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State folklore choirs and groups. "People's Collective" Choir of Russian Song "Springs of the Soul"

What songs are front-line,

The past is created by war.

Feelings are vibrant in them.

For everyone, for us! Living - on Earth.

POSITION

On holding the Thirteenth All-Russian

Competition - festival

"Songs of the War Years", dedicated to the 72nd anniversary of the Victory

In the Great Patriotic War of 1941-1945

Among anniversaries celebrated by the people of our multinational Motherland, Victory Day occupies a special place. Great Patriotic War was a truly nationwide struggle, where people fought shoulder to shoulder with the enemy and selflessly worked in the rear different nationalities and religions. It was this unity that became the main factor in the victory in the fight against fascism. The accomplishments of our peoples in the Great Patriotic War are one of the brightest and unforgettable pages of our national history.

During the years of the Great Patriotic War and after its end, many songs were written, their authors were as famous composers who left to fight as young soldiers. It was their songs that became real symbols of the war, because they were written at the call of the heart.

Songs of the war years ... How many of them, beautiful, and unforgettable. And each has its own story, its own destiny. Together with the Fatherland, with everything Soviet people, the song got into a soldier's formation. From the first days of the war, the song accompanied the soldiers along the dusty roads until the very Victory.

thirteenth All-Russian competition- Festival "Songs of the War Years", dedicated to the 72nd anniversary of the Victory in the Great Patriotic War of 1941-1945.

Organizers of the Competition-Festival:

Department of Culture and Historical and Cultural Heritage

Administration of the city of Vologda;

MAUK "Park of culture and recreation" Labor Veterans ";

The competition-festival is organized with the support of:

Public Chamber Vologda region;

Department of Education of the Vologda Oblast;

Department of Education of the Administration of the city of Vologda;

All-Russian public organization"Officers of Russia"

Regional scientific and methodological cultural center of the Vologda region;

Vologda local city branch of the All-Russian political

party "United Russia";

Vologda city public organization

"Union of Defenders of the Fatherland";

MUK "City Palace of Culture" in Vologda;

BUK "Cultural and leisure center" Care ";

Goals and objectives of the Competition-Festival:

The goal is to promote the best examples of military-patriotic songs

To promote the formation of a high patriotic consciousness among young people, loyalty to their Fatherland, respect heroic history and military glory of the Fatherland;

Improving the performance skills of participants;

Creation of a high artistic repertoire of civil-patriotic, historical subjects, increasing interest in the musical heritage of military subjects;

Identification of new talents, support and stimulation of the creative activity of young people;

Active participation of performers and creative teams in events dedicated to the celebration of the 72nd anniversary of the Victory in the Great Patriotic War.

Conditions and Procedure for the Competition-Festival:

The competition-festival is dedicated to the celebration of Victory Day in the Great Patriotic War of 1941-1945.

Vocalists - soloists and creative vocal, choreographic, instrumental, artistic groups institutions of additional education (musical and art schools, art schools, houses of children's creativity) cultural institutions (palaces of culture, houses of culture, libraries), children's and youth creative studios, students and teachers of professional educational organizations, students general education schools, pupils of preschool educational institutions, a worker of industrial enterprises and institutions, creative teams veteran organizations without age restrictions.

Venue of the Competition-Festival:

MUK "City Palace of Culture" in Vologda (Lenin St. 17)

BUK Cultural and Leisure Center "Care" (St. Maria Ulyanov, 6)

The competition-festival is held in 3 stages:

nominations: vocal (choirs, ensembles), choreographic compositions

nomination: literary and musical compositions, instrumental art (folk instruments, ensembles, orchestras)

vocal nomination (solo, ensembles);

nomination: vocal (solo, ensembles)

Stage 2 - Gala concert and awarding the winners of the competition - the festival "Songs of the War Years"

The venue is the concert hall of the MUK "City Palace of Culture" Vologda

May 2017

Stage 3 - participation of the winners of the Competition - festival in the celebrations dedicated to the 72nd anniversary of the Victory in the Great Patriotic War of 1941-1945

Venue - Victory Park, Revolution Square, scenic venues in the city of Vologda

Nominations of the Competition-Festival:

1.Vocal (folk, academic, pop)

Ensemble (divided into duet, trio, quartet, etc.)

