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The main characters of the work after Tolstoy's ball. Composition on the topic The image of the protagonist in the story L

Ivan Vasilyevich is the main character of the story "After the Ball" by Leo Tolstoy. In the image of the main character, the author depicted a portrait of a man who was typical for that era. Ivan Vasilyevich was a man who lived very modestly, he was indifferent to big things. Such a person was like everyone else, not standing out from the crowd. But, the seemingly “ordinary” nature of this person is not his full description. By the character of the protagonist, the author showed how an honest and decent person should relate to what is happening in society. Tolstoy managed to depict the shortcomings that were inherent in the time described in the story in a very accessible and understandable way. Ivan Vasilievich experienced person, knowing life. He teaches young people and is respected by them. Ivan Vasilievich says young generation about "things of bygone days". Probably, in order to show how similar the past tense is to the present. But, it all started with the fact that in the forties of the nineteenth century, Ivan Vasilyevich was "a cheerful and lively fellow, and even rich."

At that time he was a student studying at the university. In addition to studying, which was given a certain time, the main character had fun, attended balls, at which he amazed those present with his ability to dance. He was successful among women. Ivan Vasilyevich lived a life that many other young people of that era lived. He did not think about any moral categories, important matters. As is typical of all young people, Ivan Vasilyevich fell in love. He fell in love with a girl named Varenka, who was the daughter of Colonel B. The girl was beautiful and not without the attention of many young people. Once, Ivan Vasilyevich found himself at a ball with a wealthy chamberlain, who was the provincial marshal of the nobility. Ivan Vasilyevich's beloved was also at this chic ball. With whom he danced almost the entire evening. At that moment Tvan Vasilyevich felt himself happy man. He did not know? whether the girl reciprocates, but her smile, her look made him happy. Ivan Vasilyevich was intoxicated with his feeling, everything around him seemed beautiful. Ivan Vasilyevich was also greatly impressed by Varenka's father: "a stately, tall and fresh old man." "He was a military leader of the type of an old campaigner of the Nikolaev bearing." The father, dancing with his daughter, looked dignified, graceful, graceful. His whole appearance, the presence of many orders, aroused respect from Ivan Vasilyevich. Ivan Vasilyevich drew attention to the boots of the old colonel: they were old-fashioned. But, the lack of new boots from the colonel, as people said, was caused by a desire to dress his daughter better. Such care for his daughter caused Ivan Vasilievich admiration and respect.

After the ball, being under the impression of this chic action, Ivan Vasilievich cannot fall asleep. And the young man decides to go to the house of Colonel B. to see his beloved Varenka once again. In the wasteland, in front of the colonel's house, Ivan Vasilievich saw how the soldiers were leading another Tatar soldier, who was tied to butts. This soldier was punished for escaping and passing through the line, he was subjected to severe blows from other soldiers. Next to this formation, Ivan Vasilievich saw the father of his beloved, who beat a soldier in the face, who, in the opinion of the colonel, did not beat the punished one hard enough. This scene made Ivan Vasilievich think: how can a person who was so cheerful and caring towards his daughter act so cruelly at the ball? What he saw in front of the colonel's house influenced Ivan Vasilyevich. He changed his mind about being in the military. This picture even cooled Ivan Vasilyevich's feelings for Varenka. Ivan Vasilyevich understood that, probably. the colonel did what was necessary, as was customary. But, there must be a moral side of actions. Beating a defenseless person is immoral. Thus, Lev Nikolaevich Tolstoy showed that a person (in this case Ivan Vasilyevich), does not dare to openly express his protest against what is happening, and what happened was a product of the existing order in the state, lawlessness. But, inside Ivan Vasilyevich, a protest is seething against the existing system, against the laws and foundations by which contemporary society lives.

The story "After the Ball" is based on a real event that Tolstoy learned about when he was a student living with his brothers in Kazan. His brother Sergei Nikolaevich fell in love with the daughter of the local military commander L.P. Koreysha and was going to marry her. But after...

1. The contrast of the color palette. 2. Contrasting feelings and things. 3. Link of contrasting passages. In Leo Tolstoy's story "After the Ball" contrast plays a structure-forming role in the creation of the work. Two sides of the same coin become...

The story of Leo Tolstoy describes the events that took place in Russia during the reign of Nicholas I. That was the harsh time of the reign of the tsar, frightened by the uprising of the Decembrists and intensified the reaction public life. The composition of the story is...

Varenka's father was a very handsome, stately, tall, fresh old man, he was beautifully built. The colonel at first refused to dance with his daughter, but then he nevertheless agreed ... The grandiose figure of Varenka floated near him, it was clear that her father had once ...

In the story "After the Ball" the main characters are Ivan Vasilyevich and the colonel, Varenka's father.

The story is told on behalf of the hero-narrator. This is Ivan Vasilyevich, he tells about his youth (this was in the forties, Ivan Vasilyevich was a student at a provincial university).

He recalls this period because it was then that he made important life discoveries that changed, as he believes, his fate.

The narrator was in love with Varenka, whom he describes as a wonderful beauty: “... in her youth, at eighteen, she was charming: tall, slender, graceful and majestic, just majestic.”

Tolstoy includes many details in the narrative, which make it possible to judge that the hero was really happy, was in love and perceived the world easily and brightly.

