscow, he confessed to me: “I am glad that I got to your performance. Before, I was sure that entreprise was terrible. But it turned out not. What if we open as part of the award " golden mask"a special category for a private performance?" I was surprised: “Why should we be put in a separate category? Are we not going on stage? Or do we have other actors? Or are we disabled in the theatrical environment? It must be admitted that in our time, entreprise as such has been cut out of public life.
What difficulties does the private theater face?
With huge ones. For the period of rehearsals, we rent rehearsal areas, for example, recreation centers, which are more or less close to the conditions of the theater. Then we rent a theater stage from the state theater.
Unfortunately, none of the theaters gives us time so that we can prepare for the performance in a normal rhythm. As a rule, we are allowed on stage only in the morning on the day of the show. We have to hastily arrange the scenery and hastily make a run, as they say, to the viewer. It is surprising that in Moscow, a modern city of the 21st century, there is not a single free platform on which private theaters could exist. I'm not talking about the fact that the state theater does not pay rent for the hall, it is provided by the state. And we lay out 300 thousand rubles. By the way, in July we played Chekhov's The Cherry Orchard at the Mayakovsky Theatre. Next production will take place on September 7 on the same stage. Imagine what a time gap separates the two performances.
It turns out that every time you put on a private performance, you accomplish a certain feat?
What does feat mean? I just do not see for myself another way of self-realization. By the way, there is another myth that supposedly a non-repertory performance is played without scenery, two chairs are brought onto the stage, around which the action is played out. But there are also state theaters where two chairs stand on the stage instead of scenery. And this is not bad if it serves to solve the performance. On the other hand, there are productions at LA’Theater that use large and heavy sets, and when we report this to the management of the theaters that allocated the stage to us, even professionals cannot hide their surprise: “Does the entreprise have decorations?”
Yes, we have everything. And artists, and directors of scenery, and make-up artists, and costume designers (people come to us to earn extra money from state theaters), and the head of the production department. Our staff is less than that of the state, about ten times, and the scenery does not fall, the costumes do not burst at the seams, the light and sound do not fail. And we fit into the budget, we have enough. Everyone is dressed, shod, and at the same time the entrepreneur does not take money from the state. Maybe state theaters need to be a little more modest. After all, the crisis in the country. As the great one said: “No entrepreneur will allow himself to keep at least one extra person on the staff”.
Again, when a private theater advertises around the city, about where and when the performance will be performed, it costs it several times more than the state theater. I would love to see what law fixes this inequality. I must admit that conditions have been artificially created in our country in which it is extremely difficult for a private theater to exist. But even despite this, we are able to compete with state theaters, collect full halls of spectators and save budgets. Personally, if I were the state, I would suggest entrepreneurs to head state theaters (laughs). Why? Yes, because we manage to live without state subsidies and at the same time not die of hunger. And they, sitting on everything ready, constantly go, speaking exaggeratedly, to the president and complain that they have little money.
photo: La’Teatr
In all your productions, whether it's Chekhov's The Cherry Orchard or contemporary play Rumors is played by a stellar cast. What, in your opinion, attracts their entreprise?
Before this, respectful attitude. In the state theater, the director rarely personally notifies the actors that they are assigned to the role. As a rule, artists find out about this by seeing their names on the information board. At the same time, no one is interested in what kind of relationship the actors are with each other, sympathize or hate fiercely. Sometimes an artist has to play in love scenes with a partner with whom he does not even want to shake hands. Some find the courage to refuse to play in "unpleasant" duets, others agree. And no one thinks that the audience cannot be deceived, because they feel inwardly what kind of atmosphere - love or hate - reigns on the stage.
Entreprise is a freer, freer form of creativity. It was created for people to gather according to their mutual desire, out of love for creativity, out of love for each other. An actor can come to an entrepreneur and admit that he wants to play a certain role. For example, I really wanted to play the role of Genaro in Eduardo de Filippo's play "The Man and the Gentleman", and I staged this performance "on him". Or somehow came to me and shared a dream: “ I'm dying, I want to play the role of Kosha in Friedberg's comedy "Fool, this is love!" And she played great.
Out of respect for my colleagues, I must identify another ridiculous myth - "all artists involved in entreprises are either drunkards or make money." It's funny, that's all. The same Vladimir Steklov, who dreamed of playing the role of Gaev in The Cherry Orchard, to my words: "Volodya, I can't pay you much", - without a second's hesitation, he answered: “I'm not interested in money, but the role. Pay as much as you can".
Name the artists you have worked with.
In the performances "The Cherry Orchard", " Free love"," Rumors "in different time played , , Olga Volkova, Vladimir Steklov, , , , , , , and many others talented actors. Now the role of Firs in The Cherry Orchard is played by Charlotte - Olga Volkova, Gaeva - Vladimir Steklov.