2. Musical and literary compositions

3. Choreographic compositions

Evaluation criteria for nominations:

Vocal - academic, pop, folk (solo, ensembles, choirs)

(2 pieces, total duration of 2 numbers no more than 8 minutes)

Embodiment of the military-patriotic theme

stage culture

The complexity of the repertoire

Performing skills

2. Musical and literary compositions:

(one song no more than 10 minutes long)

- completeness and expressiveness of the disclosure of military-patriotic topics

Artistry, disclosure of artistic images, performing level

Diction, compositional construction

Stage performance (costume, props, performance culture)

Musicality, purity of intonation and sound quality

Difficulty of performance and compliance with age characteristics

Semantic and genre-compositional completeness

3. Instrumental creativity(folk musical instruments orchestras, ensembles, duets, solos)

(1-2 works, the total duration of 2 numbers is not more than 8 minutes)

Musicality, artistic interpretation piece of music

Purity of intonation and sound quality

The complexity of the repertoire

Compliance of the repertoire with performing abilities

Embodiment of the military-patriotic theme

4. Choreographic compositions:

(1-2 compositions, total duration no more than 10 minutes)

The expressiveness of the disclosure of military-patriotic themes,

Artistry, disclosure artistic image

Musicality, performance level

Compositional construction numbers

Stage performance (costume, props, performance culture, plasticity)

9. Mixed formulations

Creative teams and individual performers take part in the competition, the age of the participants is not limited.

Technical requirements:

Be sure to indicate the timing of the phonogram or the duration of the sound this work;

The carriers of phonograms are flash cards, mini discs and CDs with high quality sound;

Each sound recording must be on a medium indicating the title of the work, the author of the music, the author of the text, the name of the ensemble or the name of the performer, as well as the duration of the sound of this work;

The phonogram should be set to the beginning of the recording;

For vocal groups more than 4 people are allowed to use their own radio microphones or headsets;

It is forbidden for vocalists to perform under the “plus” phonogram;

It is forbidden to use phonograms in which the main part of the soloist is duplicated in backing vocal parts. It is allowed to have back vocals in the form of harmonic support, pre-recorded with the Minus One phonogram.

From 19 to 22 April 2013 the choir participated in the All-Russian festival-competition of musical and artistic creativity " Open pages» in Tula.

From May 7 to May 11, 2014, the Russian song choir "Springs of the Soul" became a diploma winner of the festival of vocal, choral, instrumental and theatrical creativity"Land of magnolias" in Sochi.

October 2, 2016 - LAUREATE of the 1st degree of the All-Russian competition of gifts and talents "Life in a fairy tale".

Meetings of team members are held regularly, where they celebrate important dates life of the country, public and Orthodox holidays, birthdays of team members.

At the core creative activity collective lies, of course, the propaganda of the Russian folk song, which, like a balm, falls on the hearts of our viewers, wherever the team performs.

This collective is unique in its originality in that its repertoire includes folk songs of Russia, Ukraine, songs of contemporary composers and even romances. Many songs in the band's repertoire about native land and about the Motherland in general.

The Russian song choir was created in 1971 at the Belgorod Vitamin Plant under the direction of N.I. Chendeva. The composition of the choir mainly consisted of workers and engineering and technical workers of the plant. Over the years, he rejuvenated, and by 1992, a small number of the first composition of participants remained in the choir. But the choristers kept in touch with each other. In October 2002, the choir resumed its activities under the leadership of Honored Artist of Russia M.I. Belousenko.

The choir began its concert activity in May 2003 and in a short time gave a large number of concerts in front of the audience of Belgorod and the region. The team is in great demand, constantly replenished with new members. The repertoire of the choir is constantly replenished. In 2004 and 2007 the team became a laureate of the International Festival of Russian folk art in Ukraine "Talitsa" (Kharkov). The Russian Song Choir is a laureate and diploma winner of many International, All-Russian, regional and regional competitions and festivals, a participant in all significant events of the city and region. Has the title - " Folk team».