The description of the ball has great importance. The whole atmosphere of the ball creates the mood of the narrator: delight, gratitude, tenderness, endless happiness, which “grew and grew”. This mood and perception is explained by the state of love experienced by the young

Varenka's father is also at the ball, he is "a handsome, stately, tall and fresh old man." He danced with his daughter, everyone admired this couple, the colonel is gentle and sweet towards his daughter. For this man, the narrator during the ball “experienced some kind of enthusiastic tender feeling.”

To deepen the idea of Colonel Tolstoy masterfully uses the technique of antithesis. More important for him is what happened after the ball: the scene of punishment that Ivan Vasilyevich saw radically changed his ideas about life. The man in charge of the execution is Varenka's father. He walks beside the soldier who is being "chased for the escape", calmly and firmly.

Ivan Vasilievich also saw how the colonel “with his strong hand in a suede glove hit the face of a frightened, short, weak soldier because he did not put the stick on the red back of the Tatar enough.”

It becomes scary how much a person has changed. What is the real colonel? He is most likely the real one in the punishment scene. And at the ball, he simply played the role of a hospitable host and loving father.

Ivan Vasilyevich's feelings are also understandable: his lofty feelings were completely destroyed by what he saw on the square.

Ivan Vasilyevich analyzes his feelings, he saw the colonel with different eyes. Maybe Varenka is completely different, but the narrator has already lost that fresh and bright feeling that he had at first for her.

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Deep meaning of a little story

Getting acquainted with the events of just one day, you can give detailed description Ivan Vasilyevich from the story "After the Ball" by Tolstoy. A talented writer managed to draw with a few strokes inner world person, understand his condition. As part of small work not only personal, but also social problems are solved. Do we need the deeds of bygone days? L. N. Tolstoy convinces us that knowledge of history helps to live correctly, not to make mistakes, to adequately assess reality. Past and present are closely linked.

The story of L. N. Tolstoy "After the Ball" takes us back to the distant past, but remains in demand in our modern XI century. They rise in it eternal problems beings that are relevant to any person. Question moral choice- one of the main ones in this small in volume, but rather deep in content work.

Getting to know the main character

Everyone at least once has to make decisions that affect further fate. Main character L. N. Tolstoy's story "After the Ball" also faces a choice.

Handsome, young, rich

Man telling cautionary tale – central character works. A man recalls a story that dramatically changed his life. The description of Ivan Vasilyevich from the story "After the Ball" is put into the mouth of the hero himself. Many years ago he was a young man, studying, having fun, falling in love. Possessing an attractive appearance, a large fortune and a good disposition, Ivan Vasilievich had many friends and was successful with women. The young man could afford to have fun and not think about the future. His "pleasure was evenings and balls." He was the same as his peers, he burned through life like everyone else. “We were just young, and lived as is typical of youth: we studied and had fun,” the narrator explains.

kind fellow

In the story “After the Ball”, the author does not give characteristics to Ivan Vasilyevich. But from the text it becomes clear that this was an ordinary young man. Kind by nature, he sincerely saw only the good in people. The provincial leader and his wife are a sweet married couple, the colonel is a loving and caring father, Varenka is an angel who descended from heaven, with a "gentle, always cheerful smile at his mouth." We understand that a young man in love is naive and disinterested. He lives happily in the present and dreams of the future.

Life split in half

Happiness at the ball

The cruel reality of one morning dispelled dreams and confronted Ivan Vasilyevich difficult task. The method of antithesis used by the author helps to understand the state of the protagonist. His life seemed to be split in two. The description of the ball is saturated with a feeling of happiness and love. Throughout the evening, the young man does not leave his beloved girl. The white dress of the bride, the sounds of a waltz, kind smiles - these details help create a unique picture of the holiday.

Horror after the ball

The terrible picture of the execution of a runaway soldier made the young man take a different look at modern reality. Unpleasant, sharp sounds, black uniforms, red back symbolize pain, misfortune and horror. Reality destroyed dreams and dreams. Ivan Vasilievich.

Difficult choice

"The whole life changed from one night or morning." The hero must decide: how to live on. He could pretend that nothing had happened and continue to communicate with the family of the colonel who led the terrible torture of the unfortunate Tatar. Propose to your girlfriend, get married, have children and live like everyone around. After all, cruel corporal punishment, the duplicity of the colonel, the indifference of passers-by are the norm for most of his contemporaries. However, the young man chooses a different path. And this choice is a protest of the immorality and cruelty of the laws that prevailed during the reign of Nicholas I. Main character unable to communicate with Varenka, as she resembles her father, and he does not know how to pretend and lie. He "became somehow awkward and unpleasant." Changes plans for the future, refuses a career. "Couldn't get into military service, as he wanted before, and not only didn’t serve in the military, but he didn’t serve anywhere and, as you see, was no good.” Having lost a lot, he retains the main thing: honor and dignity. This morning has changed later life Ivan Vasilyevich, forced to look differently at the people around him. But nothing could make him betray himself. In the story "After the Ball" Ivan Vasilyevich is depicted as a man who is not afraid public opinion acts according to conscience.

Artwork lessons

It is not easy to choose the right path in your life. “In order to live honestly, one must tear, get confused, fight, make mistakes, start and quit again, because peace is mental meanness", - said the great writer L. N. Tolstoy himself. It is important to make such decisions so that later you will not be ashamed of your actions. The protagonist of the story "After the Ball" is an example to follow. His actions teach honesty and nobility.