Certainly not. Only in our LA’Theatre, for several years, the “Theatre of the City of Glupov”, staged according to the “History of a City” by Saltykov-Shchedrin, and “I Don’t Remember Anything” based on the play by Miller were staged. Now on the stage of the Mayakovsky Theater we are showing Chekhov's The Cherry Orchard. Another thing is that the entreprise, compared with state theaters, is placed in obviously losing conditions (expensive rent of halls, inflated advertising rates, etc.). For fear of being in a financial loss, many entrepreneurs hesitate to bet classical works, since the majority of viewers prefer entertainment productions.
photo: La’Teatr
How could it happen that the “most reading” nation in the world, brought up on the best works classics, began to give preference to "entertainment productions"?
Indeed, for a long time in the Soviet Union they shouted that we were the most reading nation. And how could it be otherwise, if only three channels worked on television, there were no VCRs, video games. But as soon as technical progress gained strength among us, it turned out that our people were not interested in books. And our compatriots read only Marinina. In a bookstore, I once asked: "Do you have books?" - "No" - “And Sukhova-Kobylin?” - "No. Nobody cares about them.". Filmmaking is no better. The young actors don't know who they are, they haven't watched the film, they don't know themselves or his works. I think it's high time to say out loud: "Guys, trouble. We have a serious national problem. We don't know our culture.".
Work in repertory theater allows young actors to adopt creative traditions and thus preserves the heritage of this theater school. Will the dominance of entreprise in the theater space affect the rupture of the living connection between generations of actors and, as a result, the disappearance of theater schools?
With your mouth and honey to drink. What kind of continuity can we talk about when theatrical troupes of state theaters are growing at an unrealistic rate. Most theaters have up to 200 people. People do not even have time to really get to know each other, not to mention eating a pound of salt together. Continuity is born in small teams. In my Cherry Orchard, together with Stanislav Lyubshin, several young artists play. They look at him like a god, learn from him, every rehearsal, every performance becomes an event for them. This is the continuity of generations.
In addition, it is very important what kind of atmosphere reigns in the theater. Only with a benevolent attitude, in which love and respect flourish, does creative continuity develop. How can 200 people competing for roles in performances love each other? A theater with such a troupe is more like a plant, a factory, or, as they used to say, a "terrarium of like-minded people."
photo: La’Teatr
Why are the performances of LA’Theatre going on theater scenes, and not on such popular venues for entreprise as TsDKZH, House of Film Actor, etc.?
Theater begins with a hanger. These are not empty words. Both the audience and the actors are interested in the general atmosphere in which the sacrament of creativity takes place. Houses of culture, of course, could become excellent venues for art reprise performances, you just need to take them away from the hands of the leaders railways, automotive industry and so on, little versed in matters of art. From these premises it is necessary to remove the spirit of bureaucracy, to exterminate the facelessness and settle Melpomene in them.
In your opinion, what exactly should the Ministry of Culture do to speed up the process of the spiritual revival of our people?
I can give an example of how issues are resolved cultural education in America. There is no Ministry of Culture there, but there is a loving educational attitude towards culture. A few years ago, I was walking through a Chicago city park and heard the sounds of "live" classical music. I couldn't believe my eyes: on the lawn Symphony Orchestra under the guidance of the maestro Krzysztof Penderecki played Brahms. About a thousand people gathered around the musicians. I approached and asked: "How much does the ticket cost?" - "For free. The concert is organized by the municipality of the city". Here is your answer.
photo: La’Teatr
It is known that the perception of art requires significant spiritual work, and the result is spiritual enrichment. In connection with this, the question arises, why, after watching some performances, you feel a lift of strength, and after others you leave empty?
I will open the secret of the Open. When a director wants to draw attention to his performance, he resorts to a proven technique - to shock the audience at any cost. The same thing happens as during an accident on the highway: if there is trouble on the road, and all traffic slows down, each driver is interested to see what exactly happened. It's the same in the theatre, as soon as the director pulls a sexual act onto the stage, the audience's attention is guaranteed. This is very easy way, and, unfortunately, many directors today use it. As a result, the audience leaves after the performance completely "de-energized", devoid of energy. The circus used to have terminology: "white" and "red" clowns. One gives the audience energy, the other takes away, now, I must state, this also applies to the theater.
Unfortunately, in our country, with the outward feeling of a theatrical boom, there is a colossal theatrical crisis. In my opinion, should not be taken for a sip fresh air Chekhov's productions, when Nina Zarechnaya's panties are taken off in The Cherry Orchard, and the play Ivanov begins with the author's final scene. If such a theater is the prerogative of the state, I vote only for the enterprise, where they play Chekhov with a reverent attitude towards the author's idea. Do not forget that Anton Pavlovich was certainly a smart, intelligent person who left many things out of the equation. The way the director interprets Chekhov's "innuendos" reveals his talent, professionalism and intelligence.
What would you wish to the theatrical audience?
Love art! Go to the theatre.
photo: La’Teatr
Play "The Cherry Orchard" performed by the actors of La "Theater will take place September 7 stage of the Mayakovsky Theatre.