On March 26-27, 2011, the II International Festival-contest choirs and vocalists "Silver Wind". All vocal nominations were presented at this festival: folk, pop academic vocals, solo, ensemble and choral singing. "Folk Collective" Russian song choir "Springs of the Soul" in the nomination "folk choir" was awarded the diploma of the Laureate of the 1st degree and was awarded the Grand Prix as the best choir.

April 8-10, 2011 in Yalta (Ukraine) TV International Festival of Vocal Art took place. The choir of the Russian song "Springs of the Soul" was awarded the Cup and the diploma of the Laureate of the 1st degree in the category " folk vocal", V Once again confirming your high level and love for Russian folk song.

April 28, 2012 at concert hall Belgorod state center folk art took place holiday concert choir of the Russian song "Springs of the Soul", dedicated to the 10th anniversary of the creative activity of the group. The concert program was attended by: the ensemble of Russian dance "Epic" under the leadership of the Honored Worker of Culture of the Russian Federation V.I. Belykh, vocal and choreographic ensemble "Belogorye" under the direction of the Honored Worker of Culture of the Russian Federation N.I. Chendeva, Ensemble ballroom dance"Grace" (head - Honored Worker of Culture of the Russian Federation V.A. Babkin), Ensemble Cossack song"Sisters and Cossacks" under the direction of V.M. Dolgosheeva. The choir "Springs of the Soul" performed Russian, Ukrainian and Cossack folk songs, songs contemporary composers, songs of the Belgorod composer Alexander Grigorievich Semka. The rapturous applause of the audience sounded unceasingly. At the end of the celebration, the team was presented with letters of thanks from the Department of Culture of the Belgorod Region, the Belgorod State Center for Folk Art for many years and active participation in amateur art and in connection with the 10th anniversary of the team.

November 29, 2016 in the GDK "Aviator", as part of the children's musical philharmonic Airport children's music school there will be a concert-presentation of the project of the teacher Biserova Anastasia Viktorovna "FOLK CHOIRS OF RUSSIA".

The project was attended by choirs of the choral and instrumental departments (teachers - Biserova A.V., Maltseva L.Yu., Abanshina S.M., accompanists - Biserov S.I., Rtishchev P.A., Sharkova I.N. , Avdeeva Yu.A.)

I represented the Northern Russian Folk Choir.

The idea of this event was as follows.

Students of the Airport Children's Music School made a report on this or that state folk choir. Then the choir, ensemble or soloists of the music school introduced the audience to the repertoire of this choir or performed a song from the region to which the folk choir belongs. The speaker was encouraged to present a typical (can be stylized) folk costume given region of Russia.

In total, the students of the music school prepared 12 presentations on state folk choirs:

Ensamul of the Don Cossacks. them. Kvasova,
Volga Folk Choir named after P.M. Miloslavova
Voronezh Folk Choir named after K.I. Massalitinova
Kuban Cossack Choir
Omsk folk choir
Orenburg folk choir
Ryazan Folk Choir named after E.G. Popova
Northern Folk Choir
Siberian Folk Choir Ural Folk Choir
Choir named after M.E. Pyatnitsky
Mikhail Firsov State Vocal and Choreographic Ensemble "Rus"

State Penza Folk Choir

********

Here is the text of my presentation report on the Northern Russian Folk Choir.

The date of creation of the State Academic Northern Russian folk choir March 8, 1926 is generally accepted.

The ensemble was originally formed from an amateur art circle, which was organized in 1919 by Antonina Yakovlevna Kolotilova, a rural teacher from Veliky Ustyug. At first it was an amateur ensemble, then an amateur choir.

In 1931, Antonina Yakovlevna moved to Arkhangelsk, which became the new home of the Northern Choir.

In 1936, the Northern Choir took part in the All-Union Radio Festival and became its laureate.

It is worth noting that throughout this time, since 1919, the members of the ensemble were ordinary people, often not knowing the notes, who worked a shift at their main job and gathered together in the evening to sing a folk song. AND I. Kolotilova, having an education and experience in pedagogical work, only gave the raw folklore material an academic form, elevating the folk song, dressing it in a stage image.