Artwork test

The main features of the story "After the Ball":
genre - story;
based on real events;
plot: one incident from the life of the hero;
narration: on behalf of the protagonist;
contrast as a compositional technique;
detail as a way of revealing events and heroes;
attention to the inner world of the hero;
the story of the spiritual insight of the hero.

The history of the creation of Tolstoy's work "After the Ball"

The story "After the Ball" was written in 1903, published after the death of the writer in 1911. The story is based on a real event, which Tolstoy learned about when he was a student living with his brothers in Kazan. His brother Sergei Nikolaevich fell in love with the daughter of the local military commander L.P. Koreysha and was going to marry her. But after Sergei Nikolaevich saw the cruel punishment commanded by the father of his beloved girl, he experienced a strong shock. He stopped visiting Koreish's house and gave up the idea of marriage. This story lived so firmly in Tolstoy's memory that many years later he described it in the story "After the Ball." The writer thought about the title of the story. There were several options: “The story of the ball and through the system”, “Daughter and father", etc. As a result, the story was called "After the Ball." The writer was concerned about the problem: man and environment, the influence of circumstances on human behavior. Can a person manage himself or is it all about the environment and circumstances.

gender, genre, creative method analyzed work "After the ball" - prose work; written in the genre of the story, since the center of the story is one an important event from the life of the hero (shock from what he saw after the ball) and the text is small in volume. It must be said that in his later years Tolstoy showed a special interest in the genre of the story. The story depicts two eras: the 40s of the XIX century, the reign of Nicholas and the time of the creation of the story. The writer restores the past to show that nothing has changed in the present either. He opposes violence and oppression, against inhuman treatment of people. The story “After the Ball”, like all the work of L.N. Tolstoy, is associated with realism in Russian literature.

The subject of the work

Tolstoy reveals in the story "After the Ball" one of the bleak aspects of life in Nikolaev Russia - the position of the tsarist soldier: a twenty-five-year term of service, senseless drill, complete disenfranchisement of soldiers, being carried through the ranks as punishment. However, the main problem in the story is related to moral questions: what forms a person - social conditions or chance. A single incident rapidly changes a separate life (“The whole life has changed from one night, or rather morning,” says the hero). In the center of the image in the story is the thought of a person who is able to immediately discard class prejudices.

Idea

The idea of the story is revealed with the help of a certain system of images and composition. The main characters are Ivan Vasilievich and the colonel, the father of the girl with whom the narrator was in love, through whose images he decides the main problem. The author shows that the society and its structure, and not the case, influence the personality. In the image of Colonel Tolstoy exposes objective social conditions that distort the nature of a person, instilling in him false concepts of duty. Idea content is revealed through the image of the evolution of the inner feeling of the narrator, his sense of the world. The writer makes you think about the problem of human responsibility for the environment. It is the consciousness of this responsibility for the life of society that distinguishes Ivan Vasilyevich. A young man from a wealthy family, impressionable and enthusiastic, faced with terrible injustice, drastically changed his life path giving up any career. “I was so ashamed that, not knowing where to look, as if I had been caught in the most shameful act, I lowered my eyes and hurried to go home.” He devoted his life to helping other people: “Tell me better: no matter how many people are good for nothing, if you weren’t there.” In the story of L.N. Tolstoy, everything is in contrast, everything is shown according to the principle of antithesis: a description of a brilliant ball and a terrible punishment on the field; the situation in the first and second parts; graceful charming Varenka and the figure of a Tatar with his terrible, unnatural back; Varenka's father at the ball, who evoked enthusiastic emotion in Ivan Vasilievich, and he is also a vicious, formidable old man, demanding that the soldiers obey orders. Studying general construction story becomes a means of revealing its ideological content.

He expressed his attitude towards the cruelty of the treatment of soldiers.
-Social injustice: Why do some live a carefree life, while others eke out a beggarly existence.
-Problems of honor, duty, conscience.

The nature of the conflict

Analysis of the work shows that the basis of the conflict of this story lies, on the one hand, in the image of the two-faced colonel, on the other, in the disappointment of Ivan Vasilyevich. The colonel was a very handsome, stately, tall and fresh old man. Affectionate, unhurried speech emphasized his aristocratic essence and aroused even more admiration. Varenka's father was so sweet and amiable that he endeared himself to everyone, including the protagonist of the story. After the ball, in the scene of the punishment of the soldier, not a single sweet, good-natured line remained on the face of the colonel. There was nothing left of the person who was at the ball, but a new one, formidable and cruel, appeared. Only one angry voice of Peter Vladislavovich inspired fear. Ivan Vasilievich describes the punishment of the soldier in this way: “And I saw how with his strong hand in a suede glove he hit the face of a frightened, short, weak soldier because he did not put his stick on the red back of the Tatar enough.” Ivan Vasilievich cannot love just one person, he must certainly love the whole world, understand and accept it as a whole. Therefore, along with love for Varenka, the hero also loves her father, admires him. When he encounters cruelty and injustice in this world, his whole sense of harmony, the integrity of the world collapses, and he prefers not to love in any way than to love partially. I am not free to change the world, to defeat evil, but I and only I am free to agree or not agree to participate in this evil - this is the logic of the hero's reasoning. And Ivan Vasilievich deliberately refuses his love.

Main heroes

The main characters of the story are the young man Ivan Vasilievich, who is in love with Varenka, and the girl's father, Colonel Pyotr Vladislavovich. Colonel, a handsome and strong man of about fifty, an attentive and caring father who wears homemade boots to dress and take out his beloved daughter. The colonel is sincere both at the ball, when he dances with his beloved daughter, and after the ball, when, without reasoning, like a zealous Nikolaev campaigner, he drives a fugitive soldier through the ranks. He undoubtedly believes in the need to punish those who have broken the law. It is this sincerity of the colonel in various life situations most of all confounds Ivan Vasilyevich. How to understand someone who is sincerely kind in one situation and sincerely angry in another? “Obviously, he knows something that I don’t know ... If I knew what he knows, I would understand what I saw, and it would not torment me.” Ivan Vasilyevich felt that society was to blame for this contradiction: "If this was done with such confidence and recognized by everyone as necessary, then, therefore, they knew something that I did not know." Ivan Vasilyevich, a modest and decent young man, shocked by the scene of the beating of soldiers, is not able to understand why this is possible, why there are orders that sticks are needed to protect. The shock experienced by Ivan Vasilyevich turned his ideas about class morality upside down: he began to understand the Tatar's plea for mercy, compassion and anger, sounding in the words of a blacksmith; without realizing it, he shares the highest human laws of morality.

Plot

In the course of the analysis of the work, we come to the conclusion that the plot of the story is straightforward. Ivan Vasilyevich, convinced that the environment does not affect a person’s way of thinking, but the whole thing is in the case, tells the story of his youthful love for the beautiful Varenka B. At the ball, the hero meets Varenka’s father, a very handsome, stately, tall and “fresh old man” with ruddy face and luxurious mustache, Colonel. The owners persuade him to dance the mazurka with his daughter. During the dance, the couple attracts everyone's attention. After the mazurka, the father brings Varenka to Ivan Vasilyevich, and the young people spend the rest of the evening together. Ivan Vasilievich returns home in the morning, but cannot fall asleep and sets off to wander around the city in the direction of Varenka's house. From afar, he hears the sounds of a flute and a drum, which endlessly repeat the same shrill melody. On the field in front of B.'s house, he sees how some Tatar soldiers are driven through the ranks for escaping. Varenka's father, a handsome, stately colonel B. Tatarin, is in command of the execution, begging the soldiers to "have mercy", but the colonel strictly ensures that the soldiers do not give him the slightest indulgence. One of the soldiers "rubs". B. hits him in the face. Ivan Vasilyevich sees the back of the Tatar, red, motley, wet with blood, and is horrified. Noticing Ivan Vasilievich, B. pretends to be unfamiliar with him and turns away. Ivan Vasilyevich thinks that the colonel is probably right, since everyone admits that he is acting normally. However, he cannot understand the reasons that forced B. to beat a man severely, and not understanding, he decides not to enter the military service. His love is waning. So one incident changed his life and views.

How positive was the portrait of this hero in the first part, so terrible and disgusting he became in the second. To watch in cold blood the torments of a living person (Tolstoy says that the back of a Tatar turned into a wet piece of bloody meat) and also to punish for the fact that one of the soldiers takes pity on the poor fellow and softens the blow!
It is also important that this punishment took place first day Great Lent, when you especially strictly need to monitor the purity of your thoughts and your actions. But the Colonel doesn't think about it. He received the order and carried it out with great zeal.
It seems to me that in his "work" the hero is like a machine that just does what it was programmed to do. But what about his own thoughts, his own position? After all, the colonel is able to experience good feelings- this was shown to us by the writer in the episode of the ball. And so the “morning episode” of their life of this hero becomes even more terrible. A person suppresses, does not use his sincere good emotions, hides all this in a military uniform, hides behind someone else's order.
On the example of Colonel B. Tolstoy raises two important issues: personal responsibility for their actions, unwillingness to live " conscious life”and the destructive role of the state, forcing to destroy a person in a person.
The morning episode had a shocking effect on the narrator Ivan Vasilyevich. He did not understand who was right and who was to blame in this situation, but he only felt with all his heart that something was wrong, fundamentally wrong.
This hero, unlike Colonel B., listens to his soul. That is why he makes a very important decision - never to serve anywhere. Ivan Vasilievich simply cannot allow someone to destroy him, force him to do what he does not want.
Thus, we see that the second part of the story, describing the events after the ball, completely changed the life of the hero. The first morning of Great Lent made this young, for a long time a person who lived in “rose-colored glasses” to think about important things - about morality, responsibility, the meaning of life. We can say that it made Ivan Vasilyevich grow up and look at his life and the world around him from a different angle. That is why Tolstoy's story is called "After the Ball",

Composition

The whole story is the events of one night, which the hero remembers many years later.

1.In the work no exposure. Exposition - a story about the fate of the characters before the beginning of the events described, the background of the events underlying the work of art.

The story can be conditionally divided into three parts: the author's text opens and closes the story - the frame, and inside it is the story told by the hero, Ivan Vasilyevich.

2. "After the Ball" is built as a "story within a story": starts framing - dialogue: venerable, who has seen a lot in life and, as the author adds, a sincere and truthful person - Ivan Vasilyevich, in a conversation with friends, claims that a person’s life is formed in one way or another not at all from the influence of the environment, but because of the case, and as proof of this he cites a case, as he himself admits, that changed his life. What is this dispute about? First of all, about global problem improvement of the world and man. From time immemorial, man has felt this inner need to fight evil within himself and outside. Is such a struggle possible? Will she be hopeless? Where to start it? From external conditions, from the environment or from yourself?

framing — artistic technique, when the main plot is, as it were, introduced into the frame of another plot. One of the main methods of composition of the story "After the Ball" is the antithesis, i.e. contrasting image of heroes, circumstances, events, some details.