After all, performing in an ensemble is still difficult because in a team, in addition to your personal vocal abilities, you need to be able to listen and hear others, support other voices, yield, advance with your voice where necessary. Otherwise, it will turn out like in I.A. Krylov’s fable “Swan, Cancer and Pike”. Each vocalist pulls the blanket over himself, and there is no result in the form of a beautiful song composition. Collective performance is always more difficult than solo performance, but it is also more interesting.

The fact that A.Ya. Kolotilova managed to find such people, put together a team, testifies to how much the song was still intertwined with life. ordinary person some 100 years ago.

February 2, 1940 - the group is given the status of a professional, which allows you to immediately create a dance and orchestral group.

The northern choir has become prominent representative one of the main stylistic geographic zones in Russian song folklore - northern Russian. Geographically, it is distributed in the territories of modern Novgorod, Arkhangelsk, Leningrad and Vologda regions.

In the North, there are still all genre varieties ritual and everyday song lyrics: wedding reprimands, laudatory songs, dance songs, buffoon songs, carols, "grapes" and Shrovetide songs. The most significant, characteristic of the north is the genre of round dance songs.

The originality of folk songs is given by the northern dialect. It is generally accepted that the "northern speaking" is okaya.

A distinctive feature of the northern choral performance is a soft, unobtrusive sound. This is due to the fact that in the North climatic conditions the women sang a lot indoors. Hence, many researchers call northern singing so - hut.

Folk songs performed by the Northern Choir cannot be confused with anything else. Everyone can recognize their costumes. The choir embodies in their images folk traditions typical costume complex of the north. With his sundresses, shower warmers, rich headdresses. Throughout its history, the Northern Choir very carefully collected and conveyed to the viewer the features of northern songs.

The Great Patriotic War found the choir in Veliky Ustyug. Trips to military units and hospitals of the Volkhov, Leningrad and Karelian fronts began. During this time, the artists gave 1,100 concerts in the field.

The entire post-war period, until 1961, was a period of resounding success for the Northern Choir. AND I. Kolotilov and the staff of the Northern Choir received during this time a lot of state awards and titles.

From 1961 to 2008 artistic director The northern choir becomes Nina Konstantinovna Meshko ( People's Artist USSR, laureate State Prize RSFSR named after Glinka, Professor of the Department of Choral and Solo Folk Singing of the Gnessin Academy of Music).

In December 2008, Svetlana Konopyanovna Ignatieva became the artistic director of the Northern Choir. , who holds this position to this day.

Whole creative way Northern Choir and its leaders, especially A.Ya. Kolotilova is a prime example how a simple person, thanks to his work, is able to leave behind an imperishable trace for future generations. This year the Northern Choir turned 90 years old. The person is no longer alive, the first members of the ensemble are no longer alive, but the collective is working, carrying a folk song to people. Perhaps this is true immortality! When the result of your work, even after you are gone, continues to benefit people.

Northern suit.

A costume representing the Russian north, my mother and I have been sewing since August. The basis for the costume invented, compiled and sewn by my mother and I were samples of costume complexes from the collections of the State historical museum, Russian ethnographic museum, State Russian Museum, Sergei Glebushkin.

The textbook covers the main issues of working with Russian folk choir. This edition has been revised and supplemented. Intended for teachers and students of departments for the training of leaders of the folk choir of music universities.

FOREWORD
With the development of the Soviet choral art interest in national traditions, including folk choirs, is growing more and more. With their versatile concert and creative activities, folk choirs have won a firm place in Soviet performance, as they represent an independent type of choral art with the deepest traditions. Based on the generalization of the creative practice of these teams, it became possible creation methods of working with the Russian folk choir, and there was a need for professional training of specialists in this area of managing folk choirs.
In 1966 (for the first time in Russia!) at the department choral conducting State Musical and Pedagogical Institute named after Gnesny opened a department for the training of leaders of Russian folk choirs. In parallel, such a department began to function in the Saratov, and later in the Urals conservatories. After that, there was a sharp turn in the system of professional music education: a network of folk choral departments has arisen and continues to grow at the institutes of culture, music and cultural and educational schools. At educational institutions folklore cabinets of Russian music, clubs of Russian folk song are being created. All this should bridge the gap that long time existed between professional training and the practice of folk music-making, and to train choir conductors of a broader profile, meeting the requirements of life.