Antithesis- an artistic technique based on comparison storylines, episodes, images.

This is actually a story whose heroes are Varenka B., her father and Ivan Vasilyevich himself. Thus, from the dialogue of the narrator and his friends at the very beginning of the story, we learn that the episode that will be discussed was of great importance in a person’s life. Form oral story gives the events a special realism. The mention of the sincerity of the narrator serves the same purpose. He talks about what happened to him in his youth; this narrative is given a certain “flavor of antiquity”, as well as the mention that Varenka is already old, that “her daughter is married”.

3. There are two parts to the story itself. The first is “At the ball”, the second is “After the ball”, or you can call it more specifically - “At the parade ground”.
The ball scene is the beginning of the action, its development and climax. Ivan Vasilyevich, young, "a cheerful and lively fellow", and even "handsome" and "rich", is in love with the beautiful girl Varenka. Ivan Vasilievich's feelings developed in ascending order. The hero saw the girl as an angel. The white color of her dress, as it were, emphasizes the bright image of Varenka and the bright feelings of Ivan Vasilyevich.
It seemed to Ivan Vasilyevich that love was raising him to some unprecedented height. The hero is at the pinnacle of happiness and it seems that his feeling cannot develop further. But no, this is not the end. Varenka's dance with his father raises in his soul a previously unknown wave of tenderness and happiness. This dance is the culmination of the hero's feelings and the culmination of the plot.
The dance of the father with his daughter is described by the author in detail, and Tolstoy pays more attention to the father. In his appearance, as well as in the guise of Varenka, white color prevails.
Ivan Vasilievich imperceptibly and easily transferred his love to Varenka's father. Father and daughter are one for him. A little later, the realization of their inseparability will cause feelings opposite to tenderness. Having reached its culmination, Ivan Vasilyevich's love remains the same after the ball. “My happiness grew and grew,” he will say, spreading his love to the whole world. On the very high note feelings of the hero ends the first part of the action.
"I saw ... something big, black"
The second part of the story is in many ways the opposite of the first. White dominated the ball, and black dominated the parade ground. At the ball, a mazurka sounded, which supported the feeling of happiness, and on the parade ground "drums beat and flutes whistled." These sounds set the alarm. The figures on which the hero's attention is focused are also contrasting. At the ball - the lovely Varenka, and on the parade ground - a soldier beaten with gauntlets. He could only sob: "Brothers, have mercy."
“At the Ball” and “At the Parade Ground” are different scenes, and the contrast between them is quite natural, if not for one “but” ... The same person participates in them. The execution on the parade ground was led by Varenka's father, Colonel B. Blinded by love, Ivan Vasilievich used to see him as perfect, so the shock from what was happening on the parade ground was the strongest. “There was an almost physical melancholy in my heart, reaching nausea, melancholy ...” And I was also very “embarrassed”.
The scene on the parade ground is the denouement of the action. Ivan Vasilyevich for a short period of time (from evening to morning) went from blindness to insight. Having regained his sight, he realized that in the world of people there is visibility and essence, and far from always they are in harmony. That was the case with the Colonel. At the ball it is "pink and white". It turned out that this was an appearance, and his essence appeared on the parade ground.
"If i knew..."
Even Ivan Vasilyevich realized that morning that there was some other truth that he did not know. This truth allows the guilty soldier to be beaten to death.
The inability to understand that other truth, and therefore to accept it, turned Ivan Vasilyevich's whole life upside down. He, a carefree young man, suddenly discovered in himself previously unknown feelings: “I was so ashamed ... as if I had been convicted of the most shameful act ...” He was ashamed of the actions of another.
Dreaming of military service, Ivan Vasilyevich refuses it. From what? Probably, again, from the inability to understand what it is - this service.
Yes, and "love from that day began to wane." But what about Varenka? Nothing. But if in a moment of happiness she was for Ivan Vasilyevich a single whole with her father, then even in a moment of his horror and shame he could not separate them in his mind. The evil coming from the colonel, against his will, struck the love of his beloved daughter. This is the only punishment for him.
The narrative that Ivan Vasilyevich leads shows the events in reverse chronology, which allows you to see its devastating consequences in his fate.

Analysis of the first part of "Ball".

Varenka in a white dress, white gloves, white shoes. White color is the personification of purity, light, joy. Bright means of expression were used - epithets: a wonderful ball, a beautiful hall, a magnificent buffet, etc.
- An elegant mazurka, a perky polka, a cheerful quadrille, a gentle, smooth waltz sounded.
- Varenka's father - handsome, stately, tall, fresh, with a joyful smile; guests admire the charm and courtesy of the colonel. expressive verbs: touched the boots, made beautiful and fast pas.
-Ivan Vasilievich “at that time embraced the whole world with his love”, “he was happy, blessed, was kind. "I was not me, some unearthly creature who knows no evil and is capable of only good. I loved the hostess ... and her husband, and even engineer Anisimov.

the ball is wonderful, the hall is beautiful, the buffet is magnificent

sounds - quadrilles, waltzes, polkas

the hosts of the ball - a good-natured old man, a rich hospitable man,

Varenka - his good-natured wife in a white dress, in white gloves, in white shoes, she has a radiant flushed face and affectionate sweet eyes

colonel - Handsome, stately, tall, fresh, with a white mustache, white sideburns, with sparkling eyes

Ivan Vasilievich - Satisfied, happy, blessed, kind,

Analysis of the second part of "After the Ball" - "The Punishment of a Soldier".

The colors change dramatically: the landscape of a spring morning is not pleasing, first something big, black is seen at the end of the field, then soldiers in black uniforms, the soldier’s back is described as “something motley, wet, red, unnatural.” Verbs, participles, and participles are expressive: “a man stripped to the waist, tied to the guns of two soldiers”, “a face wrinkled from suffering”, pushed, pulled, sobbed, twitching with his whole body, tipping back, etc.
- The melody is unpleasant, shrill, "some other, hard, bad."
- The Colonel walked with a firm, trembling gait, ".. strong hand strikes the face of a weak soldier." The means of expression are antonyms: a stumbling soldier writhing in pain and a tall, stately figure of a colonel.
-State I.V. is conveyed by the words "And it seemed to me that I was about to vomit with all the horror that entered me from this spectacle"

Execution (corporal punishment):

street - Something big, black, hard, bad music

sounds - Unpleasant, shrill melody

soldiers - A lot of black people in black uniforms,

punishable - Stripped to the waist, his back is something motley, wet, red, unnatural

colonel - Tall military man, walked with a firm trembling gait

Ivan Vasilyevich - It was a shame, lowered his eyes, his heart was almost physical, reaching nausea, melancholy

Artistic originality

Tolstoy the artist always took care that in the work "everything should be reduced to unity." In the story “After the Ball”, the contrast became such a unifying principle. The story is built on the technique of contrast, or antithesis, by showing two diametrically opposite episodes and, in connection with this, a sharp change in the experiences of the narrator. Thus, the contrasting composition of the story and the corresponding language help to reveal the idea of the work, tear the mask of good nature from the face of the colonel, and show his true essence. The contrast is also used by the writer when choosing language tools. So, when describing the portrait of Varenka, white color prevails: “ White dress”, “white kid gloves”, “white satin shoes” (this artistic technique is called color painting). This is due to the fact that white is the personification of purity, light, joy, Tolstoy, using this word, emphasizes the feeling of a holiday and conveys the state of mind of the narrator. About the holiday in the soul of Ivan Vasilievich says musical accompaniment story: a cheerful quadrille, a gentle smooth waltz, a perky polka, an elegant mazurka create a joyful mood. In the scene of punishment, there are other colors and other music: "... I saw ... something big, black, and heard the sounds of a flute and a drum coming from there .... it was ... harsh, bad music."

The role of the artistic detail

Any artistic detail helps to reveal ideological meaning works

Colonel Pyotr Vladislavovich B. is the father of the girl with whom the hero-narrator is in love. For the first time, Varenka points to the "tall, stately figure of her father, the colonel." Colonel appearance. "Handsome, stately, tall and fresh old man." Important: parallels with Nicholas I (Nikolai Palkin) - mustache“A la Nicholas I”, “a military commander like an old campaigner, Nikolaev bearing” - an indication of the torture of soldiers adopted in Nikolaev time. “Affectionate joyful smile, like that of a daughter” - a decent citizen, a caring father.

Colonel's White Suede Glove- “everything is necessary according to the law” - at the ball, he puts it on when dancing with his daughter, and after the ball: “with a strong hand in a suede glove he hit the face of a frightened, short, weak soldier.” A suede glove is an important artistic detail that emphasizes the status of its owner. In the ball scene, bright and festive, she is an adornment and exaltation of her "master". Pulling on a suede glove on his right hand during the ball, the colonel said: "Everything must be done according to the law." During the execution, Ivan Vasilyevich saw the colonel, who “with his strong hand, in a suede glove, hit the frightened short soldier in the face, because he did not put the stick on the red back of the Tatar enough”

"Unfashionable", "homemade" boots of the colonel that touched the hero at the ball. In order to take out and dress his beloved daughter, he does not buy fashionable boots, but wears home-made "instead of fashionable shoes, he orders boots from a battalion shoemaker .; white mustache and sideburns - this detail is also repeated in the second episode.

The beauty of the colonel disgusts Ivan Vasilyevich, who is watching the punishment (the protruding lip, the colonel's pouting cheeks). The writer resorts to the technique of contrasting color matching (dominant white and pink colors the first part are contrasted with the red, colorful, unnatural appearance of the Tatar’s back in the second part of the story), as well as the contrasting juxtaposition of sounds (the sounds of the waltz, quadrille, mazurka, polka in the first part are dissonant with the whistle of the flute, the thump of the drum, the refrain repeated throughout the second.

What did Ivan Vasilyevich have left after the ball in memory of Varenka? - Her glove, a feather from her fan.

Color and sound images of the story

The short story “After the Ball” by Leo Tolstoy logically falls into two parts, and the second part is clearly opposed to the first. What accounts for such a contrast? Among the linguistic means used by the author, sound and color images, revealing the psychological state of the protagonist - Ivan Vasilyevich, cannot but attract the reader's attention. It is he who tells us about how a case can change a person's life, it is through his eyes that we see and hear what happens at the governor's ball and after the ball.

So, the last day of Shrovetide, a ball at the leader. Everything and everyone surrounding our hero is beautiful, wonderful, magnificent. And the colors corresponding to this mood caress the eyes: silver, pink (as an option - ruddy) and white. There is a lot of white: these are the white shoulders of the governor's wife, and Varenka, all in white - shoes, a dress, gloves, a fan, and Father Varenka with a white mustache and sideburns. Lots of light.