Upbringing folk singers V choirs carried out in a practical way, so the methods of educational and artistic and creative work in them are diverse. Nevertheless, the basic methodological principles are the same and can be studied in a special course. At the same time, it should be taken into account that the folk performance of our days continues to develop: the features of the style of the modern Russian folk choir, its vocal and choral organization and methodological principles are still being studied and systematized. This will create a certain difficulty in studying the methodology of working with the choir.
The purpose of this course is to give future choir conductors knowledge in the field of leading a Russian folk song choir, to instill the necessary ability to navigate the stylistic features of this choir to apply them in their performing activities, as well as an interest in various forms of work in a folk choir. This course consists of lectures, seminars and prepares students for the practice of working with a folk choir.

The textbook covers the main issues of the lecture course: organization of the choir and selection of performers, repertoire and singing education, improvisation, work on the content and performance of songs and others.
Some of the sections are not strictly methodological, for example: style features Russian folk choir, vocal and choral structure, score. However, it is necessary to consider them in order to understand theoretical foundations folk choir, since we still do not have a scientific development of choral building and choral management in the field of folk singing performance. Only a few works devoted to these issues are known.
In the section "Score of the folk choir" only some regularities of folk choral scores are analyzed and the issues of arrangement are almost not touched upon, since the methods of processing and arrangement for the compositions of folk choirs require special study.

The experience of the folk choir departments of music universities led the author to the need to add a chapter on professional folk choirs to the second edition of the textbook. Some of them are known only from newspaper and magazine reviews of individual concerts. We have collected and systematized the material recent years creative activity of all twelve choirs. The sheet music appendix contains the characteristic scores of these choirs. This edition includes another new chapter - "Instrumental accompaniment in the folk choir", which is also necessary for future team leaders.
The list of literature given at the end of the textbook is given with recommendations for individual chapters.

Foreword
1. From the history of the formation of the Russian folk choir genre.
2. Genre features and performing forms of modern Russian folk choir
3. Repertoire.
4. Vocal-choral structure
5. Score of the Russian folk choir
6. Organization of the folk choir and selection of performers
7. Singing education
8. Work on songs with elements of movement
9. Issues of improvisation Collective creativity
10. Work on the content and performance of the songs
11. Organization of performance
12 Instrumental accompaniment in folk choir
13. Musical and educational work in the folk choir.
14. Features of the activities of the head of the folk choir.
15. Professional Russian folk choirs
Literature

Music application:

AY, YES YOU, NIGHTS Folk song of the Moscow region.
ON THE HILL, ON THE SHORE. Words and melody by A. OLENICHEVA. Arranged by V. ZAKHAROV
WHITE SNOW. Words and melody by A. OLENICHEVO. Arranged by A. KOLOSOV
MOSCOW LYRICAL. Words by V. BOKOV. Music by N. POLIKARPOV
Oh, YOU MOUNTAINS. Ural folk song. chant Ural Choir
NOT WHITE DAWN. Penza folk song. Arranged by N. KUTUZOV
VOROBYEVSKIE MOUNTAINS. Russian folk song
MOMMA SCREAMS. Folk song of the Krasnoyarsk Territory
HAVE THE EAGLE WITH THE SWAN BATHED. Folk song of the Moscow region.
NOTHING I CAN DO WITH MYSELF. Words and music by N. POLIKARPOV
NOISE, NOISE, DUBRAVUSHKA. Music by A. ABRAMSKY. Words by N. GERASIMOV
FROM SIBERIAN SPACIOUS FIELDS. Melody and words of the Krutinsky choir. chant Omsk choir
IN ORESHIN'S FIELD. The chant of the folk choir
YOU, SIBERIA, NATIVE SIDE. Chant and lyrics by A. OLENICHEVA
BAND. Folk song of the Voronezh region.
ALSO I AM, YOUNG. Words by N. GERASIMOV. Music by A. ABRAMSKY
THERE IS A SEA IN THE FAR EAST. Folk song of the Irtysh Cossacks. Recorded and edited by E.Konkov
IT WAS WELL, BROTHERS, IN THE DEPARTMENT. folk song Krasnodar Territory
FLOWERS, MY FLOWERS. folk song Rostov region
Scores of the State Russian Folk Choirs
SIT VETERANS. Music by A. PAKHMUTOVA. Words by M. LVOV Arranged by V. Levashov. From the repertoire of the choir. Pyatnitsky
FOR THE DVINA, FOR THE NORTH. Words by V. BOKOV and POLIKARPOV. From the repertoire of the Northern Folk Choir
OH YOU, FROSTS Folk song of the Rostov region. From the repertoire of the Ensemble of the Don Cossacks
EH, YES WHAT YOU, FIELDS. Arranged by K. MASSALITINOV. From the repertoire of the Voronezh Folk Choir
ON THE MOUNTAIN, ON THE GORONKA. Folk song. Processing V. HOT. From the repertoire of the Ural folk choir
WHAT IS BURNING IS BURNING. Arranged by V. LEVASHOV From the repertoire of the Siberian Folk Choir
I DID NOT KNOW, I DID NOT KNOW. Arranged by N. KUTUZOV From the repertoire of the Radio Russian Song Choir
YOU, MY NIGHT. From the repertoire of the Ryazan Folk Choir Arranged by E. POPOVA
SIBERIAN SUFFERINGS. Arranged by E. KALUGINA. From the repertoire of the Omsk Folk Choir
OH, STAFF, THE RESED WIRED. Arranged by M. CHUMAKOVA. From the repertoire of the Volga Folk Choir
WIDE YOU, STEPPE. Russian folk song. Arranged by A. KOLOSOV From the repertoire of the Orenburg Folk Choir
OH, POLY HAS THREE TRACKS. Song of the Black Sea Cossacks. Arranged by Y. ZATSARNY From the repertoire of the Kuban Cossack Folk Choir