The sounds of polka, quadrille, waltz and mazurka are unlikely to cause sad mood, especially since they were performed by famous, albeit serf musicians.

As the hero of the story moves away from the venue after the ball, the colors darken and finally turn black: Ivan Vasilyevich sees something black, he meets black people, the soldiers are wearing black uniforms. The back of the tortured Tatar is variegated, red, and wet. The general impression of color is something unnatural, terrible.

And the music here is completely different: bad, harsh, unpleasant, shrill. The flute does not sing, but whistles, the drums beat the fraction. Screams, sobs, an angry voice are heard.

All this brings Ivan Vasilyevich into such a state of horror that it dramatically changes his future fate: "... he could not enter the military service, as he wanted to before ...", "love from that day began to wane."

The meaning of the work

The meaning of the story is enormous. Tolstoy poses broad humanistic problems: why do some live a carefree life, while others drag out a beggarly existence? What is justice, honor, dignity? These problems have worried and are worrying more than one generation of Russian society. That is why Tolstoy remembered an incident that happened in his youth and made it the basis of his story. 2008 marked the 180th anniversary of the birth of the great Russian writer Leo Tolstoy. Hundreds of books and articles have been written about him, his works are known all over the world, his name is honored in all countries, the heroes of his novels and short stories live on screens, on theater stages. His word is heard on radio and television. “Not knowing Tolstoy,” wrote M. Gorky, “one cannot consider oneself knowing one’s country, one cannot consider oneself cultured person". Tolstoy's humanism, his penetration into the inner world of man, protest against social injustice do not become obsolete, but live and influence the minds and hearts of people today. A whole epoch in the development of Russian classical literature is associated with the name of Tolstoy. fiction. Tolstoy's legacy is of great importance for the formation of the worldview and aesthetic tastes of readers. Acquaintance with his works, full of high humanistic and moral ideals, undoubtedly, contributes to spiritual enrichment. In Russian literature, there is no other writer whose work would be as diverse and complex as the work of L.N. Tolstoy. great writer developed Russian literary language, enriched literature with new means of depicting life. global importance Tolstoy's work is determined by the formulation of great, exciting socio-political, philosophical and moral problems, unsurpassed realism in the depiction of life and high artistic skill. His works - novels, short stories, short stories, plays - are read with unflagging interest by more and more generations of people all over the globe. This is evidenced by the fact that the decade from 2000 to 2010 was declared by UNESCO as the decade of L.N. Tolstoy.

Psychological portraits

Portrait- image in literary work the appearance of the hero: facial features, figures, clothes, postures, facial expressions, gestures, demeanor. The portrait is also one of the important composition techniques.

The author describes only appearance girls, clothes, behavior at the ball, without affecting her inner world. We see a girl “... in her youth, eighteen years old, she was charming: tall, slender, graceful and majestic, just majestic. She always kept straight - as if she could not help it - throwing her head back a little, and this gave her, with her beauty and tall stature, despite her thinness, even bony, some kind of regal look ... "

When describing Varenka, white predominates: “white dress”, “white kid gloves”, “white satin shoes”. White color is the personification of purity, light, joy, Tolstoy emphasizes the feeling of a holiday and conveys the state of mind of the narrator. The hero draws attention to her "radiant, flushed face with dimples and gentle sweet eyes."

And here is a description of a tormented soldier: “something terrible, a man bare to the waist, a face wrinkled from suffering, a stumbling, writhing man, a motley, wet, red, unnatural body.”

An indication of nationality plays an important role in the portrait. He was a Tatar. By this, Tolstoy hints at the contemptuous attitude of contemporaries towards people of other nationalities.
The reception of antithesis is used in creating a portrait of the colonel at the ball and after it. In literature, a psychological portrait is more common, in which the writer always seeks to reveal his inner world through the appearance of the hero.

Lev Nikolaevich Tolstoy - master psychological portrait. The author creates portrait of a colonel at a ball - friendly and nice person, handsome, stately, tall, fresh, with a white mustache, white whiskers, with sparkling eyes, a joyful smile, with a broad chest, strong shoulders and long slender legs. After the ball we see a different colonel, the author does not just depict his appearance, but creates his psychological portrait - the embodiment of cruelty and indifference. The hero notices the colonel's protruding lip, draws attention to his firm step, strong hand in a suede glove, and how menacingly and viciously the colonel frowned when he was caught in a terrible act.

Contrast is used in the description of the psychological portrait Ivan Vasilyevich at the ball and after the ball. The writer gives a description of the hero's appearance, a description of his experiences, introduces an internal monologue, talks about his actions. Hero at the ball he was in a state of falling in love, admired, did not feel his body, a feeling of delight did not leave him, gratitude, enthusiastic tenderness, an enthusiastic tender feeling, he is satisfied, happy, blessed, kind, infinitely happy, his happiness “everything grew and grew”. After the ball he is disappointed , depressed, feels shame, longing to the point of nausea, is about to vomit with horror, he is embarrassed, unpleasant, love has come to naught.

The contrasting image of the heroes, their psychological portrait, the environment in which they live, allows the writer to reveal the essence of their characters and at the same time expose the idea of Russia's social contradictions. Contrast helps reveal the idea of coexistence of 2 worlds, two Russias - peasant and noble .