Red Banner them. A.V.Aleksandrov Song and Dance Ensemble of the Soviet Army under the direction of B.A.Aleksandrov perform revolutionary songs "Orelik", "Listen", "Black Raven", the songs "Along the Narrow Bridge" by K.Akimov, "The Holy Leninist Banner » A.V. Aleksandrova, “Song of Pilots” by B.A. Aleksandrov, “At the camping halt” by L.O. Bakalova, “Goodbye, cities and huts”, “Song of Shchors”, “Under our banner”, “ Soldier's service", "The sun hid behind the mountain", "Fast tanks" by M.I. Blanter, "The Black Sea sun is burning" by A.P. Dolukhanyan, "Naval guard" by Yu. » B.A.Mokrousova, “Russia”, “Smuglyanka” by A.G.Novikov, “Near the Garden” by G.N.Nosov, “Song of Anxious Youth” by A.N. » Yu.M. Slonova, “On the Road”, “On a Sunny Meadow” by V.P. you”, “We are for peace”, “My beloved Motherland”, “I left for the army” by S.S. Tulikov, “There is a good town in the north” by T.N. Khrennikova.
The VR Song Ensemble under the direction of A.S. Andrusenko performs the songs “As at Dawn” by N.P. Budashkin, “Equestrian Budyonny” by A.A. Davidenko, “My Komsomol Youth” by A.P. Dolukhanyan, “Song of Past Campaigns” Z .L.Kompaneytsa, "We went hiking" by K.Ya.Listov, "Song of Voroshilov" by F.Sabo, "Song of Lazo" by F.Sadovoy, "Spaceful expanses" by A.G.Flyarkovsky, "Waltz of Friendship" by A. I. Khachaturian, "Song of the Don Cossacks" by N.K. Chemberdzhi.
The State Russian Folk Choir named after M.E. Pyatnitsky under the direction of P.M. Kazmin performs the songs “The Song of Our Youth” by P.S. V.G. Zakharova, “Keep up with friends” Z.L. Kompaneets, “Let’s be friends”, “Raise the banner of labor”, “The party is true to the people” A.G. Novikov, “ Soviet Russia» S.S. Tulikova.
The State Russian Folk Choir of the Northern Song under the direction of A.Ya.Kolotilova performs the songs "Belomortsy" by V.A.Laptev, "Clear Moon" by A.G.Novikov.
The VR Russian Song Choir under the direction of N.V. Kutuzov performs the songs “For what we love our Motherland” by P.S. Akulenko, “Festival near Moscow” by G.N.
The State Siberian Russian Folk Choir under the direction of V.S. Levashov performs V.S. Levashov’s songs “I sat under the window”, “The sea spilled without edge”, “Wide steppes”.
The Voronezh Russian Folk Choir under the direction of K.I.Massalitinov performs the songs of K.I.Massalitinov “They say that my good”, “The nightingale has flown away”.
The Volga State Folk Choir under the direction of P.M. Miloslavov performs the songs of G.F. Ponomarenko “Saratov choruses” and “We near Kuibyshev”.
Ensemble "Birch" under the direction of N.S. Nadezhdina performs the song of I.O. Dunaevsky "Oh, the viburnum is blooming."
Chuvash state ensemble songs and dances conducted by F.M. Lukin perform the songs “Favorite Party” by F.M. Lukin, “Glory to the Native Party” by G.Ya.
The VR Grand Choir under the direction of K.B. Ptitsa performs the songs “Secular Dawn” by A.A. Babaev, “Resort Song”, “Fly Pigeons” by I.O. Power” by D.B. Kabalevsky, “Country of October” by F.I. Maslov, “Glory to our native state” by K.V. Molchanov, “March of the Communists” by A.G. " S.S. Tulikova, "Glory to the great Soviet Union» A.N. Kholminov, “The sun shines on us” by R.K. Shchedrin.
The State Academic Russian Choir of the USSR under the direction of A.V. Sveshnikov performs revolutionary songs “You fell a victim”, “We are blacksmiths”, A.G. Schnittke’s song “Wherever you go, you go”.
The Ural Russian Folk Choir under the direction of L.L. Christiansen performs G.I. Vekshin's song "Groom".
The VR Song Ensemble under the direction of V.V. Tselikovsky performs the songs “We are going friends” by V.I. Muradeli, “The Komsomol of the Soviet Country” by S.S. Prokofiev.
The Children's Choir of the Moscow City House of Pioneers and the orchestra conducted by V.S. Loktev perform the songs “Fly the Breeze” by V.S. Loktev, “Pioneer” by A.I. Ostrovsky.
The Ryazan choir of Russian folk song under the direction of E.G. Popov performs E.G. Popov's songs "Birch", "In the meadow, on the shore", "Russian snowstorm".
The State Belarusian Folk Choir, conducted by G.I. Tsitovich, performs the songs of A.G. Flyarkovsky “Autumn Lines”, “After the Rain”.
State academic choir chapel The BSSR under the direction of G.R. Shirma performs the song of G.K. Pukst “My beloved land”.
The State Ukrainian Folk Choir under the direction of G.G.Verevka performs G.G.Verevka's song "Miner".
The Soviet Song Ensemble of the Latvian Radio, conducted by T. Kalninsh, performs the songs "Zhiguli" by B.A. Mokrousov, "Long Live the Moscow Festival" by A.I. Ostrovsky, "Love and Friendship" by S.S. Tulikov.
The State Choir of the Lithuanian SSR under the direction of K. Kavyackas performs the songs of K. Kavyackas "The Earth Wept in the Evening Twilight", "The Fisherman's Song".
The vocal and instrumental ensemble "Werner" (GDR) performs the songs "Only eleven years old" by H. Bata, "Kiss me" by B. Davy, "Song of love" by I. Riadon, "Say" by S. Fein, "About the first meeting" .Eichenberg.
The vocal quartet "Cheyanda" (Poland) performs the songs "Your loving eyes" by A. Belostotsky, "I'm in love with my Warsaw" by E. Wieler, "A song about the Vistula" by V. Ghan, "Under the sky of Paris" by Z. Giro, "Your heart with me” by N. Zemensky, “Lighthouse” by T. Kucher, “Blind Man's Bluff” by A. Mushinsky, “Captain”, “Don't Teach Me to Dance” by V. Shpilman.