Tolstoy not only shows a bizarre combination of good and evil impulses in the colonel's soul, but also exposes objective social conditions that distort the nature of a person, instilling in him false concepts of duty.

At the same time, the writer makes one think about the problem of human responsibility for the environment. It is the consciousness of this responsibility for the life of society that distinguishes Ivan Vasilyevich. A young man from a wealthy family, impressionable and enthusiastic, faced with terrible injustice, he dramatically changed his life path, abandoning any career. “I was so ashamed that, not knowing where to look, as if I had been caught in the most shameful act, I lowered my eyes and hurried to go home.” He devoted his life to helping other people: “Tell me better: no matter how many people are good for nothing, if you weren’t there.”
Lev Nikolayevich Tolstoy is a master of psychological portraiture. Ivan Vasilyevich, acting in the work as a narrator, can be considered a typical representative progressive part Russian society XIX century. His fate is the fate of hundreds and thousands of thinking people who actively resisted the deadly influence of tsarism in Russia.

In addition to the antithesis, the portrait plays an important ideological and compositional role in the work of the landscape. Scenery- description of nature in a literary work.

The landscape is introduced by the author in the second part of the story. The picture of nature does not in any way correspond to the triumphant mood of the hero, although events develop in the morning - the time of awakening of all living things. But did the hero wake up after numerous balls, fun, festivities?

It's foggy all around and it's hard to see anything. But the young man is considering. He sees something big and black. The hero observes a cruel execution over a Tatar soldier.
It was this inhuman spectacle that awakened Ivan Vasilyevich, pulled him out of the nightly revelry and festivities, from that habitual carefree existence in which he was a simple layman.

Morning in nature that day became the morning of the hero's life, he woke up and saw reality in completely different colors.
The composition of the story "After the Ball", its techniques reveal the idea of the work, emphasize the main thing, introduce the reader into the world of experiences and thoughts of the characters.

This is interesting

The episode describing the punishment of the soldiers had a backstory. It first appeared in an article by L.N. Tolstoy "Nikolai Palkin", written in 1886. The writer learned about the details of the cruel punishment with gauntlets when, together with N.N. Ge-junior and M.A. Stakhovich walked from Moscow to Yasnaya Polyana. For the night we stopped at the 9 5-year-old soldier, who told them this story. Although Tolstoy himself never witnessed such a punishment, the story made a huge impression on him. On the same day, Lev Nikolayevich drafted an article in his notebook. The article "Nikolai Palkin" is a dialogue between the author and a soldier, which gradually turns into reflections lyrical hero about the events of those years. Every word in Tolstoy has extraordinary expressiveness and capacity. So, in the story there is an epithet that is extremely significant in its meaning: "a flexible stick of such the highest approved thickness ...". It was included by Tolstoy with a specific purpose - to indicate that despotism and cruelty come from the tsar himself, are determined by the autocratic system. The indication that the thickness of the gauntlets was approved by the king himself is based on documentary data. It is known that Tolstoy was familiar with the note of Nicholas I, in which the tsar prescribed the rite of execution of the Decembrists with all the details. Regarding this note, Tolstoy wrote indignantly that "this is some kind of refined murder." In his article “Nikolai Palkin”, the author mentions a familiar regimental commander who “on the eve of a beautiful daughter danced a mazurka at a ball and left earlier in order to order early the next morning to drive a fleeing Tatar soldier to death through the ranks, spot this soldier to death and return have dinner with the family. This scene represents, as it were, an intermediate stage between the article "Nikolai Palkin" and the story "For what?", closer to the latter. Emotional Impact of this scene on the reader intensifies from work to work (“Nikolai Palkin” - “After the Ball” - “For what?”). Here Tolstoy manages to most vividly convey the feelings, thoughts, experiences of the characters during the execution, their mental and physical suffering.-

In the story "After the Ball" the main characters are Ivan Vasilyevich and the colonel, Varenka's father.

The story is told on behalf of the hero-narrator. This is Ivan Vasilyevich, he tells about his youth (this was in the forties, Ivan Vasilyevich was a student at a provincial university).

He recalls this period because it was then that he made important life discoveries that changed, as he believes, his fate.

The narrator was in love with Varenka, whom he describes as a wonderful beauty: "... in her youth, at eighteen, she was charming: tall, slender, graceful and majestic, just majestic."

Tolstoy includes many details in the narrative, which make it possible to judge that the hero was really happy, was in love and perceived the world easily and brightly.

The description of the ball is of great importance. The whole atmosphere of the ball creates the mood of the narrator: delight, gratitude, tenderness, endless happiness, which “grew and grew”. This mood and perception is explained by the state of love experienced by the young man.

Varenka's father is also at the ball, he is "a handsome, stately, tall and fresh old man." He danced with his daughter, everyone admired this couple, the colonel is gentle and sweet towards his daughter. To this man, the narrator during the ball "experienced<…>some kind of delightful tender feeling.

To deepen the idea of Colonel Tolstoy masterfully uses the technique of antithesis. More important for him is what happened after the ball: the scene of punishment that Ivan Vasilyevich saw radically changed his ideas about life. The man in charge of the execution is Varenka's father. He walks next to the soldier who is "chased for escape", calmly and firmly.

Ivan Vasilyevich also saw how the colonel “with his strong hand in a suede glove hit the face of a frightened, short, weak soldier because he did not put the stick on the red back of the Tatar enough.”

Ivan Vasilyevich's feelings are also understandable: his lofty feelings were completely destroyed by what he saw on the square.

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